##@&&§\«-. .-«\§&&@##
#@@&&§\«-. .-«\§&&@@#
&&§§«-.... ....-«§§&&
#&&\«--... ...--«\&&#
@@&\-..... .....-\&@@
##@&&§\«-. # .-«\§&&@##
@&&§§\\«-. .LIZARDRY .-«\\§§&&@
##@&&§\«-. « @ #@ ### ################## .-«\§&&@##
@&§\«-.... ## THE ART OF C-NNECTING ....-«\§&@
###&&§\«-. . WITH THE OLD MIND .-«\§&&###
&&&&§«-... ...-«§&&&&
@&&§«..... MY MIND IS BEING SKEWED. MI .....«§&&@
&§«-...... SKELETON IS STRINGY AND OLD AND ALIEN ......-«§&
##@&&§\«-. THE SITUATION IS LITERALLY .-«\§&&@##
##@&&§\«-. PRESSED OUT THROUGH MY EYES, IT'S .-«\§&&@##
#@@&&§\«-. ECHOING LIKE .-«\§&&@@#
&&&&&§\«-. THE SUNSET OF THE ETERNAL .-«\§&&&&&
&&&&&§\«-. OCEAN .-«\§&&&&&
#@@&&§\«-. PERSISTENTLY AGAINST MY EMULSION .-«\§&&@@#
##@&&§\«-. .-«\§&&@##
##@&&§\«-. IT'S UNGRASPABLE TO ME, WHAT OTHER .-«\§&&@##
##@&&§\«-. HUMANS ARE DOING AND ABSTRACTING, .-«\§&&@##
#&&&\«««-. AND ABOVE ALL ELSE, WHAT TIME THEY USE? .-«««\&&&#
##@&&§\«-. HOW LONG A TIME HAS PASSED, FOR THEM? .-«\§&&@##
###@&§\«-. . .-«\§&@###
##@&&§\«-. . ... . ................ @@@@@@@ .-«\§&&@##
##@&&§\«-. CONTINUOUSLY I'M CROWDING THROUGH .-«\§&&@##
@@&&\-.... . THE FOURTH WALL -OUTWARDS IS WHAT . ....-\&&@@
###&&§\«-. .. I'M THINKING BUT IT'S WRONG.. A NEW .-«\§&&###
#&&§«..... . . NARRATOR IS INTRODUCED, OCCASIONALLY .....«§&&#
##@&&§\«-. - - AWARE OF THE PREVIOUS ONE, DEEPER . .-«\§&&@##
##@&&§\«-. - - DOWN IN THE DRAGONS THROAT. .-«\§&&@##
@&&&\-.... - ....-\&&&@
##@&&§\«-. - .-«\§&&@##
@@&§\-.... ....-\§&@@
##@&&§\«-. .-«\§&&@##
##@&&§\«-. .-«\§&&@##
&&&&§«-... ...-«§&&&&
&§«««-.... ....-«««§&
&&&§«-.... ....-«§&&&