...^†*&###                                          ###&*†^...
.......~*#                                          #*~.......
.^~†*&##@#                                          #@##&*†~^.
.^~†*&##@@                                          @@##&*†~^.
....^†&###                                          ###&†^....
.^~†*&##@# delay  delay  d.la@  # *a.  ^ .#   ~   ^ #@##&*†~^.
.^~†*&####                                          ####&*†~^.
.^~†****#@                                          @#****†~^.
.^~†*&#@##                                          ##@#&*†~^.
..^^^~*&#@                                          @#&*~^^^..
.^~†&##@## "delay" means repetiton or likewise,     ##@##&†~^.
.^~†*&##@# but it's mainly useless without          #@##&*†~^.
....^†&&#@ feedback,                                @#&&†^....
.....^†*## to allow the delay to eat of it's own    ##*†^.....
.^~†*&###@ tail, like one of those eaty serpents.   @###&*†~^.
.^~†*&##@# thus: it's the serpent effect!           #@##&*†~^.
...^~†&&##                                          ##&&†~^...
.^~~†††*#@ it's to be revered as a creator of       @#*†††~~^.
.^~†*&&&#@ ambience and of space, if you treat it   @#&&&*†~^.
.....^~~*# right. a somewhat more solid and         #*~~^.....
.^~†*&#### slippery sibling of reverb.              ####&*†~^.
.....^†&##                                          ##&†^.....
.^~*&##@##                                          ##@##&*~^.
.^^^^~††&#                                          #&††~^^^^.
.^~††**##@                                          @##**††~^.
.^~†***&##                                          ##&***†~^.