.,-/*$@@@# #@@@$*/-,.
..,,-//*@@ @@*//-,,..
.,-*$@#### ####@$*-,.
.,-/*$@### ###@$*/-,.
.,-/*$@### ###@$*/-,.
......-*@@ #### ##### @@*-......
.,-/*$@### TAPE DREAM ###@$*/-,.
.,-/*$@@@# #### ##### #@@@$*/-,.
.,---**$@@ @@$**---,.
....,///*@ FOR STORING MUSIC ON. ALSO DATA BUT @*///,....
....,-*$$@ AT THIS POINT IN TIME THAT'S NOT @$$*-,....
.,-/**$@@# REALLY IMPORTANT I THINK. #@@$**/-,.
.....,-/*@ @*/-,.....
.,-/*$@### ###@$*/-,.
.,-/*$@### //////// TYPES OF TAPE //////// ###@$*/-,.
.,-/*$@### ###@$*/-,.
.,-/***@@# CLASS I - "BAD" IRON #@@***/-,.
.,-/*$@### CLASS II - GOOD CHROMIUM ###@$*/-,.
.,-/*$#### CLASS III - BAD IRON PART TWO ####$*/-,.
.,-/*$@### CLASS IV - DANGEROUS METALS ###@$*/-,.
...,/**@@# #@@**/,...
.,-/*$@### RUMORS EXIST ABOUT A SECRET CLASS V TAPE ###@$*/-,.
.....,-*@# THAT IS ACTUALLY USEFUL. #@*-,.....
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.,-/*$@### CLASS I USES ONE HUNDRED AND TWENTY ###@$*/-,.
.,-/*$@### MICRO-SOMETHING WHILE THE OTHERS ALL ###@$*/-,.
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.,----*@@# #@@*----,.
.....--/$# ********* AHA AND ********* #$/--.....
.,-/*$@### ###@$*/-,.
.,-/*$@### CLASS IV IS APPARENTLY TOO STRONG TO ###@$*/-,.
.,-/*$@### BE USED ON CLASS I PLAYERS. IT WILL ###@$*/-,.
.,-/*$@### SOUND TOO LOUND AND IT CANNOT BE ###@$*/-,.
..,,,/**$@ COMPLETELY ERASED. THIS IS VERY WELL. @$**/,,,..
.,-/*$@### MAYBE SOME WONDERFUL BLENDING EFFECTS ###@$*/-,.
....--*@@# COULD BE ACHIEVED? #@@*--....
.,-/*$@### ###@$*/-,.
....,//*@# THEY ALSO GNAW AT THE TAPE HEADS A BIT #@*//,....
.,-/*$@### BETTER THAN EARLIER TAPE TYPES. ###@$*/-,.
.,-/*$@### ###@$*/-,.
....,-*$@# #@$*-,....
.......-*@ //////// ARTIFACTS //////// @*-.......
.,-/*$@### ###@$*/-,.
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.,-/*$@### ###@$*/-,.
.,-/*$@### BIAS LOSS: IF YOU FORGET THE BIAS WHO ###@$*/-,.
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.,-/*$@### FLUTTER: KINDA QUICK PITCH VARIATIONS. ###@$*/-,.
.,-/*$@### BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ###@$*/-,.
...-//$$@@ @@$$//-...
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.,-/*$@### OTHER IF THEYRE ALONE FOR TOO LONG ###@$*/-,.
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....,/$@## ##@$/,....
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......-*$@ @$*-......
.,-/*$@### ###@$*/-,.
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