.-=;†£@### ###@£†;=-.
....-=†£## ##£†=-....
.-=;†£#### ####£†;=-.
......=;†@ @†;=......
.-==;;††£# #£††;;==-.
.-=;†£@### #### ##### ###@£†;=-.
......-;£@ TAPE DREAM @£;-......
......-=†@ #### ##### @†=-......
...---;££# #££;---...
.-=;†£@### FOR STORING MUSIC ON. ALSO DATA BUT ###@£†;=-.
....-;†@## AT THIS POINT IN TIME THAT'S NOT ##@†;-....
......=†@@ REALLY IMPORTANT I THINK. @@†=......
...-;;;†@# #@†;;;-...
.....-;†£@ @£†;-.....
.-===;;£@# ;;;;;;;; TYPES OF TAPE ;;;;;;;; #@£;;===-.
..--=††££@ @££††=--..
.-=;†£@### CLASS I - "BAD" IRON ###@£†;=-.
..---;;;†@ CLASS II - GOOD CHROMIUM @†;;;---..
.-=;†£@### CLASS III - BAD IRON PART TWO ###@£†;=-.
..-===;£@@ CLASS IV - DANGEROUS METALS @@£;===-..
.-=;†£@### ###@£†;=-.
.-=;†£@### RUMORS EXIST ABOUT A SECRET CLASS V TAPE ###@£†;=-.
.-=;†£#### THAT IS ACTUALLY USEFUL. ####£†;=-.
...--;;††@ @††;;--...
.-=;†££££@ ;; BIAS ;; @££££†;=-.
..---==††@ @††==---..
.-=;†£@### CLASS I USES ONE HUNDRED AND TWENTY ###@£†;=-.
.-=;†£@### MICRO-SOMETHING WHILE THE OTHERS ALL ###@£†;=-.
.-=;†£@### USE SEVENTY OF THE SAME UNIT. ###@£†;=-.
......-;†@ @†;-......
.-=;†£@### ###@£†;=-.
.-=;†£@### ††††††††† AHA AND ††††††††† ###@£†;=-.
...---;£@# #@£;---...
...-;;£££@ CLASS IV IS APPARENTLY TOO STRONG TO @£££;;-...
..--;††@## BE USED ON CLASS I PLAYERS. IT WILL ##@††;--..
.-=;†£@### SOUND TOO LOUND AND IT CANNOT BE ###@£†;=-.
.-=;†@#### COMPLETELY ERASED. THIS IS VERY WELL. ####@†;=-.
.-=;†£@### MAYBE SOME WONDERFUL BLENDING EFFECTS ###@£†;=-.
...==;;£## COULD BE ACHIEVED? ##£;;==...
...--;£@@@ @@@£;--...
.....=;††@ THEY ALSO GNAW AT THE TAPE HEADS A BIT @††;=.....
......=†£@ BETTER THAN EARLIER TAPE TYPES. @£†=......
.....--;£@ @£;--.....
.-=;†£@### ###@£†;=-.
.-=;†£@### ;;;;;;;; ARTIFACTS ;;;;;;;; ###@£†;=-.
.-=;†£@### ###@£†;=-.
.-=;†££@@# GOOD TAPES ARE DECENT AND HAVE A GOOD #@@££†;=-.
.-=;†£@### HIGH FREQUENCY PRESENCE, BAD TAPES ARE ###@£†;=-.
.-=;†£££@# LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA #@£££†;=-.
.-=;†£@### LIKE IT. ###@£†;=-.
....==;†£@ @£†;==....
.-=;†£@### BIAS LOSS: IF YOU FORGET THE BIAS WHO ###@£†;=-.
.-=;†£@@@# KNOWS WHATS EVEN ON THERE ANYMORE #@@@£†;=-.
.-=;†£@@## ##@@£†;=-.
...---=†@@ FLUTTER: KINDA QUICK PITCH VARIATIONS. @@†=---...
.-=;†£@### BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ###@£†;=-.
.--=;;;£## ##£;;;=--.
.-=;†£@### WOW: A SLOWER FLUTTER, USUALLY SEVERAL ###@£†;=-.
...=;†††@# SECONDS LONG. WHAT UP. BOTH OF THESE #@†††;=...
...-;†££@@ INCREASE WHEN TAPE SPEED DECREASES. @@££†;-...
..--=;£@@# #@@£;=--..
....-;†£@# PRINT THROUGH: TAPES RUB SOUND ON EACH #@£†;-....
.-=;†£@### OTHER IF THEYRE ALONE FOR TOO LONG ###@£†;=-.
....-;£@@# #@@£;-....
.-=;†£@### ###@£†;=-.
.-=;†£@### ###@£†;=-.
.-=;†£@### ###@£†;=-.
.-=;†£@### ###@£†;=-.
...-=;£@@# #@@£;=-...