,,^-*¤£### ###£¤*-^,,
,^-*¤£#### ####£¤*-^,
,,^-*¤£### ###£¤*-^,,
,,,^-*¤£## ##£¤*-^,,,
,,,,^-*¤£# #£¤*-^,,,,
,,,^-*¤£## the last song on side b (and to some ##£¤*-^,,,
,,^-*¤£### extent the first song on side a) talks ###£¤*-^,,
,^-*¤£#### for the whole album, not just their ####£¤*-^,
,,^-*¤£### side. the last song on side b is ###£¤*-^,,
,,,^-*¤£## probably the most important ##£¤*-^,,,
,,,,^-*¤£# opportunity, the most charged slot. #£¤*-^,,,,
,,,^-*¤£## ##£¤*-^,,,
,,^-*¤£### ,###, ###£¤*-^,,
,^-*¤£#### ####£¤*-^,
,,^-*¤£### the album is a singularity, an anomaly ###£¤*-^,,
,,,^-*¤£## in spacetime, a creature that knows ##£¤*-^,,,
,,,,^-*¤£# exactly how beautiful it is. #£¤*-^,,,,
,,,^-*¤£## , ##£¤*-^,,,
,,^-*¤£### and the thing is: it sees itself in ###£¤*-^,,
,^-*¤£#### three d. it knows that it's dying. ####£¤*-^,
,,^-*¤£### ###£¤*-^,,
,,,^-*¤£## **¤¤**¤¤**¤¤**¤¤**¤££¤**¤¤**¤¤**¤¤**¤¤** ##£¤*-^,,,
,,,,^-*¤£# #£¤*-^,,,,
,,,^-*¤£## ^ dolphins and cats ^ ##£¤*-^,,,
,,^-*¤£### bring us ###£¤*-^,,
,^-*¤£#### , flowers and honey , ####£¤*-^,
,,^-*¤£### ###£¤*-^,,
,,,^-*¤£## ^ dolphins and cats ^ ##£¤*-^,,,
,,,,^-*¤£# bring us #£¤*-^,,,,
,,,^-*¤£## , fairies and bees , ##£¤*-^,,,
,,^-*¤£### ###£¤*-^,,
,^-*¤£#### our boat is afloat ####£¤*-^,
,,^-*¤£### on a surface of lilies ###£¤*-^,,
,,,^-*¤£## ^ dolphins and cats ^ ##£¤*-^,,,
,,,,^-*¤£# drag us down #£¤*-^,,,,
,,,^-*¤£## ,-* underneath *-, ##£¤*-^,,,
,,^-*¤£### ###£¤*-^,,
,^-*¤£#### **¤¤**¤¤**¤¤**¤¤**¤££¤**¤¤**¤¤**¤¤**¤¤** ####£¤*-^,
,,^-*¤£### ###£¤*-^,,
,,,^-*¤£## side a is foresty, and side b might ##£¤*-^,,,
,,,,^-*¤£# be lizardy. but the last song is full #£¤*-^,,,,
,,,^-*¤£## of space. ##£¤*-^,,,
,,^-*¤£### ###£¤*-^,,
,^-*¤£#### ####£¤*-^,
,,^-*¤£### ###£¤*-^,,
,,,^-*¤£## ##£¤*-^,,,
,,,,^-*¤£# #£¤*-^,,,,