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#§@;-^,,,, #### ##### ,,,,^-;@§#
##¶§@%;-^, TAPE DREAM ,^-;%@§¶##
¶@;;^^,,,, #### ##### ,,,,^^;;@¶
###¶§@;-^, ,^-;@§¶###
##¶§@%;-^, FOR STORING MUSIC ON. ALSO DATA BUT ,^-;%@§¶##
##¶§@%;-^, AT THIS POINT IN TIME THAT'S NOT ,^-;%@§¶##
§@;^,,,,,, REALLY IMPORTANT I THINK. ,,,,,,^;@§
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§@%-,,,,,, ;;;;;;;; TYPES OF TAPE ;;;;;;;; ,,,,,,-%@§
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#§§@;-^^,, CLASS I - "BAD" IRON ,,^^-;@§§#
###§@%;-^, CLASS II - GOOD CHROMIUM ,^-;%@§###
##¶§@%;-^, CLASS III - BAD IRON PART TWO ,^-;%@§¶##
§%;---,,,, CLASS IV - DANGEROUS METALS ,,,,---;%§
§§@@%%;-^, ,^-;%%@@§§
##¶§@%;-^, RUMORS EXIST ABOUT A SECRET CLASS V TAPE ,^-;%@§¶##
##¶§@%;-^, THAT IS ACTUALLY USEFUL. ,^-;%@§¶##
§%%-^,,,,, ,,,,,^-%%§
##¶§@%;-^, ;; BIAS ;; ,^-;%@§¶##
#¶§@@%;-^, ,^-;%@@§¶#
§§@;^,,,,, CLASS I USES ONE HUNDRED AND TWENTY ,,,,,^;@§§
##¶§@%;-^, MICRO-SOMETHING WHILE THE OTHERS ALL ,^-;%@§¶##
##¶§@%;-^, USE SEVENTY OF THE SAME UNIT. ,^-;%@§¶##
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##¶§@%;-^, %%%%%%%%% AHA AND %%%%%%%%% ,^-;%@§¶##
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¶¶§§@%;-^, CLASS IV IS APPARENTLY TOO STRONG TO ,^-;%@§§¶¶
###§@%;-^, BE USED ON CLASS I PLAYERS. IT WILL ,^-;%@§###
¶@%-,,,,,, SOUND TOO LOUND AND IT CANNOT BE ,,,,,,-%@¶
¶§§@;-^,,, COMPLETELY ERASED. THIS IS VERY WELL. ,,,^-;@§§¶
##¶§@%;-^, MAYBE SOME WONDERFUL BLENDING EFFECTS ,^-;%@§¶##
##¶§@%;-^, COULD BE ACHIEVED? ,^-;%@§¶##
##¶§@%;-^, ,^-;%@§¶##
#¶@@;;;-^, THEY ALSO GNAW AT THE TAPE HEADS A BIT ,^-;;;@@¶#
##¶§@%;-^, BETTER THAN EARLIER TAPE TYPES. ,^-;%@§¶##
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#§§%%;-,,, ,,,-;%%§§#
##¶§@%;-^, ;;;;;;;; ARTIFACTS ;;;;;;;; ,^-;%@§¶##
##¶§@%;-^, ,^-;%@§¶##
¶¶¶§@%;-^, GOOD TAPES ARE DECENT AND HAVE A GOOD ,^-;%@§¶¶¶
###¶§%;-^, HIGH FREQUENCY PRESENCE, BAD TAPES ARE ,^-;%§¶###
§%-^,,,,,, LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ,,,,,,^-%§
¶§@@@%;-^, LIKE IT. ,^-;%@@@§¶
§§@;^,,,,, ,,,,,^;@§§
###§@%;-^, BIAS LOSS: IF YOU FORGET THE BIAS WHO ,^-;%@§###
¶¶§§@%;-^, KNOWS WHATS EVEN ON THERE ANYMORE ,^-;%@§§¶¶
§@%----,,, ,,,----%@§
##¶§@%;-^, FLUTTER: KINDA QUICK PITCH VARIATIONS. ,^-;%@§¶##
§§%;;^^,,, BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ,,,^^;;%§§
##¶§@%;-^, ,^-;%@§¶##
#§§§@%;-^, WOW: A SLOWER FLUTTER, USUALLY SEVERAL ,^-;%@§§§#
¶§%%%;;-^, SECONDS LONG. WHAT UP. BOTH OF THESE ,^-;;%%%§¶
##¶§@%;-^, INCREASE WHEN TAPE SPEED DECREASES. ,^-;%@§¶##
#¶§§@%;-^, ,^-;%@§§¶#
¶§@;-^,,,, PRINT THROUGH: TAPES RUB SOUND ON EACH ,,,,^-;@§¶
¶§@%;-^,,, OTHER IF THEYRE ALONE FOR TOO LONG ,,,^-;%@§¶
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