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@,,@@@@,@, ,lizardry ,@,,@,@,@,
@,@,@@@,@, ยป @ #@ ### ################## ,@,@@,@,@,
@,@,,@@,@, ## the art of c:nnecting ,@,,@,@,@,
@,@,@,@,@, , with the old mind ,@,@@,@,@,
@,@,@,@,@, ,@,,@,@,@,
@,@,@,@,@, my mind is being skewed. mi ,@,@@,@,@,
@,@,@,@,@, skeleton is stringy and old and alien ,@,,@,@,@,
@,@,@,@,@, the situation is literally ,@,@@,@,@,
@,@,@,@,@, pressed out through my eyes, it's ,@,,@,@,@,
@,@,@,@,@, echoing like ,@,@@,@,@,
@,@,@,@,@, the sunset of the eternal ,@,,@,@,@,
@,@,@,@,@, ocean ,@,@@,@,@,
@,@,@,@,@, persistently against my emulsion ,@,,@,@,@,
@,@,@,@,@, ,@,@@,@,@,
@,@,@,@,@, it's ungraspable to me, what other ,@,,@,@,@,
@,@,@,@,@, humans are doing and abstracting, ,@,@@,@,@,
@,@,@,@,@, and above all else, what time they use? ,@,,@,@,@,
@,@,@,@,@, how long a time has passed, for them? ,@,@@,@,@,
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@,@,@,@,@, , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ,@,@@,@,@,
@,@,@,@,@, continuously i'm crowding through ,@,,@,@,@,
@,@,@,@,@, , the fourth wall :outwards is what , ,@,@@,@,@,
@,@,@,@,@, ,, i'm thinking but it's wrong.. a new ,@,,@,@,@,
@,@,@,@,@, , , narrator is introduced, occasionally ,@,@@,@,@,
@,@,@,@,@, : : aware of the previous one, deeper , ,@,,@,@,@,
@,@,@,@,@, : : down in the dragons throat. ,@,@@,@,@,
@,@,@,@,@, : ,@,,@,@,@,
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