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....&&.&&.    #                                     .&....&&..
....&.&&.&              .LIZARDRY                   &&&...&.&.
....&&&.&& ~           # ## ###  ################## &..&..&&&&
&...&..&&. ##      THE ART OF C~NNECTING            &&.&&.&...
&&..&&.&.&        .    WITH THE OLD MIND            ..&&.&&&..
&.&.&.&&&&                                          ..&.&&..&.
&&&&&&&...             MY MIND IS BEING SKEWED. MI  ..&&&.&.&&
.......&..  SKELETON IS STRINGY AND OLD AND ALIEN   &.&..&&&&.
.......&&.             THE SITUATION IS LITERALLY   .&&&.&...&
&......&.& PRESSED OUT THROUGH MY EYES, IT'S        &&..&&&..&
.&.....&&& ECHOING LIKE                             &.&.&..&.&
&&&....&..             THE SUNSET OF THE ETERNAL    .&&&&&.&&&
...&...&&. OCEAN                                    &&....&&..
...&&..&.&         PERSISTENTLY AGAINST MY EMULSION &.&...&.&.
...&.&.&&&                                          &&&&..&&&&
&..&&&&&..    IT'S UNGRASPABLE TO ME, WHAT OTHER    &...&.&...
&&.&....&.   HUMANS ARE DOING AND ABSTRACTING,      .&..&&&&..
&.&&&...&&  AND ABOVE ALL ELSE, WHAT TIME THEY USE? .&&.&...&.
&&&..&..&. HOW LONG A TIME HAS PASSED, FOR THEM?    &&.&&&..&&
...&.&&.&&                                     .    &.&&..&.&.
...&&&.&&.  . ... .  ................   #######     .&&.&.&&&&
&..&..&&.&   CONTINUOUSLY I'M CROWDING THROUGH      &&.&&&&...
&&.&&.&.&& . THE FOURTH WALL  ~OUTWARDS IS WHAT   . &.&&...&..
&.&&.&&&&. .. I'M THINKING BUT IT'S WRONG.. A NEW   .&&.&..&&.
&&&.&&...& . . NARRATOR IS INTRODUCED, OCCASIONALLY &&.&&&.&.&
...&&.&..& ~  ~ AWARE OF THE PREVIOUS ONE, DEEPER . ..&&..&&&&
&..&.&&&.& ~   ~ DOWN IN THE DRAGONS THROAT.        ..&.&.&...
&&.&&&..&&      ~                                   ..&&&&&&..
&.&&..&.&.       ~                                  &.&.....&.
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