¨:~;%&&###                                          ###&&%;~:¨
¨¨:~;%&&##                                          ##&&%;~:¨¨
¨¨¨:~;%&&#                                          #&&%;~:¨¨¨
¨¨¨¨:~;%&&                                          &&%;~:¨¨¨¨
¨¨¨¨¨:~;%&                                          &%;~:¨¨¨¨¨
¨¨¨¨¨¨:~;%                                          %;~:¨¨¨¨¨¨
¨¨¨¨¨¨¨:~;                ¨¨&###&¨¨                 ;~:¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨:~       :: PITTSBURGH ELECTRONICS ::       ~:¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨:              ~~ LIFEFORMS ~~             :¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨               ;; SV ONE ;;               ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ THIS IS  A EURORACK  MODULE BUT I BOUGHT ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨: THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. :¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨:~                                          ~:¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨:~; IT  SHIPS WITH  TOO  FEW  PATCH  CABLES. ;~:¨¨¨¨¨¨¨
¨¨¨¨¨¨:~;%                                          %;~:¨¨¨¨¨¨
¨¨¨¨¨:~;%&             ¨%@ CONTAINS @%¨             &%;~:¨¨¨¨¨
¨¨¨¨:~;%&&           MIDI TO CV CONVERTER           &&%;~:¨¨¨¨
¨¨¨:~;%&&#                TWO VCO'S                 #&&%;~:¨¨¨
¨¨:~;%&&## FOUR CHANNEL OR TWO X  TWO CHANNEL MIXER ##&&%;~:¨¨
¨:~;%&&###       TWO SUB OSCILLATORS I THINK        ###&&%;~:¨
¨¨:~;%&&##         TWO ONE TO TWO SPLITTERS         ##&&%;~:¨¨
¨¨¨:~;%&&#           WHITE NOISE GENERATOR          #&&%;~:¨¨¨
¨¨¨¨:~;%&&              SAMPLE AND HOLD             &&%;~:¨¨¨¨
¨¨¨¨¨:~;%&          LFO PLUS A DIGITAL LFO          &%;~:¨¨¨¨¨
¨¨¨¨¨¨:~;%   FILTER (LOWPASS, BANDPASS, HIGHPASS)   %;~:¨¨¨¨¨¨
¨¨¨¨¨¨¨:~;               ADSR ENVELOPE              ;~:¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨:~                  ONE VCA                 ~:¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨:               HEADPHONE AMP              :¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨         FOURTY NINE PATCHPOINTS!         ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨                 ¨:###:¨                  ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨:            ~%% SO WHAT NOW %%~           :¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨:~                 ¨:###:¨                  ~:¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨:~;                                          ;~:¨¨¨¨¨¨¨
¨¨¨¨¨¨:~;% CLOCK IO  GOES TO  ASDR  IN I  THINK AND %;~:¨¨¨¨¨¨
¨¨¨¨¨:~;%& MAYBE ALSO  TO  THE SAMPLE AND HOLD. PUT &%;~:¨¨¨¨¨
¨¨¨¨:~;%&& SUBBASE  AND NOISE IN CHANNEL THREE  AND &&%;~:¨¨¨¨
¨¨¨:~;%&&# FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL #&&%;~:¨¨¨
¨¨:~;%&&## TWO,  AND OSCILLATOR  TWO SAW TO CHANNEL ##&&%;~:¨¨
¨:~;%&&### ONE.   SAMPLE  AND   HOLD  OUT  TO   THE ###&&%;~:¨
¨¨:~;%&&##  FILTER... MAYBE... RESONANCE AT HALF.   ##&&%;~:¨¨
¨¨¨:~;%&&# SOME FREQUENCY  IN  THE FIRST OSCILLATOR #&&%;~:¨¨¨
¨¨¨¨:~;%&& AND  THEN THE  SECOND OSC FOUR SEMITONES &&%;~:¨¨¨¨
¨¨¨¨¨:~;%&                 HIGHER.                  &%;~:¨¨¨¨¨
¨¨¨¨¨¨:~;%                                          %;~:¨¨¨¨¨¨
¨¨¨¨¨¨¨:~;                 :~&@&~:                  ;~:¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨:~          ;&& DESKTOP SYNTH &&;           ~:¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨:                 :~&@&~:                  :¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨:                                          :¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨:~                                          ~:¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨:~;                                          ;~:¨¨¨¨¨¨¨