#@@@**/-,. .,-/**@@@# #@@@**/-,. .,-/**@@@# @@@@**/-,. .,-/**@@@@ ##@@**/-,. .,-/**@@## #@@@**/-,. .,-/**@@@# #@@@**/-,. the last song on side b (and to some .,-/**@@@# @@*//-.... extent the first song on side a) talks ....-//*@@ @@**/,.... for the whole album, not just their ....,/**@@ #@@@**/-,. side. the last song on side b is .,-/**@@@# @@@@**/-,. probably the most important .,-/**@@@@ @@@@**/-,. opportunity, the most charged slot. .,-/**@@@@ @@@@**/-,. .,-/**@@@@ ##@@**/-,. .@#@. .,-/**@@## @@****/-,. .,-/****@@ @**//-.... the album is a singularity, an anomaly ....-//**@ @@****/-,. in spacetime, a creature that knows .,-/****@@ ##@@**/-,. exactly how beautiful it is. .,-/**@@## @@*///-... . ...-///*@@ @***///-,. and the thing is: it sees itself in .,-///***@ @****/,,.. three d. it knows that it's dying. ..,,/****@ @**/,..... .....,/**@ @**/-..... *******************@@******************* .....-/**@ @@@***/-,. .,-/***@@@ #@@@**/-,. , dolphins and cats , .,-/**@@@# @**-...... bring us ......-**@ @*/---,... . flowers and honey . ...,---/*@ @**/-,,... ...,,-/**@ @@@*-..... , dolphins and cats , .....-*@@@ @@**/--... bring us ...--/**@@ @**/,..... . fairies and bees . .....,/**@ @@@@**/-,. .,-/**@@@@ #@@@**/-,. our boat is afloat .,-/**@@@# #@@@**/-,. on a surface of lilies .,-/**@@@# @*****/-,. , dolphins and cats , .,-/*****@ @@@@**/-,. drag us down .,-/**@@@@ #@@@**/-,. .-* underneath *-. .,-/**@@@# @@*///,... ...,///*@@ ##@@@*/-,. *******************@@******************* .,-/*@@@## #@@@**/-,. .,-/**@@@# @@*//--... side a is foresty, and side b might ...--//*@@ @@@@**/-,. be lizardy. but the last song is full .,-/**@@@@ @@*-,..... of space. .....,-*@@ #@@@**/-,. .,-/**@@@# @***/,.... ....,/***@ @@****/-,. .,-/****@@ #@@@**/-,. .,-/**@@@# #@@@**/-,. .,-/**@@@#