.¨¨..~^*£# #£*^~..¨¨.
,^~:*&@### ###@&*:~^,
,,¨=;\†* #&*†\;=¨,,
¨.¨^^:/^%& &%^/:^^¨.¨
,-~*%$£@## ##@£$%*~-,
,,~=^£§£## statuette ##£§£^=~,,
.~~/%¤@@## ##@@¤%/~~.
,:-**%¤### %*%£$$£§£££$¤§@*«»=~-~«~$%%§%¤%%§£@&@%¤£ ###¤%**-:,
¨-=;†¤¤@## $%§£$£@** ##@¤¤†;=-¨
.-~=*%#¶#@ @#¶#%*=~-.
.-/^§£@@## forests around my childhood home. thick ##@@£§^/-.
,^~=†%#¶## pine arcades that were planted and ##¶#%†=~^,
,:»†$@#### forgotten. wild boars roaming ####@$†»:,
,.«/*$&£#@ underneath, sniffing at the ground. it @#£&$*/«.,
¨,=;§££@## is dark and moist, the canopy having ##@££§;=,¨
,-~*$£#### already soaked up all the sun. ####£$*~-,
¨:-:$£§@@# #@@§£$:-:¨
¨:-\%@§@## there's a river passing by, from east ##@§@%\-:¨
¨,=†^¤§@## to west, getting broader and deeper and ##@§¤^†=,¨
¨¨.,¨-%%*@ slower as it goes. equisetum grow just @*%%-¨,.¨¨
¨~:=£¤@@## where the pine hands start to let ##@@¤£=:~¨
¨^~/^%#@## through light, horsemint on the rocky ##@#%^/~^¨
.^-†=$@@@# river bed. #@@@$=†-^.
,.,¨^~\=%¶ ¶%=\~^¨,.,
¨,=/%@&£## ; ##£&@%/=,¨
,^-†^@#@## ##@#@^†-^,
¨-~†%££#@# the riverbanks reek of magic. tonight #@#££%†~-¨
,..,~~:$&§ they had been a swampworld with sylvan §&$:~~,..,
,.¨~./^@ water, stone rings and floating moss. @#&^/.~¨.,
,,»^**@### you could've found me wallowing around ###@**^»,,
.:~/§$£@## on the southern shores until i got ##@£$§/~:.
¨~=:%%¤¶## bitten. ##¶¤%%:=~¨
¨~~\*%£#@# #@#£%*\~~¨
¨^«*†£#@## but now i'm further back, on solid ##@#£†*«^¨
..»†^%@£## ground, in shoulder-high grass, with an ##£@%^†»..
,,»†$§$£## orange tin radio and a translucent ##£$§$†»,,
..~-\\†$&@ umbrella which i'm sitting on. @&$†\\-~..
¨¨,¨¨,«**§ §**«,¨¨,¨¨
,,,..~»^@@ † @@^»~..,,,
¨¨¨.,,-%## ##%-,,.¨¨¨
¨^-;§$@@## somethings moving in the grass. it's ##@@$§;-^¨
,,»;§%#£#@ invisible to my eyes but i can feel @#£#%§;»,,
,-~\%§## through the ground just how large it is. ###&§%\~-,
,^=:$=$$@@ @@$$=$:=^,
¨,-\=§## the soil is muddy. i slip when trying ###&§=\-,¨
.,~;†£@@@# to get up, still looking at the #@@@£†;~,.
¨¨¨,¨=^*%@ direction of sound rather than at my @%*^=¨,¨¨¨
,,,¨.~/$@@ hands, who are busy putting things in @@$/~.¨,,,
,,~;†==*£¤ my pockets. ¤£*==†;~,,
¨~~=^*&@## ##@&*^=~~¨
¨:«;^$#@@# then i run east toward my home. #@@#$^;«:¨
,¨,-,-~\¤@ @¤\~-,-,¨,
,,»/§$§@## † ##@§$§/»,,
.^~;†*#### ####*†;~^.
,,¨.¨¨.«=£ i am not followed, and slow down in the £=«.¨¨.¨,,
,,«†§^%*§# clearing where you at first can spot #§*%^§†«,,
,,~\=§@¶## the house, not yet really in the ##¶@§=\~,,
,¨..«/*^## backyard. from my pockets i retrieve my ##^*/«..¨,
,~»*†¤££## radio (now dented) but also a small ##££¤†*»~,
¨,....~*§§ clay figure i've never seen before. it §§*~....,¨
..¨.-;$$## must have been laying in the wet dirt, ##$$;-.¨..
.^~:%$£### and i must've picked it up with my ###£$%:~^.
.^«;%*¤@## other belongings. ##@¤*%;«^.
¨,=*%@## ##@#&%*=,¨
¨-:-:^***# it's a statuette of a girl laying naked #***^:-:-¨
.-=:*%¤### on her stomach, feet in the air, ###¤%*:=-.
.,:~:†$*%# roughly seven centimeters long. it's #%*$†:~:,.
,--:%@&£## freshly made, not yet completely dried. ##£&@%:--,
,,,,~*¤§$¶ ¶$§¤*~,,,,
¨--:†¤%%£# my mom is here now. i ask her for some #£%%¤†:--¨
.,¨.¨,~*£# particle board for it to dry on, but #£*~,¨.¨,.
.-«=%£#@## she is worried and wants me to ##@#£%=«-.
,,»;$%@@@# throw it away. #@@@%$;»,,
¨,~\*§#£## ##£#§*\~,¨
¨,»;$$¤### ###¤$$;»,¨
..¨¨^«$%££ ££%$«^¨¨..
,:~^§£&@## ##@&£§^~:,
¨,...~»*§§ §§*»~...,¨
.,«***£#@# #@#£***«,.