,,-~/§@£##                                          ##£@§/~-,,
,-~/§@£###                                          ###£@§/~-,
,,-~/§@£##                                          ##£@§/~-,,
,,,-~/§@£#                                          #£@§/~-,,,
,,-~/§@£##                                          ##£@§/~-,,
,-~/§@£###                                          ###£@§/~-,
,,-~/§@£##                 ,,@###@,,                ##£@§/~-,,
,,,-~/§@£#       -- Pittsburgh Electronics --       #£@§/~-,,,
,,-~/§@£##             ~~ Lifeforms ~~              ##£@§/~-,,
,-~/§@£###               // Sv One //               ###£@§/~-,
,,-~/§@£##                                          ##£@§/~-,,
,,,-~/§@£# This Is A  Eurorack Module But  I Bought #£@§/~-,,,
,,-~/§@£## The  Blackbox  One  So  It'S  Also  Not. ##£@§/~-,,
,-~/§@£###                                          ###£@§/~-,
,,-~/§@£## It  Ships  With Too  Few  Patch  Cables. ##£@§/~-,,
,,,-~/§@£#                                          #£@§/~-,,,
,,-~/§@£##             ,§# Contains #§,             ##£@§/~-,,
,-~/§@£###           Midi To Cv Converter           ###£@§/~-,
,,-~/§@£##                 Two Vco'S                ##£@§/~-,,
,,,-~/§@£# Four  Channel Or Two X Two Channel Mixer #£@§/~-,,,
,,-~/§@£##        Two Sub Oscillators I Think       ##£@§/~-,,
,-~/§@£###         Two One To Two Splitters         ###£@§/~-,
,,-~/§@£##          White Noise Generator           ##£@§/~-,,
,,,-~/§@£#              Sample And Hold             #£@§/~-,,,
,,-~/§@£##          Lfo Plus A Digital Lfo          ##£@§/~-,,
,-~/§@£###   Filter (Lowpass, Bandpass, Highpass)   ###£@§/~-,
,,-~/§@£##               Adsr Envelope              ##£@§/~-,,
,,,-~/§@£#                 One Vca                  #£@§/~-,,,
,,-~/§@£##               Headphone Amp              ##£@§/~-,,
,-~/§@£###         Fourty Nine Patchpoints!         ###£@§/~-,
,,-~/§@£##                                          ##£@§/~-,,
,,,-~/§@£#                 ,-###-,                  #£@§/~-,,,
,,-~/§@£##            ~§§ So What Now §§~           ##£@§/~-,,
,-~/§@£###                  ,-###-,                 ###£@§/~-,
,,-~/§@£##                                          ##£@§/~-,,
,,,-~/§@£# Clock Io Goes To  Asdr In  I  Think  And #£@§/~-,,,
,,-~/§@£## Maybe Also To The  Sample  And Hold. Put ##£@§/~-,,
,-~/§@£### Subbase And Noise  In Channel  Three And ###£@§/~-,
,,-~/§@£## Four.  Oscillator  One  Saw  To  Channel ##£@§/~-,,
,,,-~/§@£# Two, And  Oscillator Two Saw  To Channel #£@§/~-,,,
,,-~/§@£## One.  Sample   And  Hold   Out   To  The ##£@§/~-,,
,-~/§@£###  Filter... Maybe... Resonance At Half.   ###£@§/~-,
,,-~/§@£## Some Frequency  In The First  Oscillator ##£@§/~-,,
,,,-~/§@£# And Then  The Second Osc  Four Semitones #£@§/~-,,,
,,-~/§@£##                  Higher.                 ##£@§/~-,,
,-~/§@£###                                          ###£@§/~-,
,,-~/§@£##                 -~£#£~-                  ##£@§/~-,,
,,,-~/§@£#          /@@ Desktop Synth @@/           #£@§/~-,,,
,,-~/§@£##                  -~£#£~-                 ##£@§/~-,,
,-~/§@£###                                          ###£@§/~-,
,,-~/§@£##                                          ##£@§/~-,,
,,,-~/§@£#                                          #£@§/~-,,,
,,-~/§@£##                                          ##£@§/~-,,
,-~/§@£###                                          ###£@§/~-,
,,-~/§@£##                                          ##£@§/~-,,