.^=:%££### ###££%:=^.
.^=:%£#@@# #@@#£%:=^.
.^=:%£#@@# #@@#£%:=^.
...^:::%#@ @#%:::^...
....^:%%%# #%%%:^....
...^^::%£@ @@@@ ##### @£%::^^...
.^=:%£#@@# TAPE DREAM #@@#£%:=^.
.^=:%#@@## #### @@@@@ ##@@#%:=^.
.....^:%£@ @£%:^.....
....^:£#@@ FOR STORING MUSIC ON. ALSO DATA BUT @@#£:^....
.^=:%£#@@# AT THIS POINT IN TIME THAT'S NOT #@@#£%:=^.
....==:%£# REALLY IMPORTANT I THINK. #£%:==....
.^=:%£#@@# #@@#£%:=^.
.....=%%## ##%%=.....
.^=:%£#@@@ :::::::: TYPES OF TAPE :::::::: @@@#£%:=^.
......==%# #%==......
.^=:%£#@@@ CLASS I - "BAD" IRON @@@#£%:=^.
.^=:%£#@@# CLASS II - GOOD CHROMIUM #@@#£%:=^.
.^=:%£#@@# CLASS III - BAD IRON PART TWO #@@#£%:=^.
.^=:%£#@@# CLASS IV - DANGEROUS METALS #@@#£%:=^.
.^=:%£#@@# #@@#£%:=^.
.^=:%%££@@ RUMORS EXIST ABOUT A SECRET CLASS V TAPE @@££%%:=^.
.^=:%%£££# THAT IS ACTUALLY USEFUL. #£££%%:=^.
.^=:%£#@@@ @@@#£%:=^.
.....=:£#@ :: BIAS :: @#£:=.....
.^=:%£#@## ##@#£%:=^.
.^=:%£#@@@ CLASS I USES ONE HUNDRED AND TWENTY @@@#£%:=^.
.^=:%£###@ MICRO-SOMETHING WHILE THE OTHERS ALL @###£%:=^.
.^=:%£#@## USE SEVENTY OF THE SAME UNIT. ##@#£%:=^.
....===%#@ @#%===....
.....==%## ##%==.....
.^=:%£###@ %%%%%%%%% AHA AND %%%%%%%%% @###£%:=^.
.^=:%£#@@# #@@#£%:=^.
.^=:%£#@@# CLASS IV IS APPARENTLY TOO STRONG TO #@@#£%:=^.
.^=:%£#@@# BE USED ON CLASS I PLAYERS. IT WILL #@@#£%:=^.
.^=:%£#@@@ SOUND TOO LOUND AND IT CANNOT BE @@@#£%:=^.
.....^=%%# COMPLETELY ERASED. THIS IS VERY WELL. #%%=^.....
.^=:%£#@## MAYBE SOME WONDERFUL BLENDING EFFECTS ##@#£%:=^.
.....^:%## COULD BE ACHIEVED? ##%:^.....
.^=:£#@@## ##@@#£:=^.
...==%%£#@ THEY ALSO GNAW AT THE TAPE HEADS A BIT @#£%%==...
.....^=%#@ BETTER THAN EARLIER TAPE TYPES. @#%=^.....
.^=:%£#@@# #@@#£%:=^.
....=%££@@ @@££%=....
......^=%# :::::::: ARTIFACTS :::::::: #%=^......
.^=:%£#@@# #@@#£%:=^.
......^:£@ GOOD TAPES ARE DECENT AND HAVE A GOOD @£:^......
.^=:%£££@@ HIGH FREQUENCY PRESENCE, BAD TAPES ARE @@£££%:=^.
.....=%%## LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ##%%=.....
.^=:%£@@## LIKE IT. ##@@£%:=^.
.^=:%£££@@ @@£££%:=^.
.^=:%£#@@# BIAS LOSS: IF YOU FORGET THE BIAS WHO #@@#£%:=^.
.....=%£#@ KNOWS WHATS EVEN ON THERE ANYMORE @#£%=.....
....^==%## ##%==^....
...^^=::£# FLUTTER: KINDA QUICK PITCH VARIATIONS. #£::=^^...
..^^==:%#@ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. @#%:==^^..
.^=:%£#@## ##@#£%:=^.
......^:£# WOW: A SLOWER FLUTTER, USUALLY SEVERAL #£:^......
.^=:%£#@@@ SECONDS LONG. WHAT UP. BOTH OF THESE @@@#£%:=^.
...^^=%%#@ INCREASE WHEN TAPE SPEED DECREASES. @#%%=^^...
.^=:::%£## ##£%:::=^.
....==%##@ PRINT THROUGH: TAPES RUB SOUND ON EACH @##%==....
.^=:%£#@@# OTHER IF THEYRE ALONE FOR TOO LONG #@@#£%:=^.
......^:£@ @£:^......
.^=:%£#@@# #@@#£%:=^.
.^=:%£#@@# #@@#£%:=^.
.^=:%£#@## ##@#£%:=^.
......^:£@ @£:^......
.....=:%£# #£%:=.....