¨~~;^&£@## ##@£&^;~~¨
¨~~;^&£@## ##@£&^;~~¨
¨~~;^&£@## ##@£&^;~~¨
¨~~;^^&&£# #£&&^^;~~¨
¨~~;^&&&@# #@&&&^;~~¨
¨~~;^&£@## the last song on side b (and to some ##@£&^;~~¨
¨¨~~;^^£@# extent the first song on side a) talks #@£^^;~~¨¨
¨~~;^&£@## for the whole album, not just their ##@£&^;~~¨
¨~~;^&£@## side. the last song on side b is ##@£&^;~~¨
¨~~;^&£@## probably the most important ##@£&^;~~¨
¨~~;^&&&££ opportunity, the most charged slot. ££&&&^;~~¨
¨~~;^&£@## ##@£&^;~~¨
¨¨¨~~;;^£@ ¨@#@¨ @£^;;~~¨¨¨
¨¨¨¨~;&&£@ @£&&;~¨¨¨¨
¨~~;^&£@## the album is a singularity, an anomaly ##@£&^;~~¨
¨¨~~~~~~^£ in spacetime, a creature that knows £^~~~~~~¨¨
¨¨¨~;;^&££ exactly how beautiful it is. ££&^;;~¨¨¨
¨~;^&£@### ¨ ###@£&^;~¨
¨¨¨~;^&££@ and the thing is: it sees itself in @££&^;~¨¨¨
¨¨¨¨¨~~^£# three d. it knows that it's dying. #£^~~¨¨¨¨¨
¨¨~~;;^&&@ @&&^;;~~¨¨
¨~~;^&£@## ^^&&^^&&^^&&^^&&^^&££&^^&&^^&&^^&&^^&&^^ ##@£&^;~~¨
¨¨¨¨~~~~^£ £^~~~~¨¨¨¨
¨¨¨¨¨~;&£@ ~ dolphins and cats ~ @£&;~¨¨¨¨¨
¨~~;^&£@## bring us ##@£&^;~~¨
¨~~;^&£@## ¨ flowers and honey ¨ ##@£&^;~~¨
¨~~;^&£££@ @£££&^;~~¨
¨~~;^&£@## ~ dolphins and cats ~ ##@£&^;~~¨
¨¨¨¨¨~~^£# bring us #£^~~¨¨¨¨¨
¨~~;^&£££# ¨ fairies and bees ¨ #£££&^;~~¨
¨~~;^&£@## ##@£&^;~~¨
¨~~;^&£@## our boat is afloat ##@£&^;~~¨
¨~~;^&£@## on a surface of lilies ##@£&^;~~¨
~~;^&£@### ~ dolphins and cats ~ ###@£&^;~~
¨~~;^&£@## drag us down ##@£&^;~~¨
¨¨¨~~;^^££ ¨~^ underneath ^~¨ ££^^;~~¨¨¨
¨¨¨~~;&£££ £££&;~~¨¨¨
¨~~;^&£@## ^^&&^^&&^^&&^^&&^^&££&^^&&^^&&^^&&^^&&^^ ##@£&^;~~¨
¨~~;^&£@## ##@£&^;~~¨
¨¨¨~;;^&&@ side a is foresty, and side b might @&&^;;~¨¨¨
¨¨¨¨¨~;;^£ be lizardy. but the last song is full £^;;~¨¨¨¨¨
¨¨¨¨¨¨~;^£ of space. £^;~¨¨¨¨¨¨
¨¨¨¨¨¨~;&£ £&;~¨¨¨¨¨¨
¨~~;^&£@## ##@£&^;~~¨
¨~~;^&£@## ##@£&^;~~¨
¨¨¨¨~;^£££ £££^;~¨¨¨¨
¨~~;^&£@## ##@£&^;~~¨