¨¨¨@¨@@@¨¨ @¨@¨@¨@@¨¨
¨¨@@¨¨@@¨@ @¨@¨@¨¨@¨¨
¨@¨@¨@¨@¨¨ @¨@¨@¨@@¨¨
@@¨@¨@¨@¨@ @¨@¨@¨¨@¨¨
¨@¨@¨@¨@¨¨ @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ @ @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨¨ ¨LIZARDRY @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ = ¶ @¶ @@@ @@@@@@@@@@@@@@@@@@ @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨¨ @@ THE ART OF C^NNECTING @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ ¨ WITH THE OLD MIND @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨¨ @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ MY MIND IS BEING SKEWED. MI @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨¨ SKELETON IS STRINGY AND OLD AND ALIEN @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ THE SITUATION IS LITERALLY @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨¨ PRESSED OUT THROUGH MY EYES, IT'S @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ ECHOING LIKE @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨¨ THE SUNSET OF THE ETERNAL @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ OCEAN @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨¨ PERSISTENTLY AGAINST MY EMULSION @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨¨ IT'S UNGRASPABLE TO ME, WHAT OTHER @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ HUMANS ARE DOING AND ABSTRACTING, @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨¨ AND ABOVE ALL ELSE, WHAT TIME THEY USE? @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ HOW LONG A TIME HAS PASSED, FOR THEM? @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨¨ ¨ @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ¶¶¶¶¶¶¶ @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨¨ CONTINUOUSLY I'M CROWDING THROUGH @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ ¨ THE FOURTH WALL ^OUTWARDS IS WHAT ¨ @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨¨ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨¨ ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER ¨ @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ ^ ^ DOWN IN THE DRAGONS THROAT. @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨¨ ^ @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ ^ @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨¨ @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨¨ @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ @¨@¨@¨¨@¨@
¨@¨@¨@¨@¨¨ @¨@¨@¨@@¨@
¨@¨@¨@¨@¨@ @¨@¨@¨¨@¨@