,,~~-**¤## ##¤**-~~,,
,~-;*£¤### ###¤£*;-~,
,~-;*£¤### ###¤£*;-~,
,~-;*£¤¤¤# #¤¤¤£*;-~,
,,,,~-;*¤¤ ¤¤*;-~,,,,
,~-;*£¤### the last song on side b (and to some ###¤£*;-~,
,,,,~;££¤# extent the first song on side a) talks #¤££;~,,,,
,,,,,~;;£# for the whole album, not just their #£;;~,,,,,
,~-;*£¤### side. the last song on side b is ###¤£*;-~,
,~-;*£¤### probably the most important ###¤£*;-~,
,,,,,~;*¤# opportunity, the most charged slot. #¤*;~,,,,,
,~-;*£¤### ###¤£*;-~,
,,,~~--*£# ,###, #£*--~~,,,
,,,,~-*£¤# #¤£*-~,,,,
,~-;*£¤### the album is a singularity, an anomaly ###¤£*;-~,
,,,~--*£¤¤ in spacetime, a creature that knows ¤¤£*--~,,,
,~-;*£¤### exactly how beautiful it is. ###¤£*;-~,
,,,,~;££## , ##££;~,,,,
,~-;*£¤### and the thing is: it sees itself in ###¤£*;-~,
,,~-;;££¤# three d. it knows that it's dying. #¤££;;-~,,
,~-;*£¤### ###¤£*;-~,
,,,,,,-*£# **££**££**££**££**£¤¤£**££**££**££**££** #£*-,,,,,,
,,,,~;££## ##££;~,,,,
,,,~~-*¤¤# ~ dolphins and cats ~ #¤¤*-~~,,,
,,~~-;;**¤ bring us ¤**;;-~~,,
,~-;*£¤### , flowers and honey , ###¤£*;-~,
,~-;*£¤### ###¤£*;-~,
,,,,~-*££# ~ dolphins and cats ~ #££*-~,,,,
~-;*£¤#### bring us ####¤£*;-~
,,,,~--**¤ , fairies and bees , ¤**--~,,,,
,~-;*£¤### ###¤£*;-~,
,-;*£¤#### our boat is afloat ####¤£*;-,
,~-;*£¤### on a surface of lilies ###¤£*;-~,
,~-;*£¤### ~ dolphins and cats ~ ###¤£*;-~,
,~-;*£¤### drag us down ###¤£*;-~,
,,,,~-;*¤# ,-* underneath *-, #¤*;-~,,,,
,~-;*£¤### ###¤£*;-~,
,,,,~~-**¤ **££**££**££**££**£¤¤£**££**££**££**££** ¤**-~~,,,,
,~-;*£¤### ###¤£*;-~,
,~-;*£¤### side a is foresty, and side b might ###¤£*;-~,
,~-;*£¤### be lizardy. but the last song is full ###¤£*;-~,
,~-;*£¤### of space. ###¤£*;-~,
,~-;£¤#### ####¤£;-~,
,~-;*£#### ####£*;-~,
,,,,~;£££¤ ¤£££;~,,,,
,~-;*£¤### ###¤£*;-~,
,,~----*¤# #¤*----~,,