.:-^%£@# #@#&£%^-:.
.:-^%£@# #@#&£%^-:.
.:-^%£@# #@#&£%^-:.
.:-^%£@# #@#&£%^-:.
.:-^%£#@## ##@#£%^-:.
.:-^%£@# train dream #@#&£%^-:.
.:-^%£££ ######....:-::..##################### #&£££%^-:.
.:-^%£@# ^^^ #@#&£%^-:.
.:-^%£££#@ - @#£££%^-:.
.:::--^£&& - &&£^--:::.
.:-^%£## ###&£%^-:.
.....:-%%& (situation) &%%-:.....
.:-^%£#@## ##@#£%^-:.
.:-^%£@# you find yourself in a rift - a #@#&£%^-:.
...:-^^%%& clearing, narrow but immeasurably long. &%%^^-:...
....:^^^%& to your sides are walls made of trees, &%^^^:....
.:-^%£&@ thick and ready to swallow you. the sun @#&&£%^-:.
.:-^%£@# is nowhere to be seen, but nontheless #@#&£%^-:.
.:-^%£@# it is very bright - the air feels light #@#&£%^-:.
.:-^%£@# blue, almost white. #@#&£%^-:.
.:-^%£@# #@#&£%^-:.
.:-^%£&@## along the span of the clearing lay two ##@&£%^-:.
.:-^%@## parallel silvery lines, dark hard ##@#&%^-:.
.:-^%£@@ metal. somehow you can see how heavy @@#&£%^-:.
.:-^%£&& they are. #&&&£%^-:.
.....--^£& &£^--.....
.::::--%&@ they emit a high pitched whine... @&%--::::.
.....:-%£# #£%-:.....
.....-^%£# - #£%^-.....
......-^£& ..%.. &£^-......
....-^££&@ - @&££^-....
.:-^%£@# #@#&£%^-:.
.:-^^%££#@ (situation) @#££%^^-:.
.:-%£@## ##@#&£%-:.
..::^%£&&@ youre at the train station, on a @&&£%^::..
....:^%%&@ catwalk above the rails. your train is @&%%^:....
.:-^%£&@## late, or you are late to the train. ##@&£%^-:.
.:-^%£&&&& it's a summer afternoon and the station &&&&£%^-:.
...:^^%%£# is busy, full of relaxed confidence. #£%%^^:...
.:-^%%£&&& &&&£%%^-:.
:-^%£@## you're in high spirits, although a bit ##@#&£%^-:
.....:^%%& stressed about the time, while moving &%%^:.....
...:-%%££# up the stairs to your platform. the #££%%-:...
.:-^%£@# station is in several levels, all #@#&£%^-:.
.:-^%£@# placed within eachother by some #@#&£%^-:.
......:^%& intelligent designer, and full of &%^:......
.:-^%£## stairs, elevators, shortcuts, ###&£%^-:.
....:^%£&@ bazaars... you sight your train through @&£%^:....
.:-^%£@@ some glass windows. it's... not where @@#&£%^-:.
.:-^%£@# it's supposed to be? #@#&£%^-:.
......-% #&%-......
.:--^^£&&& - &&&£^^--:.
.:-^%£&&&@ ::£:: @&&&£%^-:.
.:-^%£## - ###&£%^-:.
.:-^%£@# #@#&£%^-:.
.:-^%£@# (situation) #@#&£%^-:.
....::^££# #££^::....
......:^£# you're finally entering the city. while #£^:......
.:-^%£@# it is indeed a very high speed train #@#&£%^-:.
.:-^%£&# you're traveling in, the journey has ##&&£%^-:.
.:-^%£## been long. but it's about to end! ###&£%^-:.
.:-^%£@# #@#&£%^-:.
.:-^%£#@## society is growing denser around you, ##@#£%^-:.
.....:^£&@ through the windows you see first small @&£^:.....
....::^^£& shacks, built of metal and stone, then &£^^::....
.:-^%£#@## proper houses with mortar to keep them ##@#£%^-:.
...::^^£#@ together... who in turn make way for @#£^^::...
.:-^%£@# the industrial buildings, the urban #@#&£%^-:.
.:-^%£@@ maze, protective walls, jungle @@#&£%^-:.
....:-^% network... #&%^-:....
.:-^%£@# #@#&£%^-:.
...::^%&&& the tracks leave the ground, which is &&&%^::...
...:-^^££& needed for other purposes. you are &££^^-:...
....:-%&&& carried gently, curving upwards until &&&%-:....
.:-^£@## you're moving upward along the wall of ##@#&£^-:.
.:-^%£@# a building. it's made of slabby stone, #@#&£%^-:.
....:^£& with great glassless window holes #&&£^:....
..:-^%£&&@ looking out the way you came. it is @&&£%^-:..
.:-^%£@# pitch black inside. #@#&£%^-:.
...::^£££& &£££^::...
.:-^%£@# #@#&£%^-:.
.:-^%£&&&& &&&&£%^-:.
....:-^££# #££^-:....
.:^%£@## ##@#&£%^:.