,,:-;§£#@# #@#£§;-:,,
,,,:-;§£#@ @#£§;-:,,,
,,,,:-;§£# #£§;-:,,,,
,,,,,:-;§£ £§;-:,,,,,
,,,,,,:-;§ §;-:,,,,,,
,,,,,,,:-; delay delay d,la# # §a, : ,@ - : ;-:,,,,,,,
,,,,,,,,:- -:,,,,,,,,
,,,,,,,:-; ;-:,,,,,,,
,,,,,,:-;§ §;-:,,,,,,
,,,,,:-;§£ £§;-:,,,,,
,,,,:-;§£# "delay" means repetiton or likewise, #£§;-:,,,,
,,,:-;§£#@ but it's mainly useless without @#£§;-:,,,
,,:-;§£#@# feedback, #@#£§;-:,,
,:-;§£#@## to allow the delay to eat of it's own ##@#£§;-:,
,,:-;§£#@# tail, like one of those eaty serpents. #@#£§;-:,,
,,,:-;§£#@ thus: it's the serpent effect! @#£§;-:,,,
,,,,:-;§£# #£§;-:,,,,
,,,,,:-;§£ it's to be revered as a creator of £§;-:,,,,,
,,,,,,:-;§ ambience and of space, if you treat it §;-:,,,,,,
,,,,,,,:-; right. a somewhat more solid and ;-:,,,,,,,
,,,,,,,,:- slippery sibling of reverb. -:,,,,,,,,
,,,,,,,:-; ;-:,,,,,,,
,,,,,,:-;§ §;-:,,,,,,
,,,,,:-;§£ £§;-:,,,,,
,,,,:-;§£# #£§;-:,,,,
,,,:-;§£#@ @#£§;-:,,,