,,,,.~^%£# #£%^~.,,,,
,,,,,.~^%£ £%^~.,,,,,
,,,,,,.~^% %^~.,,,,,,
,,,,,.~^%£ £%^~.,,,,,
,,,,.~^%£# #£%^~.,,,,
,,,.~^%£#@ #### ##### @#£%^~.,,,
,,.~^%£#@# TAPE DREAM #@#£%^~.,,
,.~^%£#@## #### ##### ##@#£%^~.,
,,.~^%£#@# #@#£%^~.,,
,,,.~^%£#@ FOR STORING MUSIC ON. ALSO DATA BUT @#£%^~.,,,
,,,,.~^%£# AT THIS POINT IN TIME THAT'S NOT #£%^~.,,,,
,,,,,.~^%£ REALLY IMPORTANT I THINK. £%^~.,,,,,
,,,,,,.~^% %^~.,,,,,,
,,,,,.~^%£ £%^~.,,,,,
,,,,.~^%£# ^^^^^^^^ TYPES OF TAPE ^^^^^^^^ #£%^~.,,,,
,,,.~^%£#@ @#£%^~.,,,
,,.~^%£#@# CLASS I - "BAD" IRON #@#£%^~.,,
,.~^%£#@## CLASS II - GOOD CHROMIUM ##@#£%^~.,
,,.~^%£#@# CLASS III - BAD IRON PART TWO #@#£%^~.,,
,,,.~^%£#@ CLASS IV - DANGEROUS METALS @#£%^~.,,,
,,,,.~^%£# #£%^~.,,,,
,,,,,.~^%£ RUMORS EXIST ABOUT A SECRET CLASS V TAPE £%^~.,,,,,
,,,,,,.~^% THAT IS ACTUALLY USEFUL. %^~.,,,,,,
,,,,,.~^%£ £%^~.,,,,,
,,,,.~^%£# ^^ BIAS ^^ #£%^~.,,,,
,,,.~^%£#@ @#£%^~.,,,
,,.~^%£#@# CLASS I USES ONE HUNDRED AND TWENTY #@#£%^~.,,
,.~^%£#@## MICRO-SOMETHING WHILE THE OTHERS ALL ##@#£%^~.,
,,.~^%£#@# USE SEVENTY OF THE SAME UNIT. #@#£%^~.,,
,,,.~^%£#@ @#£%^~.,,,
,,,,.~^%£# #£%^~.,,,,
,,,,,.~^%£ %%%%%%%%% AHA AND %%%%%%%%% £%^~.,,,,,
,,,,,,.~^% %^~.,,,,,,
,,,,,.~^%£ CLASS IV IS APPARENTLY TOO STRONG TO £%^~.,,,,,
,,,,.~^%£# BE USED ON CLASS I PLAYERS. IT WILL #£%^~.,,,,
,,,.~^%£#@ SOUND TOO LOUND AND IT CANNOT BE @#£%^~.,,,
,,.~^%£#@# COMPLETELY ERASED. THIS IS VERY WELL. #@#£%^~.,,
,.~^%£#@## MAYBE SOME WONDERFUL BLENDING EFFECTS ##@#£%^~.,
,,.~^%£#@# COULD BE ACHIEVED? #@#£%^~.,,
,,,.~^%£#@ @#£%^~.,,,
,,,,.~^%£# THEY ALSO GNAW AT THE TAPE HEADS A BIT #£%^~.,,,,
,,,,,.~^%£ BETTER THAN EARLIER TAPE TYPES. £%^~.,,,,,
,,,,,,.~^% %^~.,,,,,,
,,,,,.~^%£ £%^~.,,,,,
,,,,.~^%£# ^^^^^^^^ ARTIFACTS ^^^^^^^^ #£%^~.,,,,
,,,.~^%£#@ @#£%^~.,,,
,,.~^%£#@# GOOD TAPES ARE DECENT AND HAVE A GOOD #@#£%^~.,,
,.~^%£#@## HIGH FREQUENCY PRESENCE, BAD TAPES ARE ##@#£%^~.,
,,.~^%£#@# LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA #@#£%^~.,,
,,,.~^%£#@ LIKE IT. @#£%^~.,,,
,,,,.~^%£# #£%^~.,,,,
,,,,,.~^%£ BIAS LOSS: IF YOU FORGET THE BIAS WHO £%^~.,,,,,
,,,,,,.~^% KNOWS WHATS EVEN ON THERE ANYMORE %^~.,,,,,,
,,,,,.~^%£ £%^~.,,,,,
,,,,.~^%£# FLUTTER: KINDA QUICK PITCH VARIATIONS. #£%^~.,,,,
,,,.~^%£#@ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. @#£%^~.,,,
,,.~^%£#@# #@#£%^~.,,
,.~^%£#@## WOW: A SLOWER FLUTTER, USUALLY SEVERAL ##@#£%^~.,
,,.~^%£#@# SECONDS LONG. WHAT UP. BOTH OF THESE #@#£%^~.,,
,,,.~^%£#@ INCREASE WHEN TAPE SPEED DECREASES. @#£%^~.,,,
,,,,.~^%£# #£%^~.,,,,
,,,,,.~^%£ PRINT THROUGH: TAPES RUB SOUND ON EACH £%^~.,,,,,
,,,,,,.~^% OTHER IF THEYRE ALONE FOR TOO LONG %^~.,,,,,,
,,,,,.~^%£ £%^~.,,,,,
,,,,.~^%£# #£%^~.,,,,
,,,.~^%£#@ @#£%^~.,,,
,,.~^%£#@# #@#£%^~.,,
,.~^%£#@## ##@#£%^~.,
,,.~^%£#@# #@#£%^~.,,