&¨¨&&¨¨¨¨& ¨¨&¨¨&¨¨&¨
&¨&¨&¨¨¨&¨ ¨&&¨&&¨&&¨
&¨&¨&¨¨&&¨ ¨¨&¨¨&¨¨&¨
&¨&¨&¨&¨&¨ ¨&&¨&&¨&&¨
&¨&¨&¨&¨&¨ ¨¨&¨¨&¨¨&¨
&¨&¨&¨&¨&¨ # ¨&&¨&&¨&&¨
&¨&¨&¨&¨&¨ ¨LIZARDRY ¨¨&¨¨&¨¨&¨
&¨&¨&¨&¨&¨ ~ @ #@ ### ################## ¨&&¨&&¨&&¨
&¨&¨&¨&¨&¨ ## THE ART OF C:NNECTING ¨¨&¨¨&¨¨&¨
&¨&¨&¨&¨&¨ ¨ WITH THE OLD MIND ¨&&¨&&¨&&¨
&¨&¨&¨&¨&¨ ¨¨&¨¨&¨¨&¨
&¨&¨&¨&¨&¨ MY MIND IS BEING SKEWED. MI ¨&&¨&&¨&&¨
&¨&¨&¨&¨&¨ SKELETON IS STRINGY AND OLD AND ALIEN ¨¨&¨¨&¨¨&¨
&¨&¨&¨&¨&¨ THE SITUATION IS LITERALLY ¨&&¨&&¨&&¨
&¨&¨&¨&¨&¨ PRESSED OUT THROUGH MY EYES, IT'S ¨¨&¨¨&¨¨&¨
&¨&¨&¨&¨&¨ ECHOING LIKE ¨&&¨&&¨&&¨
&¨&¨&¨&¨&¨ THE SUNSET OF THE ETERNAL ¨¨&¨¨&¨¨&¨
&¨&¨&¨&¨&¨ OCEAN ¨&&¨&&¨&&¨
&¨&¨&¨&¨&¨ PERSISTENTLY AGAINST MY EMULSION ¨¨&¨¨&¨¨&¨
&¨&¨&¨&¨&¨ ¨&&¨&&¨&&¨
&¨&¨&¨&¨&¨ IT'S UNGRASPABLE TO ME, WHAT OTHER ¨¨&¨¨&¨¨&¨
&¨&¨&¨&¨&¨ HUMANS ARE DOING AND ABSTRACTING, ¨&&¨&&¨&&¨
&¨&¨&¨&¨&¨ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¨¨&¨¨&¨¨&¨
&¨&¨&¨&¨&¨ HOW LONG A TIME HAS PASSED, FOR THEM? ¨&&¨&&¨&&¨
&¨&¨&¨&¨&¨ ¨ ¨¨&¨¨&¨¨&¨
&¨&¨&¨&¨&¨ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ @@@@@@@ ¨&&¨&&¨&&¨
&¨&¨&¨&¨&¨ CONTINUOUSLY I'M CROWDING THROUGH ¨¨&¨¨&¨¨&¨
&¨&¨&¨&¨&¨ ¨ THE FOURTH WALL :OUTWARDS IS WHAT ¨ ¨&&¨&&¨&&¨
&¨&¨&¨&¨&¨ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ¨¨&¨¨&¨¨&¨
&¨&¨&¨&¨&¨ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ¨&&¨&&¨&&¨
&¨&¨&¨&¨&¨ : : AWARE OF THE PREVIOUS ONE, DEEPER ¨ ¨¨&¨¨&¨¨&¨
&¨&¨&¨&¨&¨ : : DOWN IN THE DRAGONS THROAT. ¨&&¨&&¨&&¨
&¨&¨&¨&¨&¨ : ¨¨&¨¨&¨¨&¨
&¨&¨&¨&¨&¨ : ¨&&¨&&¨&&¨
&¨&¨&¨&¨&¨ ¨¨&¨¨&¨¨&¨
&¨&¨&¨&¨&¨ ¨&&¨&&¨&&¨
&¨&¨&¨&¨&¨ ¨¨&¨¨&¨¨&¨
&¨&¨&¨&¨&¨ ¨&&¨&&¨&&¨
&¨&¨&¨&¨&¨ ¨¨&¨¨&¨¨&¨
&¨&¨&¨&¨&¨ ¨&&¨&&¨&&¨