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,,,@,,@@@@ # @,,,@@@,@@
@,,@@,@,,, ,lizardry ,@,,@,,@@,
@@,@,@@@,, ยป # ## ### ################## @@@,@@,@,@
,,@@@@,,@, ## the art of c,nnecting ,,,@@,@@@@
@,@,,,@,@@ , with the old mind @,,@,@@,,,
@@@@,,@@@, ,@,@@@,@,,
@,,,@,@,,@ my mind is being skewed. mi @@@@,,@@@,
@@,,@@@@,@ skeleton is stringy and old and alien @,,,@,@,,@
,,@,@,,,@@ the situation is literally @@,,@@@@,@
@,@@@@,,@, pressed out through my eyes, it's @,@,@,,,@@
,@@,,,@,@@ echoing like ,@@@@@,,@,
,@,@,,@@@, the sunset of the eternal @@,,,,@,@@
@@@@@,@,,@ ocean @,@,,,@@@,
@,,,,@@@,@ persistently against my emulsion ,@@@,,@,,@
,@,,,@,,@@ ,@,,@,@@,@
@@@,,@@,@, it's ungraspable to me, what other ,@@,@@@,@@
,,,@,@,@@@ humans are doing and abstracting, ,@,@@,,@@,
,,,@@@@@,, and above all else, what time they use? @@@@,@,@,@
@,,@,,,,@, how long a time has passed, for them? @,,,@@@@@@
,@,@@,,,@@ , @@,,@,,,,,
,@@@,@,,@, , ,,, , ,,,,,,,,,,,,,,,, ####### @,@,@@,,,,
,@,,@@@,@@ continuously i'm crowding through @@@@@,@,,,
,@@,@,,@@, , the fourth wall ,outwards is what , ,,,,,@@@,,
,@,@@@,@,@ ,, i'm thinking but it's wrong.. a new @,,,,@,,@,
,@@@,,@@@@ , , narrator is introduced, occasionally ,@,,,@@,@@
@@,,@,@,,, , , aware of the previous one, deeper , @@@,,@,@@,
@,@,@@@@,, , , down in the dragons throat. ,,,@,@@@,@
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