THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED  TO US, WE WENT ON AN OUTING TO 
 THE GLASS  FACTORY  THAT BORE OUR FAMILY 
 NAME. IT  HAD CHANGED OWNERS MANY  TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD  ABANDONED   FOR   A  LONG  WHILE. 
 FINALLY, THE  NATURAL  END  STATION  FOR 
 THE  BUILDINGS THAT  SURVIVE:  A MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S  A  LONG TIME  SINCE  MY  FAMILY 
 MADE ANYTHING.  BY  MANY,  WE  WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE  ARE TWO  MAIN FACTORY  BUILDINGS, 
 DOMED THINGS OF SEVERAL  FLOORS, MADE IN 
 YELLOW BRICK. LARGE BUT  NARROW WINDOWS, 
 REMINESCENT     OF    SOME    CATHEDRAL. 
 CUSTOM-MADE GLASS, OF COURSE, LARGE  AND 
 LEADED, AND ASHEN. A BIT  TOO DARK TO BE 
 PRACTICAL.  ON   THE  EASTERN  BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE OTHER  ONE IS PUBLICLY OPEN. THERE'S 
 A MUSEUM, WITH WAX FIGURES  OF  MY GREAT 
 GREAT  GREAT  GRANDFATHER, OR SOMETHING. 
 VARIOUS TOOLS (OR  REPLICAS) LAID OUT ON 
 TABLES, WITH EXPLAINING TEXTS. A LOT  OF 
 GLASS     OF     VARYING      THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I  QUICKLY SNEAK OUT, AND CLIMB INTO THE 
 OTHER   BUILDING.   THE    CONTRAST   IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT   FOR  A  LONG   TIME,  WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK  GLASS  ALL  OVER  THE   FLOOR.  NO 
 ELECTRIC  LIGHTS, BUT  I CAN SEE BY  THE 
 LIGHT THAT  SHINES  IN WHEREVER THE DARK 
 WINDOWS     ARE    MISSING    A    PANE. 
                                          
 HOWEVER,  THE GREATEST DIFFERENCE IS THE 
 HIGHER FLOORS:  THIS  BUILDING HAS NONE. 
 IT  IS ONE MASSIVE HALL, STRETCHING AWAY 
 INFINITELY ABOVE ME. SOMEWHERE  UP THERE 
 IS  SOME  GREAT  IRON  LATTICEWORK, FROM 
 WHERE  CHAINS ARE  SUSPENDED, AND  PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE  IS,  IN THE  MIDDLE OF  THE GREAT 
 HALL,  A   THIN  SPIRAL  STAIRCASE  THAT 
 LEADS UP THERE. I SNEAK OVER THERE,  AND 
 TAKE A  FEW RELUCTANT  STEPS. AFTER JUST 
 A  REVOLUTION, I NOTICE  THAT  FOR  EACH 
 STEP  THE BUILDING  STARTS TO  GLOW, THE 
 BRICKS  TURNING  A DARK  RED,  AND  THEN 
 ORANGE, ALL  THE PILED  UP  DEBREE BEING 
 LIT FROM BEHIND.                         
                                          
 I STOP READY TO RUN  DOWN  AND  OUT, BUT 
 THERE'S SOMEONE  ELSE ON  THE  STAIRCASE 
 WITH  ME   NOW,   PRESSED   CLOSE.  HE'S 
 LOOKING LIKE  ME,  SHORT  HAIR AND  THIN 
 ARMS,  BUT  WITH EARS FROM SOME  ANIMAL, 
 AND MORE  DISTURBINGLY,  COMPLETELY MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY  FEAR  HOLDS  ME  IN  PLACE  WHILE HE 
 STARTS  OPERATING LEVERS  AND DIALS  SET 
 IN THE CENTER OF THE STAIRCASE.  SLOWLY, 
 IT STARTS  SPINNING,  CIRCLING  UPWARDS. 
 IT'S   AN  ELEVATOR!  I   START  TO  RUN 
 DOWNWARDS,  BUT   NOW   THE  LIQUID  BOY 
 CREATURE GRABS  HOLD  OF  ME. I  TRY  TO 
 SHAKE HIM  OFF, BUT HE'S TOO STRONG, AND 
 PULLS   ME   BACK    UP   BESIDE    HIM. 
                                          
 THIS TIME, I  TURN ANGRY  INSTEAD.  WHAT 
 THE HELL? WHO IS THIS GUY,  ACTING  LIKE 
 THIS? I REACH OUT MY FREE ARM  AND  SLAM 
 A  RANDOM  LEVER.  SOME  METAL   BAR  IS 
 SUDDENLY  RELEASED  BETWEEN  US, HITTING 
 HIM ON  THE  ARM,  FORCING MY RELEASE. I 
 SHOVE  HIM OFF OF ME,  AND HE FALLS INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,   A  THIN  RUSTY  CHAINMAIL 
 CURTAIN  IS DROPPED  AROUND ME. BUT  THE 
 ELEVATOR  ALSO SPEEDS UP  SIGNIFICANTLY. 
                                          
 THE  WALLS  ARE   FLARING  NOW,  YELLOW, 
 WHITE, ALMOST BLUE. I  CLOSE MY EYES AND 
 CURL INTO  A BALL.  BUT THEN,  THE GLASS 
 BOY  SCREAMS,  A   PIERCING  SOUND  THAT 
 FORCES MY EYES BACK OPEN. I WATCH  AS HE 
 BECOMES  TOO  LIQUID,  HIS  BODY POOLING 
 DOWN  IN HIS NOW  MASSIVE TAIL, AND  THE 
 TIP  OF IT SUDDENLY BREAKS OF IN A GLASS 
 DROP  THAT  FALLS   TOWARD  THE  FACTORY 
 FLOOR.                                   
                                          
 HE'S CRAWLING  ON THE STAIRS,  UNABLE TO 
 KEEP  HIS BODY  UPRIGHT. CAN'T REACH THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE  HIS BODY  IS  TURNING  INTO  DARK 
 PEARLS.  FINALLY,  HE'S LOST TOO MUCH OF 
 HIMSELF  AND THE SCREAM  IS  CUT  SHORT. 
 THE   LAST   OF    HIM    RAINS    DOWN. 
                                          
 I  STILL CAN'T  REACH  THE  LEVERS  FROM 
 WITHIN  MY CAGE. LOOKING  UP,  I TRY  TO 
 MAKE OUT  THE  CEILING, BUT  IT'S  ALL A 
 WHIRLING SEA OF  COLOURS. BELOW ME GLOWS 
 THE HELLFIRE OF  THE  FACTORY WALLS, BUT 
 VERY FAINT.  I SIT DOWN,  CURL BACK  UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A LARGE  CLUNK  SHAKES MY  ENTIRE  BODY, 
 AND  SNAPS  ME  BACK  INTO REALITY.  I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS  ARE   STILL   MOVING   SLIGHTLY, 
 CLICKING IN  PLACE, CARRYING ME THE LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND   I  SLOWLY  DISMOUNT   THE  STAIRS. 
                                          
 SHAKING  AND CRYING, I MAKE  MY WAY OVER 
 THE  FACTORY FLOOR, WADING THROUGH  DARK 
 GLASS MARBLES. A QUICK  GLANCE DOWN, AND 
 I  SEE  THERE'S  SOMETHING FAINT  INSIDE 
 THEM.    EMBRYOS?   ARE   THESE    EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.