¤¨¤¨¤¨¨¨¤¤ ¤¨¤¨¨¨¤¤¨¨
¤¨¤¨¤¨¨¤¨¤ ¤¨¤¨¨¤¨¤¨¤
¤¨¤¨¤¨¤¤¨¤ ¤¨¤¨¤¤¨¤¨¨
¤¨¤¨¤¨¨¤¨¤ ¤¨¤¨¨¤¨¤¨¤
¤¨¤¨¤¨¤¤¨¤ ¤¨¤¨¤¤¨¤¨¨
¤¨¤¨¤¨¨¤¨¤ delay delay d¨la@ ¤ §a¨ ^ ¨¶ ~ ^ ¤¨¤¨¨¤¨¤¨¤
¤¨¤¨¤¨¤¤¨¤ ¤¨¤¨¤¤¨¤¨¨
¤¨¤¨¤¨¨¤¨¤ ¤¨¤¨¨¤¨¤¨¤
¤¨¤¨¤¨¤¤¨¤ ¤¨¤¨¤¤¨¤¨¨
¤¨¤¨¤¨¨¤¨¤ ¤¨¤¨¨¤¨¤¨¤
¤¨¤¨¤¨¤¤¨¤ "delay" means repetiton or likewise, ¤¨¤¨¤¤¨¤¨¨
¤¨¤¨¤¨¨¤¨¤ but it's mainly useless without ¤¨¤¨¨¤¨¤¨¤
¤¨¤¨¤¨¤¤¨¤ feedback, ¤¨¤¨¤¤¨¤¨¨
¤¨¤¨¤¨¨¤¨¤ to allow the delay to eat of it's own ¤¨¤¨¨¤¨¤¨¤
¤¨¤¨¤¨¤¤¨¤ tail, like one of those eaty serpents. ¤¨¤¨¤¤¨¤¨¨
¤¨¤¨¤¨¨¤¨¤ thus: it's the serpent effect! ¤¨¤¨¨¤¨¤¨¤
¤¨¤¨¤¨¤¤¨¤ ¤¨¤¨¤¤¨¤¨¨
¤¨¤¨¤¨¨¤¨¤ it's to be revered as a creator of ¤¨¤¨¨¤¨¤¨¤
¤¨¤¨¤¨¤¤¨¤ ambience and of space, if you treat it ¤¨¤¨¤¤¨¤¨¨
¤¨¤¨¤¨¨¤¨¤ right. a somewhat more solid and ¤¨¤¨¨¤¨¤¨¤
¤¨¤¨¤¨¤¤¨¤ slippery sibling of reverb. ¤¨¤¨¤¤¨¤¨¨
¤¨¤¨¤¨¨¤¨¤ ¤¨¤¨¨¤¨¤¨¤
¤¨¤¨¤¨¤¤¨¤ ¤¨¤¨¤¤¨¤¨¨
¤¨¤¨¤¨¨¤¨¤ ¤¨¤¨¨¤¨¤¨¤
¤¨¤¨¤¨¤¤¨¤ ¤¨¤¨¤¤¨¤¨¨
¤¨¤¨¤¨¨¤¨¤ ¤¨¤¨¨¤¨¤¨¤