,,¨,¨,.¨,. ,.¨¤@¨,..@
¨@§#¤¤&&¤¨ #£.,.¨££¨,
¨,§#&¤@@¨¨ £.,&£¨.¨.@
,¨.§§@¤¨¨# ,.¨..¨,.
&¤.,@§..., £&£@&.¨,.§
¤..,¨¨¨££. statuette §#§¤..£¤,¨
,,&&£¤.,.. #¤§,¨...¨,
¤,¨@@.¨# %£&%¤*$$¤%%$*@§*~=~~~~~~¤¤£$%§$*$£$@%*&* §@,¨#&¤#£@
,¨,¨,.,¨§£ $¤%££%£%% #.,..#§£@@
,&¤§¤¤£¨¨# .¨£¤..£¤#.
.¨&¤§#..¨. forests around my childhood home. thick ,,¨,¨,.§,.
§,,##.,£§£ pine arcades that were planted and &§@£§£,¨.¤
,¨.,,¨..£@ forgotten. wild boars roaming ¨§£&@..¤¨,
¤@¤£@£¤¨,. underneath, sniffing at the ground. it ¨.#¤,.,,.#
£§#@§#,¨&£ is dark and moist, the canopy having ,..,¨#@§¨,
¨&§¤#¨...£ already soaked up all the sun. £@¨,¤,¨,
.,£@¨,£§,¨ @#@.¨¨.¨@&
¨.,¨,.¨¨,§ there's a river passing by, from east ¤@..&.,,
££§£@¤,¨ to west, getting broader and deeper and ¤,,.¨#¨,&@
@#¤&@@#,¨& slower as it goes. equisetum grow just .¨§#...,¨@
&¤§£.¨.¨ where the pine hands start to let #,¨.,¤¤£¨,
.&&£#,,¤££ through light, horsemint on the rocky ¨.&§¨¨#,¨.
,¨¤#¨,..¤& river bed. @.,¨,.¨¨&&
,.¨¨.@&.¨@ ,.§##&£.,¨
¤§£#..¨,¨. * @¨.§#@.¨£§
@£@,,¤&£## ,,¨.§¨¨..£
@#,.¨,£¤¤¤ the riverbanks reek of magic. tonight @#§¨..&@..
..,§&¨¨@§& they had been a swampworld with sylvan @@,¨£¨¨¨,¨
§@,,,,,,&§ water, stone rings and floating moss. §¨,.,¨£§§@
@.,§¤¤¤¨¨¨ you could've found me wallowing around ¨¨£¤#¨¨£§&
,¨,.£#..¤¤ on the southern shores until i got £¨¨§,,,,¤&
.##.¨¨,,¨. bitten. .,..¨£#,¨,
¨.,,¤@£§§§ @&&¤¨¨..@£
¨@#.,¤&§#¨ but now i'm further back, on solid ¤¤§.,¤&,¨¨
¨¨.¨..#@,. ground, in shoulder-high grass, with an .@,..,,,£¤
.££¤@.,.¨¤ orange tin radio and a translucent ,¨¨&&@&..¨
.,@¤..£@.¨ umbrella which i'm sitting on. ,£..,,¤£
,¨¨¨,,..,, ¨¨,..,¨.¨,
§¤§@¤£@#@£ † @§££#¤#&£§
@£&@&¤¤§&@ ¤§¤¤&¤£&§&
§#¤&£¤@§£§ somethings moving in the grass. it's £#££§@¤§¤£
£¤£¤&&@£@& invisible to my eyes but i can feel ¤§§#§@#@
&¤&@§&£# through the ground just how large it is. &§&¤@@£@@£
@&@¤¤¤§§£# ¤§¤§§§#&
#£@&@¤#¤ the soil is muddy. i slip when trying @#@#&&£###
#@#¤@#&& to get up, still looking at the &§&§@@¤&§£
£@¤@&@££#@ direction of sound rather than at my £&§&§¤§£@&
##¤##£§§&§ hands, who are busy putting things in #§#§&§&££&
¤§£#¤&¤¤## my pockets. ¤#¤¤§#¤££§
§£§#¤@§# ##@£#£@£§@
£¤##£§#&§§ then i run east toward my home. #£§@¤&§&£¤
£@&£¤§¤§§@ ££££#¤£@
£&¤£&¤£#@§ / ¤#@@¤@§£¤£
@&§§@¤§£§# ££¤&¤§&&§@
#@@££@¤§ i am not followed, and slow down in the ##&§£&§@¤&
&¤#§§#§§ clearing where you at first can spot ¤§£@£&¤¤
@@#§&&§¤£@ the house, not yet really in the ¤££#£#§§££
¤#&@&§@&¤£ backyard. from my pockets i retrieve my ¤##¤§##¤@§
¤£§@&&§£ radio (now dented) but also a small ¤#§§£¤£¤#¤
#§¤£#@&£ clay figure i've never seen before. it &¤@#¤£&£££
££&@@§&£§§ must have been laying in the wet dirt, @@@£££¤@
§@¤§#§#&£¤ and i must've picked it up with my ¤§@§#£#&@¤
£@@§£§&¤&@ other belongings. ¤##£#£¤§£#
#§£¤£¤@§¤¤ #@@¤£#&&¤&
&&@§§§¤§ it's a statuette of a girl laying naked ¤¤&£#@##¤§
@#§@&¤§£ on her stomach, feet in the air, £§£¤@#¤¤@#
&£#¤&&¤§@§ roughly seven centimeters long. it's @£@£@#¤##§
§£&¤#@#&£@ freshly made, not yet completely dried. §#§§@#@&@&
@@££§@&£#¤ &¤#£#§#&¤&
§#££@@¤&@¤ my mom is here now. i ask her for some &§&££&&@§&
&@@#@##&§£ particle board for it to dry on, but @£#£#@
§@£@&@¤££# she is worried and wants me to §¤#¤#£@££§
@@§&¤#&£§@ throw it away. #£@&@£@£@@
&&§&&£ §£&@@£@§
§#¤§§@@£#£ @¤&¤§&¤@§#
#¤§§§# #&@§@¤¤¤§@
§£§§£&£¤&§ ¤&@&£¤§£##
#@§@§¤§##¤ §@£&&&¤@#@
&¤&@£¤@¤#& £&£@£&££