#@##@*^~,, ,,~^*@##@#
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@#@@^,,,,, ,,,,,^@@#@
####@*^~,, ,,~^*@####
###@^,,,,, ,,,,,^@###
#@##@*^~,, @ ,,~^*@##@#
#@##@*^~,, ,LIZARDRY ,,~^*@##@#
#@^,,,,,,, ~ # @# @@@ @@@@@@@@@@@@@@@@@@ ,,,,,,,^@#
@@##@*^~,, @@ THE ART OF C,NNECTING ,,~^*@##@@
##*~,,,,,, , WITH THE OLD MIND ,,,,,,~*##
####@*^~,, ,,~^*@####
#@##@*^~,, MY MIND IS BEING SKEWED. MI ,,~^*@##@#
#@^^~,,,,, SKELETON IS STRINGY AND OLD AND ALIEN ,,,,,~^^@#
#@@@@*^~,, THE SITUATION IS LITERALLY ,,~^*@@@@#
####@*^~,, PRESSED OUT THROUGH MY EYES, IT'S ,,~^*@####
#**^,,,,,, ECHOING LIKE ,,,,,,^**#
##@#@*^~,, THE SUNSET OF THE ETERNAL ,,~^*@#@##
#@##@*^~,, OCEAN ,,~^*@##@#
###*~~~,,, PERSISTENTLY AGAINST MY EMULSION ,,,~~~*###
###@@*^~,, ,,~^*@@###
#@##@*^~,, IT'S UNGRASPABLE TO ME, WHAT OTHER ,,~^*@##@#
#@##@*^~,, HUMANS ARE DOING AND ABSTRACTING, ,,~^*@##@#
##*~~,,,,, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,,,,~~*##
#@##@*^~,, HOW LONG A TIME HAS PASSED, FOR THEM? ,,~^*@##@#
#@^^,,,,,, , ,,,,,,^^@#
##**~~,,,, , ,,, , ,,,,,,,,,,,,,,,, ####### ,,,,~~**##
#@##@*^~,, CONTINUOUSLY I'M CROWDING THROUGH ,,~^*@##@#
##@##@^~,, , THE FOURTH WALL ,OUTWARDS IS WHAT , ,,~^@##@##
#@^,,,,,,, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,,,,,,,^@#
####@*^~,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,~^*@####
@@##@*^~,, , , AWARE OF THE PREVIOUS ONE, DEEPER , ,,~^*@##@@
####@*^~,, , , DOWN IN THE DRAGONS THROAT. ,,~^*@####
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#@##@*^~,, ,,~^*@##@#
####@*^~,, ,,~^*@####
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