###&$†^»:, ,:»^†$##
##&$†^»:,, ,,:»^†$#
###&$†^»:, ,:»^†$##
##&$†^»:,, ,,:»^†$#
###&$†^»:, ,:»^†$##
##&$†^»:,, the last song on side b (and to some ,,:»^†$#
###&$†^»:, extent the first song on side a) talks ,:»^†$##
##&$†^»:,, for the whole album, not just their ,,:»^†$#
###&$†^»:, side. the last song on side b is ,:»^†$##
##&$†^»:,, probably the most important ,,:»^†$#
###&$†^»:, opportunity, the most charged slot. ,:»^†$##
##&$†^»:,, ,,:»^†$#
###&$†^»:, ,@#@, ,:»^†$##
##&$†^»:,, ,,:»^†$#
###&$†^»:, the album is a singularity, an anomaly ,:»^†$##
##&$†^»:,, in spacetime, a creature that knows ,,:»^†$#
###&$†^»:, exactly how beautiful it is. ,:»^†$##
##&$†^»:,, , ,,:»^†$#
###&$†^»:, and the thing is: it sees itself in ,:»^†$##
##&$†^»:,, three d. it knows that it's dying. ,,:»^†$#
###&$†^»:, ,:»^†$##
##&$†^»:,, ††$$††$$††$$††$$††$&&$††$$††$$††$$††$$†† ,,:»^†$#
###&$†^»:, ,:»^†$##
##&$†^»:,, : dolphins and cats : ,,:»^†$#
###&$†^»:, bring us ,:»^†$##
##&$†^»:,, , flowers and honey , ,,:»^†$#
###&$†^»:, ,:»^†$##
##&$†^»:,, : dolphins and cats : ,,:»^†$#
###&$†^»:, bring us ,:»^†$##
##&$†^»:,, , fairies and bees , ,,:»^†$#
###&$†^»:, ,:»^†$##
##&$†^»:,, our boat is afloat ,,:»^†$#
###&$†^»:, on a surface of lilies ,:»^†$##
##&$†^»:,, : dolphins and cats : ,,:»^†$#
###&$†^»:, drag us down ,:»^†$##
##&$†^»:,, ,»† underneath †», ,,:»^†$#
###&$†^»:, ,:»^†$##
##&$†^»:,, ††$$††$$††$$††$$††$&&$††$$††$$††$$††$$†† ,,:»^†$#
###&$†^»:, ,:»^†$##
##&$†^»:,, side a is foresty, and side b might ,,:»^†$#
###&$†^»:, be lizardy. but the last song is full ,:»^†$##
##&$†^»:,, of space. ,,:»^†$#
###&$†^»:, ,:»^†$##
##&$†^»:,, ,,:»^†$#
###&$†^»:, ,:»^†$##
##&$†^»:,, ,,:»^†$#
###&$†^»:, ,:»^†$##