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#¤¤^~,,,,, # ,,,,,~^¤¤#
###¤&^/~,, ,LIZARDRY ,,~/^&¤###
##@¤&^/~,, ~ @ #@ ### ################## ,,~/^&¤@##
#¤^/,,,,,, ## THE ART OF C,NNECTING ,,,,,,/^¤#
##@¤&^/~,, , WITH THE OLD MIND ,,~/^&¤@##
##@¤&^/~,, ,,~/^&¤@##
##@¤&^/~,, MY MIND IS BEING SKEWED. MI ,,~/^&¤@##
##@¤&^/~,, SKELETON IS STRINGY AND OLD AND ALIEN ,,~/^&¤@##
¤&^^~~,,,, THE SITUATION IS LITERALLY ,,,,~~^^&¤
@¤&/,,,,,, PRESSED OUT THROUGH MY EYES, IT'S ,,,,,,/&¤@
##@¤&^/~,, ECHOING LIKE ,,~/^&¤@##
###@&^/~,, THE SUNSET OF THE ETERNAL ,,~/^&@###
###@¤^/~,, OCEAN ,,~/^¤@###
@¤¤^~~~,,, PERSISTENTLY AGAINST MY EMULSION ,,,~~~^¤¤@
##@¤&^/~,, ,,~/^&¤@##
¤&//,,,,,, IT'S UNGRASPABLE TO ME, WHAT OTHER ,,,,,,//&¤
¤&&^^/,,,, HUMANS ARE DOING AND ABSTRACTING, ,,,,/^^&&¤
##@¤&^/~,, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,~/^&¤@##
##@¤&^/~,, HOW LONG A TIME HAS PASSED, FOR THEM? ,,~/^&¤@##
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#@@¤&^/~,, , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ,,~/^&¤@@#
¤&&&/,,,,, CONTINUOUSLY I'M CROWDING THROUGH ,,,,,/&&&¤
¤^^^~~,,,, , THE FOURTH WALL ,OUTWARDS IS WHAT , ,,,,~~^^^¤
@@&^/~,,,, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,,,,~/^&@@
##@¤&^/~,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,~/^&¤@##
##@¤&^/~,, , , AWARE OF THE PREVIOUS ONE, DEEPER , ,,~/^&¤@##
¤&&&///~,, , , DOWN IN THE DRAGONS THROAT. ,,~///&&&¤
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