#@£&$%/=., ,.=/%$&£@#
@@£&$%/=., ,.=/%$&£@@
##@£$%/=., ,.=/%$£@##
#@£&$%/=., ,.=/%$&£@#
#@£&$%/=., ,.=/%$&£@#
@@£&$%/=., the last song on side b (and to some ,.=/%$&£@@
£&&&$%/=., extent the first song on side a) talks ,.=/%$&&&£
#@£&$%/=., for the whole album, not just their ,.=/%$&£@#
@@£&$%/=., side. the last song on side b is ,.=/%$&£@@
£$%%/.,,,, probably the most important ,,,,./%%$£
@&%%%===., opportunity, the most charged slot. ,.===%%%&@
#@£&$%/=., ,.=/%$&£@#
#@£&$%/=., ,£#£, ,.=/%$&£@#
#@£&$%/=., ,.=/%$&£@#
##@&$%/=., the album is a singularity, an anomaly ,.=/%$&@##
£$$/....., in spacetime, a creature that knows ,...../$$£
&$$//=.,,, exactly how beautiful it is. ,,,.=//$$&
##@£&%/=., , ,.=/%&£@##
#@£&$%/=., and the thing is: it sees itself in ,.=/%$&£@#
@£$%=.,,,, three d. it knows that it's dying. ,,,,.=%$£@
£££&$%/=., ,.=/%$&£££
#@£&$%/=., %%$$%%$$%%$$%%$$%%$&&$%%$$%%$$%%$$%%$$%% ,.=/%$&£@#
#@£&$%/=., ,.=/%$&£@#
&%%%=,,,,, . dolphins and cats . ,,,,,=%%%&
&%=,,,,,,, bring us ,,,,,,,=%&
@&%/===.., , flowers and honey , ,..===/%&@
£$%===..,, ,,..===%$£
£&$///.,,, . dolphins and cats . ,,,.///$&£
@&$%%%/=., bring us ,.=/%%%$&@
##@£&%/=., , fairies and bees , ,.=/%&£@##
&&%%==..,, ,,..==%%&&
#@£&$%/=., our boat is afloat ,.=/%$&£@#
&&%=,,,,,, on a surface of lilies ,,,,,,=%&&
#@£&$%/=., . dolphins and cats . ,.=/%$&£@#
&$///=..., drag us down ,...=///$&
@££&$%/=., ,=% underneath %=, ,.=/%$&££@
&&&$$%/=., ,.=/%$$&&&
@&%=,,,,,, %%$$%%$$%%$$%%$$%%$&&$%%$$%%$$%%$$%%$$%% ,,,,,,=%&@
#@£&$%/=., ,.=/%$&£@#
##£&$%/=., side a is foresty, and side b might ,.=/%$&£##
#@£&$%/=., be lizardy. but the last song is full ,.=/%$&£@#
@@£&$%/=., of space. ,.=/%$&£@@
£$%//.,,,, ,,,,.//%$£
££&&$%/=., ,.=/%$&&££
#@£&$%/=., ,.=/%$&£@#
£&$/==,,,, ,,,,==/$&£
££$////=., ,.=////$££