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#@#@@§^~,, ,,~^§@@#@#
@@#@@§^~,, ,,~^§@@#@@
#@^~~,,,,, ,,,,,~~^@#
@#@§§^~,,, ,,,~^§§@#@
#@#@@§^~,, @ ,,~^§@@#@#
@##@@§^~,, ,LIZARDRY ,,~^§@@##@
@@#@@§^~,, ~ # @# @@@ @@@@@@@@@@@@@@@@@@ ,,~^§@@#@@
#@§^^^^~,, @@ THE ART OF C,NNECTING ,,~^^^^§@#
##@#@§^~,, , WITH THE OLD MIND ,,~^§@#@##
#@#@@§^~,, ,,~^§@@#@#
@@§~,,,,,, MY MIND IS BEING SKEWED. MI ,,,,,,~§@@
#@#@@§^~,, SKELETON IS STRINGY AND OLD AND ALIEN ,,~^§@@#@#
###@@§^~,, THE SITUATION IS LITERALLY ,,~^§@@###
#@§§~~~,,, PRESSED OUT THROUGH MY EYES, IT'S ,,,~~~§§@#
@@@@§^^~,, ECHOING LIKE ,,~^^§@@@@
#@#@@§^~,, THE SUNSET OF THE ETERNAL ,,~^§@@#@#
##@#@§^~,, OCEAN ,,~^§@#@##
@@@@@§^~,, PERSISTENTLY AGAINST MY EMULSION ,,~^§@@@@@
@@@@@§^~,, ,,~^§@@@@@
#@#@@§^~,, IT'S UNGRASPABLE TO ME, WHAT OTHER ,,~^§@@#@#
#@#@@§^~,, HUMANS ARE DOING AND ABSTRACTING, ,,~^§@@#@#
##@@@§^~,, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,~^§@@@##
@@@@^^^~,, HOW LONG A TIME HAS PASSED, FOR THEM? ,,~^^^@@@@
#@#@@§^~,, , ,,~^§@@#@#
###@@§^~,, , ,,, , ,,,,,,,,,,,,,,,, ####### ,,~^§@@###
#@#@@§^~,, CONTINUOUSLY I'M CROWDING THROUGH ,,~^§@@#@#
#@@§§~,,,, , THE FOURTH WALL ,OUTWARDS IS WHAT , ,,,,~§§@@#
@§^~~~,,,, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,,,,~~~^§@
@§§§§^~,,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,,~^§§§§@
#@#@@§^~,, , , AWARE OF THE PREVIOUS ONE, DEEPER , ,,~^§@@#@#
##@#@§^~,, , , DOWN IN THE DRAGONS THROAT. ,,~^§@#@##
#@#@@§^~,, , ,,~^§@@#@#
#@#@@§^~,, , ,,~^§@@#@#
@#@@@§^~,, ,,~^§@@@#@
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###@@§^~,, ,,~^§@@###
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