,,,,,~/§*§                                          §*§/~,,,,,
,,,,,,~/§*                                          *§/~,,,,,,
,,,,,,,~/§                                          §/~,,,,,,,
,,,,,,,,~/                                          /~,,,,,,,,
,,,,,,,,,~                                          ~,,,,,,,,,
,,,,,,,,,, delay  delay  d,la#  § §a,  , ,@   ~   , ,,,,,,,,,,
,,,,,,,,,,                                          ,,,,,,,,,,
,,,,,,,,,,                                          ,,,,,,,,,,
,,,,,,,,,,                                          ,,,,,,,,,,
,,,,,,,,,,                                          ,,,,,,,,,,
,,,,,,,,,~ "delay" means repetiton or likewise,     ~,,,,,,,,,
,,,,,,,,~/ but it's mainly useless without          /~,,,,,,,,
,,,,,,,~/§ feedback,                                §/~,,,,,,,
,,,,,,~/§* to allow the delay to eat of it's own    *§/~,,,,,,
,,,,,~/§*§ tail, like one of those eaty serpents.   §*§/~,,,,,
,,,,~/§*§# thus: it's the serpent effect!           #§*§/~,,,,
,,,~/§*§##                                          ##§*§/~,,,
,,~/§*§### it's to be revered as a creator of       ###§*§/~,,
,,,~/§*§## ambience and of space, if you treat it   ##§*§/~,,,
,,,,~/§*§# right. a somewhat more solid and         #§*§/~,,,,
,,,,,~/§*§ slippery sibling of reverb.              §*§/~,,,,,
,,,,,,~/§*                                          *§/~,,,,,,
,,,,,,,~/§                                          §/~,,,,,,,
,,,,,,,,~/                                          /~,,,,,,,,
,,,,,,,,,~                                          ~,,,,,,,,,
,,,,,,,,,,                                          ,,,,,,,,,,