..,-=§%£@#                                          #@£%§=-,..
.,-=§%£@##                                          ##@£%§=-,.
..,-=§%£@#                                          #@£%§=-,..
...,-=§%£@                                          @£%§=-,...
..,-=§%£@#                                          #@£%§=-,..
.,-=§%£@## Delay  Delay  D.La@  ¤ §A.  , .£   -   , ##@£%§=-,.
..,-=§%£@#                                          #@£%§=-,..
...,-=§%£@                                          @£%§=-,...
..,-=§%£@#                                          #@£%§=-,..
.,-=§%£@##                                          ##@£%§=-,.
..,-=§%£@# "Delay" Means Repetiton Or Likewise,     #@£%§=-,..
...,-=§%£@ But It'S Mainly Useless Without          @£%§=-,...
..,-=§%£@# Feedback,                                #@£%§=-,..
.,-=§%£@## To Allow The Delay To Eat Of It'S Own    ##@£%§=-,.
..,-=§%£@# Tail, Like One Of Those Eaty Serpents.   #@£%§=-,..
...,-=§%£@ Thus: It'S The Serpent Effect!           @£%§=-,...
..,-=§%£@#                                          #@£%§=-,..
.,-=§%£@## It'S To Be Revered As A Creator Of       ##@£%§=-,.
..,-=§%£@# Ambience And Of Space, If You Treat It   #@£%§=-,..
...,-=§%£@ Right. A Somewhat More Solid And         @£%§=-,...
..,-=§%£@# Slippery Sibling Of Reverb.              #@£%§=-,..
.,-=§%£@##                                          ##@£%§=-,.
..,-=§%£@#                                          #@£%§=-,..
...,-=§%£@                                          @£%§=-,...
..,-=§%£@#                                          #@£%§=-,..
.,-=§%£@##                                          ##@£%§=-,.