.,-*%£## ##£#&%*-,.
.....,*%## ##%*,.....
.,-*%&£@## ##@£&%*-,.
.,-*%£## ##£#&%*-,.
.,-*%£## ##£#&%*-,.
.,-*%£## £##££##££##££##££##££##££##££##££##££##£ ##£#&%*-,.
.,,,-%&&&£ # BUILDINGS, TOWERS IN THE "GOLDEN # £&&&%-,,,.
.,-*%£## # BAY" (EVERYTHING MADE OF SANDSTONE). # ##£#&%*-,.
.,-*%£@@ £ FIVE PARTICULAR HOUSES FOURTY £ @@£#&%*-,.
.,-*%£## £ STORIES TALL, HUNDRED METERS APART, £ ##£#&%*-,.
.,-*%£@# # IN A SLIGHT ARC INWARDS. # #@£#&%*-,.
....-*%%## # # ##%%*-....
.,-*%£@# £ BETWEEN TWO MOUNTAINS; TO THE RIGHT £ #@£#&%*-,.
.,-*%%#£ £ AND LEFT THE CITY CLIMBS QUICKLY. £ £##&%%*-,.
.,-*%£@@ # THE RIGHT PLATEAU HOSTS A LUSH AND # @@£#&%*-,.
......-%&£ # SHADED GARDEN WHICH MORPHS INTO A # £&%-......
.....--* £ TERRACE OVERLOOKING THE SEA AND £ #&*--.....
.,-*%£@@ £ THE BUILDINGS. £ @@£#&%*-,.
.,-*%@## # # ##@#&%*-,.
.,-*%£@# # TO THE LEFT THE HOUSES CLIMB # #@£#&%*-,.
.,-*%£@# £ SIMILARLY BUT A LOT OF TUNNELS AND £ #@£#&%*-,.
.....-%&&£ £ HALLS HAVE BEEN DUG FROM THE £ £&&%-.....
.,-*%£@@ # MOUNTAIN. SOME HOUSES STAND # @@£#&%*-,.
.,-*%£@# # COMPLETELY "INSIDE". BECAUSE OF CAVE # #@£#&%*-,.
.,-*%£## £ CONDITIONS THE LOWER FLOORS HERE £ ##£#&%*-,.
.,-*%£## £ ARE COVERED IN DARK ALGAE THAT THE £ ##£#&%*-,.
.....,*# # CITY LONG AGO STOPPED TRYING TO # ##&*,.....
...--%%% # REMOVE. ESTABLISHMENTS USE NEON # #&%%%--...
..,--%&£ £ SIGNS AS AN ACCENT TO THE DARK. £ £#&&%--,..
.,-*%£## £ THERE'S A CASINO. £ ##£#&%*-,.
.,-*%£@@ # THERE'S AN INTERNET CAFE. # @@£#&%*-,.
.,-*%£@# # # #@£#&%*-,.
.,-*%#££ £ MOST PEOPLE LIVING HERE HAVE LONG £ ££##&%*-,.
.,---%%# £ SNOUTS AND BIG EARS. ALL SPACE IS £ ##&%%---,.
....,-*%%# # SHARED (FEW ROOMS HAVE LOCKS OR # #%%*-,....
....,*£@ # EVEN DOORS). INTERIOR DESIGN IS # @£#&*,....
.....--* £ MOSTLY ART NOUVEAU AND MADE £ #&*--.....
.....-%%## £ OUT OF COPPER. £ ##%%-.....
.,-*%£@# ##££##££##££##££##££££##££##££##££##££## #@£#&%*-,.
.....,-%#@ @#%-,.....
.,-*%£@# #@£#&%*-,.
....,--* #&*--,....
.,-*%#£@## ##@£#%*-,.
...,-%%&&£ £&&%%-,...