¨,«*%@&@## ##@&@%*«,¨
¨,«*%@@&&& &&&@@%*«,¨
¨,,,,*@@@# #@@@*,,,,¨
¨,«*%@&@## ##@&@%*«,¨
¨,«****%@& &@%****«,¨
¨¨¨¨¨¨,*@& #### ##### &@*,¨¨¨¨¨¨
¨,«*%@&@## Tape Dream ##@&@%*«,¨
¨,«*%@@&&& #### ##### &&&@@%*«,¨
¨,«*%@&@## ##@&@%*«,¨
¨¨¨¨¨,**@@ For Storing Music On. Also Data But @@**,¨¨¨¨¨
¨,,««%%&&@ At This Point In Time That'S Not @&&%%««,,¨
¨,«*%@&@@@ Really Important I Think. @@@&@%*«,¨
¨¨¨¨¨«%@&& &&@%«¨¨¨¨¨
¨,«*%@&@## ##@&@%*«,¨
¨,«*%@&@## ******** Types Of Tape ******** ##@&@%*«,¨
¨¨,,,,«%&& &&%«,,,,¨¨
¨¨¨,««*% Class I - "Bad" Iron #&%*««,¨¨¨
¨,«*%@&@## Class Ii - Good Chromium ##@&@%*«,¨
¨,«*%%%%@@ Class Iii - Bad Iron Part Two @@%%%%*«,¨
¨,«*%@&@@# Class Iv - Dangerous Metals #@@&@%*«,¨
¨,«*%@&@## ##@&@%*«,¨
¨,«*%@@### Rumors Exist About A Secret Class V Tape ###@@%*«,¨
¨,«*%@&@@@ That Is Actually Useful. @@@&@%*«,¨
¨,«*%@&&&& &&&&@%*«,¨
¨¨¨¨,*%@&@ ** Bias ** @&@%*,¨¨¨¨
¨,«*%@&@@# #@@&@%*«,¨
¨,«*%@&&@# Class I Uses One Hundred And Twenty #@&&@%*«,¨
¨,«*%@&@@@ Micro-Something While The Others All @@@&@%*«,¨
¨,«*%@&@## Use Seventy Of The Same Unit. ##@&@%*«,¨
¨,«*%@@### ###@@%*«,¨
¨,«*%@&@## ##@&@%*«,¨
¨,«*%@&@## %%%%%%%%% Aha And %%%%%%%%% ##@&@%*«,¨
¨,«*%@@&&@ @&&@@%*«,¨
¨,«*%@&@## Class Iv Is Apparently Too Strong To ##@&@%*«,¨
¨,«*%@&@## Be Used On Class I Players. It Will ##@&@%*«,¨
¨¨¨¨«%@@@@ Sound Too Lound And It Cannot Be @@@@%«¨¨¨¨
¨,«*%@&@## Completely Erased. This Is Very Well. ##@&@%*«,¨
¨¨¨,«**@@@ Maybe Some Wonderful Blending Effects @@@**«,¨¨¨
¨,«*%@&@## Could Be Achieved? ##@&@%*«,¨
¨,«*%@&@## ##@&@%*«,¨
¨,«*%@&@## They Also Gnaw At The Tape Heads A Bit ##@&@%*«,¨
¨¨¨,,*%@ Better Than Earlier Tape Types. #&@%*,,¨¨¨
¨,«*%@&@## ##@&@%*«,¨
¨,«*%@&@## ##@&@%*«,¨
¨¨¨«*%@@&& ******** Artifacts ******** &&@@%*«¨¨¨
¨,«*%%%&@# #@&%%%*«,¨
¨,«*%@@@@# Good Tapes Are Decent And Have A Good #@@@@%*«,¨
¨¨¨¨,«%@@& High Frequency Presence, Bad Tapes Are &@@%«,¨¨¨¨
¨,«*%@&@@@ Lofi If Not Outright Bad. Idk, I Kinda @@@&@%*«,¨
¨,«*%@&& Like It. #&&&@%*«,¨
¨¨¨¨,«*%&@ @&%*«,¨¨¨¨
¨,«*%@&@## Bias Loss: If You Forget The Bias Who ##@&@%*«,¨
¨,«*%@&@## Knows Whats Even On There Anymore ##@&@%*«,¨
¨,«*%&@### ###@&%*«,¨
¨,«*%@&@## Flutter: Kinda Quick Pitch Variations. ##@&@%*«,¨
¨¨¨¨,**@@@ Beautiful, Wonderful, Extraordinary. @@@**,¨¨¨¨
¨¨,«**%&@@ @@&%**«,¨¨
¨,«*%@&@## Wow: A Slower Flutter, Usually Several ##@&@%*«,¨
¨,«*%@&@## Seconds Long. What Up. Both Of These ##@&@%*«,¨
¨¨¨¨,**%@& Increase When Tape Speed Decreases. &@%**,¨¨¨¨
¨¨¨¨,«*@@@ @@@*«,¨¨¨¨
¨,«*%@&@## Print through: Tapes Rub Sound On Each ##@&@%*«,¨
¨,«*%@&@@@ Other If Theyre Alone For Too Long @@@&@%*«,¨
¨,«*%@&@## ##@&@%*«,¨
¨¨¨¨¨¨,*@& &@*,¨¨¨¨¨¨
¨¨¨¨,***@& &@***,¨¨¨¨
¨¨,««%@@@@ @@@@%««,¨¨
¨¨¨¨¨,«%%& &%%«,¨¨¨¨¨
¨,«*%@&@## ##@&@%*«,¨