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#.##.#.#.#          ART SCHOOL HOUSE DREAM.         ##.#..#.#.
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#.##.#.#.#        #------------------------#        ##.#..#.#.
#..#.#.#..                                          .#.#.##.#.
#.##.#.#.# SLIGHTLY UPTOWN ON A  GRASSY HILL LIES A ##.#..#.#.
#..#.#.#..    LARGE REPURPOSED INSTITUTION. IT'S    .#.#.##.#.
#.##.#.#.# SEVERAL  FLOORS,  A  FEW  HUNDRED METERS ##.#..#.#.
#..#.#.#..       WIDE. MADE OF YELLOW BRICKS.       .#.#.##.#.
#.##.#.#.#                                          ##.#..#.#.
#..#.#.#..  COMBINED NIGHTCLUB, CAFE, GALLERY, ART  .#.#.##.#.
#.##.#.#.# SCHOOL. IT'S  ALWAYS  OPEN,  PEOPLE COME ##.#..#.#.
#..#.#.#.. AND GO. THE BASEMENT IS DEEPER THAN  YOU .#.#.##.#.
#.##.#.#.#               WOULD GUESS.               ##.#..#.#.
#..#.#.#..                                          .#.#.##.#.
#.##.#.#.# IT'S  MESSY. I'VE SPREAD MY  THINGS OVER ##.#..#.#.
#..#.#.#..              SEVERAL FLOORS,             .#.#.##.#.
#.##.#.#.#                                          ##.#..#.#.
#..#.#.#.. AND DUE TO A  FEW  MANY  BEERS  AND SOME .#.#.##.#.
#.##.#.#.# SECRET  RIVALRIES,  I  DECIDE  I  SHOULD ##.#..#.#.
#..#.#.#.. LEAVE.  BUT   WHERE  ARE   MY   SHOES... .#.#.##.#.
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#..#.#.#..      #--- (LOOKING FOR SHOES) ---#       .#.#.##.#.
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#..#.#.#.. AFTER A  WHILE THEY  APPEAR ON MY  FEET. .#.#.##.#.
#.##.#.#.#                   OK.                    ##.#..#.#.
#..#.#.#..                                          .#.#.##.#.
#.##.#.#.# I'M  CRYING  OF JOY, I HUG A FRIEND  AND ##.#..#.#.
#..#.#.#.. IT'S  GOOD,  WE'RE  CLOSE  NOW,  HE  CAN .#.#.##.#.
#.##.#.#.# SMELL  ME  (ALL   ACCORDING  TO   PLAN). ##.#..#.#.
#..#.#.#..                                          .#.#.##.#.
#.##.#.#.# I  FIND OUT  WHO RUINED MY PAINTINGS AND ##.#..#.#.
#..#.#.#.. I PULL  HER HAIR.  SHE  CRIES FROM  PAIN .#.#.##.#.
#.##.#.#.#       BUT DOES NOT BEG FORGIVENESS.      ##.#..#.#.
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#.##.#.#.#      #--- (IN THE BACKGROUND) ---#       ##.#..#.#.
#..#.#.#..                                          .#.#.##.#.
#.##.#.#.# SUNSET,  ORANGE  AND  PINK,  CITY  IS  A ##.#..#.#.
#..#.#.#..      BLACK CUTOUT. THERE'S FIRES AND     .#.#.##.#.
#.##.#.#.#        EXPLOSIONS ON THE GROUND.         ##.#..#.#.
#..#.#.#..                                          .#.#.##.#.
#.##.#.#.# "THE NEW  WAY  OF SHIPPING  IRON  - WITH ##.#..#.#.
#..#.#.#.. THE  RAILGUN. THE IRON SLAG IS  SHOT  AT .#.#.##.#.
#.##.#.#.# THREE  HUNDRED  AND  THIRTY THREE METERS ##.#..#.#.
#..#.#.#.. PER  SECOND, AND AT THE RECEIVING END AN .#.#.##.#.
#.##.#.#.# EIGHT  SQUARE  METER   WOODEN   CUBE  IS ##.#..#.#.
#..#.#.#..        LAUNCHED TO INTERCEPT IT."        .#.#.##.#.
#.##.#.#.#                                          ##.#..#.#.
#..#.#.#.. IT  LOOKS  LIKE  INTERSTELLAR  WAR.  THE .#.#.##.#.
#.##.#.#.# WOODEN  BLOCK SHATTER  INTO HUNDREDS  OF ##.#..#.#.
#..#.#.#..                  WANDS.                  .#.#.##.#.
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#..#.#.#..        #------------------------#        .#.#.##.#.
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#..#.#.#.. #  HOUSE DREAM ; RAILGUN ;  STRUCTURE  # .#.#.##.#.
#.##.#.#.#          # INSTITUTION ; MAZE #          ##.#..#.#.
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