,=/%£@#@## ##@#@£%/=,
¨,=/%£@#@# #@#@£%/=,¨
¨¨,=/%£@#@ @#@£%/=,¨¨
¨¨¨,=/%£@# #@£%/=,¨¨¨
¨¨¨¨,=/%£@ @£%/=,¨¨¨¨
¨¨¨¨¨,=/%£ the last song on side b (and to some £%/=,¨¨¨¨¨
¨¨¨¨¨¨,=/% extent the first song on side a) talks %/=,¨¨¨¨¨¨
¨¨¨¨¨,=/%£ for the whole album, not just their £%/=,¨¨¨¨¨
¨¨¨¨,=/%£@ side. the last song on side b is @£%/=,¨¨¨¨
¨¨¨,=/%£@# probably the most important #@£%/=,¨¨¨
¨¨,=/%£@#@ opportunity, the most charged slot. @#@£%/=,¨¨
¨,=/%£@#@# #@#@£%/=,¨
,=/%£@#@## ¨###¨ ##@#@£%/=,
¨,=/%£@#@# #@#@£%/=,¨
¨¨,=/%£@#@ the album is a singularity, an anomaly @#@£%/=,¨¨
¨¨¨,=/%£@# in spacetime, a creature that knows #@£%/=,¨¨¨
¨¨¨¨,=/%£@ exactly how beautiful it is. @£%/=,¨¨¨¨
¨¨¨¨¨,=/%£ ¨ £%/=,¨¨¨¨¨
¨¨¨¨¨¨,=/% and the thing is: it sees itself in %/=,¨¨¨¨¨¨
¨¨¨¨¨,=/%£ three d. it knows that it's dying. £%/=,¨¨¨¨¨
¨¨¨¨,=/%£@ @£%/=,¨¨¨¨
¨¨¨,=/%£@# %%££%%££%%££%%££%%£@@£%%££%%££%%££%%££%% #@£%/=,¨¨¨
¨¨,=/%£@#@ @#@£%/=,¨¨
¨,=/%£@#@# , dolphins and cats , #@#@£%/=,¨
,=/%£@#@## bring us ##@#@£%/=,
¨,=/%£@#@# ¨ flowers and honey ¨ #@#@£%/=,¨
¨¨,=/%£@#@ @#@£%/=,¨¨
¨¨¨,=/%£@# , dolphins and cats , #@£%/=,¨¨¨
¨¨¨¨,=/%£@ bring us @£%/=,¨¨¨¨
¨¨¨¨¨,=/%£ ¨ fairies and bees ¨ £%/=,¨¨¨¨¨
¨¨¨¨¨¨,=/% %/=,¨¨¨¨¨¨
¨¨¨¨¨,=/%£ our boat is afloat £%/=,¨¨¨¨¨
¨¨¨¨,=/%£@ on a surface of lilies @£%/=,¨¨¨¨
¨¨¨,=/%£@# , dolphins and cats , #@£%/=,¨¨¨
¨¨,=/%£@#@ drag us down @#@£%/=,¨¨
¨,=/%£@#@# ¨=% underneath %=¨ #@#@£%/=,¨
,=/%£@#@## ##@#@£%/=,
¨,=/%£@#@# %%££%%££%%££%%££%%£@@£%%££%%££%%££%%££%% #@#@£%/=,¨
¨¨,=/%£@#@ @#@£%/=,¨¨
¨¨¨,=/%£@# side a is foresty, and side b might #@£%/=,¨¨¨
¨¨¨¨,=/%£@ be lizardy. but the last song is full @£%/=,¨¨¨¨
¨¨¨¨¨,=/%£ of space. £%/=,¨¨¨¨¨
¨¨¨¨¨¨,=/% %/=,¨¨¨¨¨¨
¨¨¨¨¨,=/%£ £%/=,¨¨¨¨¨
¨¨¨¨,=/%£@ @£%/=,¨¨¨¨
¨¨¨,=/%£@# #@£%/=,¨¨¨
¨¨,=/%£@#@ @#@£%/=,¨¨