..=†^%#@## ##@#%^†=..
..=†^%#@## ##@#%^†=..
..=†^%#@## ##@#%^†=..
..=†††^^%# #%^^†††=..
..=†^^^%%@ @%%^^^†=..
..=†^%#@## # ##@#%^†=..
..=†^%#@## .LIZARDRY ##@#%^†=..
......=^%@ = @ #@ ### ################## @%^=......
..=†^%#@## ## THE ART OF C.NNECTING ##@#%^†=..
..=†^%@### . WITH THE OLD MIND ###@%^†=..
..=†^%#@## ##@#%^†=..
..====^%## MY MIND IS BEING SKEWED. MI ##%^====..
..=†^%###@ SKELETON IS STRINGY AND OLD AND ALIEN @###%^†=..
..=†^%#@## THE SITUATION IS LITERALLY ##@#%^†=..
..=†^%#@## PRESSED OUT THROUGH MY EYES, IT'S ##@#%^†=..
......†%%@ ECHOING LIKE @%%†......
..=†^%%### THE SUNSET OF THE ETERNAL ###%%^†=..
......††%# OCEAN #%††......
..=†%#@### PERSISTENTLY AGAINST MY EMULSION ###@#%†=..
..=†^%#@## ##@#%^†=..
..=†^%#### IT'S UNGRASPABLE TO ME, WHAT OTHER ####%^†=..
....††%#@@ HUMANS ARE DOING AND ABSTRACTING, @@#%††....
..=†^%%%@@ AND ABOVE ALL ELSE, WHAT TIME THEY USE? @@%%%^†=..
..=†^%#@## HOW LONG A TIME HAS PASSED, FOR THEM? ##@#%^†=..
..=†^%#@## . ##@#%^†=..
..=†^%#@## . ... . ................ @@@@@@@ ##@#%^†=..
..=†^%#@## CONTINUOUSLY I'M CROWDING THROUGH ##@#%^†=..
.....=††^# . THE FOURTH WALL .OUTWARDS IS WHAT . #^††=.....
..=†^%#@## .. I'M THINKING BUT IT'S WRONG.. A NEW ##@#%^†=..
...=†^%### . . NARRATOR IS INTRODUCED, OCCASIONALLY ###%^†=...
..=†^%#@## . . AWARE OF THE PREVIOUS ONE, DEEPER . ##@#%^†=..
..=†^%#@## . . DOWN IN THE DRAGONS THROAT. ##@#%^†=..
..=†^%#### . ####%^†=..
..=†^%#@## . ##@#%^†=..
..=†^%#@## ##@#%^†=..
..=†^%#@## ##@#%^†=..
....=^%%## ##%%^=....
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..=†^^%%#@ @#%%^^†=..