##@#£*=-,, ,,-=*£#@##
#£*-,,,,,, ,,,,,,-*£#
##@#£*=-,, ,,-=*£#@##
##@#£*=-,, ,,-=*£#@##
##***=-,,, ,,,-=***##
#£=-,,,,,, L U S H ,,,,,,-=£#
@££***=-,, A R P E G G I O ,,-=***££@
###**=-,,, , , , , , , , , , , ,,,-=**###
###@#£*-,, ,,-*£#@###
#@@#£*=-,, WHAT ARE THESE THINGS IF NOT BIRDSONG? ,,-=*£#@@#
###**==-,, BLACKBIRD + NOISE CASCADE. ,,-==**###
##@#£*=-,, ,,-=*£#@##
@@@#£*=-,, THE COMMODORE SOUND MAYBE. DIRTY, ,,-=*£#@@@
#@@#£*=-,, MIRRORING, DISTORTED FLUTE, ,,-=*£#@@#
##@#£*=-,, ,,-=*£#@##
##@#£*=-,, , , , , , ,, ,,-=*£#@##
##@#£*=-,, ,,-=*£#@##
###*==,,,, DDRREEAAMMYY SSLLIIDDEESS ,,,,==*###
@£=--,,,,, ,,,,,--=£@
@@##£*=-,, MIRAGES IN SOUND. ARPEGGIOS, CHORDS ,,-=*£##@@
##*-,,,,,, MULTIPLEXED IN THE TIME DOMAIN, ,,,,,,-*##
##@#£*=-,, ,,-=*£#@##
##@#£*=-,, REFACTORED, REFRACTORED, REMADE ,,-=*£#@##
####£*=-,, , , , , , ,,-=*£####
###@£*=-,, = = = = * = ,,-=*£@###
##@#£*=-,, £ * £ * £ £ £ £ * ,,-=*£#@##
###@#£=-,, # # # # # ,,-=£#@###
##@#£*=-,, ,,-=*£#@##
#@#£*-,,,, ,,,,-*£#@#
##@#£*=-,, ,,-=*£#@##
##@#£*=-,, ,,-=*£#@##
####£*=-,, ,,-=*£####
#*=,,,,,,, ,,,,,,,=*#