##¶#&^/~,. .,~/^&#¶##
¶###&^/~,. .,~/^&###¶
##¶#&^/~,. .,~/^&#¶##
##¶#&^/~,. .,~/^&#¶##
###^^^/~,. .,~/^^^###
##¶#&^/~,. delay delay d.la# # ^a. , .¶ ~ , .,~/^&#¶##
##¶#&^/~,. .,~/^&#¶##
###^/~~,.. ..,~~/^###
##¶#&^/~,. .,~/^&#¶##
##^~,..... .....,~^##
##¶#&^/~,. "delay" means repetiton or likewise, .,~/^&#¶##
##^/,,,... but it's mainly useless without ...,,,/^##
##¶#&^/~,. feedback, .,~/^&#¶##
##&^/,.... to allow the delay to eat of it's own ....,/^&##
¶&&/,..... tail, like one of those eaty serpents. .....,/&&¶
¶¶¶#&^/~,. thus: it's the serpent effect! .,~/^&#¶¶¶
¶¶&&/~.... ....~/&&¶¶
#&&^///~,. it's to be revered as a creator of .,~///^&&#
##¶#&^/~,. ambience and of space, if you treat it .,~/^&#¶##
#^^~,..... right. a somewhat more solid and .....,~^^#
#¶&/~..... slippery sibling of reverb. .....~/&¶#
¶&&/~..... .....~/&&¶
#¶&/~~,... ...,~~/&¶#
###¶#&/~,. .,~/&#¶###
##^^^~~... ...~~^^^##
###^~~~... ...~~~^###