,-~\%¤@£££ £££@¤%\~-,
,-~\%¤@£## ##£@¤%\~-,
,,,,,,,~%@ @%~,,,,,,,
,,,,-\%%¤@ @¤%%\-,,,,
,-~\%@£### ###£@%\~-,
,-~\%¤@£## #### ##### ##£@¤%\~-,
,-~\%¤@£## TAPE DREAM ##£@¤%\~-,
,-~\%¤@£## #### ##### ##£@¤%\~-,
,,,,~\%%@# #@%%\~,,,,
,-~\%¤@£## FOR STORING MUSIC ON. ALSO DATA BUT ##£@¤%\~-,
,-~\%¤@£## AT THIS POINT IN TIME THAT'S NOT ##£@¤%\~-,
,-~\%¤@£## REALLY IMPORTANT I THINK. ##£@¤%\~-,
,,,,--\¤@# #@¤\--,,,,
,-~\%¤@£## ##£@¤%\~-,
,,,,,~\¤@# \\\\\\\\ TYPES OF TAPE \\\\\\\\ #@¤\~,,,,,
,,,,-\¤@@@ @@@¤\-,,,,
,-~\%¤@£## CLASS I - "BAD" IRON ##£@¤%\~-,
,,,--~%@£# CLASS II - GOOD CHROMIUM #£@%~--,,,
,-~\%¤@£## CLASS III - BAD IRON PART TWO ##£@¤%\~-,
,-~\%¤@££# CLASS IV - DANGEROUS METALS #££@¤%\~-,
,,,,,-\\%@ @%\\-,,,,,
,,,,,~\¤@# RUMORS EXIST ABOUT A SECRET CLASS V TAPE #@¤\~,,,,,
,-~\%¤£### THAT IS ACTUALLY USEFUL. ###£¤%\~-,
,-~\%¤@£## ##£@¤%\~-,
,-~\%%%@£# \\ BIAS \\ #£@%%%\~-,
,-~\%¤@### ###@¤%\~-,
,-~\%¤@£## CLASS I USES ONE HUNDRED AND TWENTY ##£@¤%\~-,
,-~\%¤¤¤@£ MICRO-SOMETHING WHILE THE OTHERS ALL £@¤¤¤%\~-,
,-~\%¤@£## USE SEVENTY OF THE SAME UNIT. ##£@¤%\~-,
,---~\¤¤@# #@¤¤\~---,
,-~\%¤@£## ##£@¤%\~-,
,-~\%¤@£## %%%%%%%%% AHA AND %%%%%%%%% ##£@¤%\~-,
,-~\%¤@£## ##£@¤%\~-,
,-~\%¤@££# CLASS IV IS APPARENTLY TOO STRONG TO #££@¤%\~-,
,-~\%¤@£## BE USED ON CLASS I PLAYERS. IT WILL ##£@¤%\~-,
,,,,,~\¤@# SOUND TOO LOUND AND IT CANNOT BE #@¤\~,,,,,
,--~\%¤@@£ COMPLETELY ERASED. THIS IS VERY WELL. £@@¤%\~--,
,,-~~~~%%@ MAYBE SOME WONDERFUL BLENDING EFFECTS @%%~~~~-,,
,-~\%¤@£## COULD BE ACHIEVED? ##£@¤%\~-,
,,,,,-\¤@£ £@¤\-,,,,,
,-~\%¤@£## THEY ALSO GNAW AT THE TAPE HEADS A BIT ##£@¤%\~-,
,,,,,-~%@£ BETTER THAN EARLIER TAPE TYPES. £@%~-,,,,,
,-~\%%%¤£# #£¤%%%\~-,
,,,,~%%@@# #@@%%~,,,,
,,,,,,~%¤@ \\\\\\\\ ARTIFACTS \\\\\\\\ @¤%~,,,,,,
,,,,-~\¤¤@ @¤¤\~-,,,,
,-~\%¤@£## GOOD TAPES ARE DECENT AND HAVE A GOOD ##£@¤%\~-,
,-~\%¤@£## HIGH FREQUENCY PRESENCE, BAD TAPES ARE ##£@¤%\~-,
,-~\\\%¤££ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ££¤%\\\~-,
,-~\%¤@£## LIKE IT. ##£@¤%\~-,
,-~\%¤@£## ##£@¤%\~-,
,-~\%¤@£## BIAS LOSS: IF YOU FORGET THE BIAS WHO ##£@¤%\~-,
,,,,-\¤@@# KNOWS WHATS EVEN ON THERE ANYMORE #@@¤\-,,,,
,-~\%¤@£## ##£@¤%\~-,
,-~\%¤@£## FLUTTER: KINDA QUICK PITCH VARIATIONS. ##£@¤%\~-,
,,---\%¤¤£ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. £¤¤%\---,,
,-~\%¤@£## ##£@¤%\~-,
,-~\%¤@£## WOW: A SLOWER FLUTTER, USUALLY SEVERAL ##£@¤%\~-,
,-~\%¤@£## SECONDS LONG. WHAT UP. BOTH OF THESE ##£@¤%\~-,
,-~\%¤@£## INCREASE WHEN TAPE SPEED DECREASES. ##£@¤%\~-,
,,,-\\\¤@@ @@¤\\\-,,,
,,,,,~~%¤@ PRINT THROUGH: TAPES RUB SOUND ON EACH @¤%~~,,,,,
,-~\\\\%@# OTHER IF THEYRE ALONE FOR TOO LONG #@%\\\\~-,
,,,,,,,~%@ @%~,,,,,,,
,,,-~~\%¤£ £¤%\~~-,,,
,,,,,~%%¤@ @¤%%~,,,,,
,-~\%¤¤@@# #@@¤¤%\~-,
,-~\%¤@@@£ £@@@¤%\~-,
,-~\%%¤@£# #£@¤%%\~-,