,:=\*$## ###&$*\=:,
¨.¨-»/%§@# #@§%/»-¨.¨
,:~*%@§@## ##@§@%*~:,
¨:«*†¤@@## ##@@¤†*«:¨
¨:=^%$£#@# #@#£$%^=:¨
,:=:$%¤### statuette ###¤%$:=:,
¨,-*^%#£ #&£#%^*-,¨
¨.=:*%*@## @£%$£%$@£$$@§@$¤«-«««~«-@@&£$£*¤%£@*$§$% ##@*%*:=.¨
,,¨.~=$¤#@ %@¤&£&£%$ @#¤$=~.¨,,
,^~/%$¤### ###¤$%/~^,
,.-^*%£@¶@ forests around my childhood home. thick @¶@£%*^-.,
.^-\*%@### pine arcades that were planted and ###@%*\-^.
..~*^£@£@# forgotten. wild boars roaming #@£@£^*~..
,:«\^*§¶@# underneath, sniffing at the ground. it #@¶§*^\«:,
.~»;†£&@## is dark and moist, the canopy having ##@&£†;»~.
.,.~«/=%@@ already soaked up all the sun. @@%=/«~.,.
¨:~**%#@## ##@#%**~:¨
,.,¨,~;/£# there's a river passing by, from east #£/;~,¨,.,
.^«*=%£### to west, getting broader and deeper and ###£%=*«^.
.,.,,-*¤&@ slower as it goes. equisetum grow just @&¤*-,,.,.
¨.¨,¨=§§§# where the pine hands start to let #§§§=¨,¨.¨
.,-^=£@£## through light, horsemint on the rocky ##£@£=^-,.
.:«:†¤#### river bed. ####¤†:«:.
¨¨,.:»=†$# #$†=»:.,¨¨
.,-:,-*†@@ : @@†*-,:-,.
.,«\%%¤@#@ @#@¤%%\«,.
¨.«†*§#¶## the riverbanks reek of magic. tonight ##¶#§*†«.¨
,,..¨-=^@# they had been a swampworld with sylvan #@^=-¨..,,
¨-=~†\=†*# water, stone rings and floating moss. #*†=\†~=-¨
,,,,~^*§§# you could've found me wallowing around #§§*^~,,,,
,,~/=%#@## on the southern shores until i got ##@#%=/~,,
¨.,,~*§§§@ bitten. @§§§*~,,.¨
,:»††§#£@@ @@£#§††»:,
¨.»;=&¤#@# but now i'm further back, on solid #@#¤&=;».¨
.,=:§§@@ ground, in shoulder-high grass, with an @@#&§§:=,.
.~~:%£#£@# orange tin radio and a translucent #@£#£%:~~.
¨~»*^=$¤ umbrella which i'm sitting on. #&¤$=^*»~¨
,-=:*@§@@# #@@§@*:=-,
,..¨,,~^^& ^ &^^~,,¨..,
.:=†=§§### ###§§=†=:.
.:«†%§§¤£# somethings moving in the grass. it's #£¤§§%†«:.
¨¨¨^*%%# invisible to my eyes but i can feel ##&%%*^¨¨¨
.¨,^:†%§§¤ through the ground just how large it is. ¤§§%†:^,¨.
¨.,^«««/^@ @^/«««^,.¨
.,~=%@## the soil is muddy. i slip when trying ##@#&%=~,.
..»†*£@@#@ to get up, still looking at the @#@@£*†»..
.,=^$$£@## direction of sound rather than at my ##@£$$^=,.
¨¨¨,,†:@¶@ hands, who are busy putting things in @¶@:†,,¨¨¨
¨¨,.~\*$@# my pockets. #@$*\~.,¨¨
¨^~/*§†%@@ @@%†§*/~^¨
¨^=\†§£@## then i run east toward my home. ##@£§†\=^¨
¨¨,.,†%### ###%†,.,¨¨
¨~~^=§@&&£ = £&&@§=^~~¨
¨,=:%§%&¤§ §¤&%§%:=,¨
.,«\^£¤@@# i am not followed, and slow down in the #@@¤£^\«,.
.:=^%*¤¶## clearing where you at first can spot ##¶¤*%^=:.
¨¨¨,.~;^%& the house, not yet really in the &%^;~.,¨¨¨
,,-;%£#### backyard. from my pockets i retrieve my ####£%;-,,
¨^»;%£#£@# radio (now dented) but also a small #@£#£%;»^¨
¨,¨.:=\£ clay figure i've never seen before. it £#&\=:.¨,¨
¨,~†§$¤@## must have been laying in the wet dirt, ##@¤$§†~,¨
.^~/*¤§¤#@ and i must've picked it up with my @#¤§¤*/~^.
,.¨,,.,»=¤ other belongings. ¤=»,.,,¨.,
,,,,,;§*@@ @@*§;,,,,,
,,-†$%$¤£# it's a statuette of a girl laying naked #£¤$%$†-,,
,^«:=¤## on her stomach, feet in the air, ###&¤=:«^,
¨:«\†@¤¤ roughly seven centimeters long. it's #&¤¤@†\«:¨
.¨¨.~-%¤§# freshly made, not yet completely dried. #§¤%-~.¨¨.
¨~=†§@§@## ##@§@§†=~¨
,--;^%§@@# my mom is here now. i ask her for some #@@§%^;--,
.,,~\*=£@# particle board for it to dry on, but #@£=*\~,,.
,,..=%$§£@ she is worried and wants me to @£§$%=..,,
,,-*$£¤@## throw it away. ##@¤£$*-,,
¨:»/=¤#£## ##£#¤=/»:¨
¨,.,,.«^%§ §%^«.,,.,¨
,¨.~.*†£§§ §§£†*.~.¨,
¨,,,««;%¤# #¤%;««,,,¨
¨,-†%%## ###&%%†-,¨
¨,~*=*¤@¶# #¶@¤*=*~,¨