...~~†%@@# #@@%†~~...
.-~:††††@# #@††††:~-.
.-~:†%@@## ##@@%†:~-.
.-~:†%@@## ##@@%†:~-.
.-~:†%@@## ##@@%†:~-.
.-~:†%@@## #### ##### ##@@%†:~-.
.-~:†%@@@@ TAPE DREAM @@@@%†:~-.
-~:†%@@### #### ##### ###@@%†:~-
.-~:†%%%@@ @@%%%†:~-.
...-~††%@# FOR STORING MUSIC ON. ALSO DATA BUT #@%††~-...
.-~:†%@@## AT THIS POINT IN TIME THAT'S NOT ##@@%†:~-.
.-~:†%@@@# REALLY IMPORTANT I THINK. #@@@%†:~-.
......-~†@ @†~-......
.-~:†%@@## ##@@%†:~-.
.-~:††%%@@ :::::::: TYPES OF TAPE :::::::: @@%%††:~-.
...~:†%%%@ @%%%†:~...
.....-~~†@ CLASS I - "BAD" IRON @†~~-.....
.-~:†%@@## CLASS II - GOOD CHROMIUM ##@@%†:~-.
.-~:†††%%@ CLASS III - BAD IRON PART TWO @%%†††:~-.
.-~:†%@@## CLASS IV - DANGEROUS METALS ##@@%†:~-.
.-~:†%@@## ##@@%†:~-.
.-~:†%@@## RUMORS EXIST ABOUT A SECRET CLASS V TAPE ##@@%†:~-.
.-~:†%@@## THAT IS ACTUALLY USEFUL. ##@@%†:~-.
.-~:†%@@## ##@@%†:~-.
.-~:†%@@## :: BIAS :: ##@@%†:~-.
.-~:†%@@## ##@@%†:~-.
.-~:†%@@## CLASS I USES ONE HUNDRED AND TWENTY ##@@%†:~-.
.-~:†%@@## MICRO-SOMETHING WHILE THE OTHERS ALL ##@@%†:~-.
....-::†@@ USE SEVENTY OF THE SAME UNIT. @@†::-....
.....~~†@# #@†~~.....
.-~:†%@### ###@%†:~-.
.-~:†%@@## ††††††††† AHA AND ††††††††† ##@@%†:~-.
.-~:†%@@## ##@@%†:~-.
.-~:†%@@@# CLASS IV IS APPARENTLY TOO STRONG TO #@@@%†:~-.
.-~:†%@@## BE USED ON CLASS I PLAYERS. IT WILL ##@@%†:~-.
...--~††@@ SOUND TOO LOUND AND IT CANNOT BE @@††~--...
.-~::††@@@ COMPLETELY ERASED. THIS IS VERY WELL. @@@††::~-.
..--::††@@ MAYBE SOME WONDERFUL BLENDING EFFECTS @@††::--..
.-~:†%@@## COULD BE ACHIEVED? ##@@%†:~-.
.....~::%@ @%::~.....
.-~:†%@@## THEY ALSO GNAW AT THE TAPE HEADS A BIT ##@@%†:~-.
......-~†@ BETTER THAN EARLIER TAPE TYPES. @†~-......
.-~:†%@### ###@%†:~-.
.-~:†%@@## ##@@%†:~-.
.-~:†††%@@ :::::::: ARTIFACTS :::::::: @@%†††:~-.
.-~:†@@### ###@@†:~-.
.-~:†%@@## GOOD TAPES ARE DECENT AND HAVE A GOOD ##@@%†:~-.
.----~††@@ HIGH FREQUENCY PRESENCE, BAD TAPES ARE @@††~----.
.....-~:†@ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA @†:~-.....
...-~:††@@ LIKE IT. @@††:~-...
.-~::††@@# #@@††::~-.
.-~:†%@@## BIAS LOSS: IF YOU FORGET THE BIAS WHO ##@@%†:~-.
.-~:†%@### KNOWS WHATS EVEN ON THERE ANYMORE ###@%†:~-.
...~:††%@@ @@%††:~...
.-~:†%@@@@ FLUTTER: KINDA QUICK PITCH VARIATIONS. @@@@%†:~-.
.-~:†%@@## BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ##@@%†:~-.
.--~:::%@# #@%:::~--.
.-~:†%@@@@ WOW: A SLOWER FLUTTER, USUALLY SEVERAL @@@@%†:~-.
.-~:†%%%@@ SECONDS LONG. WHAT UP. BOTH OF THESE @@%%%†:~-.
.-~:†%@@## INCREASE WHEN TAPE SPEED DECREASES. ##@@%†:~-.
.-~:†%@@@# #@@@%†:~-.
.-~:†%@@@# PRINT THROUGH: TAPES RUB SOUND ON EACH #@@@%†:~-.
.-~:†%@@## OTHER IF THEYRE ALONE FOR TOO LONG ##@@%†:~-.
.-~:†%@@## ##@@%†:~-.
.-~:†%%%@@ @@%%%†:~-.
.-~:†%%@@# #@@%%†:~-.
.-~:†%@@## ##@@%†:~-.
.-~:†%@@@@ @@@@%†:~-.
.....--~†@ @†~--.....