##@*»..... .....»*@##
###&@*\»~. .~»\*@##
###&@*\»~. .~»\*@##
###&@*\»~. .~»\*@##
###&@*\»~. .~»\*@##
#@*»~..... L U S H .....~»*@#
###&@*\»~. A R P E G G I O .~»\*@##
####&@*»~. . . . . . . . . . . .~»*@###
###&@*\»~. .~»\*@##
#&&@*»»~.. WHAT ARE THESE THINGS IF NOT BIRDSONG? ..~»»*@&
###&@*\»~. BLACKBIRD + NOISE CASCADE. .~»\*@##
#&@\»~.... ....~»\@
#@\~...... THE COMMODORE SOUND MAYBE. DIRTY, ......~\@#
###&@*\»~. MIRRORING, DISTORTED FLUTE, .~»\*@##
&*»»»».... ....»»»»*&
##&*»..... . . . . . .. .....»*#
###&@*\»~. .~»\*@##
###&@*\»~. DDRREEAAMMYY SSLLIIDDEESS .~»\*@##
###&@*\»~. .~»\*@##
#&****\»~. MIRAGES IN SOUND. ARPEGGIOS, CHORDS .~»\****
####&@*\»~ MULTIPLEXED IN THE TIME DOMAIN, ~»\*@###
#&&***\»~. .~»\***&
###&@*\»~. REFACTORED, REFRACTORED, REMADE .~»\*@##
#@@\\\»... ~ ~ . . . ...»\\\@@#
&&*\~..... \ \ \ \ * \ .....~\*&&
##&*\»»»~. @ * @ * @ @ @ @ * .~»»»\*#
###&@*\»~. # # # # # .~»\*@##
&@**\»~... ...~»\**@&
####&*\»~. .~»\*###
###&@*\»~. .~»\*@##
###&@*\»~. .~»\*@##
##&***\»~. .~»\***#
###&@*\»~. .~»\*@##