££^^^«^... ...^«^^^££
##@£§^*«^. .^«*^§£@##
@@@£§^*«^. .^«*^§£@@@
@@@£§^*«^. .^«*^§£@@@
#£^«^..... .....^«^£#
###@£§^*«. #### ##### .«*^§£@###
#@££§^*«^. tape dream .^«*^§££@#
##@£§^*«^. #### ##### .^«*^§£@##
###£§^*«^. .^«*^§£###
@@§§§^*«^. for storing music on. also data but .^«*^§§§@@
@@@£§^*«^. at this point in time that's not .^«*^§£@@@
##@£§^*«^. really important i think. .^«*^§£@##
##@£§^*«^. .^«*^§£@##
#£££§^*«^. .^«*^§£££#
##@£§^*«^. ******** types of tape ******** .^«*^§£@##
###@£§^*^. .^*^§£@###
@§^*«..... class i - "bad" iron .....«*^§@
@£££§^*«^. class ii - good chromium .^«*^§£££@
##@£§^*«^. class iii - bad iron part two .^«*^§£@##
##@£§^*«^. class iv - dangerous metals .^«*^§£@##
#£^^*«.... ....«*^^£#
##@£§^*«^. rumors exist about a secret class v tape .^«*^§£@##
£^^^*«.... that is actually useful. ....«*^^^£
##@£§^*«^. .^«*^§£@##
###@£§^«^. ** bias ** .^«^§£@###
£^««...... ......««^£
###@£§*«^. class i uses one hundred and twenty .^«*§£@###
##@£§^*«^. micro-something while the others all .^«*^§£@##
##@£§^*«^. use seventy of the same unit. .^«*^§£@##
@£§§^««... ...««^§§£@
#@§§§^*«^. .^«*^§§§@#
£^«««..... ^^^^^^^^^ aha and ^^^^^^^^^ .....«««^£
@§^^«««^.. ..^«««^^§@
@@@£§^*«^. class iv is apparently too strong to .^«*^§£@@@
#£§*«^.... be used on class i players. it will ....^«*§£#
@§§*^..... sound too lound and it cannot be .....^*§§@
###@§^*«^. completely erased. this is very well. .^«*^§@###
£§^**^.... maybe some wonderful blending effects ....^**^§£
#@@£§^*«^. could be achieved? .^«*^§£@@#
@@£^^**«^. .^«**^^£@@
#@@£§^*«^. they also gnaw at the tape heads a bit .^«*^§£@@#
£^^«^..... better than earlier tape types. .....^«^^£
@@§*^..... .....^*§@@
££§^***«^. .^«***^§££
##@£§^*«^. ******** artifacts ******** .^«*^§£@##
##@£§^*«^. .^«*^§£@##
##@£§^*«^. good tapes are decent and have a good .^«*^§£@##
##@£§^*«^. high frequency presence, bad tapes are .^«*^§£@##
###@§^*«^. lofi if not outright bad. idk, i kinda .^«*^§@###
##@£§^*«^. like it. .^«*^§£@##
£§^**««^.. ..^««**^§£
##@£§^*«^. bias loss: if you forget the bias who .^«*^§£@##
##@£§^*«^. knows whats even on there anymore .^«*^§£@##
£§§^**«^^. .^^«**^§§£
##@£§^*«^. flutter: kinda quick pitch variations. .^«*^§£@##
##@£§^*«^. beautiful, wonderful, extraordinary. .^«*^§£@##
@§§*«^.... ....^«*§§@
£££§§^*«^. wow: a slower flutter, usually several .^«*^§§£££
££^««««... seconds long. what up. both of these ...««««^££
##@£§^*«^. increase when tape speed decreases. .^«*^§£@##
##@£§^*«^. .^«*^§£@##
@@££§^*«^. print through: tapes rub sound on each .^«*^§££@@
#£^*^..... other if theyre alone for too long .....^*^£#
##@£§^*«^. .^«*^§£@##
##@£§^*«^. .^«*^§£@##
£^««...... ......««^£
##@£§^*«^. .^«*^§£@##
##@£§^*«^. .^«*^§£@##
##@£§^*«^. .^«*^§£@##