.......;$& &$;.......
..-;=$@# #@#&$=;-..
..-;=$@# #@#&$=;-..
....-===&& &&===-....
.......;=& &=;.......
..-;=$## @ ###&$=;-..
..-;=$@@ .LIZARDRY @@#&$=;-..
..-;=$@# - # @# @@@ @@@@@@@@@@@@@@@@@@ #@#&$=;-..
..-;==$$&& @@ THE ART OF C.NNECTING &&$$==;-..
....;;$& . WITH THE OLD MIND #&&$;;....
..-;=$#@ @##&$=;-..
....--==$& MY MIND IS BEING SKEWED. MI &$==--....
..-;=$@# SKELETON IS STRINGY AND OLD AND ALIEN #@#&$=;-..
..-;=$$# THE SITUATION IS LITERALLY ##&$$=;-..
......;$&& PRESSED OUT THROUGH MY EYES, IT'S &&$;......
..-;=$&& ECHOING LIKE #&&&$=;-..
..-;=$&@ THE SUNSET OF THE ETERNAL @#&&$=;-..
..-;=$@# OCEAN #@#&$=;-..
..-;=$@@ PERSISTENTLY AGAINST MY EMULSION @@#&$=;-..
..-;=$## ###&$=;-..
..----=$&& IT'S UNGRASPABLE TO ME, WHAT OTHER &&$=----..
..-;=$@# HUMANS ARE DOING AND ABSTRACTING, #@#&$=;-..
..-;=$## AND ABOVE ALL ELSE, WHAT TIME THEY USE? ###&$=;-..
...-;;=# HOW LONG A TIME HAS PASSED, FOR THEM? ##&=;;-...
..-;=$@# . #@#&$=;-..
....-;==&@ . ... . ................ ####### @&==;-....
..-;=$@# CONTINUOUSLY I'M CROWDING THROUGH #@#&$=;-..
..-;=$@# . THE FOURTH WALL .OUTWARDS IS WHAT . #@#&$=;-..
.....-=# .. I'M THINKING BUT IT'S WRONG.. A NEW ##&=-.....
...--;;;$& . . NARRATOR IS INTRODUCED, OCCASIONALLY &$;;;--...
..-;=$@# . . AWARE OF THE PREVIOUS ONE, DEEPER . #@#&$=;-..
..-;=$@# . . DOWN IN THE DRAGONS THROAT. #@#&$=;-..
..-;=$@@ . @@#&$=;-..
..-;=$@# . #@#&$=;-..
..-;=$@@ @@#&$=;-..
..-;=$## ###&$=;-..
..-;=$@# #@#&$=;-..
......;=$& &$=;......
..-;=$@# #@#&$=;-..
..-;=$@# #@#&$=;-..