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#.#.#.##.#              .LIZARDRY                   ..#..#.#..
#.#.#..#.# ~           @ #@ ###  ################## .##.##.#.#
#.#.#.##.# ##      THE ART OF C,NNECTING            ..#..#.#..
#.#.#..#.#        .    WITH THE OLD MIND            .##.##.#.#
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#.#.#..#.#             MY MIND IS BEING SKEWED. MI  .##.##.#.#
#.#.#.##.#  SKELETON IS STRINGY AND OLD AND ALIEN   ..#..#.#..
#.#.#..#.#             THE SITUATION IS LITERALLY   .##.##.#.#
#.#.#.##.# PRESSED OUT THROUGH MY EYES, IT'S        ..#..#.#..
#.#.#..#.# ECHOING LIKE                             .##.##.#.#
#.#.#.##.#             THE SUNSET OF THE ETERNAL    ..#..#.#..
#.#.#..#.# OCEAN                                    .##.##.#.#
#.#.#.##.#         PERSISTENTLY AGAINST MY EMULSION ..#..#.#..
#.#.#..#.#                                          .##.##.#.#
#.#.#.##.#    IT'S UNGRASPABLE TO ME, WHAT OTHER    ..#..#.#..
#.#.#..#.#   HUMANS ARE DOING AND ABSTRACTING,      .##.##.#.#
#.#.#.##.#  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ..#..#.#..
#.#.#..#.# HOW LONG A TIME HAS PASSED, FOR THEM?    .##.##.#.#
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#.#.#.##.#   CONTINUOUSLY I'M CROWDING THROUGH      ..#..#.#..
#.#.#..#.# . THE FOURTH WALL  ,OUTWARDS IS WHAT   . .##.##.#.#
#.#.#.##.# .. I'M THINKING BUT IT'S WRONG.. A NEW   ..#..#.#..
#.#.#..#.# . . NARRATOR IS INTRODUCED, OCCASIONALLY .##.##.#.#
#.#.#.##.# ,  , AWARE OF THE PREVIOUS ONE, DEEPER . ..#..#.#..
#.#.#..#.# ,   , DOWN IN THE DRAGONS THROAT.        .##.##.#.#
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