,,,,,,~»\* *\»~,,,,,,
,,,,,,,~»\ \»~,,,,,,,
,,,,,,,,~» »~,,,,,,,,
,,,,,,,,,~ ~,,,,,,,,,
,,,,,,,,~» »~,,,,,,,,
,,,,,,,~»\ delay delay d,la@ ¤ *a, ~ ,£ » ~ \»~,,,,,,,
,,,,,,~»\* *\»~,,,,,,
,,,,,~»\*% %*\»~,,,,,
,,,,~»\*%¤ ¤%*\»~,,,,
,,,~»\*%¤£ £¤%*\»~,,,
,,~»\*%¤£# "delay" means repetiton or likewise, #£¤%*\»~,,
,~»\*%¤£## but it's mainly useless without ##£¤%*\»~,
,,~»\*%¤£# feedback, #£¤%*\»~,,
,,,~»\*%¤£ to allow the delay to eat of it's own £¤%*\»~,,,
,,,,~»\*%¤ tail, like one of those eaty serpents. ¤%*\»~,,,,
,,,,,~»\*% thus: it's the serpent effect! %*\»~,,,,,
,,,,,,~»\* *\»~,,,,,,
,,,,,,,~»\ it's to be revered as a creator of \»~,,,,,,,
,,,,,,,,~» ambience and of space, if you treat it »~,,,,,,,,
,,,,,,,,,~ right. a somewhat more solid and ~,,,,,,,,,
,,,,,,,,~» slippery sibling of reverb. »~,,,,,,,,
,,,,,,,~»\ \»~,,,,,,,
,,,,,,~»\* *\»~,,,,,,
,,,,,~»\*% %*\»~,,,,,
,,,,~»\*%¤ ¤%*\»~,,,,
,,,~»\*%¤£ £¤%*\»~,,,