¨¨.,.,££., ££,,.#.,¨¨
@#§,¨,.§ §,¨£¨,¨§#&
§§£§¨¨##., .,¨.,#¨.@&
§#¤,.¨¨¨., ¤@&&¨.,¨¨@
¤@,,§#&£#& ¨#£,,£@#¨,
,,,,.£@¤§. statuette .¨..,,¤,,,
#&&&,,@£¨¨ .#£££,..§@
@¤&¨¨,¨¨.£ $¤&§£££$@%$§&@$£~~«=-=~=%££&££$$&§£%£¤$§ ¨.§§,,&,¨£
¤@¨.¤§##¨. ¤*£%$%¤§% ¤,¨.,,¨¨.,
,¨¨¨¨£§.¨¨ ,,§£¤#¤@¤.
§#..¨,§£ forests around my childhood home. thick &,,£§£¤£¨,
¨§&¨¨#¤.¨. pine arcades that were planted and ,,,.¤¤£.¨¨
.¨¨,,¨.,££ forgotten. wild boars roaming ,£#¨.£¨¨¤#
¨&¤§§£&¨¨¤ underneath, sniffing at the ground. it ....,,,¨,.
¨¨#&@§¨.¨¨ is dark and moist, the canopy having &¤£&¤###
¨.,@¤¨¨£&@ already soaked up all the sun. £@&¤£#§&§,
&§,,¨¨¨,#§ .&@¤@¤£¤.,
,,.&§@&¨.¤ there's a river passing by, from east .¨§#§¤§¨,¨
££¨.§¤,.¨¨ to west, getting broader and deeper and ..,£¤#,,@§
&...¨,,@£¨ slower as it goes. equisetum grow just ¤§¨¨&,¨..¤
..#&£@.¨., where the pine hands start to let £.¨¨.,§&,¨
@.,¨.§@@ through light, horsemint on the rocky ¨¨&@&,.,,§
¨,¨,¨.,¨@& river bed. .¨.¤.¨¤£,.
§#¤¤£§§.,¨ ¨¨,¨.,,£
¤@&@@@.¨£@ \ &,.§§££§..
,§§@£¨.... ¨¨,¨£#¤,.¨
,.¤§.,@£§§ the riverbanks reek of magic. tonight .&£¨.£¨.£&
,¨,¨¨,¨&&@ they had been a swampworld with sylvan .¨.¨,¨,,¨¨
&§&¤&¤¨.¤@ water, stone rings and floating moss. ,¤§¤§@£§@&
£@£¤¤,.¨¨, you could've found me wallowing around ,.£@#&§@££
§&@£..&@&§ on the southern shores until i got ,.,@§¤#§@£
@¤¤¨..,§&. bitten. #@..@¤@¤££
&£,.§£.,¨, .¨,.,££@§@
¤¨.¨¨..££¨ but now i'm further back, on solid ¤§##,¨£§@#
¨¨#&,¨¨¨ ground, in shoulder-high grass, with an £££¨¨.¨¤¤£
,..&&¨.&£& orange tin radio and a translucent §§¨¨¤£.¨§¨
¤@,¨,.,¨&& umbrella which i'm sitting on. .¨¨..,¨,¨.
¨¨.¤&£¤..@ @£§&¤¤#@¤.
#§¨,£¤.,¨. ^ ,¤¤@§@@@.,
,,.¨¨,,£#§ ,.§&&&@¨¨.
££§¤§&,.&§ somethings moving in the grass. it's £.,¤&£..£§
¤§£¤£.,,¨@ invisible to my eyes but i can feel ¨¨¨¨¤.,¨,£
£&..££,, through the ground just how large it is. ,§&,¨¨&¤¨,
.¤£..¨.,.@ ..,¨#,..,.
.¨,¨¤££@., the soil is muddy. i slip when trying §§@..¨£££@
,#¤¨,§#¨¨& to get up, still looking at the &@,.¤.,§§.
,¨.¨.¨,.,. direction of sound rather than at my .¨,,¨.,.¨.
@§@&@&¤### hands, who are busy putting things in #£&£¤§§&£@
&&§£&£§@@# my pockets. §#@¤@§&£¤&
&&@#@@§£¤@ #£@§¤#@&§£
#££&£§@# then i run east toward my home. @¤###§§§££
§#&&&££££@ §¤£@@@&¤¤#
&£@#£&§££§ ; &@¤@¤@#@@#
£¤#§&§¤@@# #§£#§§#£
#¤¤££& i am not followed, and slow down in the @§&¤¤@§#&&
#¤§##@#§§@ clearing where you at first can spot £¤£###¤#§§
&£§&¤£¤§&¤ the house, not yet really in the £&@&§§#@
££§§@¤¤@&& backyard. from my pockets i retrieve my §#@££@@¤@¤
§§##¤#@§¤@ radio (now dented) but also a small £&&§#£¤¤#§
§@¤&@¤¤#§¤ clay figure i've never seen before. it @&£&¤&££££
¤¤¤@¤£@##@ must have been laying in the wet dirt, @£@¤@@£&@#
@##£#§@£#& and i must've picked it up with my £££#@¤@#
¤¤#&£&§£## other belongings. ¤#&§&¤§§§@
¤#§§#£§#&¤ §§¤&&@&¤
&@§#£&§¤&¤ it's a statuette of a girl laying naked ¤&¤¤£#&&£&
#&£@£§@££@ on her stomach, feet in the air, ¤#§¤@¤@§£#
@&@@£&@@ roughly seven centimeters long. it's §££££§&¤
§#@¤¤£&§#¤ freshly made, not yet completely dried. ££@¤@@£§@#
§@@@¤§@£§# @#¤#£¤£§#§
§&&&¤¤¤¤£¤ my mom is here now. i ask her for some @§&¤&&¤&@#
£¤@#¤@@£§§ particle board for it to dry on, but §§@&§@£##&
#¤§¤@§£&&& she is worried and wants me to §###@@¤@#£
&@#¤@§¤@ throw it away. &££¤#¤§§
¤#¤§@& £@#&§¤&&£¤
@£§&@#£& ##¤££§§¤##
##££¤¤@@@@ §£§@¤@@&£¤
&§§&£¤§£§¤ &£#&£@@£
£&£&£##&&@ ¤@§#££@&¤#
&§¤&¤§ @&¤##&£@@§