,...~.†*$£ £$*†.~...,
.¨¨,¨~~= #&=~~¨,¨¨.
¨:«†$££### ###££$†«:¨
,~~:$§@### ###@§$:~~,
,.»†%%%%*# #*%%%%†».,
¨~~-/^*^§£ statuette £§^*^/-~~¨
.¨~--»%&¤@ @¤&%»--~¨.
¨,.¨,~;$£¤ @%$¤£¤$@@§£$£¤¤$~-»«~»--@%£@*££$$££*§$&% ¤£$;~,¨.,¨
.,-;%¤&@## %%£££$£££ ##@&¤%;-,.
..=†§§¤@## ##@¤§§†=..
,,,,,,~$§# forests around my childhood home. thick #§$~,,,,,,
,,-\*£§### pine arcades that were planted and ###§£*\-,,
.¨,.,¨^†£# forgotten. wild boars roaming #£†^¨,.,¨.
..»/$@@@@# underneath, sniffing at the ground. it #@@@@$/»..
.¨,.,.,;@@ is dark and moist, the canopy having @@;,.,.,¨.
¨-~*†¤#£¶# already soaked up all the sun. #¶£#¤†*~-¨
,~=†%&%£@# #@£%&%†=~,
..¨,~§**£@ there's a river passing by, from east @£**§~,¨..
,-~=$££¤¤# to west, getting broader and deeper and #¤¤££$=~-,
,.-\$@¶@## slower as it goes. equisetum grow just ##@¶@$\-.,
-~\%§£#### where the pine hands start to let ####£§%\~-
..~=%$&@@# through light, horsemint on the rocky #@@&$%=~..
.:»*†§§### river bed. ###§§†*»:.
¨^~§$¤#@## ##@#¤$§~^¨
¨,~;%*@@## † ##@@*%;~,¨
..=†%£#£## ##£#£%†=..
¨^-*$%#¶@# the riverbanks reek of magic. tonight #@¶#%$*-^¨
,¨,-~=*$£# they had been a swampworld with sylvan #£$*=~-,¨,
,-~/*%&@## water, stone rings and floating moss. ##@&%*/~-,
¨¨¨.~*£%££ you could've found me wallowing around ££%£*~.¨¨¨
,:~^§£¤@## on the southern shores until i got ##@¤£§^~:,
,¨,.~:£# bitten. #£:~.,¨,
¨,.,-:^£%& &%£^:-,.,¨
¨^»\%$¤#@# but now i'm further back, on solid #@#¤$%\»^¨
.,»^^:%*@# ground, in shoulder-high grass, with an #@*%:^^»,.
.,=**\§#£¶ orange tin radio and a translucent ¶£#§\**=,.
,¨.«=%†$¤¤ umbrella which i'm sitting on. ¤¤$†%=«.¨,
,:~=§§@£## ##£@§§=~:,
,,.,»*§&§£ ^ £§&§*»,.,,
.,,,,,:$§@ @§$:,,,,,.
.,=~*\=@@# somethings moving in the grass. it's #@@=\*~=,.
,-~;%$@### invisible to my eyes but i can feel ###@$%;~-,
.»=*&@¶@## through the ground just how large it is. ##@¶@&*=».
,,,~«%*$#@ @#$*%«~,,,
,.»***¤#@# the soil is muddy. i slip when trying #@#¤***».,
¨,¨¨,;^££@ to get up, still looking at the @££^;,¨¨,¨
,~«=%†*¤§@ direction of sound rather than at my @§¤*†%=«~,
¨¨¨,..=%@§ hands, who are busy putting things in §@%=..,¨¨¨
.¨¨~~;%$@§ my pockets. §@$%;~~¨¨.
¨:-«:%%##@ @##%%:«-:¨
,^-***££## then i run east toward my home. ##££***-^,
,:~†%§¤¶@# #@¶¤§%†~:,
,:«;^$@@## \ ##@@$^;«:,
.^«;§§§@## ##@§§§;«^.
,,~†§&@### i am not followed, and slow down in the ###@&§†~,,
,.=†%*@@@# clearing where you at first can spot #@@@*%†=.,
¨-=^*&@##@ the house, not yet really in the @##@&*^=-¨
...,.^:%$¶ backyard. from my pockets i retrieve my ¶$%:^.,...
,,«=%££¤§£ radio (now dented) but also a small £§¤££%=«,,
,,=^%$§### clay figure i've never seen before. it ###§$%^=,,
,,«:^%¤¶#@ must have been laying in the wet dirt, @#¶¤%^:«,,
,:=^$&@### and i must've picked it up with my ###@&$^=:,
¨,»:%%&@#@ other belongings. @#@&%%:»,¨
,,«=%%£@## ##@£%%=«,,
,^~/§*#¶## it's a statuette of a girl laying naked ##¶#*§/~^,
¨..¨¨,.~§& on her stomach, feet in the air, &§~.,¨¨..¨
.,«*^@&@## roughly seven centimeters long. it's ##@&@^*«,.
¨,,.¨-/;^# freshly made, not yet completely dried. #^;/-¨.,,¨
.¨.,:~%&@# #@&%~:,.¨.
,¨¨,,~$&§# my mom is here now. i ask her for some #§&$~,,¨¨,
¨~-†$%££## particle board for it to dry on, but ##££%$†-~¨
¨¨^~;†=$@# she is worried and wants me to #@$=†;~^¨¨
,.¨-»:^†§# throw it away. #§†^:»-¨.,
,,.-/*¤$¤@ @¤$¤*/-.,,
,.¨~»~=%¤& &¤%=~»~¨.,
¨~~;%*¤¶## ##¶¤*%;~~¨
,¨¨¨.,~/%& &%/~,.¨¨¨,
.,~/%§£&&£ £&&£§%/~,.
.:-;$$#¶@# #@¶#$$;-:.