....^^:*¤# #¤*:^^....
....~~*¤@# #@¤*~~....
.^~:*¤¤¤¤# #¤¤¤¤*:~^.
.^~:*¤¤@## ##@¤¤*:~^.
.^~:*¤¤@## ##@¤¤*:~^.
.^~:*¤¤@## #### ##### ##@¤¤*:~^.
.^~:*¤¤@## tape dream ##@¤¤*:~^.
.^~:¤¤@### #### ##### ###@¤¤:~^.
...~~**¤@@ @@¤**~~...
...^^~~:*¤ for storing music on. also data but ¤*:~~^^...
...^^:::¤¤ at this point in time that's not ¤¤:::^^...
.^~:*¤¤@## really important i think. ##@¤¤*:~^.
.....~:¤¤@ @¤¤:~.....
.^~*¤¤@### ###@¤¤*~^.
....^::*¤¤ :::::::: types of tape :::::::: ¤¤*::^....
.....^:*¤# #¤*:^.....
...^^:**¤@ class i - "bad" iron @¤**:^^...
.^~:*¤¤@## class ii - good chromium ##@¤¤*:~^.
..^^:::¤@@ class iii - bad iron part two @@¤:::^^..
....^~::¤@ class iv - dangerous metals @¤::~^....
.^~:*¤¤@## ##@¤¤*:~^.
.^~:*¤¤@## rumors exist about a secret class v tape ##@¤¤*:~^.
.^~:*¤¤@@@ that is actually useful. @@@¤¤*:~^.
.^~:*¤¤@## ##@¤¤*:~^.
...^:**¤@# :: bias :: #@¤**:^...
.^~:*¤@### ###@¤*:~^.
.^~:*¤¤@@@ class i uses one hundred and twenty @@@¤¤*:~^.
.....~:¤¤@ micro-something while the others all @¤¤:~.....
.^~:*¤¤@## use seventy of the same unit. ##@¤¤*:~^.
.^~:*¤¤@@@ @@@¤¤*:~^.
....^:**¤@ @¤**:^....
.^~:*¤¤@## ********* aha and ********* ##@¤¤*:~^.
....^~*¤¤¤ ¤¤¤*~^....
..^~~**¤@@ class iv is apparently too strong to @@¤**~~^..
.^~:*¤¤@## be used on class i players. it will ##@¤¤*:~^.
.^~:*¤¤@## sound too lound and it cannot be ##@¤¤*:~^.
....^^~*¤@ completely erased. this is very well. @¤*~^^....
...^^:*¤@# maybe some wonderful blending effects #@¤*:^^...
.^~:*¤¤@## could be achieved? ##@¤¤*:~^.
.^~:*¤¤@@@ @@@¤¤*:~^.
.^~:*¤¤@## they also gnaw at the tape heads a bit ##@¤¤*:~^.
.^~:*¤¤### better than earlier tape types. ###¤¤*:~^.
.^~:*¤¤@## ##@¤¤*:~^.
.^^~~~*¤@@ @@¤*~~~^^.
.^~:*¤¤@## :::::::: artifacts :::::::: ##@¤¤*:~^.
.^~~~~*¤¤¤ ¤¤¤*~~~~^.
.^~:*¤¤@## good tapes are decent and have a good ##@¤¤*:~^.
.^~:*¤¤@## high frequency presence, bad tapes are ##@¤¤*:~^.
.^~:*¤¤@## lofi if not outright bad. idk, i kinda ##@¤¤*:~^.
....^:¤¤¤¤ like it. ¤¤¤¤:^....
.^~:*¤¤@## ##@¤¤*:~^.
.^~:*¤@### bias loss: if you forget the bias who ###@¤*:~^.
.^~:*¤¤@## knows whats even on there anymore ##@¤¤*:~^.
.^~:*¤¤@## ##@¤¤*:~^.
.^~:*¤¤@## flutter: kinda quick pitch variations. ##@¤¤*:~^.
...^^::¤¤@ beautiful, wonderful, extraordinary. @¤¤::^^...
.^~:*¤¤@## ##@¤¤*:~^.
.....^::*¤ wow: a slower flutter, usually several ¤*::^.....
.^~:*¤¤@## seconds long. what up. both of these ##@¤¤*:~^.
......^:*¤ increase when tape speed decreases. ¤*:^......
.^~:*¤¤@## ##@¤¤*:~^.
.^~:*¤¤@@# print through: tapes rub sound on each #@@¤¤*:~^.
.^~:*¤@### other if theyre alone for too long ###@¤*:~^.
.^~:*¤¤@## ##@¤¤*:~^.
....^:*¤@@ @@¤*:^....
..^^~*¤¤@@ @@¤¤*~^^..
......~*¤@ @¤*~......
.^~:*¤¤@@@ @@@¤¤*:~^.
.^~:*¤¤@## ##@¤¤*:~^.