,,@,@,,,,@ @,,@@@,@@@
@,@@@@,,,@ ,@,@,,@@,,
@@@,,,@,,@ @@@@@,@,@,
@,,@,,@@,@ @,,,,@@@@@
,@,@@,@,@@ @@,,,@,,,,
,@@@,@@@@, the last song on side b (and to some ,,@,,@@,,,
,@,,@@,,,@ extent the first song on side a) talks ,,@@,@,@,,
,@@,@,@,,@ for the whole album, not just their @,@,@@@@@,
,@,@@@@@,@ side. the last song on side b is @@@@@,,,,@
@@@@,,,,@@ probably the most important @,,,,@,,,@
,,,,@,,,@, opportunity, the most charged slot. ,@,,,@@,,@
@,,,@@,,@@ ,@@,,@,@,@
,@,,@,@,@, ,@#@, ,@,@,@@@@@
@@@,@@@@@@ ,@@@@@,,,,
@,,@@,,,,, the album is a singularity, an anomaly @@,,,,@,,,
@@,@,@,,,, in spacetime, a creature that knows ,,@,,,@@,,
@,@@@@@,,, exactly how beautiful it is. ,,@@,,@,@,
@@@,,,,@,, , ,,@,@,@@@@
,,,@,,,@@, and the thing is: it sees itself in @,@@@@@,,,
,,,@@,,@,@ three d. it knows that it's dying. @@@,,,,@,,
,,,@,@,@@@ ,,,@,,,@@,
,,,@@@@@,, ==**==**==**==**==*@@*==**==**==**==**== @,,@@,,@,@
@,,@,,,,@, ,@,@,@,@@@
,@,@@,,,@@ , dolphins and cats , @@@@@@@@,,
,@@@,@,,@, bring us ,,,,,,,,@,
,@,,@@@,@@ , flowers and honey , @,,,,,,,@@
@@@,@,,@@, @@,,,,,,@,
@,,@@@,@,@ , dolphins and cats , @,@,,,,,@@
,@,@,,@@@@ bring us @@@@,,,,@,
,@@@@,@,,, , fairies and bees , ,,,,@,,,@@
@@,,,@@@,, @,,,@@,,@,
@,@,,@,,@, our boat is afloat ,@,,@,@,@@
,@@@,@@,@@ on a surface of lilies ,@@,@@@@@,
,@,,@@,@@, , dolphins and cats , @@,@@,,,,@
@@@,@,@@,@ drag us down @,@@,@,,,@
,,,@@@@,@@ ,«= underneath =«, @@@,@@@,,@
@,,@,,,@@, ,,,@@,,@,@
,@,@@,,@,@ ==**==**==**==**==*@@*==**==**==**==**== @,,@,@,@@@
@@@@,@,@@@ @@,@@@@@,,
@,,,@@@@,, side a is foresty, and side b might @,@@,,,,@,
@@,,@,,,@, be lizardy. but the last song is full ,@@,@,,,@@
,,@,@@,,@@ of space. @@,@@@,,@,
,,@@@,@,@, ,,@@,,@,@@
@,@,,@@@@@ ,,@,@,@@@,
@@@@,@,,,, @,@@@@@,,@
,,,,@@@,,, ,@@,,,,@,@
@,,,@,,@,, ,@,@,,,@@@