,,-/†@@@## ##@@@†/-,,
,,,-/†@@@# #@@@†/-,,,
,,,,-/†@@@ @@@†/-,,,,
,,,,,-/†@@ @@†/-,,,,,
,,,,,,-/†@ @†/-,,,,,,
,,,,,,,-/† delay delay d,la# @ †a, , ,@ - , †/-,,,,,,,
,,,,,,,,-/ /-,,,,,,,,
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,,,,,,,,-/ "delay" means repetiton or likewise, /-,,,,,,,,
,,,,,,,-/† but it's mainly useless without †/-,,,,,,,
,,,,,,-/†@ feedback, @†/-,,,,,,
,,,,,-/†@@ to allow the delay to eat of it's own @@†/-,,,,,
,,,,-/†@@@ tail, like one of those eaty serpents. @@@†/-,,,,
,,,-/†@@@# thus: it's the serpent effect! #@@@†/-,,,
,,-/†@@@## ##@@@†/-,,
,,,-/†@@@# it's to be revered as a creator of #@@@†/-,,,
,,,,-/†@@@ ambience and of space, if you treat it @@@†/-,,,,
,,,,,-/†@@ right. a somewhat more solid and @@†/-,,,,,
,,,,,,-/†@ slippery sibling of reverb. @†/-,,,,,,
,,,,,,,-/† †/-,,,,,,,
,,,,,,,,-/ /-,,,,,,,,
,,,,,,,,,- -,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,- -,,,,,,,,,