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£.££.£.£.£ »           ¶ @¶ @@@  @@@@@@@@@@@@@@@@@@ .£.£.£..£.
£..£.£.£.£ @@      the art of c,nnecting            .£.£.£.££.
£.££.£.£.£        .    with the old mind            .£.£.£..£.
£..£.£.£.£                                          .£.£.£.££.
£.££.£.£.£             my mind is being skewed. mi  .£.£.£..£.
£..£.£.£.£  skeleton is stringy and old and alien   .£.£.£.££.
£.££.£.£.£             the situation is literally   .£.£.£..£.
£..£.£.£.£ pressed out through my eyes, it's        .£.£.£.££.
£.££.£.£.£ echoing like                             .£.£.£..£.
£..£.£.£.£             the sunset of the eternal    .£.£.£.££.
£.££.£.£.£ ocean                                    .£.£.£..£.
£..£.£.£.£         persistently against my emulsion .£.£.£.££.
£.££.£.£.£                                          .£.£.£..£.
£..£.£.£.£    it's ungraspable to me, what other    .£.£.£.££.
£.££.£.£.£   humans are doing and abstracting,      .£.£.£..£.
£..£.£.£.£  and above all else, what time they use? .£.£.£.££.
£.££.£.£.£ how long a time has passed, for them?    .£.£.£..£.
£..£.£.£.£                                     .    .£.£.£.££.
£.££.£.£.£  . ... .  ................   ¶¶¶¶¶¶¶     .£.£.£..£.
£..£.£.£.£   continuously i'm crowding through      .£.£.£.££.
£.££.£.£.£ . the fourth wall  ,outwards is what   . .£.£.£..£.
£..£.£.£.£ .. i'm thinking but it's wrong.. a new   .£.£.£.££.
£.££.£.£.£ . . narrator is introduced, occasionally .£.£.£..£.
£..£.£.£.£ ,  , aware of the previous one, deeper . .£.£.£.££.
£.££.£.£.£ ,   , down in the dragons throat.        .£.£.£..£.
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