....:-§§§¤ ¤§§§-:....
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...:--§¤@@ @@¤§--:...
.:-=§$¤@@# #@@¤$§=-:.
.....:=$$¤ ¤$$=:.....
...::==§§¤ @ ¤§§==::...
.:-=§$¤@## .LIZARDRY ##@¤$§=-:.
.:-=§$¤@## - @ @@ @@@ @@@@@@@@@@@@@@@@@@ ##@¤$§=-:.
.:-=§$¤@@@ @@ THE ART OF C:NNECTING @@@¤$§=-:.
.:-=§$¤@@# . WITH THE OLD MIND #@@¤$§=-:.
.....:=$¤@ @¤$=:.....
.:-=§$¤@@# MY MIND IS BEING SKEWED. MI #@@¤$§=-:.
.:-=§$¤@@# SKELETON IS STRINGY AND OLD AND ALIEN #@@¤$§=-:.
..:--§§$¤¤ THE SITUATION IS LITERALLY ¤¤$§§--:..
.....:-§$¤ PRESSED OUT THROUGH MY EYES, IT'S ¤$§-:.....
.:-=§$$$¤@ ECHOING LIKE @¤$$$§=-:.
.:-=§$¤@@@ THE SUNSET OF THE ETERNAL @@@¤$§=-:.
:-=§$¤@@## OCEAN ##@@¤$§=-:
.:-=§$¤@@# PERSISTENTLY AGAINST MY EMULSION #@@¤$§=-:.
.:-=§$¤@@@ @@@¤$§=-:.
....::-§$@ IT'S UNGRASPABLE TO ME, WHAT OTHER @$§-::....
.:-=§$¤@@# HUMANS ARE DOING AND ABSTRACTING, #@@¤$§=-:.
.:-=§$¤@@# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #@@¤$§=-:.
.:-=§$¤@@# HOW LONG A TIME HAS PASSED, FOR THEM? #@@¤$§=-:.
.....-=$¤¤ . ¤¤$=-.....
.:-=§$¤@@# . ... . ................ @@@@@@@ #@@¤$§=-:.
.:-=§$¤¤@@ CONTINUOUSLY I'M CROWDING THROUGH @@¤¤$§=-:.
....--=§$¤ . THE FOURTH WALL :OUTWARDS IS WHAT . ¤$§=--....
.:-=§$¤@@@ .. I'M THINKING BUT IT'S WRONG.. A NEW @@@¤$§=-:.
....:==$¤@ . . NARRATOR IS INTRODUCED, OCCASIONALLY @¤$==:....
.:-=§$¤@@@ : : AWARE OF THE PREVIOUS ONE, DEEPER . @@@¤$§=-:.
......:=$@ : : DOWN IN THE DRAGONS THROAT. @$=:......
.:-=§$¤@@# : #@@¤$§=-:.
.:-=§$¤@@# : #@@¤$§=-:.
.....:=§$¤ ¤$§=:.....
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