,,«/*£&@## ##@&£*/«,,
,,,,,«/**& &**/«,,,,,
,,,,,,,/*& &*/,,,,,,,
,,«/*£&@## ##@&£*/«,,
,,«/*£&@## ##@&£*/«,,
,,«/*£&@## #### ##### ##@&£*/«,,
,,,,,,,«*& TAPE DREAM &*«,,,,,,,
,,«/*£&@## #### ##### ##@&£*/«,,
,,«/*£&@## ##@&£*/«,,
,,«/*££££@ FOR STORING MUSIC ON. ALSO DATA BUT @££££*/«,,
,,«/*£@### AT THIS POINT IN TIME THAT'S NOT ###@£*/«,,
,,,,,««/*& REALLY IMPORTANT I THINK. &*/««,,,,,
,,,«/***&@ @&***/«,,,
,,«/*£&@## ##@&£*/«,,
,,«/*&@### //////// TYPES OF TAPE //////// ###@&*/«,,
,,«/*£## ###&£*/«,,
,,«/*£&@@@ CLASS I - "BAD" IRON @@@&£*/«,,
,,,,,«** CLASS II - GOOD CHROMIUM #&**«,,,,,
,,«/*£&@## CLASS III - BAD IRON PART TWO ##@&£*/«,,
,,,,,/£££& CLASS IV - DANGEROUS METALS &£££/,,,,,
,,,,,,/*£& &£*/,,,,,,
,,,,«/£&@# RUMORS EXIST ABOUT A SECRET CLASS V TAPE #@&£/«,,,,
,,,,,««* THAT IS ACTUALLY USEFUL. #&*««,,,,,
,,«/*£&@@@ @@@&£*/«,,
,,,,,,,«*& // BIAS // &*«,,,,,,,
,,,,«/££&& &&££/«,,,,
,,,,,,«*£@ CLASS I USES ONE HUNDRED AND TWENTY @£*«,,,,,,
,,,,,,//£@ MICRO-SOMETHING WHILE THE OTHERS ALL @£//,,,,,,
,,«/*£&@## USE SEVENTY OF THE SAME UNIT. ##@&£*/«,,
,,«////£&& &&£////«,,
,,«/*£&@## ##@&£*/«,,
,,,,,///*& ********* AHA AND ********* &*///,,,,,
,,,,,,««*& &*««,,,,,,
,,«////££@ CLASS IV IS APPARENTLY TOO STRONG TO @££////«,,
,,«/*£&@## BE USED ON CLASS I PLAYERS. IT WILL ##@&£*/«,,
,,,,,««*£& SOUND TOO LOUND AND IT CANNOT BE &£*««,,,,,
,,,,«*££ COMPLETELY ERASED. THIS IS VERY WELL. #&££*«,,,,
,,«/*£## MAYBE SOME WONDERFUL BLENDING EFFECTS ###&£*/«,,
,,,,,«««*& COULD BE ACHIEVED? &*«««,,,,,
,,,,«/££@# #@££/«,,,,
,,,,,,«**& THEY ALSO GNAW AT THE TAPE HEADS A BIT &**«,,,,,,
,,«/*£&@## BETTER THAN EARLIER TAPE TYPES. ##@&£*/«,,
,,«/*£&@## ##@&£*/«,,
,,«/*£&@## ##@&£*/«,,
,,,,«**£&@ //////// ARTIFACTS //////// @&£**«,,,,
,,,,,,«* #&*«,,,,,,
,,«/*£&@## GOOD TAPES ARE DECENT AND HAVE A GOOD ##@&£*/«,,
,,,,,«//£@ HIGH FREQUENCY PRESENCE, BAD TAPES ARE @£//«,,,,,
,,«/*£££&@ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA @&£££*/«,,
,,«/*£&@## LIKE IT. ##@&£*/«,,
,,,,,««**& &**««,,,,,
,,«/*£&@@# BIAS LOSS: IF YOU FORGET THE BIAS WHO #@@&£*/«,,
,,,,,,«**& KNOWS WHATS EVEN ON THERE ANYMORE &**«,,,,,,
,,«/***&&& &&&***/«,,
,,«/*£&@## FLUTTER: KINDA QUICK PITCH VARIATIONS. ##@&£*/«,,
,,,,,,,«*& BEAUTIFUL, WONDERFUL, EXTRAORDINARY. &*«,,,,,,,
,,«/*£&@## ##@&£*/«,,
,,«/*£&@## WOW: A SLOWER FLUTTER, USUALLY SEVERAL ##@&£*/«,,
,,«/*£&@## SECONDS LONG. WHAT UP. BOTH OF THESE ##@&£*/«,,
,,«/*£&@## INCREASE WHEN TAPE SPEED DECREASES. ##@&£*/«,,
,,,«//£&&@ @&&£//«,,,
,,«//*£££@ PRINT THROUGH: TAPES RUB SOUND ON EACH @£££*//«,,
,,,,,,,«*& OTHER IF THEYRE ALONE FOR TOO LONG &*«,,,,,,,
,,«/*£&@## ##@&£*/«,,
,,«/****&@ @&****/«,,
,,«/*£&@## ##@&£*/«,,
,,«/*£&@## ##@&£*/«,,
,,,««///£& &£///««,,,
,,,,,,/£&@ @&£/,,,,,,