@#&*~-.... ....-~*@
##=*~..... .....~*=##
££#&=**~-. .-~**=££
£&&=*--... ...--*=&&£
#@£#&=*~-. .-~*=£@#
@#&****~-. @@@@ ##### .-~****@
#=*~----.. TAPE DREAM ..----~*=#
@££#&=*~-. #### @@@@@ .-~*=££@
#@£#&=*~-. .-~*=£@#
£#=***~-.. FOR STORING MUSIC ON. ALSO DATA BUT ..-~***=#£
#@£#&=*~-. AT THIS POINT IN TIME THAT'S NOT .-~*=£@#
£##&&=*~-. REALLY IMPORTANT I THINK. .-~*=&#£
££&*-..... .....-*&££
@£&=*-.... ....-*=&£@
##@£&=*~-. ******** TYPES OF TAPE ******** .-~*=&£@##
#=~~~~.... ....~~~~=#
@@£#&=*~-. CLASS I - "BAD" IRON .-~*=£@@
#&*-...... CLASS II - GOOD CHROMIUM ......-*
#@£#&=*~-. CLASS III - BAD IRON PART TWO .-~*=£@#
@@£#&=*~-. CLASS IV - DANGEROUS METALS .-~*=£@@
@@£#&=*~-. .-~*=£@@
££#==**~-. RUMORS EXIST ABOUT A SECRET CLASS V TAPE .-~**==#££
#=**~~.... THAT IS ACTUALLY USEFUL. ....~~**=#
@#=**~.... ....~**=#@
£&*--..... ** BIAS ** .....--*&£
##£#&=*~-. .-~*=£##
#@£#&=*~-. CLASS I USES ONE HUNDRED AND TWENTY .-~*=£@#
£££#&=*~-. MICRO-SOMETHING WHILE THE OTHERS ALL .-~*=£££
##@£#=*~-. USE SEVENTY OF THE SAME UNIT. .-~*=#£@##
£#=~~~~-.. ..-~~~~=#£
@£#==*~... ...~*==#£@
#@£#&=*~-. ========= AHA AND ========= .-~*=£@#
£££#&=*~-. .-~*=£££
##@£#&=~-. CLASS IV IS APPARENTLY TOO STRONG TO .-~=£@##
#@£#&=*~-. BE USED ON CLASS I PLAYERS. IT WILL .-~*=£@#
£#=~~-.... SOUND TOO LOUND AND IT CANNOT BE ....-~~=#£
#@£#&=*~-. COMPLETELY ERASED. THIS IS VERY WELL. .-~*=£@#
££&*-..... MAYBE SOME WONDERFUL BLENDING EFFECTS .....-*&££
#=~-...... COULD BE ACHIEVED? ......-~=#
#@£#&=*~-. .-~*=£@#
#@£#&=*~-. THEY ALSO GNAW AT THE TAPE HEADS A BIT .-~*=£@#
#&*~~~.... BETTER THAN EARLIER TAPE TYPES. ....~~~*
#@£#&=*~-. .-~*=£@#
##@£#&*~-. .-~*£@##
###===*~-. ******** ARTIFACTS ******** .-~*===###
£##==~~-.. ..-~~==##£
#=*~-..... GOOD TAPES ARE DECENT AND HAVE A GOOD .....-~*=#
#@£#&=*~-. HIGH FREQUENCY PRESENCE, BAD TAPES ARE .-~*=£@#
#&&&&=*~-. LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA .-~*=&&&
@#=~...... LIKE IT. ......~=#@
##&&&=*~-. .-~*=&&#
£££#&=*~-. BIAS LOSS: IF YOU FORGET THE BIAS WHO .-~*=£££
#==~~-.... KNOWS WHATS EVEN ON THERE ANYMORE ....-~~==#
@££#&=*~-. .-~*=££@
#@£#&=*~-. FLUTTER: KINDA QUICK PITCH VARIATIONS. .-~*=£@#
#@£#&=*~-. BEAUTIFUL, WONDERFUL, EXTRAORDINARY. .-~*=£@#
#@£#&=*~-. .-~*=£@#
@£&&==*~-. WOW: A SLOWER FLUTTER, USUALLY SEVERAL .-~*==&&£@
@@£#&=*~-. SECONDS LONG. WHAT UP. BOTH OF THESE .-~*=£@@
@£&==**~-. INCREASE WHEN TAPE SPEED DECREASES. .-~**==&£@
£&&&**-... ...-**&&&£
@##==*~~-. PRINT THROUGH: TAPES RUB SOUND ON EACH .-~~*==##@
#=~-...... OTHER IF THEYRE ALONE FOR TOO LONG ......-~=#
#&&*--.... ....--*&
#&*~~~.... ....~~~*
##&=~..... .....~=#
#@£#&=*~-. .-~*=£@#
#@£#&=*~-. .-~*=£@#
##=*~~.... ....~~*=##