#@@§&$/».. ..»/$&§@@#
@@@§&$/».. ..»/$&§@@@
@@@§&$/».. ..»/$&§@@@
#@@§&$/».. ..»/$&§@@#
§&$»»..... .....»»$&§
§&$»...... @ ......»$&§
@§§§&$/».. .lizardry ..»/$&§§§@
##@@§$/».. » @ @@ @@@ @@@@@@@@@@@@@@@@@@ ..»/$§@@##
§§$»...... @@ the art of c.nnecting ......»$§§
##@@§&/».. . with the old mind ..»/&§@@##
@@&&&$/».. ..»/$&&&@@
§§&/»..... my mind is being skewed. mi .....»/&§§
##@§&$/».. skeleton is stringy and old and alien ..»/$&§@##
@§§§&$/».. the situation is literally ..»/$&§§§@
@§$$//.... pressed out through my eyes, it's ....//$$§@
##@§&$/».. echoing like ..»/$&§@##
§$/....... the sunset of the eternal ......./$§
##@§&$/».. ocean ..»/$&§@##
§&&$$».... persistently against my emulsion ....»$$&&§
##@§&$/».. ..»/$&§@##
#@@§&$/».. it's ungraspable to me, what other ..»/$&§@@#
##@§&$/».. humans are doing and abstracting, ..»/$&§@##
#@@§&$/».. and above all else, what time they use? ..»/$&§@@#
#@@§&$/».. how long a time has passed, for them? ..»/$&§@@#
@§§$»».... . ....»»$§§@
#@@§&$/».. . ... . ................ @@@@@@@ ..»/$&§@@#
@§$////».. continuously i'm crowding through ..»////$§@
#@@§&$/».. . the fourth wall .outwards is what . ..»/$&§@@#
@@@§&$/».. .. i'm thinking but it's wrong.. a new ..»/$&§@@@
#@@§&$/».. . . narrator is introduced, occasionally ..»/$&§@@#
@@@§&$/».. . . aware of the previous one, deeper . ..»/$&§@@@
@@§§&$/».. . . down in the dragons throat. ..»/$&§§@@
§&//...... . ......//&§
#@@§&$/».. . ..»/$&§@@#
#@@§&$/».. ..»/$&§@@#
§§$$»..... .....»$$§§
§&&$$$/».. ..»/$$$&&§
##@§&$/».. ..»/$&§@##
#@@§&$/».. ..»/$&§@@#
#@@§&$/».. ..»/$&§@@#