.~»/$$§### ###§$$/»~.
.~»/$$$$$# #$$$$$/»~.
..~~~~»$$# #$$»~~~~..
.~»////$§@ @§$////»~.
.~»/$$§#@# #@#§$$/»~.
.~»/$$§#@# @ #@#§$$/»~.
.~»/$$§#@# .LIZARDRY #@#§$$/»~.
.~»///$$#@ » # @# @@@ @@@@@@@@@@@@@@@@@@ @#$$///»~.
.~»»»/$$§§ @@ THE ART OF C~NNECTING §§$$/»»»~.
.~»/$$#@## . WITH THE OLD MIND ##@#$$/»~.
.~»/$$§#@# #@#§$$/»~.
......»$§§ MY MIND IS BEING SKEWED. MI §§$»......
.~»/$$§#@# SKELETON IS STRINGY AND OLD AND ALIEN #@#§$$/»~.
.~»/$$§#@# THE SITUATION IS LITERALLY #@#§$$/»~.
.....»$$§§ PRESSED OUT THROUGH MY EYES, IT'S §§$$».....
.~»/$$§#@# ECHOING LIKE #@#§$$/»~.
....~»/$§@ THE SUNSET OF THE ETERNAL @§$/»~....
.~»/$$§#@# OCEAN #@#§$$/»~.
.....~/$§@ PERSISTENTLY AGAINST MY EMULSION @§$/~.....
.~»/$$$§§@ @§§$$$/»~.
.....»/$$# IT'S UNGRASPABLE TO ME, WHAT OTHER #$$/».....
.~»/$$§#@# HUMANS ARE DOING AND ABSTRACTING, #@#§$$/»~.
....~»//$§ AND ABOVE ALL ELSE, WHAT TIME THEY USE? §$//»~....
.~»/$$§@## HOW LONG A TIME HAS PASSED, FOR THEM? ##@§$$/»~.
....»//$§§ . §§$//»....
.~»/$$§#@@ . ... . ................ ####### @@#§$$/»~.
.~»/$$§#@# CONTINUOUSLY I'M CROWDING THROUGH #@#§$$/»~.
....»»$§§@ . THE FOURTH WALL ~OUTWARDS IS WHAT . @§§$»»....
.~»/$$§#@@ .. I'M THINKING BUT IT'S WRONG.. A NEW @@#§$$/»~.
.~»/$$§#@@ . . NARRATOR IS INTRODUCED, OCCASIONALLY @@#§$$/»~.
.....»/$§# ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER . #§$/».....
.~»/$$§### ~ ~ DOWN IN THE DRAGONS THROAT. ###§$$/»~.
.~»/$$$$§# ~ #§$$$$/»~.
.~»/$$§#@# ~ #@#§$$/»~.
.....~/$§@ @§$/~.....
.~»/$§#@## ##@#§$/»~.
.~»/$$#@## ##@#$$/»~.
.....~»$§§ §§$»~.....
...~»/$$$# #$$$/»~...
.~»/$$§#@# #@#§$$/»~.