,,¨@,¨,,¨, ¨@¨,..¤..¨
§£,.,§£@#@ ,¨.#§.,¨##
#¨,#¨¨@§ §¤,..¨§¨.@
,,,,,,.#¤§ #¨¨@£¨,,,.
&¤&¤£¤¨¨¤@ ,¨,..,##§&
¤@§¤§,.,.# statuette @@&¤¤¨.§¤¤
£#£@,.@#,. #&&£¨.,.¤#
#¤@,,,.¨¨, &@§$$$$£@@@¤&¤@%-~»=~~-=$£*££&$$$**¤$*%¤ ¨§§,,§#,,¤
&@..&&&§££ §£§¤%&%§& ..¨,.¨¨,¨.
¨,..,¤@@¤£ ,£¤§¤@§£¤,
§#¤§,.£@#£ forests around my childhood home. thick ..#§££¤#,,
,§&,.,.&§§ pine arcades that were planted and ¨,.@§&@...
.¨,¨¤£¨,#§ forgotten. wild boars roaming §§,.¤#,.
,##,,...¨& underneath, sniffing at the ground. it §..,¨¨¨,.¨
¨¨,.@¤#¤,. is dark and moist, the canopy having ,,#§@£§&£¤
¨#&.,¤#... already soaked up all the sun. @.,&&@&§@.
,,.,,,.¨@& ,¨..£@§#.¨
¤@££§§£¨,£ there's a river passing by, from east ,¤¤¨.&@¨.#
¤&§#&&¨¨., to west, getting broader and deeper and ..¨.¨.¨.¨.
¨#§#§.¨§£¨ slower as it goes. equisetum grow just §£££#¨
.,&§¨..¨,, where the pine hands start to let #@¤&¤§&§.¨
@¨¨¨¨§#¤&@ through light, horsemint on the rocky ¨§£§¤§@,.&
,¨@&¨.@£@§ river bed. ,,@£#§.¨,.
#.,...¨¤#£ ¨..¤&.,£@§
,.&@¤£,.£@ / #@.¨,..,¤&
,¨¨&¤,,¨¨, §.¨¤§,,.
§@...,¤#§¤ the riverbanks reek of magic. tonight ¨,,¨##¨¨§&
&,¨&&,.§&. they had been a swampworld with sylvan ,#¤,,,,¨.#
,¨,,¨¨¨¨.. water, stone rings and floating moss. ¨,,,§£#&,¨
@§§#&@#@£. you could've found me wallowing around ¤#&.,&@.¨&
@¤£@#@¨, on the southern shores until i got £§,.¨¨.¨¨,
,#£§¤&£¨¨@ bitten. #,,£&¤&¤£¨
¨¨@@¨.,¨ ,.¨¨&¤#£,.
¤,,&&¨¨@§, but now i'm further back, on solid .@¤¨.§&¨,#
,.¨,,¨¨¨,. ground, in shoulder-high grass, with an .¨¨,,¨¨..,
#@§§£#@¤@@ orange tin radio and a translucent ££¤#§@@¤
@¤£&@#££ umbrella which i'm sitting on. §#§@§§&&@#
§¤#§¤¤#¤#¤ ¤§&£&§&¤@£
§#£¤#@&¤&§ † #¤£#@&§§#§
§£¤¤#@§¤££ ##&@¤#&£¤@
¤¤¤#¤§##¤& somethings moving in the grass. it's @@£§#§@#@§
¤§¤&¤£&£@§ invisible to my eyes but i can feel ¤¤@@§¤#&££
&§§¤§@¤££@ through the ground just how large it is. £££¤¤@¤&&£
§¤§¤§§ &&§§@&§£@§
#@¤£¤@¤£§§ the soil is muddy. i slip when trying #&@£@@§@§§
#§&&@£@¤§# to get up, still looking at the £&§£#@@@
#£@§£&¤#@£ direction of sound rather than at my @££#¤&##
&£@@§£@§&@ hands, who are busy putting things in @££¤##&@¤¤
&&¤#§§ my pockets. ¤£&¤@@#£
¤#¤#§&@##¤ §£@@@&&§
##§@¤¤¤£¤¤ then i run east toward my home. §&@££§£&
§¤££¤@£&@§ @§§£@#£&
¤#@##££@&§ \ £#§£@¤§#¤@
@§¤@§&§@§# @§&§&¤@£&@
£¤@&@&¤#£§ i am not followed, and slow down in the #@§&¤¤§¤¤¤
@&£#£@¤££@ clearing where you at first can spot #£#£
¤¤#&§#¤@ the house, not yet really in the §##¤§¤#£@@
&§@§£#&§ backyard. from my pockets i retrieve my £¤§§#&&¤@¤
¤##@@@¤# radio (now dented) but also a small §§§§¤@£&
£@¤¤@&@§¤# clay figure i've never seen before. it &&@&&@§#
#§££@£§¤&@ must have been laying in the wet dirt, &§@&§££§#£
¤&¤#@&§&£@ and i must've picked it up with my #&§§¤£¤§
##¤¤§§§@#£ other belongings. ¤¤£@£##§£§
¤£¤£§£&&££ #¤¤#¤#@£££
&¤@@@#&§£# it's a statuette of a girl laying naked &£££¤£#&@¤
£¤#&¤§@§&¤ on her stomach, feet in the air, £##£¤¤§§
&¤#@¤#¤@ roughly seven centimeters long. it's &@¤£&§#¤£¤
&§§#@&@¤ freshly made, not yet completely dried. ¤¤§#¤&&@
&@§#@&£¤&§ @@£&£&¤§#&
£¤¤§&£#§ my mom is here now. i ask her for some ¤£¤@£&&¤
##§££¤@§§£ particle board for it to dry on, but &£&£¤@&¤§£
#¤£#@@#### she is worried and wants me to §¤£#@£&£#¤
#¤£@¤&¤# throw it away. @§@§@§§§
¤¤¤&@£¤@@£ #@&§&¤@£@£
##§&&¤¤¤ #£§¤¤@£&¤#
&§#§&£#&@& #&¤¤&£&@#@
£#¤¤§££#¤& &§§&@@#£@#
@¤§&£§#¤&§ &&§&¤@#§§§
££§#¤§ #§£§§£¤#§#