@@@@,,@@@, @,@,,@@,,@
@@@@,@,@@, @,@,@,@,@,
,@@@,@,,@, @,@,@,@,@,
@,@@,@,@@, @,@,@,@,@,
@,,@,@,,@, @,@,@,@,@,
@,@@,@,@@, # @,@,@,@,@,
@,,@,@,,@, ,LIZARDRY @,@,@,@,@,
@,@@,@,@@, « @ #@ ### ################## @,@,@,@,@,
@,,@,@,,@, ## THE ART OF C^NNECTING @,@,@,@,@,
@,@@,@,@@, , WITH THE OLD MIND @,@,@,@,@,
@,,@,@,,@, @,@,@,@,@,
@,@@,@,@@, MY MIND IS BEING SKEWED. MI @,@,@,@,@,
@,,@,@,,@, SKELETON IS STRINGY AND OLD AND ALIEN @,@,@,@,@,
@,@@,@,@@, THE SITUATION IS LITERALLY @,@,@,@,@,
@,,@,@,,@, PRESSED OUT THROUGH MY EYES, IT'S @,@,@,@,@,
@,@@,@,@@, ECHOING LIKE @,@,@,@,@,
@,,@,@,,@, THE SUNSET OF THE ETERNAL @,@,@,@,@,
@,@@,@,@@, OCEAN @,@,@,@,@,
@,,@,@,,@, PERSISTENTLY AGAINST MY EMULSION @,@,@,@,@,
@,@@,@,@@, @,@,@,@,@,
@,,@,@,,@, IT'S UNGRASPABLE TO ME, WHAT OTHER @,@,@,@,@,
@,@@,@,@@, HUMANS ARE DOING AND ABSTRACTING, @,@,@,@,@,
@,,@,@,,@, AND ABOVE ALL ELSE, WHAT TIME THEY USE? @,@,@,@,@,
@,@@,@,@@, HOW LONG A TIME HAS PASSED, FOR THEM? @,@,@,@,@,
@,,@,@,,@, , @,@,@,@,@,
@,@@,@,@@, , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ @,@,@,@,@,
@,,@,@,,@, CONTINUOUSLY I'M CROWDING THROUGH @,@,@,@,@,
@,@@,@,@@, , THE FOURTH WALL ^OUTWARDS IS WHAT , @,@,@,@,@,
@,,@,@,,@, ,, I'M THINKING BUT IT'S WRONG.. A NEW @,@,@,@,@,
@,@@,@,@@, , , NARRATOR IS INTRODUCED, OCCASIONALLY @,@,@,@,@,
@,,@,@,,@, ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER , @,@,@,@,@,
@,@@,@,@@, ^ ^ DOWN IN THE DRAGONS THROAT. @,@,@,@,@,
@,,@,@,,@, ^ @,@,@,@,@,
@,@@,@,@@, ^ @,@,@,@,@,
@,,@,@,,@, @,@,@,@,@,
@,@@,@,@@, @,@,@,@,@,
@,,@,@,,@, @,@,@,@,@,
@,@@,@,@@, @,@,@,@,@,
@,,@,@,,@, @,@,@,@,@,
@,@@,@,@@, @,@,@,@,@,