....~****¤ ¤****~....
......~**¤ ¤**~......
.^~**¤@@## ##@@¤**~^.
....^^~$¤@ @¤$~^^....
.^~*$*¤@@# #@@¤*$*~^.
.^~*$*¤@@# @ #@@¤*$*~^.
.....^^**¤ .LIZARDRY ¤**^^.....
.^~*$*¤@@@ ~ @ @@ @@@ @@@@@@@@@@@@@@@@@@ @@@¤*$*~^.
.^~*$*¤@## @@ THE ART OF C^NNECTING ##@¤*$*~^.
.^~*$*¤¤@@ . WITH THE OLD MIND @@¤¤*$*~^.
......~~$¤ ¤$~~......
.^~*$*¤@@# MY MIND IS BEING SKEWED. MI #@@¤*$*~^.
.^~*$*@@## SKELETON IS STRINGY AND OLD AND ALIEN ##@@*$*~^.
......^*$¤ THE SITUATION IS LITERALLY ¤$*^......
.^~*$*¤@@@ PRESSED OUT THROUGH MY EYES, IT'S @@@¤*$*~^.
.^~*$**¤¤¤ ECHOING LIKE ¤¤¤**$*~^.
....~*$$*¤ THE SUNSET OF THE ETERNAL ¤*$$*~....
.^~**$$¤@@ OCEAN @@¤$$**~^.
.^~*$*¤@@# PERSISTENTLY AGAINST MY EMULSION #@@¤*$*~^.
.^~*$*¤@@# #@@¤*$*~^.
.^~*$*¤@@# IT'S UNGRASPABLE TO ME, WHAT OTHER #@@¤*$*~^.
.....^**$¤ HUMANS ARE DOING AND ABSTRACTING, ¤$**^.....
....~***¤@ AND ABOVE ALL ELSE, WHAT TIME THEY USE? @¤***~....
.^~*$*¤@@# HOW LONG A TIME HAS PASSED, FOR THEM? #@@¤*$*~^.
.^~*$***@@ . @@***$*~^.
....^****@ . ... . ................ @@@@@@@ @****^....
.^~*$*¤@@# CONTINUOUSLY I'M CROWDING THROUGH #@@¤*$*~^.
.^~*$*¤@@# . THE FOURTH WALL ^OUTWARDS IS WHAT . #@@¤*$*~^.
..^^~***¤¤ .. I'M THINKING BUT IT'S WRONG.. A NEW ¤¤***~^^..
.^~*$*¤@@# . . NARRATOR IS INTRODUCED, OCCASIONALLY #@@¤*$*~^.
.^~*$*¤¤@@ ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . @@¤¤*$*~^.
.^~*$*¤@@@ ^ ^ DOWN IN THE DRAGONS THROAT. @@@¤*$*~^.
.^~***$$¤@ ^ @¤$$***~^.
.^~*$*¤@@@ ^ @@@¤*$*~^.
.^~*$*¤@@# #@@¤*$*~^.
......~$$¤ ¤$$~......
.....^~~$¤ ¤$~~^.....
......~$¤@ @¤$~......
.^~*$*¤@@# #@@¤*$*~^.
.^~*$*¤@@# #@@¤*$*~^.