¨~=†$£¤¶@# #@¶¤£$†=~¨
.,,=;^£@@# #@@£^;=,,.
,.¨^~:*$## ##$*:~^¨.,
¨,-~†^## ###&^†~-,¨
¨,-=*$§£@# #@£§$*=-,¨
¨,-~\§%#¶@ statuette @¶#%§\~-,¨
,¨¨-==^£¤@ @¤£^==-¨¨,
¨.:~/§£@ £§%£§£&$%%¤%%@@%»~==«»««&*%&%%§%££&&£@%% @£#&§/~:.¨
¨^»^§&&¶## **£@@§$%& ##¶&&§^»^¨
,,,~/†@##@ @##@†/~,,,
..,~»††£@£ forests around my childhood home. thick £@£††»~,..
.,.»*§*¤## pine arcades that were planted and ##¤*§*».,.
¨--\^&£¶## forgotten. wild boars roaming ##¶£&^\--¨
¨.:=*=&# underneath, sniffing at the ground. it ##&&=*=:.¨
¨¨¨-=:§£&@ is dark and moist, the canopy having @&£§:=-¨¨¨
,¨-~==£@## already soaked up all the sun. ##@£==~-¨,
,-=†=£@#@# #@#@£=†=-,
,,,«††%£#@ there's a river passing by, from east @#£%††«,,,
..,~»*%*#@ to west, getting broader and deeper and @#*%*»~,..
.,,«/%££## slower as it goes. equisetum grow just ##££%/«,,.
¨,-†=£#### where the pine hands start to let ####£=†-,¨
.,,-^%$&@# through light, horsemint on the rocky #@&$%^-,,.
..,,«:**¤@ river bed. @¤**:«,,..
..~=;^%@£@ @£@%^;=~..
¨,~\%§#¶## * ##¶#§%\~,¨
¨,--*†@@ @#&@†*--,¨
,¨¨.«;=$#@ the riverbanks reek of magic. tonight @#$=;«.¨¨,
.¨.«*%*# they had been a swampworld with sylvan ##&*%*«.¨.
¨^«†*@#@## water, stone rings and floating moss. ##@#@*†«^¨
¨.~»:*£@¶@ you could've found me wallowing around @¶@£*:»~.¨
¨¨,,-;%¤#£ on the southern shores until i got £#¤%;-,,¨¨
.¨-«†=$££# bitten. #££$=†«-¨.
.~~^$£@¶@# #@¶@£$^~~.
¨,,-†§¤¤£# but now i'm further back, on solid #£¤¤§†-,,¨
,¨,.=:†&£@ ground, in shoulder-high grass, with an @£&†:=.,¨,
¨.^«†%£@@@ orange tin radio and a translucent @@@£%†«^.¨
,,~/$@#¶## umbrella which i'm sitting on. ##¶#@$/~,,
¨,~»†§£#@@ @@#£§†»~,¨
.¨¨.~:§£#@ \ @#£§:~.¨¨.
,¨.~\*%@@# #@@%*\~.¨,
.:~**%£### somethings moving in the grass. it's ###£%**~:.
¨,~«†=%@£# invisible to my eyes but i can feel #£@%=†«~,¨
,.,.-^=@@# through the ground just how large it is. #@@=^-.,.,
¨,:=\%## ###&%\=:,¨
¨^=;§£¤@@# the soil is muddy. i slip when trying #@@¤£§;=^¨
..,~**&§@# to get up, still looking at the #@§&**~,..
,¨¨,»=§£@£ direction of sound rather than at my £@£§=»,¨¨,
.,.~==§£## hands, who are busy putting things in ##£§==~.,.
,:«***¤¶@# my pockets. #@¶¤***«:,
,,-«†*%@¶# #¶@%*†«-,,
.,¨~==%* then i run east toward my home. #&*%==~¨,.
,¨^~:=£&¶@ @¶&£=:~^¨,
¨,»=$£¤¶## ^ ##¶¤£$=»,¨
¨.-~\*$¤@@ @@¤$*\~-.¨
.,,-»;%$¤¶ i am not followed, and slow down in the ¶¤$%;»-,,.
.¨~»^*&£¶@ clearing where you at first can spot @¶£&*^»~¨.
.-«\%@££## the house, not yet really in the ##££@%\«-.
¨.,~†§&@ backyard. from my pockets i retrieve my @#&&§†~,.¨
,,¨:«†=$&£ radio (now dented) but also a small £&$=†«:¨,,
¨,,~;*%§¶# clay figure i've never seen before. it #¶§%*;~,,¨
,,=^$*¤### must have been laying in the wet dirt, ###¤*$^=,,
,,,~**%§£# and i must've picked it up with my #£§%**~,,,
¨¨,,~†$%£# other belongings. #£%$†~,,¨¨
,,,=\$$##@ @##$$\=,,,
¨:»/*£@### it's a statuette of a girl laying naked ###@£*/»:¨
...«*†%¤£# on her stomach, feet in the air, #£¤%†*«...
¨.,^~:*%¤£ roughly seven centimeters long. it's £¤%*:~^,.¨
.,.-;§$@## freshly made, not yet completely dried. ##@$§;-.,.
.:«;*£#@## ##@#£*;«:.
.,~=/$&@@# my mom is here now. i ask her for some #@@&$/=~,.
¨..-«;=*£@ particle board for it to dry on, but @£*=;«-..¨
,¨.-^%££#@ she is worried and wants me to @#££%^-.¨,
¨-=\§¤&@## throw it away. ##@&¤§\=-¨
..-~=*§§## ##§§*=~-..
¨.¨^=;†$£# #£$†;=^¨.¨
¨¨,-/=*##@ @##*=/-,¨¨
.:~†*%§@@# #@@§%*†~:.
¨¨~=†%$¤@# #@¤$%†=~¨¨
¨,,.«\^£ #&£^\«.,,¨