,,,,=%£&¶¶ ¶¶&£%=,,,,
,,,,^^=£&& &&£=^^,,,,
,,,,===££& &££===,,,,
,,,,==££&¶ ¶&££==,,,,
,,,,==%£&& &&£%==,,,,
,,^===££¶¶ @@@@ ##### ¶¶££===^,,
,,,,^==££¶ TAPE DREAM ¶££==^,,,,
,^^===%£&& #### @@@@@ &&£%===^^,
,,,,,,^=£¶ ¶£=^,,,,,,
,^===%££&@ FOR STORING MUSIC ON. ALSO DATA BUT @&££%===^,
,^==%£&¶## AT THIS POINT IN TIME THAT'S NOT ##¶&£%==^,
,^==%£&¶@# REALLY IMPORTANT I THINK. #@¶&£%==^,
,^==%£&¶@# #@¶&£%==^,
,,,==%£&&@ @&&£%==,,,
,^==%£&¶@# ======== TYPES OF TAPE ======== #@¶&£%==^,
,^==%£&¶@@ @@¶&£%==^,
,,^==%%£¶@ CLASS I - "BAD" IRON @¶£%%==^,,
,,,,,^==%& CLASS II - GOOD CHROMIUM &%==^,,,,,
,,,,^=%&&& CLASS III - BAD IRON PART TWO &&&%=^,,,,
,^==%£&¶¶@ CLASS IV - DANGEROUS METALS @¶¶&£%==^,
,^==%£&¶@# #@¶&£%==^,
,^==%&¶@## RUMORS EXIST ABOUT A SECRET CLASS V TAPE ##@¶&%==^,
,^==%&¶@## THAT IS ACTUALLY USEFUL. ##@¶&%==^,
,,,,==££¶¶ ¶¶££==,,,,
,^==%£&¶@# == BIAS == #@¶&£%==^,
,^==%£&¶@# #@¶&£%==^,
,^==%£&¶@# CLASS I USES ONE HUNDRED AND TWENTY #@¶&£%==^,
,^==%£&¶@# MICRO-SOMETHING WHILE THE OTHERS ALL #@¶&£%==^,
,^==%£&¶@@ USE SEVENTY OF THE SAME UNIT. @@¶&£%==^,
,^==%&¶@## ##@¶&%==^,
,,,,^=%£¶¶ ¶¶£%=^,,,,
,^==%£&¶@# %%%%%%%%% AHA AND %%%%%%%%% #@¶&£%==^,
,,,,^^==£& &£==^^,,,,
,,,,,,,=%& CLASS IV IS APPARENTLY TOO STRONG TO &%=,,,,,,,
,,,,==%£&@ BE USED ON CLASS I PLAYERS. IT WILL @&£%==,,,,
,^=%£&¶@## SOUND TOO LOUND AND IT CANNOT BE ##@¶&£%=^,
,^==%£&¶@# COMPLETELY ERASED. THIS IS VERY WELL. #@¶&£%==^,
,^==%£&&&@ MAYBE SOME WONDERFUL BLENDING EFFECTS @&&&£%==^,
,,,,,,^=£& COULD BE ACHIEVED? &£=^,,,,,,
,,,,^==£&@ @&£==^,,,,
,^==%£&¶@# THEY ALSO GNAW AT THE TAPE HEADS A BIT #@¶&£%==^,
,,^^^==££¶ BETTER THAN EARLIER TAPE TYPES. ¶££==^^^,,
,^==%£¶@## ##@¶£%==^,
,==%£&¶@## ##@¶&£%==,
,,,,,^=£¶@ ======== ARTIFACTS ======== @¶£=^,,,,,
,^=%£&¶@## ##@¶&£%=^,
,,,,=%£&&¶ GOOD TAPES ARE DECENT AND HAVE A GOOD ¶&&£%=,,,,
,^==%£&¶@@ HIGH FREQUENCY PRESENCE, BAD TAPES ARE @@¶&£%==^,
,^==%£¶@## LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ##@¶£%==^,
,^==%££&&¶ LIKE IT. ¶&&££%==^,
,^==%£&&¶¶ ¶¶&&£%==^,
,,,==%%%%& BIAS LOSS: IF YOU FORGET THE BIAS WHO &%%%%==,,,
,,^^==%£¶¶ KNOWS WHATS EVEN ON THERE ANYMORE ¶¶£%==^^,,
,^==%£&¶@# #@¶&£%==^,
,^==%£&¶@# FLUTTER: KINDA QUICK PITCH VARIATIONS. #@¶&£%==^,
,^==%£&¶¶@ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. @¶¶&£%==^,
,,,,==%£&& &&£%==,,,,
,^==%£&¶@# WOW: A SLOWER FLUTTER, USUALLY SEVERAL #@¶&£%==^,
,^==%£&¶@# SECONDS LONG. WHAT UP. BOTH OF THESE #@¶&£%==^,
,^==%£&&&¶ INCREASE WHEN TAPE SPEED DECREASES. ¶&&&£%==^,
,^==%£&¶@# #@¶&£%==^,
,^==%£&¶@# PRINT THROUGH: TAPES RUB SOUND ON EACH #@¶&£%==^,
,,,^=%%&&¶ OTHER IF THEYRE ALONE FOR TOO LONG ¶&&%%=^,,,
,,,=====£¶ ¶£=====,,,
,^==%£&¶## ##¶&£%==^,
,^==%£&¶@@ @@¶&£%==^,
,^==%£&¶## ##¶&£%==^,
,^==%£&¶@# #@¶&£%==^,
,^==%£££¶@ @¶£££%==^,