.:»††$&¶## ##¶&$††»:.
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¨¨,^»$£$¶@ @¶$£$»^,¨¨
...¨¨:^*¤# #¤*^:¨¨...
.:~:^&## ###&&^:~:.
¨,-†$$@@@# statuette #@@@$$†-,¨
..=^$&&¶## ##¶&&$^=..
.,~*%¤@¶@@ §£*£*$$£@%£&%%$*«=~~~~~-*¤££$%$*££%*@$%& @@¶@¤%*~,.
.,=:^£## £§$££$&¤% ###&£^:=,.
¨:»†^&@£## ##£@&^†»:¨
¨-~/$%@¤*@ forests around my childhood home. thick @*¤@%$/~-¨
,~»:§@§### pine arcades that were planted and ###§@§:»~,
¨,=\*%£$¶¶ forgotten. wild boars roaming ¶¶$£%*\=,¨
¨^-†%¤#£## underneath, sniffing at the ground. it ##£#¤%†-^¨
¨.~^:^††@@ is dark and moist, the canopy having @@††^:^~.¨
.,~**£#@#@ already soaked up all the sun. @#@#£**~,.
¨,¨,«%*&£# #£&*%«,¨,¨
¨--:†££¶## there's a river passing by, from east ##¶££†:--¨
¨:=\*§##@# to west, getting broader and deeper and #@##§*\=:¨
,.¨¨.-;# slower as it goes. equisetum grow just ##&;-.¨¨.,
¨..¨..==$¶ where the pine hands start to let ¶$==..¨..¨
.,«:§%@@## through light, horsemint on the rocky ##@@%§:«,.
,-«\^*§@@# river bed. #@@§*^\«-,
.¨.=;$%&£# #£&%$;=.¨.
¨,»=%¤@### ; ###@¤%=»,¨
.,¨.¨:**@# #@**:¨.¨,.
..-††§£#@# the riverbanks reek of magic. tonight #@#£§††-..
¨,»*@#@### they had been a swampworld with sylvan ###@#@*»,¨
.,¨~~~:$¤¤ water, stone rings and floating moss. ¤¤$:~~~¨,.
¨^-**^¤%## you could've found me wallowing around ##%¤^**-^¨
¨.¨¨.~=%¤£ on the southern shores until i got £¤%=~.¨¨.¨
.¨..-»=:§# bitten. #§:=»-..¨.
¨,,¨=-=;%¤ ¤%;=-=¨,,¨
.,~/*@#&§@ but now i'm further back, on solid @§@*/~,.
¨.,...»=¤§ ground, in shoulder-high grass, with an §¤=»...,.¨
¨~~\=£§@## orange tin radio and a translucent ##@§£=\~~¨
¨,-^*£¤@@# umbrella which i'm sitting on. #@@¤£*^-,¨
.~~^§%£@## ##@£%§^~~.
¨,~††¤@¤#& : ¤@¤††~,¨
.^~*§$£%¶# #¶%£$§*~^.
,,~†$$¤¤ somethings moving in the grass. it's ¤#&¤$$†~,,
,~~:*%§@## invisible to my eyes but i can feel ##@§%*:~~,
.,=†§¤#### through the ground just how large it is. ####¤§†=,.
.~~;=&¤### ###¤&=;~~.
¨,»=$§&£## the soil is muddy. i slip when trying ##£&§$=»,¨
.:=;*%#¶£@ to get up, still looking at the @£¶#%*;=:.
.,.=~†=§## direction of sound rather than at my ##§=†~=.,.
.~«^§*#### hands, who are busy putting things in ####*§^«~.
.^~=^@&@## my pockets. ##@&@^=~^.
,-~\§%§@## ##@§%§\~-,
¨¨.¨¨.¨«=& then i run east toward my home. &=«¨.¨¨.¨¨
¨,,,,;†#¶# #¶#†;,,,,¨
.,=*=*§# † ##&§*=*=,.
,,»/*$§*$& &$*§$*/»,,
,-=:$%@¶@# i am not followed, and slow down in the #@¶@%$:=-,
,,-**¤&@## clearing where you at first can spot ##@&¤**-,,
¨.~^*:$££# the house, not yet really in the #££$:*^~.¨
¨¨¨.¨«^†§£ backyard. from my pockets i retrieve my £§†^«¨.¨¨¨
,.-:*&¤##£ radio (now dented) but also a small £##¤&*:-.,
.^»;$¤#£@# clay figure i've never seen before. it #@£#¤$;»^.
...::;*#@£ must have been laying in the wet dirt, £@#*;::...
,,.~-§†=£# and i must've picked it up with my #£=†§-~.,,
¨,,.~--*&@ other belongings. @&*--~.,,¨
¨.=;§*#¶@# #@¶#*§;=.¨
¨,.¨^*£££¶ it's a statuette of a girl laying naked ¶£££*^¨.,¨
,:~\*§£### on her stomach, feet in the air, ###£§*\~:,
.^~/%%@¶## roughly seven centimeters long. it's ##¶@%%/~^.
¨,,.^~;$&@ freshly made, not yet completely dried. @&$;~^.,,¨
.~~=*§@@## ##@@§*=~~.
,^-;%§§@## my mom is here now. i ask her for some ##@§§%;-^,
,.=*§@¶### particle board for it to dry on, but ###¶@§*=.,
¨,-:-=*^§# she is worried and wants me to #§^*=-:-,¨
¨^~=%%¤@## throw it away. ##@¤%%=~^¨
.:-^%%¤### ###¤%%^-:.
¨:=†^**§§# #§§**^†=:¨
.:=;^%£*%§ §%*£%^;=:.
.:«*^%§£## ##£§%^*«:.
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.:~\**£§£¶ ¶£§£**\~:.