@.@.@@.@..                                          @@@@..@.@.
@.@..@.@.@                                          @@@@.@@.@.
@.@.@@.@..                                          .@@@..@.@.
@.@..@.@.@                                          @.@@.@@.@.
@.@.@@.@..                                          @..@..@.@.
@.@..@.@.@         ....††@# VäXJö #@††....          @.@@.@@.@.
@.@.@@.@..                                          @..@..@.@.
@.@..@.@.@ THE  APARTMENT SMELLS OF OLD  COFFEE AND @.@@.@@.@.
@.@.@@.@.. SWEETENERS.  I  DON'T  KNOW HOW I LET IT @..@..@.@.
@.@..@.@.@ GET  LIKE  THIS. IT'S  NOT  INTENTIONAL. @.@@.@@.@.
@.@.@@.@..                                          @..@..@.@.
@.@..@.@.@ I  WEAR YELLOW TINTED GLASSES. THE  ROOM @.@@.@@.@.
@.@.@@.@.. CHANGES SHAPE A LOT.  RIGHT NOW  THERE'S @..@..@.@.
@.@..@.@.@ A   BLUE  SOFA  WITH   YELLOW  SEAMS.  I @.@@.@@.@.
@.@.@@.@..     EXPERIMENT WITH DIFFERENT COLORED    @..@..@.@.
@.@..@.@.@       LIGHTS. I'M LEARNING THINGS.       @.@@.@@.@.
@.@.@@.@..                                          @..@..@.@.
@.@..@.@.@ MY THOUGHTS ARE  REVOLVING  AROUND TIME, @.@@.@@.@.
@.@.@@.@.. AND THE PERCEPTION OF IT. CAN  I MAKE IT @..@..@.@.
@.@..@.@.@ RIGID? IF I REALLY WANT  TO, CAN  I MAKE @.@@.@@.@.
@.@.@@.@.. IT  FEEL  LIKE  THERE IS  ENOUGH  OF IT? @..@..@.@.
@.@..@.@.@     ALSO, AND MAYBE, ULTIMATELY, MORE    @.@@.@@.@.
@.@.@@.@.. IMPORTANT - CAN I MAKE  IT  FEEL LIKE IT @..@..@.@.
@.@..@.@.@             DOESN'T MATTER?              @.@@.@@.@.
@.@.@@.@..                                          @..@..@.@.
@.@..@.@.@                                          @.@@.@@.@.
@.@.@@.@..                                          @..@..@.@.
@.@..@.@.@                                          @.@@.@@.@.
@.@.@@.@..                                          @..@..@.@.