.,»»\\¤¤##                                          ##¤¤\\»»,.
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.....»»\¤#    #                                     #¤\»».....
.,»\=¤@###              .LIZARDRY                   ###@¤=\»,.
...,,,,\=@ »           # ## ###  ################## @=\,,,,...
.,»\=¤@@@# ##      THE ART OF C,NNECTING            #@@@¤=\»,.
.....,,»=@        .    WITH THE OLD MIND            @=»,,.....
.....,\=¤#                                          #¤=\,.....
..,,,»=@@#             MY MIND IS BEING SKEWED. MI  #@@=»,,,..
.,»\=¤@###  SKELETON IS STRINGY AND OLD AND ALIEN   ###@¤=\»,.
....,,\¤##             THE SITUATION IS LITERALLY   ##¤\,,....
......,\¤@ PRESSED OUT THROUGH MY EYES, IT'S        @¤\,......
.,»\=¤@### ECHOING LIKE                             ###@¤=\»,.
....»»»\¤@             THE SUNSET OF THE ETERNAL    @¤\»»»....
.,»\=¤@### OCEAN                                    ###@¤=\»,.
.....,,\¤@         PERSISTENTLY AGAINST MY EMULSION @¤\,,.....
.,»\=¤@###                                          ###@¤=\»,.
.,»\=¤@###    IT'S UNGRASPABLE TO ME, WHAT OTHER    ###@¤=\»,.
.,»»»»=¤@#   HUMANS ARE DOING AND ABSTRACTING,      #@¤=»»»»,.
.,»\=¤@###  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ###@¤=\»,.
.....»\¤@@ HOW LONG A TIME HAS PASSED, FOR THEM?    @@¤\».....
.,»\=¤@###                                     .    ###@¤=\»,.
.,»\=¤@###  . ... .  ................   #######     ###@¤=\»,.
.,»\=¤@###   CONTINUOUSLY I'M CROWDING THROUGH      ###@¤=\»,.
.,»\=¤@### . THE FOURTH WALL  ,OUTWARDS IS WHAT   . ###@¤=\»,.
.,»\=¤@### .. I'M THINKING BUT IT'S WRONG.. A NEW   ###@¤=\»,.
.,»\¤@#### . . NARRATOR IS INTRODUCED, OCCASIONALLY ####@¤\»,.
....»»=¤@# ,  , AWARE OF THE PREVIOUS ONE, DEEPER . #@¤=»»....
.....,»\=@ ,   , DOWN IN THE DRAGONS THROAT.        @=\»,.....
.,»\=¤@###      ,                                   ###@¤=\»,.
.,»\=¤@###       ,                                  ###@¤=\»,.
.,»\=¤@###                                          ###@¤=\»,.
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.,»\=¤@###                                          ###@¤=\»,.