.:»:=£§£@# #@£§£=:»:.
.:«*%$§@@# #@@§$%*«:.
.,.,^:%&¶@ @¶&%:^,.,.
,.»/*&¤£## ##£¤&*/».,
.,~/%@£### ###£@%/~,.
,¨¨..^;¤%& statuette &%¤;^..¨¨,
.,.,.,,\@# #@\,,.,.,.
,~-†%$%*¤£ ¤%@£$*§$%¤%£¤@@$~~~«»=~=¤§$£££&$§$¤@@$§% £¤*%$%†-~,
¨^-*$££¶## *%$$$££¤§ ##¶££$*-^¨
¨:«†**¤### ###¤**†«:¨
,.,,,»*^£¶ forests around my childhood home. thick ¶£^*»,,,.,
,¨,.,-~\§§ pine arcades that were planted and §§\~-,.,¨,
¨,~\%$¤@## forgotten. wild boars roaming ##@¤$%\~,¨
,...,,^;*@ underneath, sniffing at the ground. it @*;^,,...,
¨:«/=%#@## is dark and moist, the canopy having ##@#%=/«:¨
,..-~:*§&@ already soaked up all the sun. @&§*:~-..,
,-»=*§§@## ##@§§*=»-,
¨,¨.=:/:$£ there's a river passing by, from east £$:/:=.¨,¨
¨,==§%#£## to west, getting broader and deeper and ##£#%§==,¨
.~-†=^£&&£ slower as it goes. equisetum grow just £&&£^=†-~.
.,~==$&@@# where the pine hands start to let #@@&$==~,.
,¨.,~,†*†@ through light, horsemint on the rocky @†*†,~,.¨,
.,«/%£@@## river bed. ##@@£%/«,.
,..,¨:^†§¶ ¶§†^:¨,..,
¨,.,:«/@££ \ ££@/«:,.,¨
..,.^\†*=# #=*†\^.,..
¨:«^%§§@## the riverbanks reek of magic. tonight ##@§§%^«:¨
.,«=%£#@## they had been a swampworld with sylvan ##@#£%=«,.
¨^~:**§¶@# water, stone rings and floating moss. #@¶§**:~^¨
,-=;*§£### you could've found me wallowing around ###£§*;=-,
¨¨¨¨,~;§£¶ on the southern shores until i got ¶£§;~,¨¨¨¨
¨^~:§^§$£§ bitten. §£$§^§:~^¨
,,~†$£#@## ##@#£$†~,,
.,~:*££### but now i'm further back, on solid ###££*:~,.
,¨¨.,^^@$& ground, in shoulder-high grass, with an &$@^^,.¨¨,
¨...-,=/&¤ orange tin radio and a translucent ¤&/=,-...¨
¨,.¨.¨~%£@ umbrella which i'm sitting on. @£%~¨.¨.,¨
¨.¨¨,.»§¤@ @¤§».,¨¨.¨
.,~;=£§£## / ##£§£=;~,.
¨.¨,¨.\=#£ £#=\.¨,¨.¨
¨,--~-~~^£ somethings moving in the grass. it's £^~~-~--,¨
,¨,¨,.«*§@ invisible to my eyes but i can feel @§*«.,¨,¨,
,-»\^%§### through the ground just how large it is. ###§%^\»-,
,~»/%§## ##§#&%/»~,
,,»;$$¤¶## the soil is muddy. i slip when trying ##¶¤$$;»,,
.,-=†%£### to get up, still looking at the ###£%†=-,.
¨,«/†$#¶## direction of sound rather than at my ##¶#$†/«,¨
¨¨¨,¨¨:»^# hands, who are busy putting things in #^»:¨¨,¨¨¨
.~»;†@§¶@# my pockets. #@¶§@†;»~.
¨..¨¨,-:%¤ ¤%:-,¨¨..¨
..,~~*†^£# then i run east toward my home. #£^†*~~,..
¨.,.¨=/%£& &£%/=¨.,.¨
¨^=;*%§@## \ ##@§%*;=^¨
.,-†^§## ###&§^†-,.
.,«*†£##@# i am not followed, and slow down in the #@##£†*«,.
.-«:*##### clearing where you at first can spot #####*:«-.
¨-~*§&@$¤@ the house, not yet really in the @¤$@&§*~-¨
.~-=†%§### backyard. from my pockets i retrieve my ###§%†=-~.
,,«^^&£@## radio (now dented) but also a small ##@£&^^«,,
.~»^$%§#@@ clay figure i've never seen before. it @@#§%$^»~.
¨-»:*&£### must have been laying in the wet dirt, ###£&*:»-¨
¨.¨,-:¤§£@ and i must've picked it up with my @£§¤:-,¨.¨
.,,¨~\&$§@ other belongings. @§$&\~¨,,.
¨.-/*£@@## ##@@£*/-.¨
..¨,~^*^§¶ it's a statuette of a girl laying naked ¶§^*^~,¨..
¨^»:*&£#£# on her stomach, feet in the air, #£#£&*:»^¨
.,.-~†^*§# roughly seven centimeters long. it's #§*^†~-.,.
,^»:**@### freshly made, not yet completely dried. ###@**:»^,
¨,~†=*§### ###§*=†~,¨
,,,.~-^†&@ my mom is here now. i ask her for some @&†^-~.,,,
,^«;%*&@#@ particle board for it to dry on, but @#@&*%;«^,
¨^«:%*@### she is worried and wants me to ###@*%:«^¨
.¨,.¨~-†§# throw it away. #§†-~¨.,¨.
,¨,..~;†$& &$†;~..,¨,
.,,.¨-§§## ##§§-¨.,,.
.~»;%§¤&@# #@&¤§%;»~.
¨-«*%%§@## ##@§%%*«-¨
,,~=$%&¶## ##¶&%$=~,,
.--*=¤@¶@# #@¶@¤=*--.