,,.=///*£@ @£*///=.,,
,.=/*$£@@@ @@@£$*/=.,
,.=////*£@ @£*////=.,
,.=/*$£@@# #@@£$*/=.,
,,,,,,.=*£ £*=.,,,,,,
,,,,../$££ @@@@ ##### ££$/..,,,,
,.=/*$£@@# tape dream #@@£$*/=.,
,.=/*$£££@ #### @@@@@ @£££$*/=.,
,...=/**££ ££**/=...,
,.=/*$£@@# for storing music on. also data but #@@£$*/=.,
,..../*$$@ at this point in time that's not @$$*/....,
,.=/*$££@@ really important i think. @@££$*/=.,
,,,,,.=/*£ £*/=.,,,,,
,.=//**$£@ @£$**//=.,
,,,,,,=*$£ //////// types of tape //////// £$*=,,,,,,
,.===/$£@@ @@£$/===.,
,.=/*£@@## class i - "bad" iron ##@@£*/=.,
,,,,,,=*£@ class ii - good chromium @£*=,,,,,,
,,,,,,=/$@ class iii - bad iron part two @$/=,,,,,,
,.=/*$£@@@ class iv - dangerous metals @@@£$*/=.,
,,,=/**$£@ @£$**/=,,,
,.=/**$££@ rumors exist about a secret class v tape @££$**/=.,
,.=/*$@@## that is actually useful. ##@@$*/=.,
,,,,,,./*£ £*/.,,,,,,
,.=/*$£@@# // bias // #@@£$*/=.,
,.=/*£@@## ##@@£*/=.,
,.../*$££@ class i uses one hundred and twenty @££$*/...,
,.=/*$£@@@ micro-something while the others all @@@£$*/=.,
,.=/*$£££@ use seventy of the same unit. @£££$*/=.,
,.=/*$£@@# #@@£$*/=.,
,,,,,=*$££ ££$*=,,,,,
,.=/*$£@@# ********* aha and ********* #@@£$*/=.,
,.=/*$£@@# #@@£$*/=.,
,.=/**$$£@ class iv is apparently too strong to @£$$**/=.,
,.=/*$£@## be used on class i players. it will ##@£$*/=.,
,.=/*$£@## sound too lound and it cannot be ##@£$*/=.,
,.=/*$£@## completely erased. this is very well. ##@£$*/=.,
,,...=*£££ maybe some wonderful blending effects £££*=...,,
,,..=///$£ could be achieved? £$///=..,,
,.=/*$£@@@ @@@£$*/=.,
,.=/*$£@@# they also gnaw at the tape heads a bit #@@£$*/=.,
,,,,,=/$$@ better than earlier tape types. @$$/=,,,,,
,.=/*$£@@# #@@£$*/=.,
,.=/*$£@@# #@@£$*/=.,
,,,,=*$£@@ //////// artifacts //////// @@£$*=,,,,
,.=/*$£@@# #@@£$*/=.,
,.=/*$£@@@ good tapes are decent and have a good @@@£$*/=.,
,.=/*$@@## high frequency presence, bad tapes are ##@@$*/=.,
,.=/$£@@## lofi if not outright bad. idk, i kinda ##@@£$/=.,
,.=/*$£@@# like it. #@@£$*/=.,
,.=/*$£££@ @£££$*/=.,
,.=////$$@ bias loss: if you forget the bias who @$$////=.,
,,,,.=/*£@ knows whats even on there anymore @£*/=.,,,,
,.==/**$£@ @£$**/==.,
,.=/***$@@ flutter: kinda quick pitch variations. @@$***/=.,
,,,.==*£@@ beautiful, wonderful, extraordinary. @@£*==.,,,
,.=/*$£@@# #@@£$*/=.,
,.=/*$£@@# wow: a slower flutter, usually several #@@£$*/=.,
,=/*$£@@## seconds long. what up. both of these ##@@£$*/=,
,.=/*$$$@@ increase when tape speed decreases. @@$$$*/=.,
,.=/**$$@@ @@$$**/=.,
,,,,,./$$@ print through: tapes rub sound on each @$$/.,,,,,
,,,,,,./*£ other if theyre alone for too long £*/.,,,,,,
,.=/*$£@@# #@@£$*/=.,
,,,,,,./$@ @$/.,,,,,,
,.=/*$£@@@ @@@£$*/=.,
,.=/*$£@@# #@@£$*/=.,
,.=/*$£@@# #@@£$*/=.,
,.=/*$£££@ @£££$*/=.,