,,,,,,~^*# #*^~,,,,,,
,,,,,,,~^* *^~,,,,,,,
,,,,,,~^*# #*^~,,,,,,
,,,,,~^*#¶ ¶#*^~,,,,,
,,,,~^*#¶# #¶#*^~,,,,
,,,~^*#¶## delay delay d,la# # *a, , ,¶ ~ , ##¶#*^~,,,
,,~^*#¶### ###¶#*^~,,
,,,~^*#¶## ##¶#*^~,,,
,,,,~^*#¶# #¶#*^~,,,,
,,,,,~^*#¶ ¶#*^~,,,,,
,,,,,,~^*# "delay" means repetiton or likewise, #*^~,,,,,,
,,,,,,,~^* but it's mainly useless without *^~,,,,,,,
,,,,,,~^*# feedback, #*^~,,,,,,
,,,,,~^*#¶ to allow the delay to eat of it's own ¶#*^~,,,,,
,,,,~^*#¶# tail, like one of those eaty serpents. #¶#*^~,,,,
,,,~^*#¶## thus: it's the serpent effect! ##¶#*^~,,,
,,~^*#¶### ###¶#*^~,,
,,,~^*#¶## it's to be revered as a creator of ##¶#*^~,,,
,,,,~^*#¶# ambience and of space, if you treat it #¶#*^~,,,,
,,,,,~^*#¶ right. a somewhat more solid and ¶#*^~,,,,,
,,,,,,~^*# slippery sibling of reverb. #*^~,,,,,,
,,,,,,,~^* *^~,,,,,,,
,,,,,,~^*# #*^~,,,,,,
,,,,,~^*#¶ ¶#*^~,,,,,
,,,,~^*#¶# #¶#*^~,,,,
,,,~^*#¶## ##¶#*^~,,,