##@¤$†:~~, ,~~:†$¤@##
@¤$†:~~~~, ,~~~~:†$¤@
¤¤¤†~~~,,, ,,,~~~†¤¤¤
@@$$†~~,,, ,,,~~†$$@@
##@¤$†:~~, ,~~:†$¤@##
##@¤$†:~~, # ,~~:†$¤@##
#¤¤¤$†:~~, ,LIZARDRY ,~~:†$¤¤¤#
##@¤$†:~~, ~ @ #@ ### ################## ,~~:†$¤@##
##@¤$†:~~, ## THE ART OF C~NNECTING ,~~:†$¤@##
##@¤$†:~~, , WITH THE OLD MIND ,~~:†$¤@##
##@¤$†:~~, ,~~:†$¤@##
¤¤††††:~~, MY MIND IS BEING SKEWED. MI ,~~:††††¤¤
¤$††~~,,,, SKELETON IS STRINGY AND OLD AND ALIEN ,,,,~~††$¤
@$::~,,,,, THE SITUATION IS LITERALLY ,,,,,~::$@
@¤††~~~~~, PRESSED OUT THROUGH MY EYES, IT'S ,~~~~~††¤@
@$$:~,,,,, ECHOING LIKE ,,,,,~:$$@
##@¤$†:~~, THE SUNSET OF THE ETERNAL ,~~:†$¤@##
##@¤$†:~~, OCEAN ,~~:†$¤@##
¤¤¤††~~~,, PERSISTENTLY AGAINST MY EMULSION ,,~~~††¤¤¤
##@¤$†:~~, ,~~:†$¤@##
##@¤$†:~~, IT'S UNGRASPABLE TO ME, WHAT OTHER ,~~:†$¤@##
##@¤$†:~~, HUMANS ARE DOING AND ABSTRACTING, ,~~:†$¤@##
@@@¤$†:~~, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,~~:†$¤@@@
##@¤$†:~~, HOW LONG A TIME HAS PASSED, FOR THEM? ,~~:†$¤@##
@$$†:~~~~, , ,~~~~:†$$@
##@¤$†:~~, , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ,~~:†$¤@##
@¤¤¤$†:~~, CONTINUOUSLY I'M CROWDING THROUGH ,~~:†$¤¤¤@
##@¤$†:~~, , THE FOURTH WALL ~OUTWARDS IS WHAT , ,~~:†$¤@##
¤$:~,,,,,, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,,,,,,~:$¤
@¤†~~~~~~, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,~~~~~~†¤@
##@¤$†:~~, ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER , ,~~:†$¤@##
##@¤$†:~~, ~ ~ DOWN IN THE DRAGONS THROAT. ,~~:†$¤@##
@$::~,,,,, ~ ,,,,,~::$@
###@$†:~~, ~ ,~~:†$@###
@$$$$†:~~, ,~~:†$$$$@
##@¤$†:~~, ,~~:†$¤@##
¤¤††~~~~,, ,,~~~~††¤¤
##@¤$†:~~, ,~~:†$¤@##
###@¤$†:~, ,~:†$¤@###
###¤$†:~~, ,~~:†$¤###