,^==%%##@# #@##%%==^,
,^==%%##@# #@##%%==^,
,^==%%##@# #@##%%==^,
,^==%%##@# #@##%%==^,
,^==%%##@# #@##%%==^,
,^==%%#### the last song on side b (and to some ####%%==^,
,,,^===%#@ extent the first song on side a) talks @#%===^,,,
,,,,^=%##@ for the whole album, not just their @##%=^,,,,
,^====%### side. the last song on side b is ###%====^,
,,,,,^==%# probably the most important #%==^,,,,,
,,,^^^^=%# opportunity, the most charged slot. #%=^^^^,,,
,^==%%#@## ##@#%%==^,
,^==%%##@# ,###, #@##%%==^,
,^==%%##@@ @@##%%==^,
,^==%%#@## the album is a singularity, an anomaly ##@#%%==^,
,^=====%## in spacetime, a creature that knows ##%=====^,
,,,^==%%## exactly how beautiful it is. ##%%==^,,,
,,^^^==%## , ##%==^^^,,
,^==%%%%## and the thing is: it sees itself in ##%%%%==^,
,^==%%##@# three d. it knows that it's dying. #@##%%==^,
,^==%##@## ##@##%==^,
,^==%%#@## %%%%%%%%%%%%%%%%%%%##%%%%%%%%%%%%%%%%%%% ##@#%%==^,
,^==%%##@# #@##%%==^,
,^==%%##@# ^ dolphins and cats ^ #@##%%==^,
,^==%%##@@ bring us @@##%%==^,
,^==%%###@ , flowers and honey , @###%%==^,
,^==%%##@@ @@##%%==^,
,^==%%###@ ^ dolphins and cats ^ @###%%==^,
,,,,,^=%%# bring us #%%=^,,,,,
,^==%%##@@ , fairies and bees , @@##%%==^,
,^==%%##@@ @@##%%==^,
,^==%%##@# our boat is afloat #@##%%==^,
,^==%%##@# on a surface of lilies #@##%%==^,
,^==%%##@# ^ dolphins and cats ^ #@##%%==^,
,^==%##@## drag us down ##@##%==^,
,^==%%#### ,=% underneath %=, ####%%==^,
,,,,^=%%%# #%%%=^,,,,
,^=====%%# %%%%%%%%%%%%%%%%%%%##%%%%%%%%%%%%%%%%%%% #%%=====^,
,^==%%%%%# #%%%%%==^,
,,,,,,==%# side a is foresty, and side b might #%==,,,,,,
,^==%%##@@ be lizardy. but the last song is full @@##%%==^,
,^==%%##@# of space. #@##%%==^,
,^==%%%%## ##%%%%==^,
,,,==%%%#@ @#%%%==,,,
,^==%%%%#@ @#%%%%==^,
,^==%%##@# #@##%%==^,
,^==%%##@@ @@##%%==^,