.~~~~;;# ##&;;~~~~.
.~~;§&§### ###§&§;~~.
.~~;§&§### ###§&§;~~.
.~~~;§§&&§ §&&§§;~~~.
.~~;&§#### ####§&;~~.
...~~~;&§# # #§&;~~~...
.~~;§&§### .LIZARDRY ###§&§;~~.
.~~;§&§### ~ # ## ### ################## ###§&§;~~.
.~~;§&§### ## THE ART OF C~NNECTING ###§&§;~~.
.~~;§&§### . WITH THE OLD MIND ###§&§;~~.
.~~;§&§### ###§&§;~~.
.~~;§&§§§§ MY MIND IS BEING SKEWED. MI §§§§&§;~~.
.~~;§&&# SKELETON IS STRINGY AND OLD AND ALIEN ##&&&§;~~.
....~~;§ THE SITUATION IS LITERALLY #&§;~~....
...~~~§§§§ PRESSED OUT THROUGH MY EYES, IT'S §§§§~~~...
.~~;§&§### ECHOING LIKE ###§&§;~~.
.....~;§&§ THE SUNSET OF THE ETERNAL §&§;~.....
.~~;§&§### OCEAN ###§&§;~~.
.~~;§&§### PERSISTENTLY AGAINST MY EMULSION ###§&§;~~.
.~~;§&§### ###§&§;~~.
......~;§§ IT'S UNGRASPABLE TO ME, WHAT OTHER §§;~......
.~~;§&§### HUMANS ARE DOING AND ABSTRACTING, ###§&§;~~.
.....~§&§# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #§&§~.....
.....~~; HOW LONG A TIME HAS PASSED, FOR THEM? #&;~~.....
.....~§§§# . #§§§~.....
...~;;&§§# . ... . ................ ####### #§§&;;~...
..~~~~~§§# CONTINUOUSLY I'M CROWDING THROUGH #§§~~~~~..
.~~;§&§### . THE FOURTH WALL ~OUTWARDS IS WHAT . ###§&§;~~.
.~~;§&§§## .. I'M THINKING BUT IT'S WRONG.. A NEW ##§§&§;~~.
.....~§§§§ . . NARRATOR IS INTRODUCED, OCCASIONALLY §§§§~.....
.....~§§§# ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER . #§§§~.....
.~~;§&§### ~ ~ DOWN IN THE DRAGONS THROAT. ###§&§;~~.
.~~;;;§&§§ ~ §§&§;;;~~.
.~~;§§#### ~ ####§§;~~.
.~~;§&§### ###§&§;~~.
.~~;;;;&§# #§&;;;;~~.
.~~;§&§### ###§&§;~~.
.~~;§&§### ###§&§;~~.
.~~;&§#### ####§&;~~.
......~§&§ §&§~......