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#@@&§†:~,. @ .,~:†§&@@#
#@@&§†:~,. .LIZARDRY .,~:†§&@@#
@@&†:,,... ~ @ @@ @@@ @@@@@@@@@@@@@@@@@@ ...,,:†&@@
@@&&§†:~,. @@ THE ART OF C,NNECTING .,~:†§&&@@
##@&§†:~,. . WITH THE OLD MIND .,~:†§&@##
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&§†:~~,,.. MY MIND IS BEING SKEWED. MI ..,,~~:†§&
@&&§:~.... SKELETON IS STRINGY AND OLD AND ALIEN ....~:§&&@
#@@&§†:~,. THE SITUATION IS LITERALLY .,~:†§&@@#
#@@&§†:~,. PRESSED OUT THROUGH MY EYES, IT'S .,~:†§&@@#
&&§§†~.... ECHOING LIKE ....~†§§&&
&&§†:::~,. THE SUNSET OF THE ETERNAL .,~:::†§&&
@@@&§†:~,. OCEAN .,~:†§&@@@
&§§::,.... PERSISTENTLY AGAINST MY EMULSION ....,::§§&
##@@&†:~,. .,~:†&@@##
##@&§†:~,. IT'S UNGRASPABLE TO ME, WHAT OTHER .,~:†§&@##
&&§†:~.... HUMANS ARE DOING AND ABSTRACTING, ....~:†§&&
@@@&§†:~,. AND ABOVE ALL ELSE, WHAT TIME THEY USE? .,~:†§&@@@
#@@&§†:~,. HOW LONG A TIME HAS PASSED, FOR THEM? .,~:†§&@@#
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@&§§§†:~,. . ... . ................ @@@@@@@ .,~:†§§§&@
&†~....... CONTINUOUSLY I'M CROWDING THROUGH .......~†&
@§§:,,,... . THE FOURTH WALL ,OUTWARDS IS WHAT . ...,,,:§§@
@@@&§†:~,. .. I'M THINKING BUT IT'S WRONG.. A NEW .,~:†§&@@@
##@@§†:~,. . . NARRATOR IS INTRODUCED, OCCASIONALLY .,~:†§@@##
##@&§†:~,. , , AWARE OF THE PREVIOUS ONE, DEEPER . .,~:†§&@##
@@@&§†:~,. , , DOWN IN THE DRAGONS THROAT. .,~:†§&@@@
@@@&§†:~,. , .,~:†§&@@@
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