,.-†%@@# ##&@@%†-.,
,,,,.-†%@# #@%†-.,,,,
,.-††††%@# #@%††††-.,
,.-†%@## ###&@%†-.,
,,,.†††%@& &@%†††.,,,
,,,.--†% #&#&#&#&#&#&#&#&#&#& #&%†--.,,,
,.-†%@## & BUILDINGS, TOWERS IN THE "GOLDEN & ###&@%†-.,
,.-†%@## & BAY" (EVERYTHING MADE OF SANDSTONE). & ###&@%†-.,
,.-†%@## # FIVE PARTICULAR HOUSES FOURTY # ###&@%†-.,
,.-†%@## # STORIES TALL, HUNDRED METERS APART, # ###&@%†-.,
,,,,-%%%%& & IN A SLIGHT ARC INWARDS. & &%%%%-,,,,
,.-†%@## & & ###&@%†-.,
,.-†%@## # BETWEEN TWO MOUNTAINS; TO THE RIGHT # ###&@%†-.,
,.-†%@## # AND LEFT THE CITY CLIMBS QUICKLY. # ###&@%†-.,
,.-†%@## & THE RIGHT PLATEAU HOSTS A LUSH AND & ###&@%†-.,
,.-†%@## & SHADED GARDEN WHICH MORPHS INTO A & ###&@%†-.,
,,,.†%%@ # TERRACE OVERLOOKING THE SEA AND # #&@%%†.,,,
,.-†%@## # THE BUILDINGS. # ###&@%†-.,
,.-†%@## & & ###&@%†-.,
,.-†%@## & TO THE LEFT THE HOUSES CLIMB & ###&@%†-.,
,.-†%@## # SIMILARLY BUT A LOT OF TUNNELS AND # ###&@%†-.,
,,,.†††@ # HALLS HAVE BEEN DUG FROM THE # #&@†††.,,,
,.-†%@## & MOUNTAIN. SOME HOUSES STAND & ###&@%†-.,
,.-†%@## & COMPLETELY "INSIDE". BECAUSE OF CAVE & ###&@%†-.,
,.-†%@## # CONDITIONS THE LOWER FLOORS HERE # ###&@%†-.,
,.-†%@## # ARE COVERED IN DARK ALGAE THAT THE # ###&@%†-.,
,.-†%@## & CITY LONG AGO STOPPED TRYING TO & ###&@%†-.,
,.-†%@## & REMOVE. ESTABLISHMENTS USE NEON & ###&@%†-.,
,,.-†††@ # SIGNS AS AN ACCENT TO THE DARK. # #&@†††-.,,
,,,,,,,-%& # THERE'S A CASINO. # &%-,,,,,,,
,,,,.†@# & THERE'S AN INTERNET CAFE. & ##&@†.,,,,
,,,,.-†@ & & #&@†-.,,,,
,,,,-†%&&& # MOST PEOPLE LIVING HERE HAVE LONG # &&&%†-,,,,
,,,,,,.†@# # SNOUTS AND BIG EARS. ALL SPACE IS # #@†.,,,,,,
,.-†%@## & SHARED (FEW ROOMS HAVE LOCKS OR & ###&@%†-.,
,,,,,.-% & EVEN DOORS). INTERIOR DESIGN IS & #&%-.,,,,,
,.-†%%%% # MOSTLY ART NOUVEAU AND MADE # #&%%%%†-.,
,.-†%%%&&& # OUT OF COPPER. # &&&%%%†-.,
,.-†@### &#&#&#&#&###&#&#&#&#&& ####&@†-.,
,,,,..††@& &@††..,,,,
,...†%@@@& &@@@%†...,
,.-†%@## ###&@%†-.,
,,,,.-†@ #&@†-.,,,,
,.-†%@## ###&@%†-.,