,,,,,»*&&& &&&*»,,,,,
,,»^*£## ###&£*^»,,
,,»^*£#@## ##@#£*^»,,
,,,,,,»^£# #£^»,,,,,,
,,,,^**@ @#&**^,,,,
,,»^*£££## @@@@ ##### ##£££*^»,,
,,»^^^^£&& tape dream &&£^^^^»,,
,,»^*£@@ #### @@@@@ @@#&£*^»,,
,,,,,^£& #&&£^,,,,,
,,»^*£&@## for storing music on. also data but ##@&£*^»,,
,,,,,»^*£# at this point in time that's not #£*^»,,,,,
,,»^*£@@ really important i think. @@#&£*^»,,
,,»^*£&@## ##@&£*^»,,
,,»^*£## ###&£*^»,,
,,»^*£@# ^^^^^^^^ types of tape ^^^^^^^^ #@#&£*^»,,
,,,,,,»*£& &£*»,,,,,,
,,,,,,^*£# class i - "bad" iron #£*^,,,,,,
,,,,,^*& class ii - good chromium #&&*^,,,,,
,,»^*£@@ class iii - bad iron part two @@#&£*^»,,
,,»^*£## class iv - dangerous metals ###&£*^»,,
,,»^*£## ###&£*^»,,
,,,,,,^££# rumors exist about a secret class v tape #££^,,,,,,
,,»^*£@@ that is actually useful. @@#&£*^»,,
,,»^*££££& &££££*^»,,
,,»^*£@# ^^ bias ^^ #@#&£*^»,,
,,»^*£## ###&£*^»,,
,,»^*££# class i uses one hundred and twenty ##&££*^»,,
,,»^*£#@ micro-something while the others all @##&£*^»,,
,,,,,^££&& use seventy of the same unit. &&££^,,,,,
,,»^*£&@ @#&&£*^»,,
,,»^*£#@ @##&£*^»,,
,,»^*£@# ********* aha and ********* #@#&£*^»,,
,,,,,»^£ #&£^»,,,,,
,,»^*£@@ class iv is apparently too strong to @@#&£*^»,,
,,»^*£@# be used on class i players. it will #@#&£*^»,,
,,»^*£@# sound too lound and it cannot be #@#&£*^»,,
,,,,,^^*&@ completely erased. this is very well. @&*^^,,,,,
,,»^*£@@ maybe some wonderful blending effects @@#&£*^»,,
,,»^*£@# could be achieved? #@#&£*^»,,
,,»^*£@# #@#&£*^»,,
,,»^*££££# they also gnaw at the tape heads a bit #££££*^»,,
,,»^*£## better than earlier tape types. ###&£*^»,,
,,»^*£@# #@#&£*^»,,
,,»^*£££&@ @&£££*^»,,
,,»^*£#@## ^^^^^^^^ artifacts ^^^^^^^^ ##@#£*^»,,
,,»^*£## ###&£*^»,,
,,»^*£££&& good tapes are decent and have a good &&£££*^»,,
,,,,,»»^£& high frequency presence, bad tapes are &£^»»,,,,,
,,»^*£@# lofi if not outright bad. idk, i kinda #@#&£*^»,,
,,»^*£#@## like it. ##@#£*^»,,
,»^*£@## ##@#&£*^»,
,,,,,,,^£& bias loss: if you forget the bias who &£^,,,,,,,
,,,,,,,^*& knows whats even on there anymore &*^,,,,,,,
,,»^*££&&& &&&££*^»,,
,,»^*£@# flutter: kinda quick pitch variations. #@#&£*^»,,
,,,,^*£&&& beautiful, wonderful, extraordinary. &&&£*^,,,,
,,»^*£## ###&£*^»,,
,,»»»^**£& wow: a slower flutter, usually several &£**^»»»,,
,,,,,»»**& seconds long. what up. both of these &**»»,,,,,
,,,,^**£## increase when tape speed decreases. ##£**^,,,,
,,,,»»^£&& &&£^»»,,,,
,,»^*£## print through: tapes rub sound on each ###&£*^»,,
,,»^*£@# other if theyre alone for too long #@#&£*^»,,
,,»^*£@# #@#&£*^»,,
,,»^*£## ###&£*^»,,
,,»^*£@# #@#&£*^»,,
,,»^*£@@ @@#&£*^»,,
,,»^*£@# #@#&£*^»,,
,,»»»»^*&& &&*^»»»»,,