.....-«;^& &^;«-.....
......-«;^ ^;«-......
.......-«; ;«-.......
........-« «-........
.......-«; ;«-.......
......-«;^ @@@@ ##### ^;«-......
.....-«;^& TAPE DREAM &^;«-.....
....-«;^ #### @@@@@ #&^;«-....
...-«;^# ##&^;«-...
..-«;^#@ FOR STORING MUSIC ON. ALSO DATA BUT @##&^;«-..
.-«;^#@# AT THIS POINT IN TIME THAT'S NOT #@##&^;«-.
..-«;^#@ REALLY IMPORTANT I THINK. @##&^;«-..
...-«;^# ##&^;«-...
....-«;^ #&^;«-....
.....-«;^& ;;;;;;;; TYPES OF TAPE ;;;;;;;; &^;«-.....
......-«;^ ^;«-......
.......-«; CLASS I - "BAD" IRON ;«-.......
........-« CLASS II - GOOD CHROMIUM «-........
.......-«; CLASS III - BAD IRON PART TWO ;«-.......
......-«;^ CLASS IV - DANGEROUS METALS ^;«-......
.....-«;^& &^;«-.....
....-«;^ RUMORS EXIST ABOUT A SECRET CLASS V TAPE #&^;«-....
...-«;^# THAT IS ACTUALLY USEFUL. ##&^;«-...
..-«;^#@ @##&^;«-..
.-«;^#@# ;; BIAS ;; #@##&^;«-.
..-«;^#@ @##&^;«-..
...-«;^# CLASS I USES ONE HUNDRED AND TWENTY ##&^;«-...
....-«;^ MICRO-SOMETHING WHILE THE OTHERS ALL #&^;«-....
.....-«;^& USE SEVENTY OF THE SAME UNIT. &^;«-.....
......-«;^ ^;«-......
.......-«; ;«-.......
........-« ^^^^^^^^^ AHA AND ^^^^^^^^^ «-........
.......-«; ;«-.......
......-«;^ CLASS IV IS APPARENTLY TOO STRONG TO ^;«-......
.....-«;^& BE USED ON CLASS I PLAYERS. IT WILL &^;«-.....
....-«;^ SOUND TOO LOUND AND IT CANNOT BE #&^;«-....
...-«;^# COMPLETELY ERASED. THIS IS VERY WELL. ##&^;«-...
..-«;^#@ MAYBE SOME WONDERFUL BLENDING EFFECTS @##&^;«-..
.-«;^#@# COULD BE ACHIEVED? #@##&^;«-.
..-«;^#@ @##&^;«-..
...-«;^# THEY ALSO GNAW AT THE TAPE HEADS A BIT ##&^;«-...
....-«;^ BETTER THAN EARLIER TAPE TYPES. #&^;«-....
.....-«;^& &^;«-.....
......-«;^ ^;«-......
.......-«; ;;;;;;;; ARTIFACTS ;;;;;;;; ;«-.......
........-« «-........
.......-«; GOOD TAPES ARE DECENT AND HAVE A GOOD ;«-.......
......-«;^ HIGH FREQUENCY PRESENCE, BAD TAPES ARE ^;«-......
.....-«;^& LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA &^;«-.....
....-«;^ LIKE IT. #&^;«-....
...-«;^# ##&^;«-...
..-«;^#@ BIAS LOSS: IF YOU FORGET THE BIAS WHO @##&^;«-..
.-«;^#@# KNOWS WHATS EVEN ON THERE ANYMORE #@##&^;«-.
..-«;^#@ @##&^;«-..
...-«;^# FLUTTER: KINDA QUICK PITCH VARIATIONS. ##&^;«-...
....-«;^ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. #&^;«-....
.....-«;^& &^;«-.....
......-«;^ WOW: A SLOWER FLUTTER, USUALLY SEVERAL ^;«-......
.......-«; SECONDS LONG. WHAT UP. BOTH OF THESE ;«-.......
........-« INCREASE WHEN TAPE SPEED DECREASES. «-........
.......-«; ;«-.......
......-«;^ PRINT THROUGH: TAPES RUB SOUND ON EACH ^;«-......
.....-«;^& OTHER IF THEYRE ALONE FOR TOO LONG &^;«-.....
....-«;^ #&^;«-....
...-«;^# ##&^;«-...
..-«;^#@ @##&^;«-..
.-«;^#@# #@##&^;«-.
..-«;^#@ @##&^;«-..
...-«;^# ##&^;«-...