¨~«\*##### #####*\«~¨
¨.,«\*££@# #@££*\«,.¨
¨,¨,~/%£@@ @@£%/~,¨,¨
.¨,¨,-:% #&%:-,¨,¨.
.,.,»=*@ @#&*=»,.,.
¨.:»=%£@@# statuette #@@£%=»:.¨
,,-/^£#### ####£^/-,,
.¨^=\^£@## %%@¤$$%§$@$§£%&£=~-»~=~»§&%££*&@&$@§@$&§ ##@£^\=^¨.
,.¨.«†*§£@ £%£$£¤£%$ @£§*†«.¨.,
.,.,,=^$¤@ @¤$^=,,.,.
¨,¨,=^%§## forests around my childhood home. thick ##§%^=,¨,¨
¨,-=\§§### pine arcades that were planted and ###§§\=-,¨
.~-;%£#### forgotten. wild boars roaming ####£%;-~.
,.^~\%@### underneath, sniffing at the ground. it ###@%\~^.,
..,,«**#@# is dark and moist, the canopy having #@#**«,,..
¨¨¨¨~»;*§# already soaked up all the sun. #§*;»~¨¨¨¨
...,~**@@# #@@**~,...
.,:~†=#¶@# there's a river passing by, from east #@¶#=†~:,.
,,~/*§#### to west, getting broader and deeper and ####§*/~,,
,.^~\§§@@# slower as it goes. equisetum grow just #@@§§\~^.,
¨.,:-\%¤@# where the pine hands start to let #@¤%\-:,.¨
,.,.-»\%§@ through light, horsemint on the rocky @§%\»-.,.,
¨,.:~**@## river bed. ##@**~:.,¨
.¨~«:$£@@# #@@£$:«~¨.
¨,«==£#### = ####£==«,¨
,¨-~^=@# #@#&=^~-¨,
¨.,:«;$££# the riverbanks reek of magic. tonight #££$;«:,.¨
..,¨--\† they had been a swampworld with sylvan #&†\--¨,..
..¨^=;^##@ water, stone rings and floating moss. @##^;=^¨..
¨.:«†*£@## you could've found me wallowing around ##@£*†«:.¨
.~~**@¶@## on the southern shores until i got ##@¶@**~~.
,.^=;%@£## bitten. ##£@%;=^.,
.¨.^-;$&£# #£&$;-^.¨.
.¨..,=*†£# but now i'm further back, on solid #£†*=,..¨.
,.¨-=;=#¶@ ground, in shoulder-high grass, with an @¶#=;=-¨.,
¨¨^~^*@### orange tin radio and a translucent ###@*^~^¨¨
¨.~/$#@### umbrella which i'm sitting on. ###@#$/~.¨
¨¨^-=*@¶## ##¶@*=-^¨¨
,.¨.~\†§## : ##§†\~.¨.,
.¨,.,=†%@£ £@%†=,.,¨.
,.,~«=*@@# somethings moving in the grass. it's #@@*=«~,.,
¨.:-^^#@@# invisible to my eyes but i can feel #@@#^^-:.¨
.--/*@## through the ground just how large it is. ##@#&*/--.
.,.~=%£### ###£%=~.,.
¨,¨-=\$¤@# the soil is muddy. i slip when trying #@¤$\=-¨,¨
,¨.¨:~^†@£ to get up, still looking at the £@†^~:¨.¨,
,.,,~=§@@# direction of sound rather than at my #@@§=~,,.,
,,:=^$¤### hands, who are busy putting things in ###¤$^=:,,
¨-~:^@@### my pockets. ###@@^:~-¨
,,~«=%¤£## ##£¤%=«~,,
¨,.~»^$&¶# then i run east toward my home. #¶&$^»~.,¨
,..,.=:%@# #@%:=.,..,
.¨.,»\*§¶# ^ #¶§*\»,.¨.
.,--*$#¶## ##¶#$*--,.
.:~*$#¶### i am not followed, and slow down in the ###¶#$*~:.
¨,^=**#@## clearing where you at first can spot ##@#**=^,¨
¨.¨,=/^@@# the house, not yet really in the #@@^/=,¨.¨
.,.,,=/=¤# backyard. from my pockets i retrieve my #¤=/=,,.,.
.¨¨,=\*#@# radio (now dented) but also a small #@#*\=,¨¨.
.,.==*@@## clay figure i've never seen before. it ##@@*==.,.
,-~=*@@@## must have been laying in the wet dirt, ##@@@*=~-,
,,.~^^¤@## and i must've picked it up with my ##@¤^^~.,,
.,,-~\%£@@ other belongings. @@£%\~-,,.
.¨..,-=^## ##^=-,..¨.
..¨^~/=¤#@ it's a statuette of a girl laying naked @#¤=/~^¨..
,¨,-=^£@## on her stomach, feet in the air, ##@£^=-,¨,
.^-**§@### roughly seven centimeters long. it's ###@§**-^.
¨¨~=*%§#@# freshly made, not yet completely dried. #@#§%*=~¨¨
,¨¨,~\§£@# #@£§\~,¨¨,
,,.¨:»/^&@ my mom is here now. i ask her for some @&^/»:¨.,,
..,.~†=£#@ particle board for it to dry on, but @#£=†~.,..
.,~~\$#@@# she is worried and wants me to #@@#$\~~,.
¨,=**#£@## throw it away. ##@£#**=,¨
¨,~=\$#### ####$\=~,¨
....»\$£## ##£$\»....
...,-«†=¤@ @¤=†«-,...
,..^«\*# ##&*\«^..,
,¨-~=%£#@# #@#£%=~-¨,
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