,,,.,¨.#@, ¨¨,.,.£¤,¨
£@@###,..¨ #§#§£.¨.¨§
£§@¤#.,##. #@£#¨.¤&,,
.££#.¨,.,. §#§,.,¨,,.
.¨#¨¨#¤@ §#¨.¤@#§&¤
¨.,,¨,&£@¤ statuette @,..,@£§£.
§¤£@&¨,¤£¨ ..#¤¨¨,¨
¨&@¤.,,,,. $@*¤%§%§%§£*¤¤%&=«=~«~~~@¤£££§£¤%£%$*¤%§ ¨,,¨¨.¨¨¨,
,,@¨.¤@&¤, $§§&££¤%§ £&§£§£@@£¤
.¨,.¨,¤§,¨ ,&§§£@@¨
§¤¤#§¨,,,. forests around my childhood home. thick ,¨¤#&§&£,.
,§,¨@£§@ pine arcades that were planted and ¨,¨£###¨¨.
¨.¤,¨¨¨¤£@ forgotten. wild boars roaming &@..¤¤¨.§@
¨¨.¨£§..¤@ underneath, sniffing at the ground. it ,¨.¨,¨,.,¨
@§&¨.,¨..¤ is dark and moist, the canopy having §££§#£@§@£
§&¨¨##@£,. already soaked up all the sun. @@¤&¤@§££&
¤,...#¤.¨§ &§¤£#£@#&£
,,#¤.¨¨.., there's a river passing by, from east £&&@£&@¤¤£
,,¨,¨&¤¤§# to west, getting broader and deeper and ¤££¤@@##£,
£¤@#,¨£§&§ slower as it goes. equisetum grow just §@#§&@@£..
,#¤,.,.#@. where the pine hands start to let #¤§#&¤£,¨¨
,¨..£@..¨¨ through light, horsemint on the rocky £¤&@#&..##
.§#,¨,¨§£§ river bed. £#¤£#.¨,,¨
¨¨¨,&£,¨¤# £¤#§.¨#¤¤@
,£¤¨¨,.¨,, : &@&¨¨,¨£§¨
,¨¨,¤@¤¤&£ £§..£§..¨¨
#&§¨¨¤#¤¤¨ the riverbanks reek of magic. tonight &,..¨,¨@¤#
&§,,.¨§@¨¨ they had been a swampworld with sylvan ¨.£¤£#¨.
@¨.§@¨,.,¤ water, stone rings and floating moss. .,,#£,.,,¤
,,,,¨,¤@,, you could've found me wallowing around &&,¨¨.@¤,¨
&§£££¨¨.¨@ on the southern shores until i got ¨¨,@¤¨¨¨,@
¤@¨.@£.¨ bitten. @£¨..¨¤§,¨
¨,.,,,¨§ ¨..&§,¨,¨¨
¨,¨.§§@&¨. but now i'm further back, on solid @&¨,.¨§§§£
,#@¨,&&..# ground, in shoulder-high grass, with an £¨¨§@¨.¤¤¨
..¨,¨¨¨.,, orange tin radio and a translucent ..,.,,,,,,
§£§&¤#§&&£ umbrella which i'm sitting on. ¤¤&&§@£§
¤&§@#£@#&£ §##§@##§£&
@#&§§¤&@£& \ &£@#&¤§¤¤§
¤@&@@&@§§£ ¤¤¤¤&£&£
##£##&@@§& somethings moving in the grass. it's ¤§##&£¤£
§@£@@§&&£§ invisible to my eyes but i can feel @§§¤¤#£@&§
@£&££¤§£££ through the ground just how large it is. §£#@¤#@§&¤
£¤¤¤@§@¤@& §¤@&£#@¤@¤
¤¤&££§£#@£ the soil is muddy. i slip when trying #£¤§##¤£##
§#@&§£¤@§¤ to get up, still looking at the ¤§#¤&£@@§#
##@£¤§§@¤§ direction of sound rather than at my §@£¤¤@§&&£
£¤@&¤§§### hands, who are busy putting things in ¤¤§¤#§¤£§#
#&¤£§¤@§@£ my pockets. ¤##&@&&£¤£
&£¤££##¤ @#¤#££@#§@
£@&&¤£@@#§ then i run east toward my home. #¤#@£#¤#§§
#§§£§&&§¤@ @§§¤#@£#&£
¤@¤¤¤&£#&& \ £§£¤&§§§
&§@¤§@## @££££§@&
&@@@£#§##@ i am not followed, and slow down in the @¤###¤&£¤¤
@&&¤@##@&& clearing where you at first can spot §§#@§@@&@@
££#¤&&£### the house, not yet really in the £¤¤§#¤£&£¤
§£¤@#£¤§§¤ backyard. from my pockets i retrieve my £@&£#¤¤¤£@
£¤£@§§¤£#@ radio (now dented) but also a small §£§&@§§#¤@
##§&£&£@ clay figure i've never seen before. it §£¤£££¤@
§@§#&¤@¤#@ must have been laying in the wet dirt, ¤£§&££¤¤@¤
&#¤§§#¤@ and i must've picked it up with my &¤&§¤¤§£&@
#§##£#§@@@ other belongings. @#¤¤¤§§¤
&§£&££@¤ #£§##@§###
@&£#&£§§§@ it's a statuette of a girl laying naked £@@#¤¤§@£@
£@#§#@££#§ on her stomach, feet in the air, @§#¤§§§##&
£#£§¤§£§§# roughly seven centimeters long. it's @&&§¤§#¤§@
§#£&&&@&@¤ freshly made, not yet completely dried. §§§@#@&§
§&§&£¤§& &&¤¤£§§#@#
#@£@£££§#& my mom is here now. i ask her for some §&@¤@£§¤&@
§§£##@&@@@ particle board for it to dry on, but #§££§#§@&§
¤£§&§&&&§# she is worried and wants me to §¤£@§§£§¤&
£§#¤§#§&¤§ throw it away. #@#@¤#££££
§##§#¤@@#£ §£¤@&£&#
&§&@¤&§¤ &£§£@£#¤
§£§&£#@@§£ &@&£@¤£¤¤&
@##§§£@@&@ #&£§&¤@@¤#
¤§&§&££#¤# §§#&&§§§@@
§&¤@¤@¤£ §¤&@@#@§