.....««^$@ @$^««.....
.^«^$$@@@# #@@@$$^«^.
.^«^$$@@@@ @@@@$$^«^.
.....^«^$@ @$^«^.....
...^«$$$$@ @$$$$«^...
....«^$$$@ delay delay d.la@ @ $a. ^ .@ « ^ @$$$^«....
.^««^^$$@@ @@$$^^««^.
.^«^$$@@## ##@@$$^«^.
.^«^$$@@@# #@@@$$^«^.
.....^^$$@ @$$^^.....
.^«^$$@@@# "delay" means repetiton or likewise, #@@@$$^«^.
.^«^$$@@@# but it's mainly useless without #@@@$$^«^.
.....^^$$@ feedback, @$$^^.....
.^«^$$@@@@ to allow the delay to eat of it's own @@@@$$^«^.
.^«^$$$$@@ tail, like one of those eaty serpents. @@$$$$^«^.
....^^^$$@ thus: it's the serpent effect! @$$^^^....
..^^^«$$$@ @$$$«^^^..
.^«^$@@@## it's to be revered as a creator of ##@@@$^«^.
.^«^$$@@## ambience and of space, if you treat it ##@@$$^«^.
.....^«$@@ right. a somewhat more solid and @@$«^.....
....«$$$@@ slippery sibling of reverb. @@$$$«....
.^«^$$@@@# #@@@$$^«^.
.^«^$$@@@# #@@@$$^«^.
......^^$@ @$^^......
.^«^$$@@@@ @@@@$$^«^.
.^«^$$@@## ##@@$$^«^.