.^~=**#@@# #@@#**=~^.
..^~=**#@@ @@#**=~^..
...^~=**#@ @#**=~^...
..^~=**#@@ @@#**=~^..
.^~=**#@@# #@@#**=~^.
..^~=**#@@ the last song on side b (and to some @@#**=~^..
...^~=**#@ extent the first song on side a) talks @#**=~^...
..^~=**#@@ for the whole album, not just their @@#**=~^..
.^~=**#@@# side. the last song on side b is #@@#**=~^.
..^~=**#@@ probably the most important @@#**=~^..
...^~=**#@ opportunity, the most charged slot. @#**=~^...
..^~=**#@@ @@#**=~^..
.^~=**#@@# .@#@. #@@#**=~^.
..^~=**#@@ @@#**=~^..
...^~=**#@ the album is a singularity, an anomaly @#**=~^...
..^~=**#@@ in spacetime, a creature that knows @@#**=~^..
.^~=**#@@# exactly how beautiful it is. #@@#**=~^.
..^~=**#@@ . @@#**=~^..
...^~=**#@ and the thing is: it sees itself in @#**=~^...
..^~=**#@@ three d. it knows that it's dying. @@#**=~^..
.^~=**#@@# #@@#**=~^.
..^~=**#@@ *******************##******************* @@#**=~^..
...^~=**#@ @#**=~^...
..^~=**#@@ ^ dolphins and cats ^ @@#**=~^..
.^~=**#@@# bring us #@@#**=~^.
..^~=**#@@ . flowers and honey . @@#**=~^..
...^~=**#@ @#**=~^...
..^~=**#@@ ^ dolphins and cats ^ @@#**=~^..
.^~=**#@@# bring us #@@#**=~^.
..^~=**#@@ . fairies and bees . @@#**=~^..
...^~=**#@ @#**=~^...
..^~=**#@@ our boat is afloat @@#**=~^..
.^~=**#@@# on a surface of lilies #@@#**=~^.
..^~=**#@@ ^ dolphins and cats ^ @@#**=~^..
...^~=**#@ drag us down @#**=~^...
..^~=**#@@ .~* underneath *~. @@#**=~^..
.^~=**#@@# #@@#**=~^.
..^~=**#@@ *******************##******************* @@#**=~^..
...^~=**#@ @#**=~^...
..^~=**#@@ side a is foresty, and side b might @@#**=~^..
.^~=**#@@# be lizardy. but the last song is full #@@#**=~^.
..^~=**#@@ of space. @@#**=~^..
...^~=**#@ @#**=~^...
..^~=**#@@ @@#**=~^..
.^~=**#@@# #@@#**=~^.
..^~=**#@@ @@#**=~^..
...^~=**#@ @#**=~^...