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,,,.~:†£@# #@£†:~.,,,
,,,,.~:†£@ @£†:~.,,,,
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,,,,.~:†£@ ,,,,††## växjö ##††,,,, @£†:~.,,,,
,,,.~:†£@# #@£†:~.,,,
,,.~:†£@## the apartment smells of old coffee and ##@£†:~.,,
,.~:†£@### sweeteners. i don't know how i let it ###@£†:~.,
,,.~:†£@## get like this. it's not intentional. ##@£†:~.,,
,,,.~:†£@# #@£†:~.,,,
,,,,.~:†£@ i wear yellow tinted glasses. the room @£†:~.,,,,
,,,,,.~:†£ changes shape a lot. right now there's £†:~.,,,,,
,,,,.~:†£@ a blue sofa with yellow seams. i @£†:~.,,,,
,,,.~:†£@# experiment with different colored #@£†:~.,,,
,,.~:†£@## lights. i'm learning things. ##@£†:~.,,
,.~:†£@### ###@£†:~.,
,,.~:†£@## my thoughts are revolving around time, ##@£†:~.,,
,,,.~:†£@# and the perception of it. can i make it #@£†:~.,,,
,,,,.~:†£@ rigid? if i really want to, can i make @£†:~.,,,,
,,,,,.~:†£ it feel like there is enough of it? £†:~.,,,,,
,,,,.~:†£@ also, and maybe, ultimately, more @£†:~.,,,,
,,,.~:†£@# important - can i make it feel like it #@£†:~.,,,
,,.~:†£@## doesn't matter? ##@£†:~.,,
,.~:†£@### ###@£†:~.,
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,,,.~:†£@# #@£†:~.,,,
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