¨¨¨¨¨¨,;£@ @£;,¨¨¨¨¨¨
¨,-;^£#@## ##@#£^;-,¨
¨,-;^£#@## ##@#£^;-,¨
¨¨,---;£## ##£;---,¨¨
¨,-;;;;^## ##^;;;;-,¨
¨,-;^#@### the last song on side b (and to some ###@#^;-,¨
¨,-;^£#@## extent the first song on side a) talks ##@#£^;-,¨
¨¨¨¨,;;^## for the whole album, not just their ##^;;,¨¨¨¨
¨,-;^£@### side. the last song on side b is ###@£^;-,¨
¨,-;^#@### probably the most important ###@#^;-,¨
¨¨¨¨-^^^^# opportunity, the most charged slot. #^^^^-¨¨¨¨
¨,-;^£#@## ##@#£^;-,¨
¨,-;^£#@@# ¨@#@¨ #@@#£^;-,¨
¨¨¨,-^£££@ @£££^-,¨¨¨
¨,-;^£#@## the album is a singularity, an anomaly ##@#£^;-,¨
¨,-;^£#@## in spacetime, a creature that knows ##@#£^;-,¨
¨,-;^£#@## exactly how beautiful it is. ##@#£^;-,¨
¨,-;^£#@## ¨ ##@#£^;-,¨
¨¨¨¨,,-^#@ and the thing is: it sees itself in @#^-,,¨¨¨¨
¨¨¨¨,;;££# three d. it knows that it's dying. #££;;,¨¨¨¨
¨¨¨¨¨¨,;£@ @£;,¨¨¨¨¨¨
¨,-;^£#@## ^^££^^££^^££^^££^^£##£^^££^^££^^££^^££^^ ##@#£^;-,¨
¨,-;^£#@@@ @@@#£^;-,¨
¨¨¨¨¨¨-;^# , dolphins and cats , #^;-¨¨¨¨¨¨
¨,-;^£@### bring us ###@£^;-,¨
¨,-;^£#@## ¨ flowers and honey ¨ ##@#£^;-,¨
¨,-;^£#@## ##@#£^;-,¨
¨¨¨¨¨-;;^# , dolphins and cats , #^;;-¨¨¨¨¨
¨¨¨,-;££## bring us ##££;-,¨¨¨
¨,-;^£#@@@ ¨ fairies and bees ¨ @@@#£^;-,¨
¨,-;^£#@## ##@#£^;-,¨
¨¨¨¨,;;^## our boat is afloat ##^;;,¨¨¨¨
¨,-;^£#@## on a surface of lilies ##@#£^;-,¨
¨,-;^£#@## , dolphins and cats , ##@#£^;-,¨
¨,-;^£#@## drag us down ##@#£^;-,¨
¨¨¨¨¨¨,;^# ¨-^ underneath ^-¨ #^;,¨¨¨¨¨¨
¨,-;^£#### ####£^;-,¨
¨,-;^£#@## ^^££^^££^^££^^££^^£##£^^££^^££^^££^^££^^ ##@#£^;-,¨
¨,-;^£#@@@ @@@#£^;-,¨
¨¨¨¨¨¨,;^# side a is foresty, and side b might #^;,¨¨¨¨¨¨
¨¨¨¨¨-;£@@ be lizardy. but the last song is full @@£;-¨¨¨¨¨
¨,-;^£#@## of space. ##@#£^;-,¨
¨,-;^£#@## ##@#£^;-,¨
¨¨¨¨¨¨,;£# #£;,¨¨¨¨¨¨
¨¨¨¨,-^£## ##£^-,¨¨¨¨
¨,-;^£#@## ##@#£^;-,¨
¨,-;^£@### ###@£^;-,¨