...,«/¤¤#@ @#¤¤/«,...
..,«/¤¤#@# #@#¤¤/«,..
.,«/¤¤#@## ##@#¤¤/«,.
..,«/¤¤#@# #@#¤¤/«,..
...,«/¤¤#@ @#¤¤/«,...
....,«/¤¤# A COOL ENOUGH SONY WALKMAN CALLED #¤¤/«,....
.....,«/¤¤ ¤¤/«,.....
......,«/¤ # # # ¤/«,......
.......,«/ ### TCM ONEFIFTY ### /«,.......
........,« # # # «,........
........., ,.........
.......... IT'S BATTERY POWERED (TWO AA BATTERIES) ..........
.......... AND HAS A MICROPHONE. IT DOES FEATURE A ..........
.......... SPEED HOLE BUT IT'S HIDDEN BENEATH ITS ..........
.......... SHELL. ..........
.......... ..........
........., A COOL THING IS THE SPEAKER ON THE ,.........
........,« FRONT. BUT ISN'T THAT A MAGNET CLOSE TO «,........
.......,«/ THE TAPE? YES /«,.......
......,«/¤ ¤/«,......
.....,«/¤¤ ## IS IT GOOD ## ¤¤/«,.....
....,«/¤¤# #¤¤/«,....
...,«/¤¤#@ WELL. IT HAS SOME VERY REAL COMPRESSION @#¤¤/«,...
..,«/¤¤#@# GOING ON SO CLOSE VOX AND OTHER HIGH #@#¤¤/«,..
.,«/¤¤#@## VOLUME THINGS ARE VERY CRISP AND WITH ##@#¤¤/«,.
..,«/¤¤#@# KIND OF LOW NOISE. BUT WHEN THERE'S #@#¤¤/«,..
...,«/¤¤#@ MORE OF AN AMBIENCE, ALL YOU HEAR IS @#¤¤/«,...
....,«/¤¤# HISS AND MOTOR NOISE. #¤¤/«,....
.....,«/¤¤ ¤¤/«,.....
......,«/¤ DENOISING TECHNIQUES ARE SIMPLE. ACTUAL ¤/«,......
.......,«/ DENOISING FOR THE NOISE, AND MAYBE AN /«,.......
........,« EQ FOR THE MOTOR. «,........
........., ,.........
.......... ## WHAT IS IT FOR ## ..........
.......... ..........
.......... I USE IT FOR TALKING TO WHEN I'M DRUNK. ..........
.......... IT DOES THIS VERY GOOD. THE PAUSE ..........
.......... BUTTON IS A SMALL STOP, THE STOP BUTTON ..........
........., IS A MAJOR STOP. ,.........
........,« «,........
.......,«/ ## SOME QUIRKS ## /«,.......
......,«/¤ ¤/«,......
.....,«/¤¤ WHEN UNPAUSING, RECORDING BEGINS BEFORE ¤¤/«,.....
....,«/¤¤# THE ENGINE IS FULLY SPUN UP, RESULTING #¤¤/«,....
...,«/¤¤#@ IN A NICE SWOOP BEING RECORDED. @#¤¤/«,...
..,«/¤¤#@# #@#¤¤/«,..
.,«/¤¤#@## IT MADE ME BUY A VHS CAM ##@#¤¤/«,.
..,«/¤¤#@# #@#¤¤/«,..
...,«/¤¤#@ @#¤¤/«,...
....,«/¤¤# # # # #¤¤/«,....
.....,«/¤¤ ¤¤/«,.....
......,«/¤ REST IN PIECES, LITERALLY ¤/«,......
.......,«/ /«,.......
........,« , MAY TWENTY FIFTEEN , «,........
........., . TO . ,.........
.......... « JULY TWENTY EIGHTEEN « ..........
.......... ..........
.......... SUPERSEDED BY THE TCM TWENTY ..........
.......... ..........
.......... ..........
........., ,.........
........,« «,........
.......,«/ /«,.......