,:~=$*&@@# #@@&*$=~:,
,:~=$*&@@# #@@&*$=~:,
,:~=$*&@@# #@@&*$=~:,
,,::~$$&&@ @&&$$~::,,
,:~=$*&@@@ @@@&*$=~:,
,,,,,~$$*& Delay Delay D,La@ & $A, : ,@ ~ : &*$$~,,,,,
,,,,,:~$*@ @*$~:,,,,,
,,,::==*&@ @&*==::,,,
,,,,,::~$& &$~::,,,,,
,,,,,~$&&& &&&$~,,,,,
,:~=$*&&&@ "Delay" Means Repetiton Or Likewise, @&&&*$=~:,
,,::=$$*&& But It'S Mainly Useless Without &&*$$=::,,
,,,,,:~$&@ Feedback, @&$~:,,,,,
,:~=$*&&@@ To Allow The Delay To Eat Of It'S Own @@&&*$=~:,
,,,,~$*&&& Tail, Like One Of Those Eaty Serpents. &&&*$~,,,,
,,,:~==*&& Thus: It'S The Serpent Effect! &&*==~:,,,
,,,:=$$$$& &$$$$=:,,,
,,::===*&@ It'S To Be Revered As A Creator Of @&*===::,,
,:~=$*&@@# Ambience And Of Space, If You Treat It #@@&*$=~:,
,:~=$*&@## Right. A Somewhat More Solid And ##@&*$=~:,
,:~=$*&@## Slippery Sibling Of Reverb. ##@&*$=~:,
,,,,,~==$& &$==~,,,,,
,:~=$*&@@# #@@&*$=~:,
,,,,:=*&&@ @&&*=:,,,,
,:~$*&@@## ##@@&*$~:,
,:~=$*@@## ##@@*$=~:,