###¤%%/~,. .,~/%%¤###
##¤%%/~,.. ..,~/%%¤##
###¤%%/~,. .,~/%%¤###
##¤%%/~,.. ..,~/%%¤##
###¤%%/~,. .,~/%%¤###
##¤%%/~,.. THE SKYSCRAPER THAT MOVES ..,~/%%¤##
###¤%%/~,. .,~/%%¤###
##¤%%/~,.. TAINARON IS A BUILDING OWNED AND ..,~/%%¤##
###¤%%/~,. OPERATED BY AMATA TEXNOLOGIYASI PLACED .,~/%%¤###
##¤%%/~,.. CLOSED TO THE HARBOR IN MALMÖ. IT'S ..,~/%%¤##
###¤%%/~,. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER .,~/%%¤###
##¤%%/~,.. UNKNOWN), DARK BLUE AND COMPLETELY ..,~/%%¤##
###¤%%/~,. RECTANGULAR. IT FEATURES NO SIGNS, .,~/%%¤###
##¤%%/~,.. LIGHTS, OR ORNAMENTS, APART FROM A ..,~/%%¤##
###¤%%/~,. HELIPAD ON TOP. MOST FLOORS HAVE .,~/%%¤###
##¤%%/~,.. EXTERIOR WALLS COMPLETELY MADE OF GLASS. ..,~/%%¤##
###¤%%/~,. .,~/%%¤###
##¤%%/~,.. IN LATE EVENINGS, SHROUDED BY MALMö'S ..,~/%%¤##
###¤%%/~,. SIGNATURE FOG ROLLING IN FROM THE SEA, .,~/%%¤###
##¤%%/~,.. THE BUILDING COMES TO LIFE: IT MOVES ON ..,~/%%¤##
###¤%%/~,. A THOUSAND ROBOTIC LEGS TO ANOTHER .,~/%%¤###
##¤%%/~,.. (SECRET) PART OF TOWN, OR PERHAPS OUT ..,~/%%¤##
###¤%%/~,. TO SEA. THIS SIGNALS A NEW AND MORE .,~/%%¤###
##¤%%/~,.. VISCIOUS PHASE OF THE TAINARON ..,~/%%¤##
###¤%%/~,. ECOSYSTEM. .,~/%%¤###
##¤%%/~,.. ..,~/%%¤##
###¤%%/~,. THE GUESTS ARRIVING DURING THE EARLY .,~/%%¤###
##¤%%/~,.. EVENING ARE TREATED TO FOOD AND DRINK, ..,~/%%¤##
###¤%%/~,. LIVE MUSIC, BEATUTIFUL VIEWS, AND A .,~/%%¤###
##¤%%/~,.. COMFORTABLE BUT MAZE-LIKE INTERIOR ..,~/%%¤##
###¤%%/~,. STRUCTURE (THE BUILDING FEATURES A .,~/%%¤###
##¤%%/~,.. MULTITUDE OF STAIRWELLS AND ELEVATORS, ..,~/%%¤##
###¤%%/~,. PLACED SEEMINGLY AT RANDOM, NONE GOING .,~/%%¤###
##¤%%/~,.. FURTHER THAN A FEW FLOORS). ..,~/%%¤##
###¤%%/~,. .,~/%%¤###
##¤%%/~,.. AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ..,~/%%¤##
###¤%%/~,. UNTIL THE AIR INSIDE HAS TAKEN ON THE .,~/%%¤###
##¤%%/~,.. SAME QUALITY AS THE SURROUNDING MIST: ..,~/%%¤##
###¤%%/~,. BLUE-GRAY, SPRINKLED WITH THE SMALL RED .,~/%%¤###
##¤%%/~,.. DOT'S BY DOOR LOCKS AND CONTROL PANELS. ..,~/%%¤##
###¤%%/~,. IF YOU WOULD LOOK THROUGH THE WINDOWS .,~/%%¤###
##¤%%/~,.. YOU WOULD SEE THE MIST ROLLING BY, AND ..,~/%%¤##
###¤%%/~,. PERHAPS THE OUTLINE OF SOME OTHER .,~/%%¤###
##¤%%/~,.. BUILDING, FAR BELOW. ..,~/%%¤##
###¤%%/~,. .,~/%%¤###
##¤%%/~,.. DURING THE NIGHT, AFTER TAINARON HAS ..,~/%%¤##
###¤%%/~,. STARTED MOVING, THE LOWER FLOORS ARE .,~/%%¤###
##¤%%/~,.. SHUT OFF, PREVENTING ENTRY OR EXIT FOR ..,~/%%¤##
###¤%%/~,. THE GUESTS. FOOD IS NO LONGER SERVED, .,~/%%¤###
##¤%%/~,.. BUT THE DRINKS BECOME MORE EXTRAVAGANT. ..,~/%%¤##
###¤%%/~,. IT'S AT THIS POINT THAT THE SECOND SET .,~/%%¤###
##¤%%/~,.. OF GUEST ARRIVES, VIA HELICOPTER - ..,~/%%¤##
###¤%%/~,. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .,~/%%¤###
##¤%%/~,.. ..,~/%%¤##
###¤%%/~,. ~~~~~ .,~/%%¤###
##¤%%/~,.. ..,~/%%¤##
###¤%%/~,. IN MY DREAM I AM INVITED AS A FRIEND OF .,~/%%¤###
##¤%%/~,.. ONE OF THE SERVERS, AND THUS SAFE. WE ..,~/%%¤##
###¤%%/~,. SIT IN ONE OF THE LARGE WINDOWS, .,~/%%¤###
##¤%%/~,.. LOOKING THROUGH THE MIST FOR ANY ..,~/%%¤##
###¤%%/~,. LANDMARKS TO PIERCE THROUGH THE MIST. .,~/%%¤###
##¤%%/~,.. SHE TELLS ME THAT APART FROM COMING AND ..,~/%%¤##
###¤%%/~,. GOING FROM WORK, SHE'S NEVER SEEN THE .,~/%%¤###
##¤%%/~,.. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ..,~/%%¤##
###¤%%/~,. .,~/%%¤###
##¤%%/~,.. THE NEXT DAY I AM INVITED TO THE PUBLIC ..,~/%%¤##
###¤%%/~,. DEMONSTRATION OF THE EXOBUBBLE. .,~/%%¤###
##¤%%/~,.. ..,~/%%¤##
###¤%%/~,. .,~/%%¤###
##¤%%/~,.. ..,~/%%¤##
###¤%%/~,. .,~/%%¤###
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