¨¨¨¨¨¨,«*% %*«,¨¨¨¨¨¨
¨¨¨¨¨¨¨,«* *«,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,« «,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨, ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,« «,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,«* the last song on side b (and to some *«,¨¨¨¨¨¨¨
¨¨¨¨¨¨,«*% extent the first song on side a) talks %*«,¨¨¨¨¨¨
¨¨¨¨¨,«*%* for the whole album, not just their *%*«,¨¨¨¨¨
¨¨¨¨,«*%*£ side. the last song on side b is £*%*«,¨¨¨¨
¨¨¨,«*%*£# probably the most important #£*%*«,¨¨¨
¨¨,«*%*£## opportunity, the most charged slot. ##£*%*«,¨¨
¨,«*%*£### ###£*%*«,¨
¨¨,«*%*£## ¨###¨ ##£*%*«,¨¨
¨¨¨,«*%*£# #£*%*«,¨¨¨
¨¨¨¨,«*%*£ the album is a singularity, an anomaly £*%*«,¨¨¨¨
¨¨¨¨¨,«*%* in spacetime, a creature that knows *%*«,¨¨¨¨¨
¨¨¨¨¨¨,«*% exactly how beautiful it is. %*«,¨¨¨¨¨¨
¨¨¨¨¨¨¨,«* ¨ *«,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,« and the thing is: it sees itself in «,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨, three d. it knows that it's dying. ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,« «,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,«* %%**%%**%%**%%**%%*££*%%**%%**%%**%%**%% *«,¨¨¨¨¨¨¨
¨¨¨¨¨¨,«*% %*«,¨¨¨¨¨¨
¨¨¨¨¨,«*%* , dolphins and cats , *%*«,¨¨¨¨¨
¨¨¨¨,«*%*£ bring us £*%*«,¨¨¨¨
¨¨¨,«*%*£# ¨ flowers and honey ¨ #£*%*«,¨¨¨
¨¨,«*%*£## ##£*%*«,¨¨
¨,«*%*£### , dolphins and cats , ###£*%*«,¨
¨¨,«*%*£## bring us ##£*%*«,¨¨
¨¨¨,«*%*£# ¨ fairies and bees ¨ #£*%*«,¨¨¨
¨¨¨¨,«*%*£ £*%*«,¨¨¨¨
¨¨¨¨¨,«*%* our boat is afloat *%*«,¨¨¨¨¨
¨¨¨¨¨¨,«*% on a surface of lilies %*«,¨¨¨¨¨¨
¨¨¨¨¨¨¨,«* , dolphins and cats , *«,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,« drag us down «,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨, ¨«% underneath %«¨ ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,« «,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,«* %%**%%**%%**%%**%%*££*%%**%%**%%**%%**%% *«,¨¨¨¨¨¨¨
¨¨¨¨¨¨,«*% %*«,¨¨¨¨¨¨
¨¨¨¨¨,«*%* side a is foresty, and side b might *%*«,¨¨¨¨¨
¨¨¨¨,«*%*£ be lizardy. but the last song is full £*%*«,¨¨¨¨
¨¨¨,«*%*£# of space. #£*%*«,¨¨¨
¨¨,«*%*£## ##£*%*«,¨¨
¨,«*%*£### ###£*%*«,¨
¨¨,«*%*£## ##£*%*«,¨¨
¨¨¨,«*%*£# #£*%*«,¨¨¨
¨¨¨¨,«*%*£ £*%*«,¨¨¨¨