,~-†*$@¶## ##¶@$*†-~,
,,»^$£#@## ##@#£$^»,,
¨¨.¨»«;$¶# #¶$;«»¨.¨¨
¨~~==%#### ####%==~~¨
.~-=*¤#### ####¤*=-~.
.:=*§¤@### statuette ###@¤§*=:.
,.¨.,¨-^$# #$^-¨,.¨.,
,,,¨~«=* ¤@$&@§£*%&%*££&$==-~»~==$%@$%¤&%¤%§§§$§$ #&*=«~¨,,,
¨:==*$¤@£@ £%$$&%£$§ @£@¤$*==:¨
¨.=†*&¤@## ##@¤&*†=.¨
.-=^†*£# forests around my childhood home. thick ##&£*†^=-.
¨-«;§¤¤£@@ pine arcades that were planted and @@£¤¤§;«-¨
..¨,~~^\%@ forgotten. wild boars roaming @%\^~~,¨..
,.«;^£@@## underneath, sniffing at the ground. it ##@@£^;«.,
¨.¨.,-»~%§ is dark and moist, the canopy having §%~»-,.¨.¨
,^~\=*@@@# already soaked up all the sun. #@@@*=\~^,
¨,¨.¨:/%## ##%/:¨.¨,¨
.~~^†¤@@## there's a river passing by, from east ##@@¤†^~~.
¨.¨¨~«%*¤¤ to west, getting broader and deeper and ¤¤*%«~¨¨.¨
.,-:$%#¶## slower as it goes. equisetum grow just ##¶#%$:-,.
.¨,.»«/†&£ where the pine hands start to let £&†/«».,¨.
¨,..»»=&§@ through light, horsemint on the rocky @§&=»»..,¨
..¨-~\$£@# river bed. #@£$\~-¨..
,=\†§¤#@## ##@#¤§†\=,
,,,.«=*^§& : &§^*=«.,,,
,¨~«~~*£## ##£*~~«~¨,
¨¨.,~~\:*@ the riverbanks reek of magic. tonight @*:\~~,.¨¨
.¨,==*:^$¶ they had been a swampworld with sylvan ¶$^:*==,¨.
,^~//%$§@£ water, stone rings and floating moss. £@§$%//~^,
,,^=-;*%@# you could've found me wallowing around #@%*;-=^,,
¨:=;%$@£@# on the southern shores until i got #@£@$%;=:¨
.,-=£¤#### bitten. ####¤£=-,.
.,«*§$#### ####$§*«,.
,,~;*&¤@## but now i'm further back, on solid ##@¤&*;~,,
¨¨¨^*;$@@¶ ground, in shoulder-high grass, with an ¶@@$;*^¨¨¨
¨.«=^*@£#£ orange tin radio and a translucent £#£@*^=«.¨
.,«**££#@# umbrella which i'm sitting on. #@#££**«,.
¨.-;%§¤### ###¤§%;-.¨
.:»*%*§§## / ##§§*%*»:.
,-~^=@£@#@ @#@£@=^~-,
,:~*†&§@## somethings moving in the grass. it's ##@§&†*~:,
,,«†§%#### invisible to my eyes but i can feel ####%§†«,,
.,=^*$#£@@ through the ground just how large it is. @@£#$*^=,.
.¨¨,.»†$$@ @$$†».,¨¨.
,¨¨,=*=# the soil is muddy. i slip when trying ##&=*=,¨¨,
.,«^=£§@@# to get up, still looking at the #@@§£=^«,.
,,«\=¤&¤ direction of sound rather than at my #&¤&¤=\«,,
.¨,:=*^@¤@ hands, who are busy putting things in @¤@^*=:,¨.
,-~*^&@##@ my pockets. @##@&^*~-,
,.¨~~-=%£# #£%=-~~¨.,
.,¨¨,,«^£# then i run east toward my home. #£^«,,¨¨,.
¨.¨¨,«\%%@ @%%\«,¨¨.¨
¨:~\†&§### : ###§&†\~:¨
.-=\$$¤### ###¤$$\=-.
.,=^§@¤@## i am not followed, and slow down in the ##@¤@§^=,.
,,~:%£#### clearing where you at first can spot ####£%:~,,
,,^~\/**$£ the house, not yet really in the £$**/\~^,,
,:~*^$§### backyard. from my pockets i retrieve my ###§$^*~:,
.~-=%$$£¶£ radio (now dented) but also a small £¶£$$%=-~.
,:»;%¤&@## clay figure i've never seen before. it ##@&¤%;»:,
¨,-/$£¤##£ must have been laying in the wet dirt, £##¤£$/-,¨
.:~\$%&@¶@ and i must've picked it up with my @¶@&%$\~:.
..~\%&¤@¶# other belongings. #¶@¤&%\~..
¨~===£§### ###§£===~¨
¨,¨.~:== it's a statuette of a girl laying naked #&==:~.¨,¨
,...,;%^§¤ on her stomach, feet in the air, ¤§^%;,...,
,:~††£#£@# roughly seven centimeters long. it's #@£#£††~:,
.¨,~»:;=&@ freshly made, not yet completely dried. @&=;:»~,¨.
,,~^†§@£@# #@£@§†^~,,
.,~\=:%£@@ my mom is here now. i ask her for some @@£%:=\~,.
¨.~:*$*§£# particle board for it to dry on, but #£§*$*:~.¨
¨^-†%$&@## she is worried and wants me to ##@&$%†-^¨
¨,~:†¤@@## throw it away. ##@@¤†:~,¨
.,,..:**## ##**:..,,.
.-~;$%£@## ##@£%$;~-.
.:«^^££### ###££^^«:.
¨...,,«$£# #£$«,,...¨
,^~=%$§@## ##@§$%=~^,
,,~*^¤#¶#@ @#¶#¤^*~,,