,,,,,.=†=@ @=†=.,,,,,
,,,,,,.=†= =†=.,,,,,,
,,,,,,,.=† †=.,,,,,,,
,,,,,,,,.= =.,,,,,,,,
,,,,,,,,,. .,,,,,,,,,
,,,,,,,,,, @ ,,,,,,,,,,
,,,,,,,,,. ,lizardry .,,,,,,,,,
,,,,,,,,.= = @ @@ @@@ @@@@@@@@@@@@@@@@@@ =.,,,,,,,,
,,,,,,,.=† @@ the art of c.nnecting †=.,,,,,,,
,,,,,,.=†= , with the old mind =†=.,,,,,,
,,,,,.=†=@ @=†=.,,,,,
,,,,.=†=@§ my mind is being skewed. mi §@=†=.,,,,
,,,.=†=@§@ skeleton is stringy and old and alien @§@=†=.,,,
,,.=†=@§@# the situation is literally #@§@=†=.,,
,.=†=@§@## pressed out through my eyes, it's ##@§@=†=.,
,,.=†=@§@# echoing like #@§@=†=.,,
,,,.=†=@§@ the sunset of the eternal @§@=†=.,,,
,,,,.=†=@§ ocean §@=†=.,,,,
,,,,,.=†=@ persistently against my emulsion @=†=.,,,,,
,,,,,,.=†= =†=.,,,,,,
,,,,,,,.=† it's ungraspable to me, what other †=.,,,,,,,
,,,,,,,,.= humans are doing and abstracting, =.,,,,,,,,
,,,,,,,,,. and above all else, what time they use? .,,,,,,,,,
,,,,,,,,,, how long a time has passed, for them? ,,,,,,,,,,
,,,,,,,,,. , .,,,,,,,,,
,,,,,,,,.= , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ =.,,,,,,,,
,,,,,,,.=† continuously i'm crowding through †=.,,,,,,,
,,,,,,.=†= , the fourth wall .outwards is what , =†=.,,,,,,
,,,,,.=†=@ ,, i'm thinking but it's wrong.. a new @=†=.,,,,,
,,,,.=†=@§ , , narrator is introduced, occasionally §@=†=.,,,,
,,,.=†=@§@ . . aware of the previous one, deeper , @§@=†=.,,,
,,.=†=@§@# . . down in the dragons throat. #@§@=†=.,,
,.=†=@§@## . ##@§@=†=.,
,,.=†=@§@# . #@§@=†=.,,
,,,.=†=@§@ @§@=†=.,,,
,,,,.=†=@§ §@=†=.,,,,
,,,,,.=†=@ @=†=.,,,,,
,,,,,,.=†= =†=.,,,,,,
,,,,,,,.=† †=.,,,,,,,
,,,,,,,,.= =.,,,,,,,,