...:==†$&@ @&$†==:...
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..:==†$&@# #@&$†==:..
.:==†$&@## ##@&$†==:.
..:==†$&@# #&#&#&#&#&#&#&#&#&#& #@&$†==:..
...:==†$&@ & buildings, towers in the "golden & @&$†==:...
....:==†$& & bay" (everything made of sandstone). & &$†==:....
...:==†$&@ # five particular houses fourty # @&$†==:...
..:==†$&@# # stories tall, hundred meters apart, # #@&$†==:..
.:==†$&@## & in a slight arc inwards. & ##@&$†==:.
..:==†$&@# & & #@&$†==:..
...:==†$&@ # between two mountains; to the right # @&$†==:...
....:==†$& # and left the city climbs quickly. # &$†==:....
...:==†$&@ & the right plateau hosts a lush and & @&$†==:...
..:==†$&@# & shaded garden which morphs into a & #@&$†==:..
.:==†$&@## # terrace overlooking the sea and # ##@&$†==:.
..:==†$&@# # the buildings. # #@&$†==:..
...:==†$&@ & & @&$†==:...
....:==†$& & to the left the houses climb & &$†==:....
...:==†$&@ # similarly but a lot of tunnels and # @&$†==:...
..:==†$&@# # halls have been dug from the # #@&$†==:..
.:==†$&@## & mountain. some houses stand & ##@&$†==:.
..:==†$&@# & completely "inside". because of cave & #@&$†==:..
...:==†$&@ # conditions the lower floors here # @&$†==:...
....:==†$& # are covered in dark algae that the # &$†==:....
...:==†$&@ & city long ago stopped trying to & @&$†==:...
..:==†$&@# & remove. establishments use neon & #@&$†==:..
.:==†$&@## # signs as an accent to the dark. # ##@&$†==:.
..:==†$&@# # there's a casino. # #@&$†==:..
...:==†$&@ & there's an internet cafe. & @&$†==:...
....:==†$& & & &$†==:....
...:==†$&@ # most people living here have long # @&$†==:...
..:==†$&@# # snouts and big ears. all space is # #@&$†==:..
.:==†$&@## & shared (few rooms have locks or & ##@&$†==:.
..:==†$&@# & even doors). interior design is & #@&$†==:..
...:==†$&@ # mostly art nouveau and made # @&$†==:...
....:==†$& # out of copper. # &$†==:....
...:==†$&@ &#&#&#&#&###&#&#&#&#&& @&$†==:...
..:==†$&@# #@&$†==:..
.:==†$&@## ##@&$†==:.
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