#@##£%/~-¨                                          ¨-~/%£##@#
#@##£%/~-¨                                          ¨-~/%£##@#
##£%/-¨¨¨¨                                          ¨¨¨¨-/%£##
#@##£%/~-¨                                          ¨-~/%£##@#
##@##%/~-¨                                          ¨-~/%##@##
#@##£%/~-¨ delay  delay  d¨la@  # %a¨  - ¨#   ~   - ¨-~/%£##@#
@@##£%/~-¨                                          ¨-~/%£##@@
#@##£%/~-¨                                          ¨-~/%£##@#
#@##£%/~-¨                                          ¨-~/%£##@#
#@##£%/~-¨                                          ¨-~/%£##@#
@###£%/~-¨ "delay" means repetiton or likewise,     ¨-~/%£###@
##%%%%/~-¨ but it's mainly useless without          ¨-~/%%%%##
#£//-¨¨¨¨¨ feedback,                                ¨¨¨¨¨-//£#
##@#£%/~-¨ to allow the delay to eat of it's own    ¨-~/%£#@##
@##££%/~-¨ tail, like one of those eaty serpents.   ¨-~/%££##@
##@#£%/~-¨ thus: it's the serpent effect!           ¨-~/%£#@##
#£%/~~¨¨¨¨                                          ¨¨¨¨~~/%£#
@#££%~¨¨¨¨ it's to be revered as a creator of       ¨¨¨¨~%££#@
#@##£%/~-¨ ambience and of space, if you treat it   ¨-~/%£##@#
##@#£%/~-¨ right. a somewhat more solid and         ¨-~/%£#@##
@#£/-¨¨¨¨¨ slippery sibling of reverb.              ¨¨¨¨¨-/£#@
##£//-¨¨¨¨                                          ¨¨¨¨-//£##
@###£%/~-¨                                          ¨-~/%£###@
#@##£%/~-¨                                          ¨-~/%£##@#
##£////~-¨                                          ¨-~////£##
@@##£%/~-¨                                          ¨-~/%£##@@