,§§,§§,,§§                                          ,§§§,§,,§,
,§,§§,§,§,                                          §§,,§§§,§§
§§§§,§§§§§                                          §,§,§,,§§,
§,,,§§,,,,                                          §§§§§§,§,§
,§,,§,§,,,                                          ,,,,,,§§§§
§§§,§§§§,,                                          ,,,,,,§,,,
§,,§§,,,§,                ,,$@#@$,,                 §,,,,,§§,,
§§,§,§,,§§       ,, PITTSBURGH ELECTRONICS ,,       §§,,,,§,§,
§,§§§§§,§,             ~~ LIFEFORMS ~~              ,,§,,,§§§§
,§§,,,,§§§               \\ SV ONE \\               §,§§,,§,,,
,§,§,,,§,,                                          ,§§,§,§§,,
,§§§§,,§§, THIS IS A  EURORACK MODULE  BUT I BOUGHT ,§,§§§§,§,
,§,,,§,§,§ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. §§§§,,,§§§
§§§,,§§§§§                                          ,,,,§,,§,,
§,,§,§,,,, IT  SHIPS  WITH  TOO FEW  PATCH  CABLES. ,,,,§§,§§,
§§,§§§§,,,                                          §,,,§,§§,§
,,§§,,,§,,             ,*@ CONTAINS @*,             ,§,,§§§,§§
§,§,§,,§§,           MIDI TO CV CONVERTER           §§§,§,,§§,
§§§§§§,§,§                TWO VCO'S                 ,,,§§§,§,§
,,,,,,§§§§ FOUR  CHANNEL OR TWO X TWO CHANNEL MIXER §,,§,,§§§§
§,,,,,§,,,       TWO SUB OSCILLATORS I THINK        ,§,§§,§,,,
§§,,,,§§,,         TWO ONE TO TWO SPLITTERS         ,§§§,§§§,,
§,§,,,§,§,          WHITE NOISE GENERATOR           §§,,§§,,§,
§§§§,,§§§§             SAMPLE AND HOLD              ,,§,§,§,§§
,,,,§,§,,,          LFO PLUS A DIGITAL LFO          ,,§§§§§§§,
,,,,§§§§,,   FILTER (LOWPASS, BANDPASS, HIGHPASS)   §,§,,,,,,§
§,,,§,,,§,               ADSR ENVELOPE              ,§§§,,,,,§
,§,,§§,,§§                  ONE VCA                 §§,,§,,,,§
§§§,§,§,§,              HEADPHONE AMP               §,§,§§,,,§
,,,§§§§§§§         FOURTY NINE PATCHPOINTS!         ,§§§§,§,,§
§,,§,,,,,,                                          §§,,,§§§,§
,§,§§,,,,,                 ,,@#@,,                  ,,§,,§,,§§
§§§§,§,,,,            ~** SO WHAT NOW **~           ,,§§,§§,§,
§,,,§§§,,,                 ,,@#@,,                  §,§,§§,§§§
,§,,§,,§,,                                          §§§§§,§§,,
,§§,§§,§§, CLOCK  IO  GOES TO ASDR IN  I  THINK AND §,,,,§§,§,
,§,§§,§§,§ MAYBE ALSO TO  THE SAMPLE AND HOLD.  PUT ,§,,,§,§§§
§§§§,§§,§§ SUBBASE AND  NOISE IN CHANNEL  THREE AND ,§§,,§§§,,
§,,,§§,§§, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,§,§,§,,§,
§§,,§,§§,§ TWO, AND  OSCILLATOR TWO  SAW TO CHANNEL ,§§§§§§,§§
,,§,§§§,§§ ONE.   SAMPLE  AND   HOLD  OUT   TO  THE §§,,,,,§§,
,,§§§,,§§,   FILTER... MAYBE... RESONANCE AT HALF.  ,,§,,,,§,§
§,§,,§,§,§ SOME FREQUENCY  IN THE  FIRST OSCILLATOR ,,§§,,,§§§
,§§§,§§§§§ AND THEN THE SECOND  OSC  FOUR SEMITONES §,§,§,,§,,
,§,,§§,,,,                  HIGHER.                 §§§§§§,§§,
,§§,§,§,,,                                          ,,,,,,§§,§
§§,§§§§§,,                  ,~§@§~,                 ,,,,,,§,§§
,,§§,,,,§,           \$$ DESKTOP SYNTH $$\          §,,,,,§§§,
,,§,§,,,§§                  ,~§@§~,                 §§,,,,§,,§
§,§§§§,,§,                                          ,,§,,,§§,§
,§§,,,§,§§                                          ,,§§,,§,§§
§§,§,,§§§,                                          ,,§,§,§§§,
§,§§§,§,,§                                          §,§§§§§,,§
,§§,,§§§,§                                          §§§,,,,§,§
§§,§,§,,§§                                          §,,§,,,§§§