.¨¨¨.-^%$£ £$%^-.¨¨¨.
,.~;=£@¶## ##¶@£=;~.,
,~=\*£#@@# #@@#£*\=~,
.-=†*§¤@£@ @£@¤§*†=-.
,~~^§%@&£# #£&@%§^~~,
...¨=-:†## statuette ##†:-=¨...
¨..¨-,*^§@ @§^*,-¨..¨
,.-:*%§### £££&*£$§%%*@$£$§»-~»~~«=§%%££$%¤%§¤%£@*§ ###§%*:-.,
.^~/@¤#### &£§@$@*£% ####¤@/~^.
,¨~-»-:$§@ @§$:-»-~¨,
,.¨,,»†^*£ forests around my childhood home. thick £*^†»,,¨.,
,:»:*¤¤### pine arcades that were planted and ###¤¤*:»:,
..-»^;¤¤#£ forgotten. wild boars roaming £#¤¤;^»-..
,.¨,/\/=*¤ underneath, sniffing at the ground. it ¤*=/\/,¨.,
,,-=*&§@## is dark and moist, the canopy having ##@§&*=-,,
¨.,-/§$£@¤ already soaked up all the sun. ¤@£$§/-,.¨
,,.¨-*%#£@ @£#%*-¨.,,
.~»\%$@§¤@ there's a river passing by, from east @¤§@$%\»~.
,,~\**@£@# to west, getting broader and deeper and #@£@**\~,,
,,~†%¤## slower as it goes. equisetum grow just ###&¤%†~,,
¨¨.,.»%^§& where the pine hands start to let &§^%».,.¨¨
.¨.,--=$£# through light, horsemint on the rocky #£$=--,.¨.
..,,^;:&¶# river bed. #¶&:;^,,..
,.,~^\^# ##&^\^~,.,
,,«\*£¤@## \ ##@¤£*\«,,
.:«:%%@### ###@%%:«:.
,,»=$£&@@# the riverbanks reek of magic. tonight #@@&£$=»,,
¨,«^£§¶### they had been a swampworld with sylvan ###¶§£^«,¨
,~~\=$&§@¤ water, stone rings and floating moss. ¤@§&$=\~~,
,¨.¨~=»\$# you could've found me wallowing around #$\»=~¨.¨,
,:~=*¤§£## on the southern shores until i got ##£§¤*=~:,
¨^»:†¤£¶## bitten. ##¶£¤†:»^¨
,-~†*%@@## ##@@%*†~-,
..¨,,«%#&@ but now i'm further back, on solid @%«,,¨..
.¨.,,.~%§# ground, in shoulder-high grass, with an #§%~.,,.¨.
..¨¨¨-«*&@ orange tin radio and a translucent @&*«-¨¨¨..
¨:«†%%&@@# umbrella which i'm sitting on. #@@&%%†«:¨
,...,=**%# #%**=,...,
.,=^**§@## \ ##@§**^=,.
.,«\^¤*@@# #@@*¤^\«,.
.¨,..,«%%& somethings moving in the grass. it's &%%«,..,¨.
.:~/%&&£## invisible to my eyes but i can feel ##£&&%/~:.
,,-\*£¤#@# through the ground just how large it is. #@#¤£*\-,,
.,=:$%@@## ##@@%$:=,.
,,...=:§$£ the soil is muddy. i slip when trying £$§:=...,,
¨,¨,,¨»†£¶ to get up, still looking at the ¶£†»¨,,¨,¨
,^-=*¤¤£@# direction of sound rather than at my #@£¤¤*=-^,
,^«†$$@### hands, who are busy putting things in ###@$$†«^,
,:«;*£##@# my pockets. #@##£*;«:,
,,~:$%#@@# #@@#%$:~,,
.,~;:$=& then i run east toward my home. #&&=$:;~,.
.-=††$@@## ##@@$††=-.
,,»/=%@### * ###@%=/»,,
.¨,,.:\%@# #@%\:.,,¨.
¨~-\*%&@@# i am not followed, and slow down in the #@@&%*\-~¨
¨¨.,,¨:*£& clearing where you at first can spot &£*:¨,,.¨¨
,,=/§£#¶@# the house, not yet really in the #@¶#£§/=,,
.^=:$*¤@@# backyard. from my pockets i retrieve my #@@¤*$:=^.
¨.,,,=†%*¶ radio (now dented) but also a small ¶*%†=,,,.¨
,,.,=*\§#@ clay figure i've never seen before. it @#§\*=,.,,
¨:==*§§@## must have been laying in the wet dirt, ##@§§*==:¨
,^=/$§&@@# and i must've picked it up with my #@@&§$/=^,
.~~;%%£@## other belongings. ##@£%%;~~.
..,~~/£@#@ @#@£/~~,..
¨^~^^§*¤¤# it's a statuette of a girl laying naked #¤¤*§^^~^¨
¨,,,¨~%@ on her stomach, feet in the air, @#&%~¨,,,¨
.¨-,,-/*£# roughly seven centimeters long. it's #£*/-,,-¨.
¨.=†§$§£## freshly made, not yet completely dried. ##£§$§†=.¨
..~;§¤¶¶ ¶¶¤#&§;~..
.....*†#@# my mom is here now. i ask her for some #@#†*.....
.-«*%£§£## particle board for it to dry on, but ##£§£%*«-.
¨,=:^%## she is worried and wants me to ###&%^:=,¨
.-~;*$£### throw it away. ###£$*;~-.
.:«†%$¤@## ##@¤$%†«:.
.:«\*£&£@# #@£&£*\«:.
,:=†%&@### ###@&%†=:,
¨,,,-~-*£# #£*-~-,,,¨
¨.~†%$£@## ##@£$%†~.¨
......,;§@ @§;,......