¨...~%%$$&                                          &$$%%~...¨
¨¨...†%$&&                                          &&$%†...¨¨
¨.~†%$&@##                                          ##@&$%†~.¨
¨¨¨¨¨.††%&                                          &%††.¨¨¨¨¨
¨.~†%$&@##                                          ##@&$%†~.¨
¨¨¨..~††%& delay  delay  d¨la#  & %a¨  . ¨@   ~   . &%††~..¨¨¨
¨.~†%$&@##                                          ##@&$%†~.¨
¨.~†%$&@##                                          ##@&$%†~.¨
¨¨¨~†%$$@#                                          #@$$%†~¨¨¨
¨.~†%$&@##                                          ##@&$%†~.¨
¨¨¨¨¨..~%& "delay" means repetiton or likewise,     &%~..¨¨¨¨¨
¨¨¨¨.~~†$& but it's mainly useless without          &$†~~.¨¨¨¨
¨.~†%$&@## feedback,                                ##@&$%†~.¨
¨.~†%$&@## to allow the delay to eat of it's own    ##@&$%†~.¨
¨.~†%$&@## tail, like one of those eaty serpents.   ##@&$%†~.¨
¨¨¨~~%$$&# thus: it's the serpent effect!           #&$$%~~¨¨¨
¨.~†%$&@##                                          ##@&$%†~.¨
¨.~†%$&@@# it's to be revered as a creator of       #@@&$%†~.¨
¨.~†%$&@## ambience and of space, if you treat it   ##@&$%†~.¨
¨¨¨¨.~†%$& right. a somewhat more solid and         &$%†~.¨¨¨¨
¨.~†%$&@@@ slippery sibling of reverb.              @@@&$%†~.¨
¨.~††%%%&@                                          @&%%%††~.¨
¨.~†%&@###                                          ###@&%†~.¨
¨¨¨¨¨~~%&&                                          &&%~~¨¨¨¨¨
¨¨¨¨¨~†$$&                                          &$$†~¨¨¨¨¨
¨.~†%$&&&@                                          @&&&$%†~.¨