§%*^~.,,,,                                          ,,,,.~^*%§
#§%*^~.,,,                                          ,,,.~^*%§#
##§%*^~.,,                                          ,,.~^*%§##
###§%*^~.,                                          ,.~^*%§###
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#§%*^~.,,,                                          ,,,.~^*%§#
§%*^~.,,,,                ,,%###%,,                 ,,,,.~^*%§
%*^~.,,,,,       .. PITTSBURGH ELECTRONICS ..       ,,,,,.~^*%
*^~.,,,,,,             ~~ LIFEFORMS ~~              ,,,,,,.~^*
^~.,,,,,,,               ^^ SV ONE ^^               ,,,,,,,.~^
*^~.,,,,,,                                          ,,,,,,.~^*
%*^~.,,,,, THIS IS  A EURORACK MODULE BUT I  BOUGHT ,,,,,.~^*%
§%*^~.,,,, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,,,,.~^*%§
#§%*^~.,,,                                          ,,,.~^*%§#
##§%*^~.,, IT  SHIPS WITH  TOO  FEW  PATCH  CABLES. ,,.~^*%§##
###§%*^~.,                                          ,.~^*%§###
##§%*^~.,,             ,*# CONTAINS #*,             ,,.~^*%§##
#§%*^~.,,,           MIDI TO CV CONVERTER           ,,,.~^*%§#
§%*^~.,,,,                 TWO VCO'S                ,,,,.~^*%§
%*^~.,,,,, FOUR CHANNEL OR TWO  X TWO CHANNEL MIXER ,,,,,.~^*%
*^~.,,,,,,        TWO SUB OSCILLATORS I THINK       ,,,,,,.~^*
^~.,,,,,,,         TWO ONE TO TWO SPLITTERS         ,,,,,,,.~^
*^~.,,,,,,          WHITE NOISE GENERATOR           ,,,,,,.~^*
%*^~.,,,,,             SAMPLE AND HOLD              ,,,,,.~^*%
§%*^~.,,,,          LFO PLUS A DIGITAL LFO          ,,,,.~^*%§
#§%*^~.,,,   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ,,,.~^*%§#
##§%*^~.,,              ADSR ENVELOPE               ,,.~^*%§##
###§%*^~.,                 ONE VCA                  ,.~^*%§###
##§%*^~.,,               HEADPHONE AMP              ,,.~^*%§##
#§%*^~.,,,         FOURTY NINE PATCHPOINTS!         ,,,.~^*%§#
§%*^~.,,,,                                          ,,,,.~^*%§
%*^~.,,,,,                 ,.###.,                  ,,,,,.~^*%
*^~.,,,,,,            ~** SO WHAT NOW **~           ,,,,,,.~^*
^~.,,,,,,,                 ,.###.,                  ,,,,,,,.~^
*^~.,,,,,,                                          ,,,,,,.~^*
%*^~.,,,,, CLOCK IO GOES TO  ASDR  IN I  THINK  AND ,,,,,.~^*%
§%*^~.,,,, MAYBE ALSO TO  THE SAMPLE  AND HOLD. PUT ,,,,.~^*%§
#§%*^~.,,, SUBBASE AND NOISE  IN CHANNEL THREE  AND ,,,.~^*%§#
##§%*^~.,, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,,.~^*%§##
###§%*^~., TWO,  AND  OSCILLATOR TWO SAW TO CHANNEL ,.~^*%§###
##§%*^~.,, ONE.   SAMPLE  AND   HOLD  OUT   TO  THE ,,.~^*%§##
#§%*^~.,,,   FILTER... MAYBE... RESONANCE AT HALF.  ,,,.~^*%§#
§%*^~.,,,, SOME  FREQUENCY IN  THE FIRST OSCILLATOR ,,,,.~^*%§
%*^~.,,,,, AND THEN THE SECOND OSC  FOUR  SEMITONES ,,,,,.~^*%
*^~.,,,,,,                 HIGHER.                  ,,,,,,.~^*
^~.,,,,,,,                                          ,,,,,,,.~^
*^~.,,,,,,                 .~§#§~.                  ,,,,,,.~^*
%*^~.,,,,,          ^%% DESKTOP SYNTH %%^           ,,,,,.~^*%
§%*^~.,,,,                  .~§#§~.                 ,,,,.~^*%§
#§%*^~.,,,                                          ,,,.~^*%§#
##§%*^~.,,                                          ,,.~^*%§##
###§%*^~.,                                          ,.~^*%§###
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