,,,,~%%$$@                                          @$$%%~,,,,
,.~*%$&@##                                          ##@&$%*~.,
,.~*%$&@##                                          ##@&$%*~.,
,.~*%$&@@@                                          @@@&$%*~.,
,,..~*$$$&                                          &$$$*~..,,
,.~~**%%&@                                          @&%%**~~.,
,.~*%$&@##                ,,$###$,,                 ##@&$%*~.,
,,,,,~~%$&       .. Pittsburgh Electronics ..       &$%~~,,,,,
,,,,,~%%&#              ~~ Lifeforms ~~             #&%%~,,,,,
,.~*%$&@##               ** Sv One **               ##@&$%*~.,
,,,.~~%&@@                                          @@&%~~.,,,
,.~*%$&@## This Is A  Eurorack Module But  I Bought ##@&$%*~.,
,,,,,~%$&# The  Blackbox  One  So  It'S  Also  Not. #&$%~,,,,,
,.~*%$&@##                                          ##@&$%*~.,
,,,,,~~*%& It  Ships  With  Too  Few  Patch Cables. &%*~~,,,,,
,.~*%$&###                                          ###&$%*~.,
,.~*%$&@##             ,%@ Contains @%,             ##@&$%*~.,
,,,,,,.*$@           Midi To Cv Converter           @$*.,,,,,,
,.~*%$&@##                Two Vco'S                 ##@&$%*~.,
,.~*%$&@## Four Channel Or Two X  Two Channel Mixer ##@&$%*~.,
,.~*%$&@@@       Two Sub Oscillators I Think        @@@&$%*~.,
,.~*%$&@##         Two One To Two Splitters         ##@&$%*~.,
,.~*%$&@##           White Noise Generator          ##@&$%*~.,
,.~*%$&@##              Sample And Hold             ##@&$%*~.,
,.~*%$&@##          Lfo Plus A Digital Lfo          ##@&$%*~.,
,.~*%$&###   Filter (Lowpass, Bandpass, Highpass)   ###&$%*~.,
,.~*%$&@##               Adsr Envelope              ##@&$%*~.,
,,,.~%%%&#                 One Vca                  #&%%%~.,,,
,.~*%$&@##              Headphone Amp               ##@&$%*~.,
,.~*%$&@##         Fourty Nine Patchpoints!         ##@&$%*~.,
,.~*%$&@##                                          ##@&$%*~.,
,,,,,~%&&&                 ,.###.,                  &&&%~,,,,,
,.~*%$&@##            ~%% So What Now %%~           ##@&$%*~.,
,...~~~*%&                  ,.###.,                 &%*~~~...,
,.~*%$&@##                                          ##@&$%*~.,
,.~*%$&@## Clock  Io Goes To Asdr  In  I  Think And ##@&$%*~.,
,.~*%$&&&& Maybe Also  To The  Sample And Hold. Put &&&&$%*~.,
,...*%$&@@ Subbase And Noise In Channel  Three  And @@&$%*...,
,.~*$&@### Four.  Oscillator  One  Saw  To  Channel ###@&$*~.,
,,,,.~~*$& Two, And Oscillator Two  Saw  To Channel &$*~~.,,,,
,,,..*%%$& One.   Sample   And  Hold  Out  To   The &$%%*..,,,
,,,...**$&  Filter... Maybe... Resonance At Half.   &$**...,,,
,.~*%$&@## Some Frequency  In The  First Oscillator ##@&$%*~.,
,,,,.*%$&@ And  Then The Second Osc Four  Semitones @&$%*.,,,,
,,,,,~%%$&                  Higher.                 &$%%~,,,,,
,.~*%$&@##                                          ##@&$%*~.,
,.~*%$&###                  .~&@&~.                 ###&$%*~.,
,.~*%$&@@@          *$$ Desktop Synth $$*           @@@&$%*~.,
,,,,,,~%&&                  .~&@&~.                 &&%~,,,,,,
,.~*%$&@@#                                          #@@&$%*~.,
,.~*%$&@##                                          ##@&$%*~.,
,,,,~%$&&@                                          @&&$%~,,,,
,.~*%$&@@#                                          #@@&$%*~.,
,,,,,.~%&&                                          &&%~.,,,,,
,.~*%$&@##                                          ##@&$%*~.,