.,~\¤@@### ###@@¤\~,.
.,~\%¤@### ###@¤%\~,.
.,~\%¤@@## ##@@¤%\~,.
.,~\%¤@@@@ @@@@¤%\~,.
.,~\%¤@@## ##@@¤%\~,.
.,~\%¤@@## delay delay d.la# @ %a. , .@ ~ , ##@@¤%\~,.
....,~%¤@@ @@¤%~,....
.,~\%¤@@@@ @@@@¤%\~,.
.,~\%¤@@## ##@@¤%\~,.
.,~\%¤@@@@ @@@@¤%\~,.
.,~\%¤@@@# "delay" means repetiton or likewise, #@@@¤%\~,.
.,~~~\%@@@ but it's mainly useless without @@@%\~~~,.
.,~\%¤@@## feedback, ##@@¤%\~,.
.,~\%¤@@## to allow the delay to eat of it's own ##@@¤%\~,.
.,~\%¤@@@@ tail, like one of those eaty serpents. @@@@¤%\~,.
.,~\%¤@@## thus: it's the serpent effect! ##@@¤%\~,.
.,~\%¤@@## ##@@¤%\~,.
.,~\%¤@@## it's to be revered as a creator of ##@@¤%\~,.
.,~\%¤@@## ambience and of space, if you treat it ##@@¤%\~,.
....,\\¤@# right. a somewhat more solid and #@¤\\,....
.,~\%¤@@## slippery sibling of reverb. ##@@¤%\~,.
.,~\%¤@@## ##@@¤%\~,.
.,~\%¤@@## ##@@¤%\~,.
.,~\%¤@### ###@¤%\~,.
.,~\%¤@@## ##@@¤%\~,.
......~\¤@ @¤\~......