@@.@@..... ..@.@.@@..
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.@..@..@.@ .@@.@..@.@
.@.@@.@@.@ ..@.@.@@.@
.@..@..@.@ £ DREAM PALACE £ .@@.@..@.@
.@.@@.@@.@ ~ ----- ------ ~ ..@.@.@@.@
.@..@..@.@ £ ..... ...... £ .@@.@..@.@
.@.@@.@@.@ = ..... ...... = ..@.@.@@.@
.@..@..@.@ ~ ..... ...... ~ .@@.@..@.@
.@.@@.@@.@ ~ ..... ...... ~ ..@.@.@@.@
.@..@..@.@ . ..... ...... . .@@.@..@.@
.@.@@.@@.@ ..@.@.@@.@
.@..@..@.@ .@@.@..@.@
.@.@@.@@.@ NOT ACTUALLY A PALACE. A COTTAGE IN THE ..@.@.@@.@
.@..@..@.@ WOODS (TEMPERATE CLIMATE, RAINS EVERY .@@.@..@.@
.@.@@.@@.@ OTHER DAY, SPRINGS AND STREAMS AND ..@.@.@@.@
.@..@..@.@ MYSTERIOUS IRON AND STONE ARTIFACTS, .@@.@..@.@
.@.@@.@@.@ BIRDLAND-ISH ETERNAL SPRING (LATE ..@.@.@@.@
.@..@..@.@ SPRING)) .@@.@..@.@
.@.@@.@@.@ ..@.@.@@.@
.@..@..@.@ = .@@.@..@.@
.@.@@.@@.@ ..@.@.@@.@
.@..@..@.@ I WAKE UP EVERY MORNING AT SIX AM. IT'S .@@.@..@.@
.@.@@.@@.@ DARK, AND THE STARS ARE OUT, BUT THE ..@.@.@@.@
.@..@..@.@ SUN IS ABOUT TO RISE. ITS A LONG DAY, .@@.@..@.@
.@.@@.@@.@ BEFORE IT FADES TO NIGHT AGAIN, AND ..@.@.@@.@
.@..@..@.@ THEN IT STAYS SO UNTIL I FALL ASLEEP. .@@.@..@.@
.@.@@.@@.@ IT DOESN'T RISE UNLESS I'VE HAD MY ..@.@.@@.@
.@..@..@.@ DREAMS. .@@.@..@.@
.@.@@.@@.@ ..@.@.@@.@
.@..@..@.@ † .@@.@..@.@
.@.@@.@@.@ ..@.@.@@.@
.@..@..@.@ IN THIS COTTAGE THERE'S A LOT OF RADIO .@@.@..@.@
.@.@@.@@.@ EQUIPMENT, SOUND STUFF, SYNTHS, TAPE ..@.@.@@.@
.@..@..@.@ PLAYERS. PEN AND PAPER, BOOKS, CAMERAS, .@@.@..@.@
.@.@@.@@.@ MIRRORS, PRISMS, AND VARIOUS THINGS TO ..@.@.@@.@
.@..@..@.@ DO ART WITH. THE FRIDGE IS FILLED WITH .@@.@..@.@
.@.@@.@@.@ DIFFERET FOODS, ALL OF THEM INTRIGUING, ..@.@.@@.@
.@..@..@.@ SLIGHTLY WEIRD. .@@.@..@.@
.@.@@.@@.@ ..@.@.@@.@
.@..@..@.@ @ .@@.@..@.@
.@.@@.@@.@ ..@.@.@@.@
.@..@..@.@ I HAVE FRIENDS - THERE'S A CAT, AND A .@@.@..@.@
.@.@@.@@.@ DOG (WHO IS RIDICOLOUSLY LARGE AND ..@.@.@@.@
.@..@..@.@ WANTS TO BE THE BIG SPOON). I LISTEN TO .@@.@..@.@
.@.@@.@@.@ THE SHORTWAVE RADIO, AND TRANSMIT A BIT ..@.@.@@.@
.@..@..@.@ MYSELF, SONGS AND POETRY, AND FOUND .@@.@..@.@
.@.@@.@@.@ SOUNDS FROM THE FOREST. THE OTHERS TELL ..@.@.@@.@
.@..@..@.@ OF THEIR LIVES, PLAY THE GUITAR FOR ME, .@@.@..@.@
.@.@@.@@.@ AND TELL TALES OF THE OLD WORLD. I ..@.@.@@.@
.@..@..@.@ CONSIDER THEM FRIENDS AS WELL. .@@.@..@.@
.@.@@.@@.@ ..@.@.@@.@
.@..@..@.@ £ .@@.@..@.@
.@.@@.@@.@ ..@.@.@@.@
.@..@..@.@ MOST IMPORTANTLY, THERE'S A TWO SQUARE .@@.@..@.@
.@.@@.@@.@ METER AREA ON THE FLOOR WHERE I CAN ..@.@.@@.@
.@..@..@.@ "SAVE" THINGS. WHATEVER I PUT IN HERE .@@.@..@.@
.@.@@.@@.@ WILL NOT BE AFFECTED BY THE NIGHTLY ..@.@.@@.@
.@..@..@.@ RESET. EVERYTHING ELSE, HOWEVER, IS .@@.@..@.@
.@.@@.@@.@ COMPLETELY RESET OVERNIGHT: SYNTH ..@.@.@@.@
.@..@..@.@ PATCHES REMOVED, FOOD UNEATEN, WOUNDS .@@.@..@.@
.@.@@.@@.@ HEALED, AND WHEREVER AND WHENEVER I'D ..@.@.@@.@
.@..@..@.@ FALL ASLEEP I'D ALWAYS WAKE UP FULLY .@@.@..@.@
.@.@@.@@.@ RESTED IN MY BED. SOMETIMES THERE'S ..@.@.@@.@
.@..@..@.@ ACCIDENTS WHERE I LOSE STUFF BY .@@.@..@.@
.@.@@.@@.@ FORGETTING TO PUT THEM IN THE SQUARE. ..@.@.@@.@
.@..@..@.@ .@@.@..@.@
.@.@@.@@.@ . ..@.@.@@.@
.@..@..@.@ .@@.@..@.@
.@.@@.@@.@ AT NIGHT, I HAVE DEMI-LUCID DREAMS ..@.@.@@.@
.@..@..@.@ WHERE THE SPIRITS OF THE FOREST AROUND .@@.@..@.@
.@.@@.@@.@ THE COTTAGE TRIES TO COMMUNICATE. HERE, ..@.@.@@.@
.@..@..@.@ IT'S NOT ENDLESS BUT CONNECTED TO A .@@.@..@.@
.@.@@.@@.@ LARGE SPRAWLING CITY, WHERE MY RADIO ..@.@.@@.@
.@..@..@.@ FRIENDS LIVE. WE GO EXPLORING TOGETHER .@@.@..@.@
.@.@@.@@.@ - THINGS ARE DEEP AND DARK - BUT UNLIKE ..@.@.@@.@
.@..@..@.@ ME, THEY NEVER REMEMBER DURING THE DAY. .@@.@..@.@
.@.@@.@@.@ THIS IS A MYSTERY WE OFTEN DISCUSS. ..@.@.@@.@
.@..@..@.@ .@@.@..@.@
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.@..@..@.@ .@@.@..@.@
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