.-~:%¤§@## ##@§¤%:~-.
.-~:%¤§@## ##@§¤%:~-.
....-:%%¤@ @¤%%:-....
.-~:%¤§### ###§¤%:~-.
.-~:%¤§@## ##@§¤%:~-.
.-~:%¤§@@# #### ##### #@@§¤%:~-.
....~:%§@# TAPE DREAM #@§%:~....
.-~:%¤§@## #### ##### ##@§¤%:~-.
.-~:%¤§@## ##@§¤%:~-.
....-~%%%§ FOR STORING MUSIC ON. ALSO DATA BUT §%%%~-....
.-~::%¤§@@ AT THIS POINT IN TIME THAT'S NOT @@§¤%::~-.
.-~:%¤§@## REALLY IMPORTANT I THINK. ##@§¤%:~-.
.-~:%¤§@## ##@§¤%:~-.
.-~:%¤§@## ##@§¤%:~-.
.-~:%¤§@## :::::::: TYPES OF TAPE :::::::: ##@§¤%:~-.
.....-:¤§@ @§¤:-.....
......~:¤§ CLASS I - "BAD" IRON §¤:~......
.-~:%¤§@## CLASS II - GOOD CHROMIUM ##@§¤%:~-.
....--~%¤§ CLASS III - BAD IRON PART TWO §¤%~--....
.-~:::%%%§ CLASS IV - DANGEROUS METALS §%%%:::~-.
.....--:¤§ §¤:--.....
.-~:%¤§@## RUMORS EXIST ABOUT A SECRET CLASS V TAPE ##@§¤%:~-.
.-~:%¤§### THAT IS ACTUALLY USEFUL. ###§¤%:~-.
....~~%§§§ §§§%~~....
.-~:%¤§@## :: BIAS :: ##@§¤%:~-.
....~~%§§@ @§§%~~....
.....-~:%§ CLASS I USES ONE HUNDRED AND TWENTY §%:~-.....
.-~:%¤§@## MICRO-SOMETHING WHILE THE OTHERS ALL ##@§¤%:~-.
.-~:%§@### USE SEVENTY OF THE SAME UNIT. ###@§%:~-.
.-~:%¤§@## ##@§¤%:~-.
...-:%¤¤§@ @§¤¤%:-...
.-~:%¤§@## %%%%%%%%% AHA AND %%%%%%%%% ##@§¤%:~-.
.-~:%¤§@## ##@§¤%:~-.
.....-:¤@# CLASS IV IS APPARENTLY TOO STRONG TO #@¤:-.....
.-~:%¤§@## BE USED ON CLASS I PLAYERS. IT WILL ##@§¤%:~-.
.-~:%¤§@## SOUND TOO LOUND AND IT CANNOT BE ##@§¤%:~-.
...-:%%%¤§ COMPLETELY ERASED. THIS IS VERY WELL. §¤%%%:-...
.-~~::%¤@@ MAYBE SOME WONDERFUL BLENDING EFFECTS @@¤%::~~-.
.-~:%¤§@## COULD BE ACHIEVED? ##@§¤%:~-.
.-~:%¤§§@@ @@§§¤%:~-.
...--~~%¤§ THEY ALSO GNAW AT THE TAPE HEADS A BIT §¤%~~--...
.-~:%¤§@## BETTER THAN EARLIER TAPE TYPES. ##@§¤%:~-.
....-:¤§§§ §§§¤:-....
.-~:%¤§@## ##@§¤%:~-.
.-~:%¤§@## :::::::: ARTIFACTS :::::::: ##@§¤%:~-.
.-~:%¤§@## ##@§¤%:~-.
...-~%%¤@# GOOD TAPES ARE DECENT AND HAVE A GOOD #@¤%%~-...
.-~:%¤§@## HIGH FREQUENCY PRESENCE, BAD TAPES ARE ##@§¤%:~-.
.-~:%¤§@@@ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA @@@§¤%:~-.
.-~:%%¤¤¤§ LIKE IT. §¤¤¤%%:~-.
.-~:%¤§### ###§¤%:~-.
.-~:%¤@### BIAS LOSS: IF YOU FORGET THE BIAS WHO ###@¤%:~-.
.....-::¤@ KNOWS WHATS EVEN ON THERE ANYMORE @¤::-.....
......~:¤§ §¤:~......
....--:¤§§ FLUTTER: KINDA QUICK PITCH VARIATIONS. §§¤:--....
.-~:%¤§@## BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ##@§¤%:~-.
.....-:¤@# #@¤:-.....
.-~:%¤§@## WOW: A SLOWER FLUTTER, USUALLY SEVERAL ##@§¤%:~-.
.-~:%¤§@## SECONDS LONG. WHAT UP. BOTH OF THESE ##@§¤%:~-.
.-~:%¤§@## INCREASE WHEN TAPE SPEED DECREASES. ##@§¤%:~-.
.-~:%¤§@## ##@§¤%:~-.
.....-:¤§# PRINT THROUGH: TAPES RUB SOUND ON EACH #§¤:-.....
.-~:%%¤§§§ OTHER IF THEYRE ALONE FOR TOO LONG §§§¤%%:~-.
.-~%¤§@### ###@§¤%~-.
.....-:%§@ @§%:-.....
.-~:%¤§@## ##@§¤%:~-.
.-~:%%%§§§ §§§%%%:~-.
....-~::¤§ §¤::~-....
.-~:%¤§@## ##@§¤%:~-.