@@//=..... .....=//@@
@###@%/=^. .^=/%@###@
@###@%/=^. .^=/%@###@
#%%////=^. .^=////%%#
####@%/=^. .^=/%@####
#@@@@%/=^. delay delay d.la# # %a. ^ .@ = ^ .^=/%@@@@#
##@%=..... .....=%@##
#%%%%%/=^. .^=/%%%%%#
@@#@@%/=^. .^=/%@@#@@
##@#@%/=^. .^=/%@#@##
####@%/=^. "delay" means repetiton or likewise, .^=/%@####
#@##@%/=^. but it's mainly useless without .^=/%@##@#
##@#@%/=^. feedback, .^=/%@#@##
##@#@%/=^. to allow the delay to eat of it's own .^=/%@#@##
#%/=...... tail, like one of those eaty serpents. ......=/%#
##@#@%/=^. thus: it's the serpent effect! .^=/%@#@##
####@%/=^. .^=/%@####
@##%//^... it's to be revered as a creator of ...^//%##@
##%=^..... ambience and of space, if you treat it .....^=%##
##@#@%/=^. right. a somewhat more solid and .^=/%@#@##
##@#@%/=^. slippery sibling of reverb. .^=/%@#@##
###@#%/=^. .^=/%#@###
##@%=^^... ...^^=%@##
##%/^^^^^. .^^^^^/%##
##@#@%/=^. .^=/%@#@##
##@#@%/=^. .^=/%@#@##