¨¨..,¨¨,¨£ £,¨¤..#.,#
,¤#¤##&£,, .¨,..,.,¨.
¨.&§#@@,.@ &£&¤@@£¤
...###.¨¨¨ ,§#¤£¤#§§¨
##..@¨¨§§# ¨,#£#£&&¨,
,,,¨¨¨¨¨¤@ statuette .,¨¤¤#§.¨¨
£¤&&£,¨@ ¤£¨.&£.,#&
¤@&¤£¤.,¨¨ $$%£%¤£%&¤$¤¤%¤@-«~=««~«%%&$§&$*§@¤§&¤%£ ,...,¨¨¨¨£
&§##¤.¨§¤@ £$£%¤@%%£ £@#¤&§##¨,
¨@¨.¨¨@£ ¨@##@@@¨¨¨
,.@,,@§,.§ forests around my childhood home. thick ,,§¤&£¨¨@£
..,......, pine arcades that were planted and ,,,##.,,¨.
@¤£¤§¤@§@£ forgotten. wild boars roaming #@¨,¨¨£@¤£
&@@@&@¤§&§ underneath, sniffing at the ground. it @.,¤#¨¨££§
&§£&@¤&¤£, is dark and moist, the canopy having .,¨,.¨¨.@£
£¤@¤¤¤#¤,¨ already soaked up all the sun. ¤@¤@£¤@.,§
¤&§#&£§,., ¤¤&¤£@...,
¨£§###¨¨&¤ there's a river passing by, from east #@§£&¨¨§&.
,.§§£..¨.. to west, getting broader and deeper and @&@£¨¨.,.,
§¨¨¤,.&@@£ slower as it goes. equisetum grow just ¨§@..@§§£@
¨¨,.¨¨¨@@, where the pine hands start to let ,,¨,,,&&
,¤¤§@&.¨,¨ through light, horsemint on the rocky ¨¤£¤§,.£§.
¨.§#¤¨,@£§ river bed. ¨¨@#¨...,¨
&¨.¤.,,,£& ¨,,,.§£#§#
,¨,,¨&@,,@ ; ¤¤,,£&£§
¨¤@@..,¨., ¨#@,¨¨¨#£.
¨¨#..&§£&, the riverbanks reek of magic. tonight ,¨.,#£¨,¨¨
@.¨,¨.¤&.¨ they had been a swampworld with sylvan ,£§,¨..£§£
.¨@&£.,,.£ water, stone rings and floating moss. .,.¨#&..&£
...§.,¤@,, you could've found me wallowing around .&§,,¨¨¨.,
£§¨,..,.¨@ on the southern shores until i got ¨¨..§§##§&
#.,#£#§§.¨ bitten. £&£¨¨@§¤£¤
¨¨,.£@@¨.. ¤¤.¨..&¤§&
.@#,,£,,@# but now i'm further back, on solid £¨,#¤,¨&@¨
¨.¨,.¨,,., ground, in shoulder-high grass, with an ,,.¨,,..,.
§§¤£££§£@@ orange tin radio and a translucent ¤§@¤§#¤&@&
&£¤&¤§&@£¤ umbrella which i'm sitting on. §£§#¤@&¤
§@&£¤&&@@§ §@§££@££
&&¤§§¤££@& † &§£¤£@§§@@
¤@#££&£@¤£ £¤¤¤&¤#§@¤
@§£&&@#§@@ somethings moving in the grass. it's §@&££§§§@#
&¤&@@#§£@¤ invisible to my eyes but i can feel @¤@£@¤@£
£#&¤§@#£## through the ground just how large it is. @#@@&§&&£¤
§#&@£@£@#@ @£§@§@&¤&£
£@£#£#£#¤£ the soil is muddy. i slip when trying #@¤&§£¤@§§
#&§£&§¤&@£ to get up, still looking at the ¤£@§££§#
&&@§@&£##& direction of sound rather than at my &§@§#¤§#¤#
@&§@@§#@¤@ hands, who are busy putting things in ##¤@#£#£@#
§#§¤@§#£¤& my pockets. §&££§@@£&£
¤£¤@#@@#§& §#£¤££££
&§#§@£§£#§ then i run east toward my home. &&§§#£¤¤¤&
¤@#§#&&§ §&@@¤£¤¤¤#
¤@#¤§@¤¤#§ / £#@&¤&&£££
§§##£@&@&¤ ¤@£§&¤§§#¤
#£¤@#¤#@£§ i am not followed, and slow down in the &&£&&&£¤
&¤&££#@¤@& clearing where you at first can spot @@¤£§£&¤@§
§£¤¤@&@&@# the house, not yet really in the ¤&&@££
¤&¤§#¤¤§§£ backyard. from my pockets i retrieve my #&&@@&&@@#
§#§#@£££¤§ radio (now dented) but also a small §¤#§£##§
§§§£§@¤¤@@ clay figure i've never seen before. it £&&§¤@£¤£&
@¤£§@£@@## must have been laying in the wet dirt, @#¤&@@&#
@¤¤£§##££§ and i must've picked it up with my §@¤&@¤¤##£
£¤£¤¤§£§&¤ other belongings. @£¤&¤@@¤&§
@#@¤¤§#&@¤ ¤@&@§&£#§§
#££@###@@& it's a statuette of a girl laying naked #&&¤§&&@§¤
¤§§@@¤@#¤¤ on her stomach, feet in the air, ¤¤£&§&&§#£
&@@&¤£§¤#£ roughly seven centimeters long. it's #&&@&&£&
#¤£§#£¤@£& freshly made, not yet completely dried. @&¤@¤#&&§£
@£¤§§§#£¤# §@§@&§£@##
##@§&¤@@£¤ my mom is here now. i ask her for some @¤§¤§¤§¤§¤
&£@&§¤#§¤¤ particle board for it to dry on, but §¤&§&¤@§£@
&@#§@££&£# she is worried and wants me to @§£#&§¤#§#
¤#££¤#@#§£ throw it away. &£££&¤£§¤@
¤@£§§#§@ #&¤¤£#¤£§¤
#@¤@##¤§## §&¤§£¤@@¤@
§¤&¤@§#@&¤ @&£§@§#£&&
&¤@£@@¤¤¤¤ #¤££¤¤£#£§
¤§¤££££@ &£#¤§¤#&@@
#@§&¤#¤@#& §#@&@£§¤§§