,,~\%$@@@# #@@@$%\~,,
,,~\%$@@@@ @@@@$%\~,,
,,~\%$@@@# #@@@$%\~,,
,,,,,,\\$@ @$\\,,,,,,
,,,,,,~\%@ @%\~,,,,,,
,,~\%$@@@@ @ @@@@$%\~,,
,,~\%$@@@# ,LIZARDRY #@@@$%\~,,
,,,,~%%%@@ ~ @ @@ @@@ @@@@@@@@@@@@@@@@@@ @@%%%~,,,,
,,,,,\\%%@ @@ THE ART OF C,NNECTING @%%\\,,,,,
,,~\%$@@@@ , WITH THE OLD MIND @@@@$%\~,,
,,~\%$@@## ##@@$%\~,,
,,~\%%%@@@ MY MIND IS BEING SKEWED. MI @@@%%%\~,,
,,~\%$@@@# SKELETON IS STRINGY AND OLD AND ALIEN #@@@$%\~,,
,,~\%$@@@# THE SITUATION IS LITERALLY #@@@$%\~,,
,,~\%$@@@@ PRESSED OUT THROUGH MY EYES, IT'S @@@@$%\~,,
,,,,,,\$@@ ECHOING LIKE @@$\,,,,,,
,,~\%$@@@# THE SUNSET OF THE ETERNAL #@@@$%\~,,
,,~\%$@@@# OCEAN #@@@$%\~,,
,,,~~~\$$@ PERSISTENTLY AGAINST MY EMULSION @$$\~~~,,,
,,,,~\%%$@ @$%%\~,,,,
,,~\%$@@@# IT'S UNGRASPABLE TO ME, WHAT OTHER #@@@$%\~,,
,,~\\%%%@@ HUMANS ARE DOING AND ABSTRACTING, @@%%%\\~,,
,,~\%$@@@@ AND ABOVE ALL ELSE, WHAT TIME THEY USE? @@@@$%\~,,
,,~\%$@@@@ HOW LONG A TIME HAS PASSED, FOR THEM? @@@@$%\~,,
,,~\%$@@@# , #@@@$%\~,,
,,,,,,,~%@ , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ @%~,,,,,,,
,,,,~\%@@@ CONTINUOUSLY I'M CROWDING THROUGH @@@%\~,,,,
,,,,,,,\%@ , THE FOURTH WALL ,OUTWARDS IS WHAT , @%\,,,,,,,
,,~\%$@@@# ,, I'M THINKING BUT IT'S WRONG.. A NEW #@@@$%\~,,
,,~\%$@@@@ , , NARRATOR IS INTRODUCED, OCCASIONALLY @@@@$%\~,,
,,~\%$@@## , , AWARE OF THE PREVIOUS ONE, DEEPER , ##@@$%\~,,
,,~\%$@@@# , , DOWN IN THE DRAGONS THROAT. #@@@$%\~,,
,,~\%$@@@# , #@@@$%\~,,
,,,,~%%$$@ , @$$%%~,,,,
,,~\%$@@@# #@@@$%\~,,
,,~\%$@@@# #@@@$%\~,,
,,,~~~~\$@ @$\~~~~,,,
,,,,,,,\$@ @$\,,,,,,,
,,~\%$@@## ##@@$%\~,,
,,,~~%%%@@ @@%%%~~,,,