.--*$§£@## ##@£§$*--.
..--*$§£@# #@£§$*--..
...--*$§£@ @£§$*--...
....--*$§£ £§$*--....
.....--*$§ §$*--.....
......--*$ A COOL ENOUGH SONY WALKMAN CALLED $*--......
.......--* *--.......
........-- # # # --........
.........- ### TCM ONEFIFTY ### -.........
.......... # # # ..........
.........- -.........
........-- IT'S BATTERY POWERED (TWO AA BATTERIES) --........
.......--* AND HAS A MICROPHONE. IT DOES FEATURE A *--.......
......--*$ SPEED HOLE BUT IT'S HIDDEN BENEATH ITS $*--......
.....--*$§ SHELL. §$*--.....
....--*$§£ £§$*--....
...--*$§£@ A COOL THING IS THE SPEAKER ON THE @£§$*--...
..--*$§£@# FRONT. BUT ISN'T THAT A MAGNET CLOSE TO #@£§$*--..
.--*$§£@## THE TAPE? YES ##@£§$*--.
..--*$§£@# #@£§$*--..
...--*$§£@ ## IS IT GOOD ## @£§$*--...
....--*$§£ £§$*--....
.....--*$§ WELL. IT HAS SOME VERY REAL COMPRESSION §$*--.....
......--*$ GOING ON SO CLOSE VOX AND OTHER HIGH $*--......
.......--* VOLUME THINGS ARE VERY CRISP AND WITH *--.......
........-- KIND OF LOW NOISE. BUT WHEN THERE'S --........
.........- MORE OF AN AMBIENCE, ALL YOU HEAR IS -.........
.......... HISS AND MOTOR NOISE. ..........
.........- -.........
........-- DENOISING TECHNIQUES ARE SIMPLE. ACTUAL --........
.......--* DENOISING FOR THE NOISE, AND MAYBE AN *--.......
......--*$ EQ FOR THE MOTOR. $*--......
.....--*$§ §$*--.....
....--*$§£ ## WHAT IS IT FOR ## £§$*--....
...--*$§£@ @£§$*--...
..--*$§£@# I USE IT FOR TALKING TO WHEN I'M DRUNK. #@£§$*--..
.--*$§£@## IT DOES THIS VERY GOOD. THE PAUSE ##@£§$*--.
..--*$§£@# BUTTON IS A SMALL STOP, THE STOP BUTTON #@£§$*--..
...--*$§£@ IS A MAJOR STOP. @£§$*--...
....--*$§£ £§$*--....
.....--*$§ ## SOME QUIRKS ## §$*--.....
......--*$ $*--......
.......--* WHEN UNPAUSING, RECORDING BEGINS BEFORE *--.......
........-- THE ENGINE IS FULLY SPUN UP, RESULTING --........
.........- IN A NICE SWOOP BEING RECORDED. -.........
.......... ..........
.........- IT MADE ME BUY A VHS CAM -.........
........-- --........
.......--* *--.......
......--*$ # # # $*--......
.....--*$§ §$*--.....
....--*$§£ REST IN PIECES, LITERALLY £§$*--....
...--*$§£@ @£§$*--...
..--*$§£@# - MAY TWENTY FIFTEEN - #@£§$*--..
.--*$§£@## . TO . ##@£§$*--.
..--*$§£@# - JULY TWENTY EIGHTEEN - #@£§$*--..
...--*$§£@ @£§$*--...
....--*$§£ SUPERSEDED BY THE TCM TWENTY £§$*--....
.....--*$§ §$*--.....
......--*$ $*--......
.......--* *--.......
........-- --........
.........- -.........