,:==§§&@## ##@&§§==:,
,,:==§§&@# #@&§§==:,,
,,,:==§§&@ @&§§==:,,,
,,,,:==§§& &§§==:,,,,
,,,,,:==§§ §§==:,,,,,
,,,,,,:==§ @ §==:,,,,,,
,,,,,:==§§ ,LIZARDRY §§==:,,,,,
,,,,:==§§& = ¶ @¶ @@@ @@@@@@@@@@@@@@@@@@ &§§==:,,,,
,,,:==§§&@ @@ THE ART OF C:NNECTING @&§§==:,,,
,,:==§§&@# , WITH THE OLD MIND #@&§§==:,,
,:==§§&@## ##@&§§==:,
,,:==§§&@# MY MIND IS BEING SKEWED. MI #@&§§==:,,
,,,:==§§&@ SKELETON IS STRINGY AND OLD AND ALIEN @&§§==:,,,
,,,,:==§§& THE SITUATION IS LITERALLY &§§==:,,,,
,,,,,:==§§ PRESSED OUT THROUGH MY EYES, IT'S §§==:,,,,,
,,,,,,:==§ ECHOING LIKE §==:,,,,,,
,,,,,:==§§ THE SUNSET OF THE ETERNAL §§==:,,,,,
,,,,:==§§& OCEAN &§§==:,,,,
,,,:==§§&@ PERSISTENTLY AGAINST MY EMULSION @&§§==:,,,
,,:==§§&@# #@&§§==:,,
,:==§§&@## IT'S UNGRASPABLE TO ME, WHAT OTHER ##@&§§==:,
,,:==§§&@# HUMANS ARE DOING AND ABSTRACTING, #@&§§==:,,
,,,:==§§&@ AND ABOVE ALL ELSE, WHAT TIME THEY USE? @&§§==:,,,
,,,,:==§§& HOW LONG A TIME HAS PASSED, FOR THEM? &§§==:,,,,
,,,,,:==§§ , §§==:,,,,,
,,,,,,:==§ , ,,, , ,,,,,,,,,,,,,,,, ¶¶¶¶¶¶¶ §==:,,,,,,
,,,,,:==§§ CONTINUOUSLY I'M CROWDING THROUGH §§==:,,,,,
,,,,:==§§& , THE FOURTH WALL :OUTWARDS IS WHAT , &§§==:,,,,
,,,:==§§&@ ,, I'M THINKING BUT IT'S WRONG.. A NEW @&§§==:,,,
,,:==§§&@# , , NARRATOR IS INTRODUCED, OCCASIONALLY #@&§§==:,,
,:==§§&@## : : AWARE OF THE PREVIOUS ONE, DEEPER , ##@&§§==:,
,,:==§§&@# : : DOWN IN THE DRAGONS THROAT. #@&§§==:,,
,,,:==§§&@ : @&§§==:,,,
,,,,:==§§& : &§§==:,,,,
,,,,,:==§§ §§==:,,,,,
,,,,,,:==§ §==:,,,,,,
,,,,,:==§§ §§==:,,,,,
,,,,:==§§& &§§==:,,,,
,,,:==§§&@ @&§§==:,,,
,,:==§§&@# #@&§§==:,,