,¨.:;=†*@@ @@*†=;:.¨,
,,,,,†*¤¶@ @¶¤*†,,,,,
,.,.«/%%*& &*%%/«.,.,
¨,,==§§§$# #$§§§==,,¨
.¨,,,^=† #&†=^,,,¨.
.:=*%$&@£¶ statuette ¶£@&$%*=:.
,,,.¨¨:†%¤ ¤%†:¨¨.,,,
,..,.«$§£¤ $&%£@&£%$££§¤¤§*=-=«=~~»$§£*£&@%$$@§¤%$% ¤£§$«.,..,
¨.,«;*\=&¶ ¤%$$$*@*£ ¶&=\*;«,.¨
¨,-*%§@### ###@§%*-,¨
¨-»=^%&@@@ forests around my childhood home. thick @@@&%^=»-¨
,^«=$&£@## pine arcades that were planted and ##@£&$=«^,
,¨.,«~=@&@ forgotten. wild boars roaming @&@=~«,.¨,
.-»=*§§¶## underneath, sniffing at the ground. it ##¶§§*=»-.
.-~\*%@@#@ is dark and moist, the canopy having @#@@%*\~-.
¨,,,,-^†£@ already soaked up all the sun. @£†^-,,,,¨
,-~*%$£@@# #@@£$%*~-,
,¨.¨,,:\%@ there's a river passing by, from east @%\:,,¨.¨,
,:-^*¤¶### to west, getting broader and deeper and ###¶¤*^-:,
.,»:\^$§## slower as it goes. equisetum grow just ##§$^\:»,.
,.==^§@@## where the pine hands start to let ##@@§^==.,
,«†§@### through light, horsemint on the rocky ###@#&§†«,
¨,.¨./^#@@ river bed. @@#^/.¨.,¨
¨.^,.-;%£# #£%;-.,^.¨
¨..~~»:%£@ † @£%:»~~..¨
.,=;§§¤### ###¤§§;=,.
,¨^.:~/*%¤ the riverbanks reek of magic. tonight ¤%*/~:.^¨,
¨^~^*£¤@## they had been a swampworld with sylvan ##@¤£*^~^¨
.:~;^@£### water, stone rings and floating moss. ###£@^;~:.
¨:~/%%#@## you could've found me wallowing around ##@#%%/~:¨
.^«*$¤#¶## on the southern shores until i got ##¶#¤$*«^.
..~:=£@### bitten. ###@£=:~..
¨:=†$¤@§££ ££§@¤$†=:¨
¨~=:§£§@## but now i'm further back, on solid ##@§£§:=~¨
,^~^§§¤£## ground, in shoulder-high grass, with an ##£¤§§^~^,
.¨.,.»*£££ orange tin radio and a translucent £££*».,.¨.
.:=~--/=#£ umbrella which i'm sitting on. £#=/--~=:.
,,«;§$§¤¤@ @¤¤§$§;«,,
¨~«^†%££## \ ##££%†^«~¨
.-~;%%£¶## ##¶£%%;~-.
.^~:$&§#@# somethings moving in the grass. it's #@#§&$:~^.
.~~/†§@£## invisible to my eyes but i can feel ##£@§†/~~.
..¨.¨.«$@# through the ground just how large it is. #@$«.¨.¨..
¨^-*†£@@## ##@@£†*-^¨
.-==**¤@@# the soil is muddy. i slip when trying #@@¤**==-.
,.~-~~;^§# to get up, still looking at the #§^;~~-~.,
,.»/^%£& direction of sound rather than at my #&&£%^/».,
.-~\%@§@## hands, who are busy putting things in ##@§@%\~-.
,,¨¨.,,;*£ my pockets. £*;,,.¨¨,,
.,,¨..=~†£ £†~=..¨,,.
¨-,=«§%$§¤ then i run east toward my home. ¤§$%§«=,-¨
¨,,--=*£$# #$£*=--,,¨
,-«*%@#### * ####@%*«-,
¨,,~~~††%# #%††~~~,,¨
,:»\^&&@## i am not followed, and slow down in the ##@&&^\»:,
¨--\*%@# clearing where you at first can spot #@#&%*\--¨
.¨,,«//&¤£ the house, not yet really in the £¤&//«,,¨.
¨:~\^&@£## backyard. from my pockets i retrieve my ##£@&^\~:¨
,,..,:^=§@ radio (now dented) but also a small @§=^:,..,,
.,=;%*#### clay figure i've never seen before. it ####*%;=,.
¨-==**¤#@# must have been laying in the wet dirt, #@#¤**==-¨
.~=\§$§#@# and i must've picked it up with my #@#§$§\=~.
¨¨.,¨.»†%& other belongings. &%†».¨,.¨¨
.~»;§¤£#@@ @@#£¤§;»~.
¨^==%¤%@@# it's a statuette of a girl laying naked #@@%¤%==^¨
¨~«\=@#£## on her stomach, feet in the air, ##£#@=\«~¨
,:~:†§#### roughly seven centimeters long. it's ####§†:~:,
¨.»=*%£@@@ freshly made, not yet completely dried. @@@£%*=».¨
,~-^$¤#¶## ##¶#¤$^-~,
¨.,«\;/££@ my mom is here now. i ask her for some @££/;\«,.¨
¨:«^*&@@## particle board for it to dry on, but ##@@&*^«:¨
¨:~*§¤@# she is worried and wants me to ##&@¤§*~:¨
.:«=%%&@## throw it away. ##@&%%=«:.
.--^*%@@¶# #¶@@%*^--.
,.,,¨-~§¤# #¤§~-¨,,.,
¨,=^†@§@## ##@§@†^=,¨
¨,,¨¨.^\¤@ @¤\^.¨¨,,¨
¨,~;†&§§£# #£§§&†;~,¨
.^»/†*§£## ##£§*†/»^.