,~=^†@## ###&@†^=~,
,~=^†@#### ####@†^=~,
,~=^†@## ###&@†^=~,
,,,,,~~=†& &†=~~,,,,,
,~~~==†@## ##@†==~~~,
,,,,,=†† the last song on side b (and to some #&††=,,,,,
,~=^†@## extent the first song on side a) talks ###&@†^=~,
,~=^†@## for the whole album, not just their ###&@†^=~,
,,,~=^^@&& side. the last song on side b is &&@^^=~,,,
,~=^†@## probably the most important ###&@†^=~,
,~=^†@## opportunity, the most charged slot. ###&@†^=~,
,~=^†@## ###&@†^=~,
,~=^†@## ,###, ###&@†^=~,
,~=^†@@@&& &&@@@†^=~,
,~=^†@## the album is a singularity, an anomaly ###&@†^=~,
,~=^†@## in spacetime, a creature that knows ###&@†^=~,
,,,,,,~=†& exactly how beautiful it is. &†=~,,,,,,
,,,,===^@& , &@^===,,,,
,,,,~^†††& and the thing is: it sees itself in &†††^~,,,,
,,,,,=†@ three d. it knows that it's dying. #&@†=,,,,,
,~=^^^†@@# #@@†^^^=~,
,~=^†@## ††@@††@@††@@††@@††@&&@††@@††@@††@@††@@†† ###&@†^=~,
,~=^†@@& #&&@@†^=~,
,~=^†@## ~ dolphins and cats ~ ###&@†^=~,
,,,~~^^@ bring us #&@^^~~,,,
,~=^†@## , flowers and honey , ###&@†^=~,
,~=^†@## ###&@†^=~,
,~=^†@## ~ dolphins and cats ~ ###&@†^=~,
,~=^†@## bring us ###&@†^=~,
,~=^†@## , fairies and bees , ###&@†^=~,
,~=^†@## ###&@†^=~,
,~=^†@## our boat is afloat ###&@†^=~,
,~=^†@## on a surface of lilies ###&@†^=~,
,~=^†@## ~ dolphins and cats ~ ###&@†^=~,
,,,,,~^^@& drag us down &@^^~,,,,,
,,,,,~^@@# ,=† underneath †=, #@@^~,,,,,
,~=^†@## ###&@†^=~,
,~=^†@## ††@@††@@††@@††@@††@&&@††@@††@@††@@††@@†† ###&@†^=~,
,~=^†@## ###&@†^=~,
,,,~~^†† side a is foresty, and side b might #&††^~~,,,
,~=^†### be lizardy. but the last song is full ####&†^=~,
,~=^†@## of space. ###&@†^=~,
,~=^†@## ###&@†^=~,
,~=^†@## ###&@†^=~,
,~=^†@## ###&@†^=~,
,~=^†@## ###&@†^=~,
,~=^†@## ###&@†^=~,