...:~*¤&&@ @&&¤*~:...
.:~=*¤&@@@ @@@&¤*=~:.
......~~*& &*~~......
.:~=*¤&@@@ @@@&¤*=~:.
.:~=*¤&@@# #@@&¤*=~:.
.:~=*¤&@@# @ #@@&¤*=~:.
.:~=*¤&@@# .lizardry #@@&¤*=~:.
.:~=*¤&@@@ ~ @ @@ @@@ @@@@@@@@@@@@@@@@@@ @@@&¤*=~:.
.~=*¤&@@## @@ the art of c:nnecting ##@@&¤*=~.
..:~~*¤¤&& . with the old mind &&¤¤*~~:..
......:=*& &*=:......
......~*&@ my mind is being skewed. mi @&*~......
.:~=**¤¤¤@ skeleton is stringy and old and alien @¤¤¤**=~:.
.:~=*¤&@@@ the situation is literally @@@&¤*=~:.
.:~=*¤&@@# pressed out through my eyes, it's #@@&¤*=~:.
....:=¤¤¤& echoing like &¤¤¤=:....
.:~=*¤&@@@ the sunset of the eternal @@@&¤*=~:.
...::=*¤¤@ ocean @¤¤*=::...
.:~=*¤&@@@ persistently against my emulsion @@@&¤*=~:.
.:~=****&@ @&****=~:.
....:=**&& it's ungraspable to me, what other &&**=:....
.:~=*¤&@@@ humans are doing and abstracting, @@@&¤*=~:.
.:~=*¤&@@# and above all else, what time they use? #@@&¤*=~:.
.:~=*&@@## how long a time has passed, for them? ##@@&*=~:.
.:::::~~*& . &*~~:::::.
.:~*¤&@@## . ... . ................ @@@@@@@ ##@@&¤*~:.
.:~=*¤&@@# continuously i'm crowding through #@@&¤*=~:.
.:~=*¤&@@# . the fourth wall :outwards is what . #@@&¤*=~:.
.:~=*¤&@@# .. i'm thinking but it's wrong.. a new #@@&¤*=~:.
....:~*&&& . . narrator is introduced, occasionally &&&*~:....
...:::=*&@ : : aware of the previous one, deeper . @&*=:::...
.:~=*¤&@@# : : down in the dragons throat. #@@&¤*=~:.
...:~==¤¤& : &¤¤==~:...
.:~=*&@@## : ##@@&*=~:.
...:::~=¤@ @¤=~:::...
...:~=¤&&& &&&¤=~:...
..::~==**& &**==~::..
.:~=*¤&@@@ @@@&¤*=~:.
.:~=*¤&@@# #@@&¤*=~:.
...~~=¤¤@@ @@¤¤=~~...