##@@$§*«~¨ ¨~«*§$@@##
@@§«~¨¨¨¨¨ ¨¨¨¨¨~«§@@
##@@$§*«~¨ ¨~«*§$@@##
###@@$§*«~ ~«*§$@@###
#@$§§«~~~¨ ¨~~~«§§$@#
##@@$§*«~¨ the last song on side b (and to some ¨~«*§$@@##
@§§«¨¨¨¨¨¨ extent the first song on side a) talks ¨¨¨¨¨¨«§§@
@§§««¨¨¨¨¨ for the whole album, not just their ¨¨¨¨¨««§§@
@§§§«~¨¨¨¨ side. the last song on side b is ¨¨¨¨~«§§§@
##@@$§*«~¨ probably the most important ¨~«*§$@@##
##@@$§*«~¨ opportunity, the most charged slot. ¨~«*§$@@##
##@@$§*«~¨ ¨~«*§$@@##
#@§§**««~¨ ¨@#@¨ ¨~««**§§@#
#@@@$§*«~¨ ¨~«*§$@@@#
##@@$§*«~¨ the album is a singularity, an anomaly ¨~«*§$@@##
@@$$§««~¨¨ in spacetime, a creature that knows ¨¨~««§$$@@
@$*«¨¨¨¨¨¨ exactly how beautiful it is. ¨¨¨¨¨¨«*$@
#@@@$§*«~¨ ¨ ¨~«*§$@@@#
@$$$$§*«~¨ and the thing is: it sees itself in ¨~«*§$$$$@
@@@@$§*«~¨ three d. it knows that it's dying. ¨~«*§$@@@@
@@$$$§*«~¨ ¨~«*§$$$@@
#@@@$§*«~¨ §§$$§§$$§§$$§§$$§§$@@$§§$$§§$$§§$$§§$$§§ ¨~«*§$@@@#
###@$§*«~¨ ¨~«*§$@###
@$$*~¨¨¨¨¨ ~ dolphins and cats ~ ¨¨¨¨¨~*$$@
##@@$§*«~¨ bring us ¨~«*§$@@##
#@§§*~~~~¨ ¨ flowers and honey ¨ ¨~~~~*§§@#
###@$§*«~¨ ¨~«*§$@###
@@@@$§*«~¨ ~ dolphins and cats ~ ¨~«*§$@@@@
@@$$**~¨¨¨ bring us ¨¨¨~**$$@@
@@@@$§*«~¨ ¨ fairies and bees ¨ ¨~«*§$@@@@
@@@@$§*«~¨ ¨~«*§$@@@@
#@@@$§*«~¨ our boat is afloat ¨~«*§$@@@#
@§§«¨¨¨¨¨¨ on a surface of lilies ¨¨¨¨¨¨«§§@
##@@$§*«~¨ ~ dolphins and cats ~ ¨~«*§$@@##
@@§«««¨¨¨¨ drag us down ¨¨¨¨«««§@@
@$**~~¨¨¨¨ ¨«§ underneath §«¨ ¨¨¨¨~~**$@
##@@$§*«~¨ ¨~«*§$@@##
##@@$§*«~¨ §§$$§§$$§§$$§§$$§§$@@$§§$$§§$$§§$$§§$$§§ ¨~«*§$@@##
###@$§*«~¨ ¨~«*§$@###
@$*~¨¨¨¨¨¨ side a is foresty, and side b might ¨¨¨¨¨¨~*$@
@$*~¨¨¨¨¨¨ be lizardy. but the last song is full ¨¨¨¨¨¨~*$@
@@§«~¨¨¨¨¨ of space. ¨¨¨¨¨~«§@@
@$§§«¨¨¨¨¨ ¨¨¨¨¨«§§$@
#@@@$§*«~¨ ¨~«*§$@@@#
##@@$§*«~¨ ¨~«*§$@@##
@@@$*«¨¨¨¨ ¨¨¨¨«*$@@@
#@$*««««~¨ ¨~««««*$@#