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,@@@,@@@@, # @@,@,,@@@,
@,,@@,,,@, ,lizardry ,@@@,@,,@,
@,@,@,,@@@ « @ #@ ### ################## @,,@@@,@@@
@@@@@,@,,@ ## the art of c:nnecting @,@,,@@,,,
,,,,@@@,@@ , with the old mind @@@,@,@,,@
,,,@,,@@,, ,,@@@@@,@@
,,@@,@,@,@ my mind is being skewed. mi ,@,,,,@@,@
,@,@@@@@@@ skeleton is stringy and old and alien @@,,,@,@@@
@@@,,,,,,@ the situation is literally ,@,,@@@,,@
,,@,,,,,@@ pressed out through my eyes, it's @@,@,,@,@,
,@@,,,,@,@ echoing like ,@@@,@@@@,
@,@,,,@@@@ the sunset of the eternal @,,@@,,,@,
@@@,,@,,,@ ocean @,@,@,,@@@
,,@,@@,,@, persistently against my emulsion @@@@@,@,,,
,@@@,@,@@@ ,,,,@@@,,,
@,,@@@@,,@ it's ungraspable to me, what other ,,,@,,@,,,
@,@,,,@,@@ humans are doing and abstracting, ,,@@,@@,,@
@@@,,@@@,@ and above all else, what time they use? ,@,@@,@,@,
,,@,@,,@@, how long a time has passed, for them? @@@,@@@@@@
,@@@@,@,@, , ,,@@,,,,,@
@,,,@@@@@, , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ,@,@,,,,@@
@,,@,,,,@@ continuously i'm crowding through @@@@,,,@,,
@,@@,,,@,@ , the fourth wall :outwards is what , ,,,@,,@@,@
@@,@,,@@@, ,, i'm thinking but it's wrong.. a new ,,@@,@,@@,
,@@@,@,,@, , , narrator is introduced, occasionally ,@,@@@@,@@
@,,@@@,@@@ : : aware of the previous one, deeper , @@@,,,@@,@
@,@,,@@,,, : : down in the dragons throat. ,,@,,@,@@,
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