@*§\=-,,,, ,,,,-=\§*@
#@*§\=-,,, ,,,-=\§*@#
##@*§\=-,, ,,-=\§*@##
###@*§\=-, ,-=\§*@###
##@*§\=-,, ,,-=\§*@##
#@*§\=-,,, delay delay d,la# @ §a, - ,# = - ,,,-=\§*@#
@*§\=-,,,, ,,,,-=\§*@
*§\=-,,,,, ,,,,,-=\§*
§\=-,,,,,, ,,,,,,-=\§
\=-,,,,,,, ,,,,,,,-=\
=-,,,,,,,, "delay" means repetiton or likewise, ,,,,,,,,-=
\=-,,,,,,, but it's mainly useless without ,,,,,,,-=\
§\=-,,,,,, feedback, ,,,,,,-=\§
*§\=-,,,,, to allow the delay to eat of it's own ,,,,,-=\§*
@*§\=-,,,, tail, like one of those eaty serpents. ,,,,-=\§*@
#@*§\=-,,, thus: it's the serpent effect! ,,,-=\§*@#
##@*§\=-,, ,,-=\§*@##
###@*§\=-, it's to be revered as a creator of ,-=\§*@###
##@*§\=-,, ambience and of space, if you treat it ,,-=\§*@##
#@*§\=-,,, right. a somewhat more solid and ,,,-=\§*@#
@*§\=-,,,, slippery sibling of reverb. ,,,,-=\§*@
*§\=-,,,,, ,,,,,-=\§*
§\=-,,,,,, ,,,,,,-=\§
\=-,,,,,,, ,,,,,,,-=\
=-,,,,,,,, ,,,,,,,,-=
\=-,,,,,,, ,,,,,,,-=\