......^%%@ @%%^......
....==^^%@ @%^^==....
..=^^^^§@@ @@§^^^^=..
..=^^%§@@# #@@§%^^=..
..=^^%§@@# #@@§%^^=..
....==^^§§ @ §§^^==....
...==^^§§@ .LIZARDRY @§§^^==...
......^^§@ = @ @@ @@@ @@@@@@@@@@@@@@@@@@ @§^^......
..=^^%§@## @@ THE ART OF C.NNECTING ##@§%^^=..
..=^^%§@@# . WITH THE OLD MIND #@@§%^^=..
...=^^^^§@ @§^^^^=...
..=^^%§@@@ MY MIND IS BEING SKEWED. MI @@@§%^^=..
......^%@@ SKELETON IS STRINGY AND OLD AND ALIEN @@%^......
.....^%§@@ THE SITUATION IS LITERALLY @@§%^.....
..=^^%§@@@ PRESSED OUT THROUGH MY EYES, IT'S @@@§%^^=..
.......^%@ ECHOING LIKE @%^.......
..=^^%§@@# THE SUNSET OF THE ETERNAL #@@§%^^=..
..=^^%§§@@ OCEAN @@§§%^^=..
..=^^%§@@# PERSISTENTLY AGAINST MY EMULSION #@@§%^^=..
..=^^%§@@# #@@§%^^=..
..=^^%§@@# IT'S UNGRASPABLE TO ME, WHAT OTHER #@@§%^^=..
..=^^%§@@# HUMANS ARE DOING AND ABSTRACTING, #@@§%^^=..
.=^^%§@@## AND ABOVE ALL ELSE, WHAT TIME THEY USE? ##@@§%^^=.
..=^^%§@@@ HOW LONG A TIME HAS PASSED, FOR THEM? @@@§%^^=..
..=^^%§@@# . #@@§%^^=..
..=^^^^^^§ . ... . ................ @@@@@@@ §^^^^^^=..
..=^^%§@@# CONTINUOUSLY I'M CROWDING THROUGH #@@§%^^=..
....=^^%§@ . THE FOURTH WALL .OUTWARDS IS WHAT . @§%^^=....
..=^^%§@@@ .. I'M THINKING BUT IT'S WRONG.. A NEW @@@§%^^=..
..=^^^^§§@ . . NARRATOR IS INTRODUCED, OCCASIONALLY @§§^^^^=..
.....=^^§§ . . AWARE OF THE PREVIOUS ONE, DEEPER . §§^^=.....
..=^^%%§@@ . . DOWN IN THE DRAGONS THROAT. @@§%%^^=..
..=^^%§@@# . #@@§%^^=..
..=^^%§@@# . #@@§%^^=..
..=^^%§@@# #@@§%^^=..
..^^%§@@## ##@@§%^^..
.....^^§§@ @§§^^.....
...==^^§§§ §§§^^==...
..^^%§@@## ##@@§%^^..
....==^^§@ @§^^==....