....,~=*&# #&*=~,....
.....,~=*& &*=~,.....
......,~=* *=~,......
.......,~= =~,.......
......,~=* *=~,......
.....,~=*& # &*=~,.....
....,~=*&# .LIZARDRY #&*=~,....
...,~=*&#@ ~ @ #@ ### ################## @#&*=~,...
..,~=*&#@# ## THE ART OF C,NNECTING #@#&*=~,..
.,~=*&#@## . WITH THE OLD MIND ##@#&*=~,.
,~=*&#@### ###@#&*=~,
.,~=*&#@## MY MIND IS BEING SKEWED. MI ##@#&*=~,.
..,~=*&#@# SKELETON IS STRINGY AND OLD AND ALIEN #@#&*=~,..
...,~=*&#@ THE SITUATION IS LITERALLY @#&*=~,...
....,~=*&# PRESSED OUT THROUGH MY EYES, IT'S #&*=~,....
.....,~=*& ECHOING LIKE &*=~,.....
......,~=* THE SUNSET OF THE ETERNAL *=~,......
.......,~= OCEAN =~,.......
......,~=* PERSISTENTLY AGAINST MY EMULSION *=~,......
.....,~=*& &*=~,.....
....,~=*&# IT'S UNGRASPABLE TO ME, WHAT OTHER #&*=~,....
...,~=*&#@ HUMANS ARE DOING AND ABSTRACTING, @#&*=~,...
..,~=*&#@# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #@#&*=~,..
.,~=*&#@## HOW LONG A TIME HAS PASSED, FOR THEM? ##@#&*=~,.
,~=*&#@### . ###@#&*=~,
.,~=*&#@## . ... . ................ @@@@@@@ ##@#&*=~,.
..,~=*&#@# CONTINUOUSLY I'M CROWDING THROUGH #@#&*=~,..
...,~=*&#@ . THE FOURTH WALL ,OUTWARDS IS WHAT . @#&*=~,...
....,~=*&# .. I'M THINKING BUT IT'S WRONG.. A NEW #&*=~,....
.....,~=*& . . NARRATOR IS INTRODUCED, OCCASIONALLY &*=~,.....
......,~=* , , AWARE OF THE PREVIOUS ONE, DEEPER . *=~,......
.......,~= , , DOWN IN THE DRAGONS THROAT. =~,.......
......,~=* , *=~,......
.....,~=*& , &*=~,.....
....,~=*&# #&*=~,....
...,~=*&#@ @#&*=~,...
..,~=*&#@# #@#&*=~,..
.,~=*&#@## ##@#&*=~,.
,~=*&#@### ###@#&*=~,
.,~=*&#@## ##@#&*=~,.