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@#&%†~-... ...-~†%@
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##@#&%†~-. .-~†%@##
#@#&%†~-.. @ ..-~†%@#
@#&%†~-... .LIZARDRY ...-~†%@
#@#&%†~-.. ~ # @# @@@ @@@@@@@@@@@@@@@@@@ ..-~†%@#
##@#&%†~-. @@ THE ART OF C-NNECTING .-~†%@##
#@#&%†~-.. . WITH THE OLD MIND ..-~†%@#
@#&%†~-... ...-~†%@
#@#&%†~-.. MY MIND IS BEING SKEWED. MI ..-~†%@#
##@#&%†~-. SKELETON IS STRINGY AND OLD AND ALIEN .-~†%@##
#@#&%†~-.. THE SITUATION IS LITERALLY ..-~†%@#
@#&%†~-... PRESSED OUT THROUGH MY EYES, IT'S ...-~†%@
#@#&%†~-.. ECHOING LIKE ..-~†%@#
##@#&%†~-. THE SUNSET OF THE ETERNAL .-~†%@##
#@#&%†~-.. OCEAN ..-~†%@#
@#&%†~-... PERSISTENTLY AGAINST MY EMULSION ...-~†%@
#@#&%†~-.. ..-~†%@#
##@#&%†~-. IT'S UNGRASPABLE TO ME, WHAT OTHER .-~†%@##
#@#&%†~-.. HUMANS ARE DOING AND ABSTRACTING, ..-~†%@#
@#&%†~-... AND ABOVE ALL ELSE, WHAT TIME THEY USE? ...-~†%@
#@#&%†~-.. HOW LONG A TIME HAS PASSED, FOR THEM? ..-~†%@#
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#@#&%†~-.. . ... . ................ ####### ..-~†%@#
@#&%†~-... CONTINUOUSLY I'M CROWDING THROUGH ...-~†%@
#@#&%†~-.. . THE FOURTH WALL -OUTWARDS IS WHAT . ..-~†%@#
##@#&%†~-. .. I'M THINKING BUT IT'S WRONG.. A NEW .-~†%@##
#@#&%†~-.. . . NARRATOR IS INTRODUCED, OCCASIONALLY ..-~†%@#
@#&%†~-... - - AWARE OF THE PREVIOUS ONE, DEEPER . ...-~†%@
#@#&%†~-.. - - DOWN IN THE DRAGONS THROAT. ..-~†%@#
##@#&%†~-. - .-~†%@##
#@#&%†~-.. - ..-~†%@#
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