...¨~:=@£# #£@=:~¨...
¨~«;*§#@## ##@#§*;«~¨
¨¨¨¨^=†;*§ §*;†=^¨¨¨¨
,¨¨..,=%%@ @%%=,..¨¨,
.,.¨^==&£# #£&==^¨.,.
,:=\;*¤@¤£ statuette £¤@¤*;\=:,
,.,.,¨-;§£ £§;-¨,.,.,
¨.»^*$@# £@$*&*@@$%%£*£¤£~=~~~=»»§£@$*$$&$£¤**&@£ #@#&$*^».¨
..-;%¤@@## $@§¤§¤%** ##@@¤%;-..
,-«;**¤£## ##£¤**;«-,
.¨..-~=*## forests around my childhood home. thick ##*=~-..¨.
¨,~/$*@### pine arcades that were planted and ###@*$/~,¨
¨,~^%&£§$& forgotten. wild boars roaming &$§£&%^~,¨
..,-/=%%£¶ underneath, sniffing at the ground. it ¶£%%=/-,..
¨¨,¨:;†¤@¤ is dark and moist, the canopy having ¤@¤†;:¨,¨¨
.-~;=@@@## already soaked up all the sun. ##@@@=;~-.
¨~~^%$## ###&$%^~~¨
,,..»~»»=& there's a river passing by, from east &=»»~»..,,
,,,.»*%§¤£ to west, getting broader and deeper and £¤§%*».,,,
.,»;§*£### slower as it goes. equisetum grow just ###£*§;»,.
.¨:~»=\/£& where the pine hands start to let &£/\=»~:¨.
,¨.-~§@%§¶ through light, horsemint on the rocky ¶§%@§~-.¨,
,¨,.,«%#§@ river bed. @§#%«,.,¨,
..,-;%*=*# #*=*%;-,..
.-~=^$@£## \ ##£@$^=~-.
¨~«-«:$¤@# #@¤$:«-«~¨
¨~~\%§§@## the riverbanks reek of magic. tonight ##@§§%\~~¨
,,«=§%¤£## they had been a swampworld with sylvan ##£¤%§=«,,
.¨,.~~~^*§ water, stone rings and floating moss. §*^~~~.,¨.
,.«††%§£## you could've found me wallowing around ##£§%††«.,
,,.^-~%£@# on the southern shores until i got #@£%~-^.,,
¨,:»~†††$# bitten. #$†††~»:,¨
,,~^§¤@£@# #@£@¤§^~,,
..«\=$@### but now i'm further back, on solid ###@$=\«..
,¨,..¨:~§£ ground, in shoulder-high grass, with an £§~:¨..,¨,
¨.,,,.†%$@ orange tin radio and a translucent @$%†.,,,.¨
,,-^§£@### umbrella which i'm sitting on. ###@£§^-,,
¨~-†^%@### ###@%^†-~¨
¨,-/^§*%¤@ : @¤%*§^/-,¨
.,=†§$¤#@# #@#¤$§†=,.
,.=^^@#@## somethings moving in the grass. it's ##@#@^^=.,
,-«/$¶## invisible to my eyes but i can feel ##¶#&$/«-,
.:=/§*§@## through the ground just how large it is. ##@§*§/=:.
¨^~=*%¤@@# #@@¤%*=~^¨
¨,.,,;=£@£ the soil is muddy. i slip when trying £@£=;,,.,¨
...,--§&&@ to get up, still looking at the @&&§--,...
¨,~;=££@## direction of sound rather than at my ##@££=;~,¨
¨^»;%%*£## hands, who are busy putting things in ##£*%%;»^¨
¨.:~=*†@££ my pockets. ££@†*=~:.¨
.,.~.-»§*¤ ¤*§»-.~.,.
.:~^§$@@## then i run east toward my home. ##@@$§^~:.
,-«~~«^*£@ @£*^«~~«-,
..¨¨.«†^ † #&^†«.¨¨..
¨-=;=%@¶## ##¶@%=;=-¨
,.»*$£#@## i am not followed, and slow down in the ##@#£$*».,
.~-**%¶### clearing where you at first can spot ###¶%**-~.
..--»*:=&& the house, not yet really in the &&=:*»--..
¨^»^*£##¶@ backyard. from my pockets i retrieve my @¶##£*^»^¨
,~=\%@@¶## radio (now dented) but also a small ##¶@@%\=~,
,.¨¨.»%@§§ clay figure i've never seen before. it §§@%».¨¨.,
..,,~^$£## must have been laying in the wet dirt, ##£$^~,,..
,^=^§&§%£@ and i must've picked it up with my @£%§&§^=^,
¨^»;*§¤### other belongings. ###¤§*;»^¨
¨¨¨,.¨~†@# #@†~¨.,¨¨¨
¨¨¨.~=*&§@ it's a statuette of a girl laying naked @§&*=~.¨¨¨
¨-~==£#### on her stomach, feet in the air, ####£==~-¨
,:~^*@#@## roughly seven centimeters long. it's ##@#@*^~:,
,,~†*&£#@# freshly made, not yet completely dried. #@#£&*†~,,
,...¨^†%@# #@%†^¨...,
¨¨.~»~/*£& my mom is here now. i ask her for some &£*/~»~.¨¨
¨¨¨,-»\@#@ particle board for it to dry on, but @#@\»-,¨¨¨
¨^~*%¤§@## she is worried and wants me to ##@§¤%*~^¨
¨,-=§£#¶@# throw it away. #@¶#£§=-,¨
.,,¨..¨~%£ £%~¨..¨,,.
,.«\*¤##@# #@##¤*\«.,
.,-:*££# ##&££*:-,.
¨.¨~»†%§£# #£§%†»~¨.¨
¨¨¨,¨~:£££ £££:~¨,¨¨¨
¨,»/§$§£## ##£§$§/»,¨