§@§¤¨.£,¨# ¨,¤,¨#¨,¨¤
§¤#,,¨,,,. @.,¨¨.¨@.¨
.¤.¨&£@£§. ¨,¤§¤&.,,¨
.¨¨,.£&¤.¨ #,¨@£,.££§
.#£&,¨&,¨£ .,,.,..,&¨
,¨£,¨¨.¨¨. statuette £#£¤@&£..¨
&..¨£#£&§. §&@§@¤¨¨@@
¨¨@.,##§,¨ @%¤£$%$*%$$*£$$¤«~-~=»~~§@*$@§§§¤%$$&@$& ,@@§§.,¨.&
¨.,.¨¨#¨.. £%££*£*¤& .¨&&¨¨£#,¨
#¤£¤@,¨.@£ @.¨.,¨¨,,#
@&@#¨¨¤,¨§ forests around my childhood home. thick ¨,§£¤#£¤.,
,¤¤¨.,¨,., pine arcades that were planted and .,¨@&¤£,,¨
,¨,,£§¤¤@, forgotten. wild boars roaming ¤£,,¤#..¤@
,@#¨¨#£¤,, underneath, sniffing at the ground. it ¨¨,,...,¨¨
,,¨¨¨¨£¨¨, is dark and moist, the canopy having #¤@@#§£¤@&
¨§£¤@,,¨#§ already soaked up all the sun. .&&&¤&&¤¤,
,¨##,.¤,.¤ .,@#§@@§¨.
£,.,,¨,.,¨ there's a river passing by, from east @,¨§#££.¨#
,.§&¤§¤@&, to west, getting broader and deeper and .¨,.@&¨.,¨
@.¨@¤#&¤.. slower as it goes. equisetum grow just ,£&.,.¨#§¤
.,,.&&¤.,& where the pine hands start to let .¨,¨¤£,,#¤
,£@¨¨#,,.¨ through light, horsemint on the rocky £#¤,¨..¨¨.
,,.,,¨¨&@, river bed. ££,,¤¤&&¤#
,£@&,.., ,.¨.,££&§¨
..#§§.,§&. ; @@¨,&¤¨.
#¨¨§,¨,¨¨, £@&¨¨,,,.@
.¨,¨,&§¤#& the riverbanks reek of magic. tonight @#,,#&§@,,
¤@##.¨§@#£ they had been a swampworld with sylvan §.,..££,,¤
§&§,,.,§&¤ water, stone rings and floating moss. .,&¤,.¨,.,
,@.,£&¨,#£ you could've found me wallowing around §¨.¨.§@&£.
¨.,,,.,,.¨ on the southern shores until i got ,,##,,@§,.
§£¤@§#@¤££ bitten. ¨.¨,¨¨¨.,#
¤§#@#££@@@ &&§@&&§§.¨
¨&¤¤§¤££££ but now i'm further back, on solid &¤£&@@¤.¨.
.¨§@¤@§£&§ ground, in shoulder-high grass, with an &&§££@¨.#£
,,.&&&#§ orange tin radio and a translucent &@£#§¨¨¨..
¤@,¨#¤#££, umbrella which i'm sitting on. ¤#§£¨¨&&¤&
¤¨.,.#§¤¨. £#&¨.,,@§@
.,#§..@.,£ ^ £@,.¤§,¨£§
.,¨¨¨¨¨¨,, ,,¨¨..,¨,,
@£@&¤§#§ somethings moving in the grass. it's £&&¤&@¤§@£
@&§#@&££#£ invisible to my eyes but i can feel ¤¤&§#£¤##¤
@§§§#@@£ through the ground just how large it is. @££##¤£@
¤#@#§¤§§@£ ¤¤§&§@#&&£
¤##&££&§ the soil is muddy. i slip when trying @#¤£&££££¤
£¤&&£#&£¤& to get up, still looking at the @&§£&@@¤
££¤#§#£§ direction of sound rather than at my ¤#£§&§£###
&¤§@¤§#£#§ hands, who are busy putting things in ¤¤####£&§@
@¤£##§#&§£ my pockets. @@§#¤§#@
£§£¤#&§#£@ #§@@#&¤@
§££¤&£§# then i run east toward my home. £¤§@@&¤££§
@##¤&§#§££ §£@#@&£#¤§
§¤£&¤§&¤¤§ = £@#&@§£¤#¤
¤#§§¤£§@#£ ¤£@¤§#@&§#
¤§¤§§¤§#§£ i am not followed, and slow down in the #&£#§¤@¤#¤
££§@@&§§ clearing where you at first can spot ¤§#¤&&§&@@
§@&§&§§@&& the house, not yet really in the §&&&§&£@@§
£@¤&&@#¤@£ backyard. from my pockets i retrieve my ¤§£§#&£§§¤
¤£§###@&@& radio (now dented) but also a small ¤£¤£&@&&¤¤
#@@&&£&¤¤& clay figure i've never seen before. it &§&&@@§£@¤
&¤####@&£¤ must have been laying in the wet dirt, £¤#¤#¤£##¤
#&£@£&£##£ and i must've picked it up with my @@§&@£¤§
£§@@££&¤§& other belongings. @#§§§£§@
¤£&§¤¤¤&£& #§&¤&£#¤¤@
@£#@&££§#£ it's a statuette of a girl laying naked §¤§§&§#@@¤
¤££§§§@&¤@ on her stomach, feet in the air, #§@£££¤§#§
¤@&§#¤#¤££ roughly seven centimeters long. it's ##&&&¤##§§
£§¤#§#¤&@§ freshly made, not yet completely dried. £&£#¤#@&
§&¤#@#§£ ¤¤¤¤&§
#§&£@¤§@ my mom is here now. i ask her for some @£¤@@¤
@@&£§#¤£&§ particle board for it to dry on, but @¤#¤§¤#§#¤
&@¤£££&£@@ she is worried and wants me to £@¤##¤@¤@§
#&£¤@&@@## throw it away. £#£¤§#@#§¤
£&£#§@&£&& £#@#¤£@@£§
£¤£@¤¤§¤£@ &£§&@¤##£#
£&&£@§¤§#£ §#£#@#¤¤
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