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.:~†%@§£##                TAPE DREAM                ##£§@%†~:.
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.:~†%@§§£#                                          #£§§@%†~:.
.:~†%@§### FOR  STORING MUSIC  ON.  ALSO  DATA  BUT ###§@%†~:.
.:~†%@§£## AT  THIS  POINT  IN  TIME   THAT'S   NOT ##£§@%†~:.
.....:†@§#         REALLY IMPORTANT I THINK.        #§@†:.....
.:~†%@§§§£                                          £§§§@%†~:.
.:~†%@§££#                                          #££§@%†~:.
.:~†%@§£##     †††††††† TYPES OF TAPE ††††††††      ##£§@%†~:.
.:~†%@§£##                                          ##£§@%†~:.
.:~†%@§###           CLASS I - "BAD" IRON           ###§@%†~:.
.:~†%@§£##         CLASS II - GOOD CHROMIUM         ##£§@%†~:.
.:~†%@§£##       CLASS III - BAD IRON PART TWO      ##£§@%†~:.
.:~†%@§£##        CLASS IV - DANGEROUS METALS       ##£§@%†~:.
.:~†%@£###                                          ###£@%†~:.
.:~†%@§£## RUMORS EXIST ABOUT A SECRET CLASS V TAPE ##£§@%†~:.
.:~†%@§£##         THAT IS ACTUALLY USEFUL.         ##£§@%†~:.
...:~†%@§#                                          #§@%†~:...
.:~†%@§£##                †† BIAS ††                ##£§@%†~:.
.:~†%@§§§£                                          £§§§@%†~:.
.:~†%@§§§£ CLASS  I  USES ONE  HUNDRED  AND  TWENTY £§§§@%†~:.
.:~†%@§££#   MICRO-SOMETHING WHILE THE OTHERS ALL   #££§@%†~:.
.:~†%@§£## USE   SEVENTY   OF    THE   SAME   UNIT. ##£§@%†~:.
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.:~†%@§£##                                          ##£§@%†~:.
.:~†%@§£##       %%%%%%%%% AHA AND %%%%%%%%%        ##£§@%†~:.
.:~†%@§£##                                          ##£§@%†~:.
.....:†%%§ CLASS  IV  IS  APPARENTLY  TOO STRONG TO §%%†:.....
.:~††%%§££ BE USED ON  CLASS  I  PLAYERS.  IT  WILL ££§%%††~:.
.....:††@£ SOUND  TOO   LOUND  AND   IT  CANNOT  BE £@††:.....
.....:†@£# COMPLETELY  ERASED.  THIS  IS VERY WELL. #£@†:.....
.:~††%%@@£   MAYBE SOME WONDERFUL BLENDING EFFECTS  £@@%%††~:.
.:~†%@§£##            COULD BE ACHIEVED?            ##£§@%†~:.
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.:~†%@§£## THEY ALSO GNAW AT  THE TAPE  HEADS A BIT ##£§@%†~:.
.:~†%@§£##     BETTER THAN EARLIER TAPE TYPES.      ##£§@%†~:.
.:~†%@§£##                                          ##£§@%†~:.
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.....~~†@£       †††††††† ARTIFACTS ††††††††        £@†~~.....
.:~†%@§£##                                          ##£§@%†~:.
.:~†%@§££# GOOD  TAPES ARE DECENT  AND  HAVE A GOOD #££§@%†~:.
.:~†%@§££# HIGH FREQUENCY PRESENCE,  BAD  TAPES ARE #££§@%†~:.
.:~†%@§£## LOFI  IF NOT OUTRIGHT  BAD. IDK, I KINDA ##£§@%†~:.
.::::†%@@§                 LIKE IT.                 §@@%†::::.
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.:~†%@§£## BIAS LOSS:  IF  YOU  FORGET THE BIAS WHO ##£§@%†~:.
....~~%@§£ KNOWS   WHATS   EVEN  ON  THERE  ANYMORE £§@%~~....
.:~†%@§£##                                          ##£§@%†~:.
.:~†††%%@§  FLUTTER: KINDA QUICK PITCH VARIATIONS.  §@%%†††~:.
.:~†%@§££#   BEAUTIFUL, WONDERFUL, EXTRAORDINARY.   #££§@%†~:.
.:~†%@£###                                          ###£@%†~:.
.....:~%§# WOW: A  SLOWER FLUTTER,  USUALLY SEVERAL #§%~:.....
...:~~%@§# SECONDS LONG.  WHAT  UP. BOTH  OF  THESE #§@%~~:...
.:~†%@§§§#    INCREASE WHEN TAPE SPEED DECREASES.   #§§§@%†~:.
.:~†%%@@§#                                          #§@@%%†~:.
.:~†%@§£## PRINT THROUGH: TAPES  RUB  SOUND ON EACH ##£§@%†~:.
.:~†%@§£## OTHER  IF  THEYRE  ALONE  FOR  TOO  LONG ##£§@%†~:.
.:~†%@£###                                          ###£@%†~:.
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