,,»^%$@##@ @##@$%^»,,
...-,~\§## ##§\~,-...
¨--†$$&@## ##@&$$†--¨
¨.,,,\*$§# #§$*\,,,.¨
¨:-:/;=@#§ §#@=;/:-:¨
..¨.¨,=^#£ statuette £#^=,¨.¨..
,~-†\=$##@ @##$=\†-~,
,-=:%@#£#@ §$%&$%££*$£%&%**~«»~«»«=&$$$§§%§$¤&§£$§£ @#£#@%:=-,
¨^-;$*#§£# *§*&$£&££ #£§#*$;-^¨
¨,=†^$&@## ##@&$^†=,¨
¨,..,¨»*$# forests around my childhood home. thick #$*»¨,..,¨
¨¨¨,^~*%§@ pine arcades that were planted and @§%*~^,¨¨¨
,¨¨.,~\*&£ forgotten. wild boars roaming £&*\~,.¨¨,
.:-^=¤##@# underneath, sniffing at the ground. it #@##¤=^-:.
¨.,,,=¤¤££ is dark and moist, the canopy having ££¤¤=,,,.¨
.^-;§&§£*£ already soaked up all the sun. £*£§&§;-^.
.,.¨¨^=$#& $=^¨¨.,.
¨^-/†%@£## there's a river passing by, from east ##£@%†/-^¨
¨¨¨¨¨^=@£@ to west, getting broader and deeper and @£@=^¨¨¨¨¨
¨¨,.=\:%@# slower as it goes. equisetum grow just #@%:\=.,¨¨
.~«:*%&@## where the pine hands start to let ##@&%*:«~.
¨,~~=:$#@# through light, horsemint on the rocky #@#$:=~~,¨
,,~;^$@# river bed. #@#&$^;~,,
¨,«\$%@@## ##@@%$\«,¨
¨¨,.¨.¨~%& = &%~¨.¨.,¨¨
¨,.,««=†%@ @%†=««,.,¨
,.¨^»=§§£@ the riverbanks reek of magic. tonight @£§§=»^¨.,
¨¨¨~=;=# they had been a swampworld with sylvan #=;=~¨¨¨
,¨¨¨¨,;*&@ water, stone rings and floating moss. @&*;,¨¨¨¨,
.^=†*&&@@# you could've found me wallowing around #@@&&*†=^.
¨,..¨,«§=# on the southern shores until i got #=§«,¨..,¨
¨,=*†£@@## bitten. ##@@£†*=,¨
,^-*%$¤£## ##£¤$%*-^,
¨.,,.-*¤£# but now i'm further back, on solid #£¤*-.,,.¨
,,¨,.»%§## ground, in shoulder-high grass, with an ##§%».,¨,,
¨¨,,/==£@@ orange tin radio and a translucent @@£==/,,¨¨
¨.»^%$@@## umbrella which i'm sitting on. ##@@$%^».¨
¨^-/§£#### ####£§/-^¨
¨:-;§£#@## * ##@#£§;-:¨
¨.»\%%#¤£@ @£¤#%%\».¨
.^«†*$#@## somethings moving in the grass. it's ##@#$*†«^.
,^-*%@£@@# invisible to my eyes but i can feel #@@£@%*-^,
¨.=:§%§£@# through the ground just how large it is. #@£§%§:=.¨
¨-~*^&£@## ##@£&^*~-¨
,,¨,.:†&¤§ the soil is muddy. i slip when trying §¤&†:.,¨,,
¨~«;*^&$## to get up, still looking at the ##$&^*;«~¨
,¨.¨-/†;^@ direction of sound rather than at my @^;†/-¨.¨,
,~»;£#£### hands, who are busy putting things in ###£#£;»~,
,,~\$*§@## my pockets. ##@§*$\~,,
¨^~:*$## ###&$*:~^¨
,--;^£§#@# then i run east toward my home. #@#§£^;--,
.:~=^¤#¶#¶ ¶#¶#¤^=~:.
.¨,.,~/†§£ = £§†/~,.,¨.
,~»:=$@£## ##£@$=:»~,
,,~*†§¤¶@# i am not followed, and slow down in the #@¶¤§†*~,,
,~«::::*%@ clearing where you at first can spot @%*::::«~,
,,,,¨.\^%¤ the house, not yet really in the ¤%^\.¨,,,,
..¨.-%§&¶# backyard. from my pockets i retrieve my #¶&§%-.¨..
..»/%*¤£@# radio (now dented) but also a small #@£¤*%/»..
.,=\%@¤£## clay figure i've never seen before. it ##£¤@%\=,.
..,,¨-»:@& must have been laying in the wet dirt, &@:»-¨,,..
¨¨¨.†:@£@£ and i must've picked it up with my £@£@:†.¨¨¨
,¨.,..~^%@ other belongings. @%^~..,.¨,
,:=\*$&@@# #@@&$*\=:,
,,«/**£### it's a statuette of a girl laying naked ###£**/«,,
¨,,.,~/;$& on her stomach, feet in the air, &$;/~,.,,¨
..,.^~:\%& roughly seven centimeters long. it's &%\:~^.,..
.-«/$@#### freshly made, not yet completely dried. ####@$/«-.
¨~»:%§¤@## ##@¤§%:»~¨
.,-\$&## my mom is here now. i ask her for some ###&&$\-,.
.,,.,,«$@£ particle board for it to dry on, but £@$«,,.,,.
¨¨^..=%&¶# she is worried and wants me to #¶&%=..^¨¨
,.«\†£#£## throw it away. ##£#£†\«.,
¨,~/%££#@# #@#££%/~,¨
,..¨,,~=§# #§=~,,¨..,
,,==†$&£## ##£&$†==,,
,^»/%$¤@## ##@¤$%/»^,
¨¨,¨=^*#§# #§#*^=¨,¨¨
¨,~/†§§# ##&§§†/~,¨