#.#.#.#.#.                                          .#.#...#.#
#.#.#.#.#.                                          .#.#..##..
#.#.#.#.#.                                          .#.#.#.#.#
#.#.#.#.#.                                          .#.#.#.#..
#.#.#.#.#.                                          .#.#.#.#.#
#.#.#.#.#.         . .. ... »»#»» ... .. .          .#.#.#.#..
#.#.#.#.#.       .  .»»»    » »#» »    »»».  .      .#.#.#.#.#
#.#.#.#.#.         . .. ... »»#»» ... .. .          .#.#.#.#..
#.#.#.#.#.                                          .#.#.#.#.#
#.#.#.#.#. a secret roundabout: in what used to be  .#.#.#.#..
#.#.#.#.#.  brazil or china. fenced in, secluded by .#.#.#.#.#
#.#.#.#.#.  special plants growing unusually tall.  .#.#.#.#..
#.#.#.#.#.    spelled in by purposeful symmetry,    .#.#.#.#.#
#.#.#.#.#.     roads like symbols, aligned with     .#.#.#.#..
#.#.#.#.#.  ley lines. dialed in with well-rounded  .#.#.#.#.#
#.#.#.#.#.             gps coordinates.             .#.#.#.#..
#.#.#.#.#.                                          .#.#.#.#.#
#.#.#.#.#.              ... , ; , ...               .#.#.#.#..
#.#.#.#.#.                                          .#.#.#.#.#
#.#.#.#.#.   a dangerous game: the roundabout is    .#.#.#.#..
#.#.#.#.#.  important to some large constellation   .#.#.#.#.#
#.#.#.#.#.       of intents and bureaucracies.      .#.#.#.#..
#.#.#.#.#.  governments and companies are creatures .#.#.#.#.#
#.#.#.#.#.     in a way. yet people sneak small     .#.#.#.#..
#.#.#.#.#.   between their claws, and hide in the   .#.#.#.#.#
#.#.#.#.#.     roadside bushes. they wait there.    .#.#.#.#..
#.#.#.#.#.                                          .#.#.#.#.#
#.#.#.#.#.   vehicles approach; the game is on -    .#.#.#.#..
#.#.#.#.#.    quickly the people assemble in well   .#.#.#.#.#
#.#.#.#.#.  practiced geometries. their bodies make .#.#.#.#..
#.#.#.#.#.  counter-spells on the asphalt. traffic  .#.#.#.#.#
#.#.#.#.#.   is instantly diverted, flows in sick   .#.#.#.#..
#.#.#.#.#.  ways, like dogs let loose. symmetry is  .#.#.#.#.#
#.#.#.#.#.                  lost.                   .#.#.#.#..
#.#.#.#.#.                                          .#.#.#.#.#
#.#.#.#.#. cars are ejected into the greens. ships  .#.#.#.#..
#.#.#.#.#.     collide. there are many kinds of     .#.#.#.#.#
#.#.#.#.#.      casualties, on both sides. the      .#.#.#.#..
#.#.#.#.#.    spellmakers will not come home. it    .#.#.#.#.#
#.#.#.#.#.   sickens me, this physical reality of   .#.#.#.#..
#.#.#.#.#. it, but the cause is just. i sneak back  .#.#.#.#.#
#.#.#.#.#.      over the fense, heading south.      .#.#.#.#..
#.#.#.#.#.                                          .#.#.#.#.#
#.#.#.#.#.                                          .#.#.#.#..
#.#.#.#.#.                                          .#.#.#.#.#
#.#.#.#.#.                                          .#.#.#.#..
#.#.#.#.#.                                          .#.#.#.#.#