¨@¨¨¨@¨@@¨                                          ¨¨¨@¨@¨@¨@
¨@¨¨@@¨¨@¨                                          ¨¨@@¨@¨@¨@
¨@¨@¨@¨@@¨                                          ¨@¨@¨@¨@¨@
¨@¨@¨@¨¨@¨                                          @@¨@¨@¨@¨@
¨@¨@¨@¨@@¨                                          ¨@¨@¨@¨@¨@
¨@¨@¨@¨¨@¨                                          ¨@¨@¨@¨@¨@
¨@¨@¨@¨@@¨                 ¨¨£@#@£¨¨                ¨@¨@¨@¨@¨@
¨@¨@¨@¨¨@¨       :: PITTSBURGH ELECTRONICS ::       ¨@¨@¨@¨@¨@
¨@¨@¨@¨@@¨              ~~ LIFEFORMS ~~             ¨@¨@¨@¨@¨@
¨@¨@¨@¨¨@¨               == SV ONE ==               ¨@¨@¨@¨@¨@
¨@¨@¨@¨@@¨                                          ¨@¨@¨@¨@¨@
¨@¨@¨@¨¨@¨ THIS IS A EURORACK MODULE  BUT  I BOUGHT ¨@¨@¨@¨@¨@
¨@¨@¨@¨@@¨ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ¨@¨@¨@¨@¨@
¨@¨@¨@¨¨@¨                                          ¨@¨@¨@¨@¨@
¨@¨@¨@¨@@¨ IT  SHIPS WITH  TOO  FEW  PATCH  CABLES. ¨@¨@¨@¨@¨@
¨@¨@¨@¨¨@¨                                          ¨@¨@¨@¨@¨@
¨@¨@¨@¨@@¨             ¨*# CONTAINS #*¨             ¨@¨@¨@¨@¨@
¨@¨@¨@¨¨@¨           MIDI TO CV CONVERTER           ¨@¨@¨@¨@¨@
¨@¨@¨@¨@@¨                 TWO VCO'S                ¨@¨@¨@¨@¨@
¨@¨@¨@¨¨@¨ FOUR  CHANNEL OR TWO X TWO CHANNEL MIXER ¨@¨@¨@¨@¨@
¨@¨@¨@¨@@¨        TWO SUB OSCILLATORS I THINK       ¨@¨@¨@¨@¨@
¨@¨@¨@¨¨@¨         TWO ONE TO TWO SPLITTERS         ¨@¨@¨@¨@¨@
¨@¨@¨@¨@@¨           WHITE NOISE GENERATOR          ¨@¨@¨@¨@¨@
¨@¨@¨@¨¨@¨              SAMPLE AND HOLD             ¨@¨@¨@¨@¨@
¨@¨@¨@¨@@¨          LFO PLUS A DIGITAL LFO          ¨@¨@¨@¨@¨@
¨@¨@¨@¨¨@¨   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ¨@¨@¨@¨@¨@
¨@¨@¨@¨@@¨               ADSR ENVELOPE              ¨@¨@¨@¨@¨@
¨@¨@¨@¨¨@¨                  ONE VCA                 ¨@¨@¨@¨@¨@
¨@¨@¨@¨@@¨              HEADPHONE AMP               ¨@¨@¨@¨@¨@
¨@¨@¨@¨¨@¨         FOURTY NINE PATCHPOINTS!         ¨@¨@¨@¨@¨@
¨@¨@¨@¨@@¨                                          ¨@¨@¨@¨@¨@
¨@¨@¨@¨¨@¨                  ¨:@#@:¨                 ¨@¨@¨@¨@¨@
¨@¨@¨@¨@@¨            ~** SO WHAT NOW **~           ¨@¨@¨@¨@¨@
¨@¨@¨@¨¨@¨                  ¨:@#@:¨                 ¨@¨@¨@¨@¨@
¨@¨@¨@¨@@¨                                          ¨@¨@¨@¨@¨@
¨@¨@¨@¨¨@¨ CLOCK IO  GOES TO ASDR  IN I  THINK  AND ¨@¨@¨@¨@¨@
¨@¨@¨@¨@@¨ MAYBE ALSO TO THE SAMPLE  AND  HOLD. PUT ¨@¨@¨@¨@¨@
¨@¨@¨@¨¨@¨ SUBBASE AND NOISE  IN CHANNEL THREE  AND ¨@¨@¨@¨@¨@
¨@¨@¨@¨@@¨ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ¨@¨@¨@¨@¨@
¨@¨@¨@¨¨@¨ TWO,  AND  OSCILLATOR TWO SAW TO CHANNEL ¨@¨@¨@¨@¨@
¨@¨@¨@¨@@¨ ONE.  SAMPLE   AND  HOLD   OUT  TO   THE ¨@¨@¨@¨@¨@
¨@¨@¨@¨¨@¨   FILTER... MAYBE... RESONANCE AT HALF.  ¨@¨@¨@¨@¨@
¨@¨@¨@¨@@¨ SOME FREQUENCY IN THE  FIRST  OSCILLATOR ¨@¨@¨@¨@¨@
¨@¨@¨@¨¨@¨ AND THEN  THE SECOND OSC FOUR  SEMITONES ¨@¨@¨@¨@¨@
¨@¨@¨@¨@@¨                 HIGHER.                  ¨@¨@¨@¨@¨@
¨@¨@¨@¨¨@¨                                          ¨@¨@¨@¨@¨@
¨@¨@¨@¨@@¨                 :~@#@~:                  ¨@¨@¨@¨@¨@
¨@¨@¨@¨¨@¨           =££ DESKTOP SYNTH ££=          ¨@¨@¨@¨@¨@
¨@¨@¨@¨@@¨                  :~@#@~:                 ¨@¨@¨@¨@¨@
¨@¨@¨@¨¨@¨                                          ¨@¨@¨@¨@¨@
¨@¨@¨@¨@@¨                                          ¨@¨@¨@¨@¨@
¨@¨@¨@¨¨@¨                                          ¨@¨@¨@¨@¨@
¨@¨@¨@¨@@¨                                          ¨@¨@¨@¨@¨@
¨@¨@¨@¨¨@¨                                          ¨@¨@¨@¨@¨@
¨@¨@¨@¨@@¨                                          ¨@¨@¨@¨@¨@