#@@#%†;-,. .,-;†%#@@#
###@%†;-,. .,-;†%@###
##@#%†;-,. .,-;†%#@##
##@#%†;-,. .,-;†%#@##
#@##%†;-,. .,-;†%##@#
###%;;,,.. # ..,,;;%###
###@#%†-,. .LIZARDRY .,-†%#@###
#†---..... - @ #@ ### ################## .....---†#
##@#%†;-,. ## THE ART OF C,NNECTING .,-;†%#@##
#@#%†;--,. . WITH THE OLD MIND .,--;†%#@#
##@#%†;-,. .,-;†%#@##
####%†;-,. MY MIND IS BEING SKEWED. MI .,-;†%####
##†;,..... SKELETON IS STRINGY AND OLD AND ALIEN .....,;†##
##@#%†;-,. THE SITUATION IS LITERALLY .,-;†%#@##
##@#%†;-,. PRESSED OUT THROUGH MY EYES, IT'S .,-;†%#@##
@%%;;,.... ECHOING LIKE ....,;;%%@
@@%†-,,... THE SUNSET OF THE ETERNAL ...,,-†%@@
#@#%†-,,,. OCEAN .,,,-†%#@#
@%%†;-.... PERSISTENTLY AGAINST MY EMULSION ....-;†%%@
#@%%%†;-,. .,-;†%%%@#
@@##%†;-,. IT'S UNGRASPABLE TO ME, WHAT OTHER .,-;†%##@@
@#%†-..... HUMANS ARE DOING AND ABSTRACTING, .....-†%#@
#†-....... AND ABOVE ALL ELSE, WHAT TIME THEY USE? .......-†#
##@#%†;-,. HOW LONG A TIME HAS PASSED, FOR THEM? .,-;†%#@##
#@##%†;-,. . .,-;†%##@#
####%†;-,. . ... . ................ @@@@@@@ .,-;†%####
###@%†;-,. CONTINUOUSLY I'M CROWDING THROUGH .,-;†%@###
###@%†;-,. . THE FOURTH WALL ,OUTWARDS IS WHAT . .,-;†%@###
##@#%†;-,. .. I'M THINKING BUT IT'S WRONG.. A NEW .,-;†%#@##
##@#%†;-,. . . NARRATOR IS INTRODUCED, OCCASIONALLY .,-;†%#@##
#%;,...... , , AWARE OF THE PREVIOUS ONE, DEEPER . ......,;%#
##@#%†;-,. , , DOWN IN THE DRAGONS THROAT. .,-;†%#@##
##@#%†;-,. , .,-;†%#@##
##@#%†;-,. , .,-;†%#@##
@#%%%†;-,. .,-;†%%%#@
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##%††-.... ....-††%##