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..~^=£§@## # the name is a little mis- # ##@§£=^~..
...~^=£§@# ~ giving, because of course there is ~ #@§£=^~...
....~^=£§@ no real geometry in the caves. you may @§£=^~....
...~^=£§@# feel as if you are venturing into some #@§£=^~...
..~^=£§@## vast structure, but you are in fact ##@§£=^~..
...~^=£§@# leaving any such thing at the entrance. #@§£=^~...
....~^=£§@ @§£=^~....
...~^=£§@# leaving physical tethers behind, #@§£=^~...
..~^=£§@## submitting to an inescapable darkness, ##@§£=^~..
...~^=£§@# the world around you becomes more of a #@§£=^~...
....~^=£§@ manifestation of your mind, or a @§£=^~....
...~^=£§@# collective mind, with a shape and a #@§£=^~...
..~^=£§@## direction and a taste. ##@§£=^~..
...~^=£§@# #@§£=^~...
....~^=£§@ inescapeable darkness, because if you @§£=^~....
...~^=£§@# bring a candle or mount electrical #@§£=^~...
..~^=£§@## lights, the walls only serves as ##@§£=^~..
...~^=£§@# markers to where the tiny spatial #@§£=^~...
....~^=£§@ existence ends and the darkness beneath @§£=^~....
...~^=£§@# it begins. #@§£=^~...
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...~^=£§@# like an inverted mandelbrot, the real #@§£=^~...
....~^=£§@ cave is actually not the pockets, but @§£=^~....
...~^=£§@# the black around them. keep that in #@§£=^~...
..~^=£§@## mind. ##@§£=^~..
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..~^=£§@## the moisture that permeates any cave ##@§£=^~..
...~^=£§@# worth it's name... it's the water the #@§£=^~...
....~^=£§@ world rose from. it's the water you @§£=^~....
...~^=£§@# drown in, in your dreams. #@§£=^~...
..~^=£§@## ##@§£=^~..
...~^=£§@# the only sounds in the cave are those #@§£=^~...
....~^=£§@ that you make yourselves. they may be @§£=^~....
...~^=£§@# distorted by the stone structure, and #@§£=^~...
..~^=£§@## amplified by your mind. try not to be ##@§£=^~..
...~^=£§@# alarmed, try to remember the persons #@§£=^~...
....~^=£§@ and objects around you, and you can @§£=^~....
...~^=£§@# discern a mirage from a friend. #@§£=^~...
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