###£%*^~,,                                          ,,~^*%£###
#%*~,,,,,,                                          ,,,,,,~*%#
##%^~~,,,,                                          ,,,,~~^%##
####%*^~,,                                          ,,~^*%####
###£%*^~,,                                          ,,~^*%£###
###£%*^~,, delay  delay  d,la#  £ *a,  , ,#   ~   , ,,~^*%£###
#£%%*~,,,,                                          ,,,,~*%%£#
£££*^^,,,,                                          ,,,,^^*£££
###£%*^~,,                                          ,,~^*%£###
###£%*^~,,                                          ,,~^*%£###
####%*^~,, "delay" means repetiton or likewise,     ,,~^*%####
#%***^,,,, but it's mainly useless without          ,,,,^***%#
###£%*^~,, feedback,                                ,,~^*%£###
#%^~,,,,,, to allow the delay to eat of it's own    ,,,,,,~^%#
££%^,,,,,, tail, like one of those eaty serpents.   ,,,,,,^%££
#££*^~,,,, thus: it's the serpent effect!           ,,,,~^*££#
#£*^,,,,,,                                          ,,,,,,^*£#
#£££%*^~,, it's to be revered as a creator of       ,,~^*%£££#
#££%^~,,,, ambience and of space, if you treat it   ,,,,~^%££#
###£%*^~,, right. a somewhat more solid and         ,,~^*%£###
###£%*^~,, slippery sibling of reverb.              ,,~^*%£###
###£%*^~,,                                          ,,~^*%£###
###£%*^~,,                                          ,,~^*%£###
#££**~~,,,                                          ,,,~~**££#
£%*~,,,,,,                                          ,,,,,,~*%£
###£%*^~,,                                          ,,~^*%£###