,..,¨.,,@¤ .¨.,,#¨.¨.
@¤§#££§,.£ &&§&..¨#@#
&@#§@§¨¨¨¨ &£&¨,#¨¨§#
§@£#¤,¨¤§¤ £@.¨¨¨¨¨¨¤
&&§¤¨¨,.¤¤ £.,£&¤£#¨¨
¨@§¨¨#@,¨& statuette ,,,,§¤&.,¨
.,¨,¨¨¨,¨. ££@¨.§¨,££
.££@¤#&@&& $%*@%£¤§$$$%§£§%~«-««»=»*$%&§$$¤$@**&$@% ££..,..,.¨
..¤£&§£@§& $**$$$%£% §.¨§@£&@
¨.¨§@£§@#& .,,,#§£&¤¨
##¨¨§¤#@£& forests around my childhood home. thick ¤§¤,.£..
,...,¤£& pine arcades that were planted and &&.,,.#,,,
#&&@,.@@#¤ forgotten. wild boars roaming &..@@.¨¨@§
£££¨...@§, underneath, sniffing at the ground. it ,,.,,.£,¨&
§@¨.&&.¨,¨ is dark and moist, the canopy having £&§@&..,.¨
¨,,.,..¤§& already soaked up all the sun. #¤@&.,£&¤¨
¤&@@§¤..¤@ ,¤¤¨¨¨,¤,,
.¤@@@.,,.& there's a river passing by, from east ¨¨¨,¤§.,..
,.@&.¨@@,¨ to west, getting broader and deeper and .¤&,.¨,£§§
¨¨,..¨,.,¨ slower as it goes. equisetum grow just ..¨,@§¨.¤¨
@@@#@££&§£ where the pine hands start to let ,£#.,¨¨¨¨,
,§#§&§§&§. through light, horsemint on the rocky .,¨.#¤@¤#,
¨.@§£&¤¤¨, river bed. ¤@§,.##@¨.
£,¨&@#@¨¨& ,,..&.¨£
,¨.¨&£..,¨ : ,¨.££¨....
¤¨.,.£ @£..¨,#@£&
£&,.&§,¨@& the riverbanks reek of magic. tonight .¨.&@¨.#@£
£,.,,.,,¨# they had been a swampworld with sylvan £@,¨,,¨¨£&
,¨¤§££¨, water, stone rings and floating moss. ,,¨@¤@£.¨§
.,,§§#¤.¨§ you could've found me wallowing around §¤¨,£@¨.¨¨
§@¨.¤£.,., on the southern shores until i got @,,.,,.¤§&
£¨,¨.,¨@§@ bitten. ,,¤§&¤¨,¤§
.,&&¤£¨,¤§ @¨¨¤£¨,¨,#
¨.,§&,¨,.. but now i'm further back, on solid ..,.¨,##,¨
#&,..,&&£# ground, in shoulder-high grass, with an .@¤§@¨¨.,¤
@.¨#&.¨¤#. orange tin radio and a translucent .,§&..§£.¨
.¨¨,,,..,, umbrella which i'm sitting on. .¨.¨¨.,.,,
@#&¤§££&§§ @§§§&§¤@@@
&@¤###£##¤ = &@££¤§&&¤¤
§£££@£ @##£¤££&
¤§¤§¤¤£§#£ somethings moving in the grass. it's §#&££@@¤&¤
&¤¤#£¤&@&@ invisible to my eyes but i can feel @@#¤#@¤§
&¤@@&@&§¤£ through the ground just how large it is. @#¤¤§¤@&
##@#¤§£§§§ §¤#@£&¤&£@
£¤¤##£##@@ the soil is muddy. i slip when trying §£¤£§@§@¤#
&¤&§£§¤§ to get up, still looking at the §¤@£@##£§¤
#&&£§@¤#@§ direction of sound rather than at my &¤§§§£§&§@
@##@#@§# hands, who are busy putting things in ¤&£§£#§£
§#&@@##££# my pockets. £§¤§@¤£&§£
@§###¤@¤@@ £@§§§¤£#
¤&@#¤&£#¤§ then i run east toward my home. @##££&&&
#£@£#@@@ §£&§&§¤#£#
#@¤¤&¤§#¤£ ^ &&@@#¤@@@§
§#&@£#¤&¤§ @¤¤#£§#££&
&§@§#£@§## i am not followed, and slow down in the #@&£¤#§£#@
@@¤##&@£§& clearing where you at first can spot £¤¤£&£@£##
¤&¤@§#&@£§ the house, not yet really in the §@#@&¤§&¤&
¤£§@@&§£¤@ backyard. from my pockets i retrieve my §§@#¤¤¤@¤&
¤§£¤####&@ radio (now dented) but also a small &&£§#§££
¤@##@@&¤ clay figure i've never seen before. it #&£&&@££&£
¤&£¤¤#§¤ must have been laying in the wet dirt, @@¤§§@§@@&
£#&&@@#£¤@ and i must've picked it up with my £§#§§£§&
§§¤£@##§££ other belongings. £§@&£#§£#£
##&@#@#§ ¤£#£##§@@£
@£¤@@§#@@& it's a statuette of a girl laying naked &¤§&&&@&
#¤¤£§¤§&¤§ on her stomach, feet in the air, #@#&&@££¤&
§#¤£§@£&¤& roughly seven centimeters long. it's §££§#@@£
§&&&&¤§¤ freshly made, not yet completely dried. @#@@§§@#£§
§£&££££#¤¤ #@§§£@@#@&
§@££££¤@§£ my mom is here now. i ask her for some #&@¤¤&§@
¤&§§#&¤&&§ particle board for it to dry on, but ¤¤&&¤#§§£@
§#¤@§@§#@¤ she is worried and wants me to &&@#£§§&&@
#¤¤¤@¤#@@£ throw it away. ££§§@££§##
#&¤¤¤§§¤§@ #@§##¤
&£##§&¤#&@ &¤#§¤#¤§
@#¤&&£#¤£@ £&@@§@#&
@¤@§¤£@£§# ¤@§@£#£££§
@#§£#¤¤£&& @&¤¤@£@#¤#
§§@¤&¤¤§&£ &&¤¤¤##¤@@