##@&$^^»:, ,:»^^$&@##
#&^^»»,,,, ,,,,»»^^
&$^^»»:,,, ,,,:»»^^$&
##@&$^^»:, ,:»^^$&@##
@$^^:,,,,, ,,,,,:^^$@
##@&$^^»:, #### ##### ,:»^^$&@##
&$^»:,,,,, tape dream ,,,,,:»^$&
##@&$^^»:, #### ##### ,:»^^$&@##
#@@&$^^»:, ,:»^^$&@@#
###@&^^»:, for storing music on. also data but ,:»^^&@###
&&&^»:::,, at this point in time that's not ,,:::»^&&&
@$$^»:,,,, really important i think. ,,,,:»^$$@
&^^^»::::, ,::::»^^^&
@&$$^»»»:, ,:»»»^$$&@
##@&$^^»:, ^^^^^^^^ types of tape ^^^^^^^^ ,:»^^$&@##
@&^^^^»»:, ,:»»^^^^&@
##@&$^^»:, class i - "bad" iron ,:»^^$&@##
&$^::,,,,, class ii - good chromium ,,,,,::^$&
##@&$^^»:, class iii - bad iron part two ,:»^^$&@##
##@&$^^»:, class iv - dangerous metals ,:»^^$&@##
##@&$^^»:, ,:»^^$&@##
&&&^^»::,, rumors exist about a secret class v tape ,,::»^^&&&
##@&$^^»:, that is actually useful. ,:»^^$&@##
##@&$^^»:, ,:»^^$&@##
@@&&$^^»:, ^^ bias ^^ ,:»^^$&&@@
##@&$^^»:, ,:»^^$&@##
&&$^^:,,,, class i uses one hundred and twenty ,,,,:^^$&&
&^»:,,,,,, micro-something while the others all ,,,,,,:»^&
##@&$^^»:, use seventy of the same unit. ,:»^^$&@##
&$$^»::,,, ,,,::»^$$&
##@&$^^»:, ,:»^^$&@##
##@&$^^»:, ^^^^^^^^^ aha and ^^^^^^^^^ ,:»^^$&@##
##@&$^^»:, ,:»^^$&@##
##@&$^^»:, class iv is apparently too strong to ,:»^^$&@##
##@&$^^»:, be used on class i players. it will ,:»^^$&@##
##@&$^^»:, sound too lound and it cannot be ,:»^^$&@##
&^»»:,,,,, completely erased. this is very well. ,,,,,:»»^&
@@@&$^^»:, maybe some wonderful blending effects ,:»^^$&@@@
&&^^»::,,, could be achieved? ,,,::»^^&&
###&$^^»:, ,:»^^$##
###@$^^»:, they also gnaw at the tape heads a bit ,:»^^$@###
##@&$^^»:, better than earlier tape types. ,:»^^$&@##
##@&$^^»:, ,:»^^$&@##
##@&$^^»:, ,:»^^$&@##
&$$^^:::,, ^^^^^^^^ artifacts ^^^^^^^^ ,,:::^^$$&
##@&$^^»:, ,:»^^$&@##
#&^»»:,,,, good tapes are decent and have a good ,,,,:»»^
#@&^^»,,,, high frequency presence, bad tapes are ,,,,»^^&@#
@&^»,,,,,, lofi if not outright bad. idk, i kinda ,,,,,,»^&@
##@&$^^»:, like it. ,:»^^$&@##
##@&$^^»:, ,:»^^$&@##
&&&$^^^»:, bias loss: if you forget the bias who ,:»^^^$&&&
###@$^^»:, knows whats even on there anymore ,:»^^$@###
@@&^^^»»:, ,:»»^^^&@@
###&$^^»:, flutter: kinda quick pitch variations. ,:»^^$##
#@&$^^^»:, beautiful, wonderful, extraordinary. ,:»^^^$&@#
##@&$^^»:, ,:»^^$&@##
##@&$^^»:, wow: a slower flutter, usually several ,:»^^$&@##
##@&$^^»:, seconds long. what up. both of these ,:»^^$&@##
##@&$^^»:, increase when tape speed decreases. ,:»^^$&@##
#@$$$^^»:, ,:»^^$$$@#
@$^»»,,,,, print through: tapes rub sound on each ,,,,,»»^$@
&&^^»:,,,, other if theyre alone for too long ,,,,:»^^&&
@$^»:::,,, ,,,:::»^$@
##@&$^^»:, ,:»^^$&@##
&&&^^^»::, ,::»^^^&&&
@@&^^»»:,, ,,:»»^^&@@
##@&$^^»:, ,:»^^$&@##
&^»:,,,,,, ,,,,,,:»^&