@@@#¤%/»^. .^»/%¤#@@@
##@#¤%/»^. .^»/%¤#@##
##@#¤%/»^. .^»/%¤#@##
##@#¤%/»^. .^»/%¤#@##
####¤%/»^. .^»/%¤####
#%»^...... L U S H ......^»%#
###@#%/»^. A R P E G G I O .^»/%#@###
##¤¤¤%/»^. . . . . . . . . . . .^»/%¤¤¤##
##@#¤%/»^. .^»/%¤#@##
###@¤%/»^. WHAT ARE THESE THINGS IF NOT BIRDSONG? .^»/%¤@###
@#¤¤///»^. BLACKBIRD + NOISE CASCADE. .^»///¤¤#@
##@#¤%/»^. .^»/%¤#@##
###@¤%/»^. THE COMMODORE SOUND MAYBE. DIRTY, .^»/%¤@###
@¤¤%/^.... MIRRORING, DISTORTED FLUTE, ....^/%¤¤@
##@#¤%/»^. .^»/%¤#@##
####¤%/»^. . . . . . .. .^»/%¤####
#@@#¤%/»^. .^»/%¤#@@#
##@#¤%/»^. DDRREEAAMMYY SSLLIIDDEESS .^»/%¤#@##
@@##¤%/»^. .^»/%¤##@@
##@#¤%/»^. MIRAGES IN SOUND. ARPEGGIOS, CHORDS .^»/%¤#@##
##@#¤%/»^. MULTIPLEXED IN THE TIME DOMAIN, .^»/%¤#@##
##@#¤%/»^. .^»/%¤#@##
##@#¤%/»^. REFACTORED, REFRACTORED, REMADE .^»/%¤#@##
##@#¤%/»^. ^ ^ . . . .^»/%¤#@##
#¤//»^^... / / / / % / ...^^»//¤#
##@#¤%/»^. ¤ % ¤ % ¤ ¤ ¤ ¤ % .^»/%¤#@##
@@@#¤%/»^. # # # # # .^»/%¤#@@@
##@#¤%/»^. .^»/%¤#@##
@¤%»»»^... ...^»»»%¤@
@¤%/^..... .....^/%¤@
##@#¤%/»^. .^»/%¤#@##
###@¤%/»^. .^»/%¤@###
##@#¤%/»^. .^»/%¤#@##