,.-:*$#¶## ##¶#$*:-.,
,,.-:*$#¶# #¶#$*:-.,,
,.-:*$#¶## ##¶#$*:-.,
,,.-:*$#¶# #¶#$*:-.,,
,.-:*$#¶## ##¶#$*:-.,
,,.-:*$#¶# A COOL ENOUGH SONY WALKMAN CALLED #¶#$*:-.,,
,.-:*$#¶## ##¶#$*:-.,
,,.-:*$#¶# # # # #¶#$*:-.,,
,.-:*$#¶## ### TCM ONEFIFTY ### ##¶#$*:-.,
,,.-:*$#¶# # # # #¶#$*:-.,,
,.-:*$#¶## ##¶#$*:-.,
,,.-:*$#¶# IT'S BATTERY POWERED (TWO AA BATTERIES) #¶#$*:-.,,
,.-:*$#¶## AND HAS A MICROPHONE. IT DOES FEATURE A ##¶#$*:-.,
,,.-:*$#¶# SPEED HOLE BUT IT'S HIDDEN BENEATH ITS #¶#$*:-.,,
,.-:*$#¶## SHELL. ##¶#$*:-.,
,,.-:*$#¶# #¶#$*:-.,,
,.-:*$#¶## A COOL THING IS THE SPEAKER ON THE ##¶#$*:-.,
,,.-:*$#¶# FRONT. BUT ISN'T THAT A MAGNET CLOSE TO #¶#$*:-.,,
,.-:*$#¶## THE TAPE? YES ##¶#$*:-.,
,,.-:*$#¶# #¶#$*:-.,,
,.-:*$#¶## ## IS IT GOOD ## ##¶#$*:-.,
,,.-:*$#¶# #¶#$*:-.,,
,.-:*$#¶## WELL. IT HAS SOME VERY REAL COMPRESSION ##¶#$*:-.,
,,.-:*$#¶# GOING ON SO CLOSE VOX AND OTHER HIGH #¶#$*:-.,,
,.-:*$#¶## VOLUME THINGS ARE VERY CRISP AND WITH ##¶#$*:-.,
,,.-:*$#¶# KIND OF LOW NOISE. BUT WHEN THERE'S #¶#$*:-.,,
,.-:*$#¶## MORE OF AN AMBIENCE, ALL YOU HEAR IS ##¶#$*:-.,
,,.-:*$#¶# HISS AND MOTOR NOISE. #¶#$*:-.,,
,.-:*$#¶## ##¶#$*:-.,
,,.-:*$#¶# DENOISING TECHNIQUES ARE SIMPLE. ACTUAL #¶#$*:-.,,
,.-:*$#¶## DENOISING FOR THE NOISE, AND MAYBE AN ##¶#$*:-.,
,,.-:*$#¶# EQ FOR THE MOTOR. #¶#$*:-.,,
,.-:*$#¶## ##¶#$*:-.,
,,.-:*$#¶# ## WHAT IS IT FOR ## #¶#$*:-.,,
,.-:*$#¶## ##¶#$*:-.,
,,.-:*$#¶# I USE IT FOR TALKING TO WHEN I'M DRUNK. #¶#$*:-.,,
,.-:*$#¶## IT DOES THIS VERY GOOD. THE PAUSE ##¶#$*:-.,
,,.-:*$#¶# BUTTON IS A SMALL STOP, THE STOP BUTTON #¶#$*:-.,,
,.-:*$#¶## IS A MAJOR STOP. ##¶#$*:-.,
,,.-:*$#¶# #¶#$*:-.,,
,.-:*$#¶## ## SOME QUIRKS ## ##¶#$*:-.,
,,.-:*$#¶# #¶#$*:-.,,
,.-:*$#¶## WHEN UNPAUSING, RECORDING BEGINS BEFORE ##¶#$*:-.,
,,.-:*$#¶# THE ENGINE IS FULLY SPUN UP, RESULTING #¶#$*:-.,,
,.-:*$#¶## IN A NICE SWOOP BEING RECORDED. ##¶#$*:-.,
,,.-:*$#¶# #¶#$*:-.,,
,.-:*$#¶## IT MADE ME BUY A VHS CAM ##¶#$*:-.,
,,.-:*$#¶# #¶#$*:-.,,
,.-:*$#¶## ##¶#$*:-.,
,,.-:*$#¶# # # # #¶#$*:-.,,
,.-:*$#¶## ##¶#$*:-.,
,,.-:*$#¶# REST IN PIECES, LITERALLY #¶#$*:-.,,
,.-:*$#¶## ##¶#$*:-.,
,,.-:*$#¶# . MAY TWENTY FIFTEEN . #¶#$*:-.,,
,.-:*$#¶## , TO , ##¶#$*:-.,
,,.-:*$#¶# - JULY TWENTY EIGHTEEN - #¶#$*:-.,,
,.-:*$#¶## ##¶#$*:-.,
,,.-:*$#¶# SUPERSEDED BY THE TCM TWENTY #¶#$*:-.,,
,.-:*$#¶## ##¶#$*:-.,
,,.-:*$#¶# #¶#$*:-.,,
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