..@...@... @..@@...@.
...@...@.. .@.@@@...@
@...@...@. ...@.@@...
.@...@...@ .....@@@..
..@...@... @....@.@@.
...@...@.. A COOL ENOUGH SONY WALKMAN CALLED .@.....@@@
@...@...@. ..@....@.@
@@...@...@ # # # ...@.....@
.@@...@... ### TCM ONEFIFTY ### ....@....@
.@@@...@.. # # # @....@....
.@.@@...@. .@....@...
...@@@...@ IT'S BATTERY POWERED (TWO AA BATTERIES) ..@....@..
...@.@@... AND HAS A MICROPHONE. IT DOES FEATURE A ...@....@.
.....@@@.. SPEED HOLE BUT IT'S HIDDEN BENEATH ITS ....@....@
@....@.@@. SHELL. .....@....
.@.....@@@ @.....@...
..@....@.@ A COOL THING IS THE SPEAKER ON THE @@.....@..
...@.....@ FRONT. BUT ISN'T THAT A MAGNET CLOSE TO @@@.....@.
....@....@ THE TAPE? YES @.@@.....@
@....@.... ..@@@.....
.@....@... ## IS IT GOOD ## ..@.@@....
..@....@.. @...@@@...
...@....@. WELL. IT HAS SOME VERY REAL COMPRESSION @@..@.@@..
....@....@ GOING ON SO CLOSE VOX AND OTHER HIGH .@@...@@@.
.....@.... VOLUME THINGS ARE VERY CRISP AND WITH .@@@..@.@@
@.....@... KIND OF LOW NOISE. BUT WHEN THERE'S .@.@@...@@
@@.....@.. MORE OF AN AMBIENCE, ALL YOU HEAR IS ...@@@..@.
@@@.....@. HISS AND MOTOR NOISE. ...@.@@...
@.@@.....@ @....@@@..
..@@@..... DENOISING TECHNIQUES ARE SIMPLE. ACTUAL .@...@.@@.
..@.@@.... DENOISING FOR THE NOISE, AND MAYBE AN ..@....@@@
@...@@@... EQ FOR THE MOTOR. @..@...@.@
@@..@.@@.. .@..@....@
.@@...@@@. ## WHAT IS IT FOR ## ..@..@...@
.@@@..@.@@ @..@..@...
.@.@@...@@ I USE IT FOR TALKING TO WHEN I'M DRUNK. .@..@..@..
...@@@..@. IT DOES THIS VERY GOOD. THE PAUSE ..@..@..@.
...@.@@... BUTTON IS A SMALL STOP, THE STOP BUTTON ...@..@..@
@....@@@.. IS A MAJOR STOP. ....@..@..
.@...@.@@. .....@..@.
..@....@@@ ## SOME QUIRKS ## @.....@..@
@..@...@.@ .@.....@..
.@..@....@ WHEN UNPAUSING, RECORDING BEGINS BEFORE ..@.....@.
..@..@...@ THE ENGINE IS FULLY SPUN UP, RESULTING ...@.....@
@..@..@... IN A NICE SWOOP BEING RECORDED. ....@.....
.@..@..@.. .....@....
..@..@..@. IT MADE ME BUY A VHS CAM @.....@...
...@..@..@ .@.....@..
....@..@.. ..@.....@.
.....@..@. # # # ...@.....@
@.....@..@ @...@.....
.@.....@.. REST IN PIECES, LITERALLY .@...@....
..@.....@. ..@...@...
...@.....@ . MAY TWENTY FIFTEEN . ...@...@..
....@..... . TO . @...@...@.
.....@.... = JULY TWENTY EIGHTEEN = .@...@...@
@.....@... ..@...@...
.@.....@.. SUPERSEDED BY THE TCM TWENTY ...@...@..
..@.....@. @...@...@.
...@.....@ @@...@...@
@...@..... .@@...@...
.@...@.... .@@@...@..
..@...@... .@.@@...@.