#.#.#..... ..#.#.####
#.#.#..... .##.#..###
#.#.#....# ..#.#.#.##
#.#.#...#. .##.#.#..#
#.#.#..##. ..#.#.#.#.
#.#.#.#.#. $ DREAM PALACE $ .##.#.#.#.
#.#.#.#.#. - ----- ------ - ..#.#.#.#.
#.#.#.#.#. $ ..... ...... $ .##.#.#.#.
#.#.#.#.#. \ ..... ...... \ ..#.#.#.#.
#.#.#.#.#. - ..... ...... - .##.#.#.#.
#.#.#.#.#. - ..... ...... - ..#.#.#.#.
#.#.#.#.#. . ..... ...... . .##.#.#.#.
#.#.#.#.#. ..#.#.#.#.
#.#.#.#.#. .##.#.#.#.
#.#.#.#.#. NOT ACTUALLY A PALACE. A COTTAGE IN THE ..#.#.#.#.
#.#.#.#.#. WOODS (TEMPERATE CLIMATE, RAINS EVERY .##.#.#.#.
#.#.#.#.#. OTHER DAY, SPRINGS AND STREAMS AND ..#.#.#.#.
#.#.#.#.#. MYSTERIOUS IRON AND STONE ARTIFACTS, .##.#.#.#.
#.#.#.#.#. BIRDLAND-ISH ETERNAL SPRING (LATE ..#.#.#.#.
#.#.#.#.#. SPRING)) .##.#.#.#.
#.#.#.#.#. ..#.#.#.#.
#.#.#.#.#. ยป .##.#.#.#.
#.#.#.#.#. ..#.#.#.#.
#.#.#.#.#. I WAKE UP EVERY MORNING AT SIX AM. IT'S .##.#.#.#.
#.#.#.#.#. DARK, AND THE STARS ARE OUT, BUT THE ..#.#.#.#.
#.#.#.#.#. SUN IS ABOUT TO RISE. ITS A LONG DAY, .##.#.#.#.
#.#.#.#.#. BEFORE IT FADES TO NIGHT AGAIN, AND ..#.#.#.#.
#.#.#.#.#. THEN IT STAYS SO UNTIL I FALL ASLEEP. .##.#.#.#.
#.#.#.#.#. IT DOESN'T RISE UNLESS I'VE HAD MY ..#.#.#.#.
#.#.#.#.#. DREAMS. .##.#.#.#.
#.#.#.#.#. ..#.#.#.#.
#.#.#.#.#. $ .##.#.#.#.
#.#.#.#.#. ..#.#.#.#.
#.#.#.#.#. IN THIS COTTAGE THERE'S A LOT OF RADIO .##.#.#.#.
#.#.#.#.#. EQUIPMENT, SOUND STUFF, SYNTHS, TAPE ..#.#.#.#.
#.#.#.#.#. PLAYERS. PEN AND PAPER, BOOKS, CAMERAS, .##.#.#.#.
#.#.#.#.#. MIRRORS, PRISMS, AND VARIOUS THINGS TO ..#.#.#.#.
#.#.#.#.#. DO ART WITH. THE FRIDGE IS FILLED WITH .##.#.#.#.
#.#.#.#.#. DIFFERET FOODS, ALL OF THEM INTRIGUING, ..#.#.#.#.
#.#.#.#.#. SLIGHTLY WEIRD. .##.#.#.#.
#.#.#.#.#. ..#.#.#.#.
#.#.#.#.#. # .##.#.#.#.
#.#.#.#.#. ..#.#.#.#.
#.#.#.#.#. I HAVE FRIENDS - THERE'S A CAT, AND A .##.#.#.#.
#.#.#.#.#. DOG (WHO IS RIDICOLOUSLY LARGE AND ..#.#.#.#.
#.#.#.#.#. WANTS TO BE THE BIG SPOON). I LISTEN TO .##.#.#.#.
#.#.#.#.#. THE SHORTWAVE RADIO, AND TRANSMIT A BIT ..#.#.#.#.
#.#.#.#.#. MYSELF, SONGS AND POETRY, AND FOUND .##.#.#.#.
#.#.#.#.#. SOUNDS FROM THE FOREST. THE OTHERS TELL ..#.#.#.#.
#.#.#.#.#. OF THEIR LIVES, PLAY THE GUITAR FOR ME, .##.#.#.#.
#.#.#.#.#. AND TELL TALES OF THE OLD WORLD. I ..#.#.#.#.
#.#.#.#.#. CONSIDER THEM FRIENDS AS WELL. .##.#.#.#.
#.#.#.#.#. ..#.#.#.#.
#.#.#.#.#. # .##.#.#.#.
#.#.#.#.#. ..#.#.#.#.
#.#.#.#.#. MOST IMPORTANTLY, THERE'S A TWO SQUARE .##.#.#.#.
#.#.#.#.#. METER AREA ON THE FLOOR WHERE I CAN ..#.#.#.#.
#.#.#.#.#. "SAVE" THINGS. WHATEVER I PUT IN HERE .##.#.#.#.
#.#.#.#.#. WILL NOT BE AFFECTED BY THE NIGHTLY ..#.#.#.#.
#.#.#.#.#. RESET. EVERYTHING ELSE, HOWEVER, IS .##.#.#.#.
#.#.#.#.#. COMPLETELY RESET OVERNIGHT: SYNTH ..#.#.#.#.
#.#.#.#.#. PATCHES REMOVED, FOOD UNEATEN, WOUNDS .##.#.#.#.
#.#.#.#.#. HEALED, AND WHEREVER AND WHENEVER I'D ..#.#.#.#.
#.#.#.#.#. FALL ASLEEP I'D ALWAYS WAKE UP FULLY .##.#.#.#.
#.#.#.#.#. RESTED IN MY BED. SOMETIMES THERE'S ..#.#.#.#.
#.#.#.#.#. ACCIDENTS WHERE I LOSE STUFF BY .##.#.#.#.
#.#.#.#.#. FORGETTING TO PUT THEM IN THE SQUARE. ..#.#.#.#.
#.#.#.#.#. .##.#.#.#.
#.#.#.#.#. . ..#.#.#.#.
#.#.#.#.#. .##.#.#.#.
#.#.#.#.#. AT NIGHT, I HAVE DEMI-LUCID DREAMS ..#.#.#.#.
#.#.#.#.#. WHERE THE SPIRITS OF THE FOREST AROUND .##.#.#.#.
#.#.#.#.#. THE COTTAGE TRIES TO COMMUNICATE. HERE, ..#.#.#.#.
#.#.#.#.#. IT'S NOT ENDLESS BUT CONNECTED TO A .##.#.#.#.
#.#.#.#.#. LARGE SPRAWLING CITY, WHERE MY RADIO ..#.#.#.#.
#.#.#.#.#. FRIENDS LIVE. WE GO EXPLORING TOGETHER .##.#.#.#.
#.#.#.#.#. - THINGS ARE DEEP AND DARK - BUT UNLIKE ..#.#.#.#.
#.#.#.#.#. ME, THEY NEVER REMEMBER DURING THE DAY. .##.#.#.#.
#.#.#.#.#. THIS IS A MYSTERY WE OFTEN DISCUSS. ..#.#.#.#.
#.#.#.#.#. .##.#.#.#.
#.#.#.#.#. ..#.#.#.#.
#.#.#.#.#. .##.#.#.#.
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