,,,=\\¤¤§§ §§¤¤\\=,,,
,~=\%¤§#@@ @@#§¤%\=~,
,~=\%¤§§## ##§§¤%\=~,
,~===\\¤#@ @#¤\\===~,
,,~====%%§ §%%====~,,
,~=\%¤§#@# @@@@ ##### #@#§¤%\=~,
,~=\%¤§#@# TAPE DREAM #@#§¤%\=~,
,~\%¤§#@## #### @@@@@ ##@#§¤%\~,
,~=\%§#@## ##@#§%\=~,
,~=\%¤§#@# FOR STORING MUSIC ON. ALSO DATA BUT #@#§¤%\=~,
,,,,~\%¤§# AT THIS POINT IN TIME THAT'S NOT #§¤%\~,,,,
,~=\%¤§#@# REALLY IMPORTANT I THINK. #@#§¤%\=~,
,~=\%¤§#@# #@#§¤%\=~,
,~=\%¤¤¤§@ @§¤¤¤%\=~,
,~=\%¤§#@# \\\\\\\\ TYPES OF TAPE \\\\\\\\ #@#§¤%\=~,
,~=\%¤§#@# #@#§¤%\=~,
,,~~~~\¤§# CLASS I - "BAD" IRON #§¤\~~~~,,
,~=\%¤§#@# CLASS II - GOOD CHROMIUM #@#§¤%\=~,
,~=\%¤§#@# CLASS III - BAD IRON PART TWO #@#§¤%\=~,
,~=\%¤§#@# CLASS IV - DANGEROUS METALS #@#§¤%\=~,
,~=\¤§#@## ##@#§¤\=~,
,~=\%¤§#@# RUMORS EXIST ABOUT A SECRET CLASS V TAPE #@#§¤%\=~,
,~==\%%¤§# THAT IS ACTUALLY USEFUL. #§¤%%\==~,
,,,,~\%%¤§ §¤%%\~,,,,
,~=\%¤¤§#@ \\ BIAS \\ @#§¤¤%\=~,
,~=\%¤§#@# #@#§¤%\=~,
,,,,~~\%§@ CLASS I USES ONE HUNDRED AND TWENTY @§%\~~,,,,
,,,,,,~\%§ MICRO-SOMETHING WHILE THE OTHERS ALL §%\~,,,,,,
,~=\%¤§#@@ USE SEVENTY OF THE SAME UNIT. @@#§¤%\=~,
,~=\%¤§#@# #@#§¤%\=~,
,~~~\%%§§§ §§§%%\~~~,
,~=====%§§ %%%%%%%%% AHA AND %%%%%%%%% §§%=====~,
,~=\%¤§@## ##@§¤%\=~,
,~=\\\%¤## CLASS IV IS APPARENTLY TOO STRONG TO ##¤%\\\=~,
,,,,~~~\¤§ BE USED ON CLASS I PLAYERS. IT WILL §¤\~~~,,,,
,~=\%¤§#@@ SOUND TOO LOUND AND IT CANNOT BE @@#§¤%\=~,
,,,,~==%§§ COMPLETELY ERASED. THIS IS VERY WELL. §§%==~,,,,
,~=\%¤§#@# MAYBE SOME WONDERFUL BLENDING EFFECTS #@#§¤%\=~,
,~=\%¤§#@# COULD BE ACHIEVED? #@#§¤%\=~,
,,,~==\%§# #§%\==~,,,
,,,,,,=%%§ THEY ALSO GNAW AT THE TAPE HEADS A BIT §%%=,,,,,,
,~=\%¤§#@# BETTER THAN EARLIER TAPE TYPES. #@#§¤%\=~,
,~=\%¤§#@# #@#§¤%\=~,
,~=\%¤§#@# #@#§¤%\=~,
~=\%¤§#@## \\\\\\\\ ARTIFACTS \\\\\\\\ ##@#§¤%\=~
,~=\%¤§@## ##@§¤%\=~,
,~=\¤§#@## GOOD TAPES ARE DECENT AND HAVE A GOOD ##@#§¤\=~,
,~=\%¤§#@# HIGH FREQUENCY PRESENCE, BAD TAPES ARE #@#§¤%\=~,
,,,,,==\¤§ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA §¤\==,,,,,
,,,,=\%¤## LIKE IT. ##¤%\=,,,,
,~=\%¤§#@# #@#§¤%\=~,
,~=\%¤§#@# BIAS LOSS: IF YOU FORGET THE BIAS WHO #@#§¤%\=~,
,~=\%¤§#@# KNOWS WHATS EVEN ON THERE ANYMORE #@#§¤%\=~,
,,,,=%¤§§# #§§¤%=,,,,
,~=\%§#@## FLUTTER: KINDA QUICK PITCH VARIATIONS. ##@#§%\=~,
,~=\%¤§#@# BEAUTIFUL, WONDERFUL, EXTRAORDINARY. #@#§¤%\=~,
,~=\%¤§#@# #@#§¤%\=~,
,~=\%¤§§§@ WOW: A SLOWER FLUTTER, USUALLY SEVERAL @§§§¤%\=~,
,~=\%¤§§## SECONDS LONG. WHAT UP. BOTH OF THESE ##§§¤%\=~,
,,,,~=%§§# INCREASE WHEN TAPE SPEED DECREASES. #§§%=~,,,,
,,,,,,=%%§ §%%=,,,,,,
,,,~~~=\¤# PRINT THROUGH: TAPES RUB SOUND ON EACH #¤\=~~~,,,
,,,,===\¤# OTHER IF THEYRE ALONE FOR TOO LONG #¤\===,,,,
,,,,~~~\¤# #¤\~~~,,,,
,~=\%¤§#@@ @@#§¤%\=~,
,,~=\\¤§§§ §§§¤\\=~,,
,,,,,~\%§@ @§%\~,,,,,
,,,,,~\¤¤# #¤¤\~,,,,,
,~=\%¤#@## ##@#¤%\=~,