.¨.,§@§¨.. ¨¨&§,..,..
@&&,¨&,,#@ @.,¨¨£§&
¤&¨.¨,¨,¨, .¨§§.¨&@§£
&,,&&§@£¤@ §¨¨,¨.¨£¤§
.,,,§#@¤@@ ,,£§¤§¨.§#
.&&,¨¤@¤@@ statuette ,.,¤¤¨¨,,¨
.,...,@££& £§,,¨¨@@§#
¨&@£§¨,§@# @££§%£££$*&$£*$£~««=»~=~£@£*@%%%&££@£$£% ¨.¨&§,.§@.
,,#&...¨@& *£§¤£££@£ ¤#,¨,.¨,.,
@¨..¨§£..¨ &.¨§¤#¤§&&
.,#@¨.,.¤£ forests around my childhood home. thick ,¨¨.£@¤§
.,.,,§§,.¨ pine arcades that were planted and ¨#¤,.&§@&,
£@..,,&¤ forgotten. wild boars roaming ¨,¨¨,.##.¨
.£#,,#§.,¨ underneath, sniffing at the ground. it @§£§£.,,¨.
¨...¨..¨§@ is dark and moist, the canopy having #¤,,@@£@
¨§¤¤&£&,¨# already soaked up all the sun. £,¨.,@&,
.¨@&¤&.¨,. #@,¨@¤¨¨¨¨
@,¨&&..£@£ there's a river passing by, from east ,¨¨¨.,.¤£&
..,.,,,,## to west, getting broader and deeper and @&£¤¨,#&
,¤@§£#¤¨¨, slower as it goes. equisetum grow just ¨#§#£,,¨¨.
,¨#§£@,.£§ where the pine hands start to let ,.¤£..##&£
¨¨¨§§,,.,# through light, horsemint on the rocky @,,,¨.,@£¨
.,¨¨¤§¨, river bed. ..§¤¤§,¨,¨
,.,§@¨¨,., #.,&§,.¤&¨
£@,,¨¨@§ ^ ¨..,¨¨.¨.,
,.,@@,¨@@£ @#£¤£§§#&.
@@¨.,,.¨@# the riverbanks reek of magic. tonight ¤&£¤@&.¨
¨..£@#¤,,# they had been a swampworld with sylvan #§@#¤¤@,¨¨
¤&,,@§.¨¨. water, stone rings and floating moss. @§#£¤£¨¨&£
&¨...¨,¤&§ you could've found me wallowing around ,¤§¤#,,..@
,.@#&&¨.§§ on the southern shores until i got .¨#&,,&&.¨
#,.¤§¨¨¨¨, bitten. ,,,¨,.¨¨.&
.,.¨¨.@&§# §£@#@#§#..
&§#¤§,¨@§# but now i'm further back, on solid ¨£§§¤@¤¨¨¤
§##@.¨..#& ground, in shoulder-high grass, with an .¨&£#£,...
,#&.¨¤&..£ orange tin radio and a translucent £,.§¤,,@&.
,,¨¨,¨,¨¨¨ umbrella which i'm sitting on. .,,,¨¨¨.¨,
@#&@#£#§¤¤ §#§¤£§#§
£§##¤@@§@@ ; &¤¤£&¤#¤£#
&£&@£@¤§ &§£§&§&§@@
#£#§@£@@#& somethings moving in the grass. it's #@£#&@@#¤#
¤@§£££¤§ invisible to my eyes but i can feel &£@§£&&@¤&
¤¤¤£§§&§¤# through the ground just how large it is. @@¤§&£¤#§&
£&¤¤§£¤£¤£ ¤§#£¤£¤¤
§#££§&@§§¤ the soil is muddy. i slip when trying ¤#@£&§¤#
&§¤#£¤&&@# to get up, still looking at the #¤##§§@¤¤@
&£###£&&§@ direction of sound rather than at my #£##¤£@@##
£§££&@§£## hands, who are busy putting things in &£#£@££@&¤
¤¤@&£¤£##& my pockets. @#¤@##@£¤¤
&§¤#@@@¤ &@§#@§£¤§§
££&¤&&¤¤@& then i run east toward my home. @£&£§§#¤¤£
&£&£§¤¤@@£ @£@#¤&£§&§
£££¤&&§@&¤ \ @¤£§#@¤§@&
¤&§§¤@£§@@ §¤#&&§§#&£
§¤@££¤§§ i am not followed, and slow down in the ¤#£§@@§@#§
£@£&&¤§#¤£ clearing where you at first can spot &@§@¤¤#&
£#£¤&£§¤£@ the house, not yet really in the £@#¤##&££&
¤&§§£#¤£ backyard. from my pockets i retrieve my #¤##@@@#
§@¤£§£§§§¤ radio (now dented) but also a small @#&££&£#@#
&§@££§¤# clay figure i've never seen before. it £##¤§&@#¤¤
##&¤£¤#&§§ must have been laying in the wet dirt, @¤#@#@§£¤#
#£¤£&@¤¤£& and i must've picked it up with my ¤££@@¤§&&£
@#@##§#¤£§ other belongings. §#&§£¤@###
§&&§£§§£ &§£§¤§#§
§####££@@& it's a statuette of a girl laying naked §#¤&§&§§¤&
@¤#§&¤@&£§ on her stomach, feet in the air, £££@&¤#£@&
@#£¤£§#¤£# roughly seven centimeters long. it's §£§#§§¤@£@
££#§#§¤# freshly made, not yet completely dried. &§@####¤
£§§#£#¤£@¤ @&§§&£&§
¤&£##£##@& my mom is here now. i ask her for some £@@§¤@£@&§
#§¤£&§@&@¤ particle board for it to dry on, but #¤&§§&££¤§
&&§&§¤§§@£ she is worried and wants me to £§¤&£###¤@
¤§@&££¤#@& throw it away. ¤¤###§¤#
##@§@¤¤§ §£&&£&££
@@@#¤¤&£&£ ¤£¤@¤£§&¤£
@@#@§&£¤&£ @¤§##&£§#¤
¤¤&@#¤@&§¤ @£&@&¤@£
@@@&@¤£@@# @¤§££&¤¤#@
£@#§§£&&£& #@§@¤¤&@&@