¨:=*†§@###                                          ###@§†*=:¨
¨¨:=*†§@##                                          ##@§†*=:¨¨
¨¨¨:=*†§@#                                          #@§†*=:¨¨¨
¨¨:=*†§@##                                          ##@§†*=:¨¨
¨:=*†§@###                                          ###@§†*=:¨
¨¨:=*†§@## delay  delay  d¨la#  @ †a¨  : ¨#   =   : ##@§†*=:¨¨
¨¨¨:=*†§@#                                          #@§†*=:¨¨¨
¨¨:=*†§@##                                          ##@§†*=:¨¨
¨:=*†§@###                                          ###@§†*=:¨
¨¨:=*†§@##                                          ##@§†*=:¨¨
¨¨¨:=*†§@# "delay" means repetiton or likewise,     #@§†*=:¨¨¨
¨¨:=*†§@## but it's mainly useless without          ##@§†*=:¨¨
¨:=*†§@### feedback,                                ###@§†*=:¨
¨¨:=*†§@## to allow the delay to eat of it's own    ##@§†*=:¨¨
¨¨¨:=*†§@# tail, like one of those eaty serpents.   #@§†*=:¨¨¨
¨¨:=*†§@## thus: it's the serpent effect!           ##@§†*=:¨¨
¨:=*†§@###                                          ###@§†*=:¨
¨¨:=*†§@## it's to be revered as a creator of       ##@§†*=:¨¨
¨¨¨:=*†§@# ambience and of space, if you treat it   #@§†*=:¨¨¨
¨¨:=*†§@## right. a somewhat more solid and         ##@§†*=:¨¨
¨:=*†§@### slippery sibling of reverb.              ###@§†*=:¨
¨¨:=*†§@##                                          ##@§†*=:¨¨
¨¨¨:=*†§@#                                          #@§†*=:¨¨¨
¨¨:=*†§@##                                          ##@§†*=:¨¨
¨:=*†§@###                                          ###@§†*=:¨
¨¨:=*†§@##                                          ##@§†*=:¨¨