##@§&%:~^,                                          ,^~:%&§@##
§%~^,,,,,,                                          ,,,,,,^~%§
@&:^,,,,,,                                          ,,,,,,^:&@
##@§&%:~^,                                          ,^~:%&§@##
##@§&%:~^,                                          ,^~:%&§@##
##@§&%:~^, delay  delay  d,la#  § %a,  ^ ,@   ~   ^ ,^~:%&§@##
§§§&&%:~^,                                          ,^~:%&&§§§
##@§&%:~^,                                          ,^~:%&§@##
@@&:~^^,,,                                          ,,,^^~:&@@
##@§&%:~^,                                          ,^~:%&§@##
##@§&%:~^, "delay" means repetiton or likewise,     ,^~:%&§@##
§%%~~,,,,, but it's mainly useless without          ,,,,,~~%%§
#@&%:~,,,, feedback,                                ,,,,~:%&@#
##@§&%:~^, to allow the delay to eat of it's own    ,^~:%&§@##
###§&%:~^, tail, like one of those eaty serpents.   ,^~:%&§###
@@&&%%:~^, thus: it's the serpent effect!           ,^~:%%&&@@
§&%:^^,,,,                                          ,,,,^^:%&§
###@§%:~^, it's to be revered as a creator of       ,^~:%§@###
§§§&%::~^, ambience and of space, if you treat it   ,^~::%&§§§
@§&%%::~^, right. a somewhat more solid and         ,^~::%%&§@
§%::~^,,,, slippery sibling of reverb.              ,,,,^~::%§
##@§&%:~^,                                          ,^~:%&§@##
@&&&&%:~^,                                          ,^~:%&&&&@
##@§&%:~^,                                          ,^~:%&§@##
@§§&%~~~^,                                          ,^~~~%&§§@
##@§&%:~^,                                          ,^~:%&§@##