.~=*%@@@##                                          ##@@@%*=~.
.~=*%@@@##                                          ##@@@%*=~.
.~=*%@@@##                                          ##@@@%*=~.
......~*@@                                          @@*~......
.~=*%@@@##                                          ##@@@%*=~.
.~=*%@@@@@          ....%%## VäXJö ##%%....         @@@@@%*=~.
.~=*%@@@##                                          ##@@@%*=~.
......~*@@ THE  APARTMENT SMELLS OF  OLD COFFEE AND @@*~......
...~~*%@@@ SWEETENERS. I DON'T  KNOW  HOW I  LET IT @@@%*~~...
.~=*%@@### GET  LIKE  THIS.  IT'S NOT  INTENTIONAL. ###@@%*=~.
.~=*%@@@##                                          ##@@@%*=~.
....==*@@@ I WEAR  YELLOW TINTED  GLASSES. THE ROOM @@@*==....
.~=*%@@@## CHANGES SHAPE  A LOT. RIGHT  NOW THERE'S ##@@@%*=~.
.....=%@@@ A  BLUE  SOFA   WITH  YELLOW   SEAMS.  I @@@%=.....
.~=*%@@@@#    EXPERIMENT WITH DIFFERENT COLORED     #@@@@%*=~.
.~=****@@#       LIGHTS. I'M LEARNING THINGS.       #@@****=~.
.~=*%@@@##                                          ##@@@%*=~.
.~=*%@@@@# MY THOUGHTS  ARE REVOLVING  AROUND TIME, #@@@@%*=~.
.......=%@ AND  THE PERCEPTION OF IT. CAN I MAKE IT @%=.......
..~===%%@@ RIGID? IF  I REALLY WANT TO, CAN  I MAKE @@%%===~..
...=*%%%@@ IT  FEEL LIKE  THERE  IS  ENOUGH OF  IT? @@%%%*=...
.~=****%@@    ALSO, AND MAYBE, ULTIMATELY, MORE     @@%****=~.
....~==%@@ IMPORTANT  - CAN I MAKE IT FEEL LIKE  IT @@%==~....
..~===**@@              DOESN'T MATTER?             @@**===~..
.~=*%@@@##                                          ##@@@%*=~.
.~=*%@@@@@                                          @@@@@%*=~.
....==%@@@                                          @@@%==....
.~=*%%@@@@                                          @@@@%%*=~.
.~=*%@@@##                                          ##@@@%*=~.