¨,~^*£&@## ##@&£*^~,¨
¨,~^*£&&@@ @@&&£*^~,¨
¨,~^*£&@@# #@@&£*^~,¨
¨¨¨¨~~*£@@ @@£*~~¨¨¨¨
¨,~^*£&@@@ @@@&£*^~,¨
¨,~^*£&@@# delay delay d¨la@ & *a¨ , ¨@ ~ , #@@&£*^~,¨
¨,~^*£&@@# #@@&£*^~,¨
¨,~^***£&& &&£***^~,¨
¨,~^*£&@@# #@@&£*^~,¨
¨¨¨¨,,~*&@ @&*~,,¨¨¨¨
¨,~^*£&&@@ "delay" means repetiton or likewise, @@&&£*^~,¨
¨¨¨¨,^£&&& but it's mainly useless without &&&£^,¨¨¨¨
¨,~^*£&@@# feedback, #@@&£*^~,¨
¨,~^*£&@## to allow the delay to eat of it's own ##@&£*^~,¨
¨~^*£&@@## tail, like one of those eaty serpents. ##@@&£*^~¨
¨,~^*£&@@@ thus: it's the serpent effect! @@@&£*^~,¨
¨,~^*£&@@# #@@&£*^~,¨
¨¨¨¨,^^*&& it's to be revered as a creator of &&*^^,¨¨¨¨
¨,~^*£&@@# ambience and of space, if you treat it #@@&£*^~,¨
¨,~^*£&@@@ right. a somewhat more solid and @@@&£*^~,¨
¨,~^*£&@## slippery sibling of reverb. ##@&£*^~,¨
¨,~^*£&@## ##@&£*^~,¨
¨,~^*£&@@# #@@&£*^~,¨
¨,~^*£&@@# #@@&£*^~,¨
¨¨¨¨,^££&@ @&££^,¨¨¨¨
¨,~^*£&@@# #@@&£*^~,¨