@§&*/~.... ....~/*&§@
§&*/~..... .....~/*&§
&*/~...... ......~/*&
§&*/~..... .....~/*&§
@§&*/~.... ....~/*&§@
#@§&*/~... # ...~/*&§@#
##@§&*/~.. .lizardry ..~/*&§@##
#@§&*/~... ~ @ #@ ### ################## ...~/*&§@#
@§&*/~.... ## the art of c.nnecting ....~/*&§@
§&*/~..... . with the old mind .....~/*&§
&*/~...... ......~/*&
§&*/~..... my mind is being skewed. mi .....~/*&§
@§&*/~.... skeleton is stringy and old and alien ....~/*&§@
#@§&*/~... the situation is literally ...~/*&§@#
##@§&*/~.. pressed out through my eyes, it's ..~/*&§@##
#@§&*/~... echoing like ...~/*&§@#
@§&*/~.... the sunset of the eternal ....~/*&§@
§&*/~..... ocean .....~/*&§
&*/~...... persistently against my emulsion ......~/*&
§&*/~..... .....~/*&§
@§&*/~.... it's ungraspable to me, what other ....~/*&§@
#@§&*/~... humans are doing and abstracting, ...~/*&§@#
##@§&*/~.. and above all else, what time they use? ..~/*&§@##
#@§&*/~... how long a time has passed, for them? ...~/*&§@#
@§&*/~.... . ....~/*&§@
§&*/~..... . ... . ................ @@@@@@@ .....~/*&§
&*/~...... continuously i'm crowding through ......~/*&
§&*/~..... . the fourth wall .outwards is what . .....~/*&§
@§&*/~.... .. i'm thinking but it's wrong.. a new ....~/*&§@
#@§&*/~... . . narrator is introduced, occasionally ...~/*&§@#
##@§&*/~.. . . aware of the previous one, deeper . ..~/*&§@##
#@§&*/~... . . down in the dragons throat. ...~/*&§@#
@§&*/~.... . ....~/*&§@
§&*/~..... . .....~/*&§
&*/~...... ......~/*&
§&*/~..... .....~/*&§
@§&*/~.... ....~/*&§@
#@§&*/~... ...~/*&§@#
##@§&*/~.. ..~/*&§@##
#@§&*/~... ...~/*&§@#