..~:*¤§### ###§¤*:~..
,¨:-=^$¤## ##¤$^=-:¨,
,,~\%§#### ####§%\~,,
¨,:-;§%#@# #@#%§;-:,¨
¨:»:*%§### ###§%*:»:¨
,,.»;^££## statuette ##££^;».,,
¨.»^=*@@## ##@@*=^».¨
.¨~=†=*@## ££*£¤%£**%$$£§%$~«=~«=--£%**%¤¤£%@£$*%%% ##@*=†=~¨.
,~»;*%#£## %%*%¤$$%$ ##£#%*;»~,
,¨,«\%§¤## ##¤§%\«,¨,
,:~†**£### forests around my childhood home. thick ###£**†~:,
,,~-^†*££# pine arcades that were planted and #££*†^-~,,
¨~«^$%@@@# forgotten. wild boars roaming #@@@%$^«~¨
,.:-†%$@£@ underneath, sniffing at the ground. it @£@$%†-:.,
.:=:†£@### is dark and moist, the canopy having ###@£†:=:.
..,«:*%§#@ already soaked up all the sun. @#§%*:«,..
.-«/%*@# #@#&*%/«-.
,¨^~/†*&@# there's a river passing by, from east #@&*†/~^¨,
¨,-†*$£@@# to west, getting broader and deeper and #@@£$*†-,¨
¨.~»\^%§## slower as it goes. equisetum grow just ##§%^\»~.¨
¨~«†%@£@@# where the pine hands start to let #@@£@%†«~¨
¨.~»;*$¤#@ through light, horsemint on the rocky @#¤$*;»~.¨
.~~=§£¤¶## river bed. ##¶¤£§=~~.
,.~~:§%¤#@ @#¤%§:~~.,
..~^*%§£## : ##£§%*^~..
¨¨,«;*§### ###§*;«,¨¨
,:~^*$@¶## the riverbanks reek of magic. tonight ##¶@$*^~:,
,¨,»;*%¤£@ they had been a swampworld with sylvan @£¤%*;»,¨,
.,~*%&@# water, stone rings and floating moss. #@#&&%*~,.
,,,~=*§£@# you could've found me wallowing around #@£§*=~,,,
..~^*%£@@# on the southern shores until i got #@@£%*^~..
.¨^-;^%£¶# bitten. #¶£%^;-^¨.
¨~=/%$£@## ##@£$%/=~¨
,,-«;§%@## but now i'm further back, on solid ##@%§;«-,,
.^-*$§§¶## ground, in shoulder-high grass, with an ##¶§§$*-^.
.,,~†§$@¶@ orange tin radio and a translucent @¶@$§†~,,.
.-==%$¤### umbrella which i'm sitting on. ###¤$%==-.
,,.«*§£¤@@ @@¤£§*«.,,
¨:~††$§### * ###§$††~:¨
¨¨--\*££## ##££*\--¨¨
.^==†@§£@# somethings moving in the grass. it's #@£§@†==^.
¨.^»^*$@@@ invisible to my eyes but i can feel @@@$*^»^.¨
.~-;^%£@## through the ground just how large it is. ##@£%^;-~.
,.-=^†£&£# #£&£†^=-.,
.:»=%$@¶## the soil is muddy. i slip when trying ##¶@$%=»:.
..,~:^*¤## to get up, still looking at the ##¤*^:~,..
¨-=†*£#@@# direction of sound rather than at my #@@#£*†=-¨
.,,~*%*£## hands, who are busy putting things in ##£*%*~,,.
.:~^%%¤@## my pockets. ##@¤%%^~:.
¨,.-:†*§@# #@§*†:-.,¨
¨^«:*%£@## then i run east toward my home. ##@£%*:«^¨
¨.,«:*$¤@# #@¤$*:«,.¨
¨^=/%*§@## : ##@§*%/=^¨
¨..»;%*&@# #@&*%;»..¨
,.=*%££¶## i am not followed, and slow down in the ##¶££%*=.,
¨¨,=\%%§@@ clearing where you at first can spot @@§%%\=,¨¨
,:«;=%@# the house, not yet really in the #@#&%=;«:,
¨..~*†£&@# backyard. from my pockets i retrieve my #@&£†*~..¨
..~;=¤£@@# radio (now dented) but also a small #@@£¤=;~..
..~~/§¤§## clay figure i've never seen before. it ##§¤§/~~..
,^=^†%§¶## must have been laying in the wet dirt, ##¶§%†^=^,
.,-»/$$@## and i must've picked it up with my ##@$$/»-,.
¨,~†§&@@## other belongings. ##@@&§†~,¨
,.~~*$%¤## ##¤%$*~~.,
¨,=/%¤#@@# it's a statuette of a girl laying naked #@@#¤%/=,¨
,¨~-;%§#@# on her stomach, feet in the air, #@#§%;-~¨,
¨-~:^£@### roughly seven centimeters long. it's ###@£^:~-¨
.,,«*=%££# freshly made, not yet completely dried. #££%=*«,,.
..«^§£#£## ##£#£§^«..
,..»^*£#¶# my mom is here now. i ask her for some #¶#£*^»..,
,,~=$£#£## particle board for it to dry on, but ##£#£$=~,,
¨.^=^%*§#@ she is worried and wants me to @#§*%^=^.¨
,,»†*$§£@# throw it away. #@£§$*†»,,
.¨,=^%$§@@ @@§$%^=,¨.
,~-=$$@£## ##£@$$=-~,
,,,~†=*¤£# #£¤*=†~,,,
¨,~††¤¤### ###¤¤††~,¨
¨,:«;=££## ##££=;«:,¨
.,~=§£§@## ##@§£§=~,.