,,,,~~*$*@ @*$*~~,,,,
,,,~~*$*@£ £@*$*~~,,,
,,~~*$*@£# #£@*$*~~,,
,~~*$*@£## ##£@*$*~~,
,,~~*$*@£# #£@*$*~~,,
,,,~~*$*@£ # £@*$*~~,,,
,,,,~~*$*@ ,LIZARDRY @*$*~~,,,,
,,,,,~~*$* ~ £ #£ ### ################## *$*~~,,,,,
,,,,,,~~*$ ## THE ART OF C~NNECTING $*~~,,,,,,
,,,,,,,~~* , WITH THE OLD MIND *~~,,,,,,,
,,,,,,,,~~ ~~,,,,,,,,
,,,,,,,,,~ MY MIND IS BEING SKEWED. MI ~,,,,,,,,,
,,,,,,,,,, SKELETON IS STRINGY AND OLD AND ALIEN ,,,,,,,,,,
,,,,,,,,,~ THE SITUATION IS LITERALLY ~,,,,,,,,,
,,,,,,,,~~ PRESSED OUT THROUGH MY EYES, IT'S ~~,,,,,,,,
,,,,,,,~~* ECHOING LIKE *~~,,,,,,,
,,,,,,~~*$ THE SUNSET OF THE ETERNAL $*~~,,,,,,
,,,,,~~*$* OCEAN *$*~~,,,,,
,,,,~~*$*@ PERSISTENTLY AGAINST MY EMULSION @*$*~~,,,,
,,,~~*$*@£ £@*$*~~,,,
,,~~*$*@£# IT'S UNGRASPABLE TO ME, WHAT OTHER #£@*$*~~,,
,~~*$*@£## HUMANS ARE DOING AND ABSTRACTING, ##£@*$*~~,
,,~~*$*@£# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #£@*$*~~,,
,,,~~*$*@£ HOW LONG A TIME HAS PASSED, FOR THEM? £@*$*~~,,,
,,,,~~*$*@ , @*$*~~,,,,
,,,,,~~*$* , ,,, , ,,,,,,,,,,,,,,,, £££££££ *$*~~,,,,,
,,,,,,~~*$ CONTINUOUSLY I'M CROWDING THROUGH $*~~,,,,,,
,,,,,,,~~* , THE FOURTH WALL ~OUTWARDS IS WHAT , *~~,,,,,,,
,,,,,,,,~~ ,, I'M THINKING BUT IT'S WRONG.. A NEW ~~,,,,,,,,
,,,,,,,,,~ , , NARRATOR IS INTRODUCED, OCCASIONALLY ~,,,,,,,,,
,,,,,,,,,, ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER , ,,,,,,,,,,
,,,,,,,,,~ ~ ~ DOWN IN THE DRAGONS THROAT. ~,,,,,,,,,
,,,,,,,,~~ ~ ~~,,,,,,,,
,,,,,,,~~* ~ *~~,,,,,,,
,,,,,,~~*$ $*~~,,,,,,
,,,,,~~*$* *$*~~,,,,,
,,,,~~*$*@ @*$*~~,,,,
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