#@@%=*,¨¨¨ ¨¨¨,*=%@@#
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#@@%=*,¨¨¨ ¨¨¨,*=%@@#
@@%=*,¨¨¨¨ # ¨¨¨¨,*=%@@
@%=*,¨¨¨¨¨ ¨LIZARDRY ¨¨¨¨¨,*=%@
@@%=*,¨¨¨¨ « @ #@ ### ################## ¨¨¨¨,*=%@@
#@@%=*,¨¨¨ ## THE ART OF C,NNECTING ¨¨¨,*=%@@#
##@@%=*,¨¨ ¨ WITH THE OLD MIND ¨¨,*=%@@##
###@@%=*,¨ ¨,*=%@@###
##@@%=*,¨¨ MY MIND IS BEING SKEWED. MI ¨¨,*=%@@##
#@@%=*,¨¨¨ SKELETON IS STRINGY AND OLD AND ALIEN ¨¨¨,*=%@@#
@@%=*,¨¨¨¨ THE SITUATION IS LITERALLY ¨¨¨¨,*=%@@
@%=*,¨¨¨¨¨ PRESSED OUT THROUGH MY EYES, IT'S ¨¨¨¨¨,*=%@
@@%=*,¨¨¨¨ ECHOING LIKE ¨¨¨¨,*=%@@
#@@%=*,¨¨¨ THE SUNSET OF THE ETERNAL ¨¨¨,*=%@@#
##@@%=*,¨¨ OCEAN ¨¨,*=%@@##
###@@%=*,¨ PERSISTENTLY AGAINST MY EMULSION ¨,*=%@@###
##@@%=*,¨¨ ¨¨,*=%@@##
#@@%=*,¨¨¨ IT'S UNGRASPABLE TO ME, WHAT OTHER ¨¨¨,*=%@@#
@@%=*,¨¨¨¨ HUMANS ARE DOING AND ABSTRACTING, ¨¨¨¨,*=%@@
@%=*,¨¨¨¨¨ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¨¨¨¨¨,*=%@
@@%=*,¨¨¨¨ HOW LONG A TIME HAS PASSED, FOR THEM? ¨¨¨¨,*=%@@
#@@%=*,¨¨¨ ¨ ¨¨¨,*=%@@#
##@@%=*,¨¨ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ @@@@@@@ ¨¨,*=%@@##
###@@%=*,¨ CONTINUOUSLY I'M CROWDING THROUGH ¨,*=%@@###
##@@%=*,¨¨ ¨ THE FOURTH WALL ,OUTWARDS IS WHAT ¨ ¨¨,*=%@@##
#@@%=*,¨¨¨ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ¨¨¨,*=%@@#
@@%=*,¨¨¨¨ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ¨¨¨¨,*=%@@
@%=*,¨¨¨¨¨ , , AWARE OF THE PREVIOUS ONE, DEEPER ¨ ¨¨¨¨¨,*=%@
@@%=*,¨¨¨¨ , , DOWN IN THE DRAGONS THROAT. ¨¨¨¨,*=%@@
#@@%=*,¨¨¨ , ¨¨¨,*=%@@#
##@@%=*,¨¨ , ¨¨,*=%@@##
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#@@%=*,¨¨¨ ¨¨¨,*=%@@#
@@%=*,¨¨¨¨ ¨¨¨¨,*=%@@
@%=*,¨¨¨¨¨ ¨¨¨¨¨,*=%@
@@%=*,¨¨¨¨ ¨¨¨¨,*=%@@