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##@#%%/«,, # buildings, towers in the "golden # ,,«/%%#@##
#@#%%/«,,, # bay" (everything made of sandstone). # ,,,«/%%#@#
@#%%/«,,,, @ five particular houses fourty @ ,,,,«/%%#@
#@#%%/«,,, @ stories tall, hundred meters apart, @ ,,,«/%%#@#
##@#%%/«,, # in a slight arc inwards. # ,,«/%%#@##
###@#%%/«, # # ,«/%%#@###
##@#%%/«,, @ between two mountains; to the right @ ,,«/%%#@##
#@#%%/«,,, @ and left the city climbs quickly. @ ,,,«/%%#@#
@#%%/«,,,, # the right plateau hosts a lush and # ,,,,«/%%#@
#@#%%/«,,, # shaded garden which morphs into a # ,,,«/%%#@#
##@#%%/«,, @ terrace overlooking the sea and @ ,,«/%%#@##
###@#%%/«, @ the buildings. @ ,«/%%#@###
##@#%%/«,, # # ,,«/%%#@##
#@#%%/«,,, # to the left the houses climb # ,,,«/%%#@#
@#%%/«,,,, @ similarly but a lot of tunnels and @ ,,,,«/%%#@
#@#%%/«,,, @ halls have been dug from the @ ,,,«/%%#@#
##@#%%/«,, # mountain. some houses stand # ,,«/%%#@##
###@#%%/«, # completely "inside". because of cave # ,«/%%#@###
##@#%%/«,, @ conditions the lower floors here @ ,,«/%%#@##
#@#%%/«,,, @ are covered in dark algae that the @ ,,,«/%%#@#
@#%%/«,,,, # city long ago stopped trying to # ,,,,«/%%#@
#@#%%/«,,, # remove. establishments use neon # ,,,«/%%#@#
##@#%%/«,, @ signs as an accent to the dark. @ ,,«/%%#@##
###@#%%/«, @ there's a casino. @ ,«/%%#@###
##@#%%/«,, # there's an internet cafe. # ,,«/%%#@##
#@#%%/«,,, # # ,,,«/%%#@#
@#%%/«,,,, @ most people living here have long @ ,,,,«/%%#@
#@#%%/«,,, @ snouts and big ears. all space is @ ,,,«/%%#@#
##@#%%/«,, # shared (few rooms have locks or # ,,«/%%#@##
###@#%%/«, # even doors). interior design is # ,«/%%#@###
##@#%%/«,, @ mostly art nouveau and made @ ,,«/%%#@##
#@#%%/«,,, @ out of copper. @ ,,,«/%%#@#
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