###@#¤^^~: :~^^¤#@###
##@#¤^^~:. .:~^^¤#@##
#^^^^:.... ....:^^^^#
#^^:...... ......:^^#
##^~::.... ....::~^##
##@#¤^^~:. # .:~^^¤#@##
##@#¤^^~:. .lizardry .:~^^¤#@##
##@#¤^^~:. ~ @ #@ ### ################## .:~^^¤#@##
@¤^~~::... ## the art of c:nnecting ...::~~^¤@
##¤^^^^~:. . with the old mind .:~^^^^¤##
#^^^~~.... ....~~^^^#
##@#¤^^~:. my mind is being skewed. mi .:~^^¤#@##
##@#¤^^~:. skeleton is stringy and old and alien .:~^^¤#@##
##@#¤^^~:. the situation is literally .:~^^¤#@##
###@#^^~:. pressed out through my eyes, it's .:~^^#@###
@¤¤^~:.... echoing like ....:~^¤¤@
#^^^~..... the sunset of the eternal .....~^^^#
##^~...... ocean ......~^##
#@#¤^~~... persistently against my emulsion ...~~^¤#@#
@###¤^^~:. .:~^^¤###@
##@#¤^^~:. it's ungraspable to me, what other .:~^^¤#@##
@@#^~..... humans are doing and abstracting, .....~^#@@
##@#¤^^~:. and above all else, what time they use? .:~^^¤#@##
##¤¤^~~~:. how long a time has passed, for them? .:~~~^¤¤##
##@#¤^^~:. . .:~^^¤#@##
@@@#¤^^~:. . ... . ................ @@@@@@@ .:~^^¤#@@@
@#¤¤^::... continuously i'm crowding through ...::^¤¤#@
##@#¤^^~:. . the fourth wall :outwards is what . .:~^^¤#@##
#¤¤^:::::. .. i'm thinking but it's wrong.. a new .:::::^¤¤#
##^^^~:... . . narrator is introduced, occasionally ...:~^^^##
#@#¤^~.... : : aware of the previous one, deeper . ....~^¤#@#
##@#¤^^~:. : : down in the dragons throat. .:~^^¤#@##
##^^^^^~:. : .:~^^^^^##
##@#¤^^~:. : .:~^^¤#@##
##@#¤^^~:. .:~^^¤#@##
###^~~::.. ..::~~^###
##¤¤¤^^~:. .:~^^¤¤¤##
###@¤^^~:. .:~^^¤@###
#^~....... .......~^#
@¤^^~..... .....~^^¤@