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&&&..&..&&    #                                     &&.&.&&...
&.&&..&.&&              .LIZARDRY                   &&...&&&..
..&&&...&& -           £ #£ ###  ################## &&&..&.&&.
..&.&&..&& ##      THE ART OF C^NNECTING            &.&&...&&&
&...&&&.&&        .    WITH THE OLD MIND            ..&&&..&.&
&&..&.&.&&                                          ..&.&&...&
.&&.....&&             MY MIND IS BEING SKEWED. MI  ....&&&..&
.&&&....&&  SKELETON IS STRINGY AND OLD AND ALIEN   ....&.&&..
.&.&&...&&             THE SITUATION IS LITERALLY   ......&&&.
...&&&..&. PRESSED OUT THROUGH MY EYES, IT'S        ......&.&&
&..&.&&... ECHOING LIKE                             ........&&
&&...&&&..             THE SUNSET OF THE ETERNAL    ........&.
&&&..&.&&. OCEAN                                    ..........
&.&&...&&&         PERSISTENTLY AGAINST MY EMULSION &.........
..&&&..&.&                                          .&........
..&.&&...&    IT'S UNGRASPABLE TO ME, WHAT OTHER    ..&.......
....&&&..&   HUMANS ARE DOING AND ABSTRACTING,      ...&......
....&.&&..  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ....&.....
......&&&. HOW LONG A TIME HAS PASSED, FOR THEM?    .....&....
......&.&&                                     .    ......&...
........&&  . ... .  ................   £££££££     &......&..
........&.   CONTINUOUSLY I'M CROWDING THROUGH      .&......&.
.......... . THE FOURTH WALL  ^OUTWARDS IS WHAT   . ..&......&
&......... .. I'M THINKING BUT IT'S WRONG.. A NEW   ...&......
.&........ . . NARRATOR IS INTRODUCED, OCCASIONALLY ....&.....
..&....... ^  ^ AWARE OF THE PREVIOUS ONE, DEEPER . .....&....
...&...... ^   ^ DOWN IN THE DRAGONS THROAT.        &.....&...
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