.-~**%££££                                          ££££%**~-.
.-~**%£@##                                          ##@£%**~-.
......-**£                                          £**-......
.-~**%£@@#                                          #@@£%**~-.
.-~*%£@@##                                          ##@@£%*~-.
.-~**£@@##         ....**@# VäXJö #@**....          ##@@£**~-.
..-~~**%@@                                          @@%**~~-..
....--~*%@ THE APARTMENT SMELLS OF  OLD COFFEE  AND @%*~--....
......-~*£ SWEETENERS.  I  DON'T KNOW HOW I  LET IT £*~-......
.....~**££ GET  LIKE  THIS.  IT'S NOT  INTENTIONAL. ££**~.....
.-~**%%££@                                          @££%%**~-.
.-~**%£@## I WEAR YELLOW  TINTED  GLASSES. THE ROOM ##@£%**~-.
.-~**%£@@# CHANGES  SHAPE A LOT. RIGHT NOW  THERE'S #@@£%**~-.
.-~**%£@## A   BLUE  SOFA   WITH  YELLOW  SEAMS.  I ##@£%**~-.
.....-*%£@     EXPERIMENT WITH DIFFERENT COLORED    @£%*-.....
.-~**%£@@@       LIGHTS. I'M LEARNING THINGS.       @@@£%**~-.
.-~**%£@@@                                          @@@£%**~-.
.---~~**£@ MY  THOUGHTS  ARE REVOLVING AROUND TIME, @£**~~---.
..-~~**%%£ AND THE PERCEPTION OF IT. CAN I  MAKE IT £%%**~~-..
...-~*%££@ RIGID? IF I REALLY WANT  TO,  CAN I MAKE @££%*~-...
.....~~*£@ IT  FEEL  LIKE  THERE  IS  ENOUGH OF IT? @£*~~.....
.-~**%£@@@     ALSO, AND MAYBE, ULTIMATELY, MORE    @@@£%**~-.
.....~~*%@ IMPORTANT - CAN I MAKE  IT  FEEL LIKE IT @%*~~.....
.-~**%£@@#             DOESN'T MATTER?              #@@£%**~-.
...--~*%%@                                          @%%*~--...
....-~*%%@                                          @%%*~-....
.-~**%£@@#                                          #@@£%**~-.
.-~**%£@@#                                          #@@£%**~-.
.-~**%££@@                                          @@££%**~-.