.^«††$#@@# #@@#$††«^.
.^«††$#@@# #@@#$††«^.
.^«††$#@@# #@@#$††«^.
....«††$#@ @#$††«....
.^«††$#@@# #@@#$††«^.
.^«††$##@@ THE SKYSCRAPER THAT MOVES @@##$††«^.
^«††$#@@## ##@@#$††«^
.^«††$@@## TAINARON IS A BUILDING OWNED AND ##@@$††«^.
....«††$$# OPERATED BY AMATA TEXNOLOGIYASI PLACED #$$††«....
...^««†††# CLOSED TO THE HARBOR IN MALMÖ. IT'S #†††««^...
.^«††$#@@# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #@@#$††«^.
.^«††$#@@@ UNKNOWN), DARK BLUE AND COMPLETELY @@@#$††«^.
.^«††$#@@# RECTANGULAR. IT FEATURES NO SIGNS, #@@#$††«^.
.^«††$##@@ LIGHTS, OR ORNAMENTS, APART FROM A @@##$††«^.
.....^†$#@ HELIPAD ON TOP. MOST FLOORS HAVE @#$†^.....
.^«††$#@@@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @@@#$††«^.
.^«††$#@@# #@@#$††«^.
...^††††## IN LATE EVENINGS, SHROUDED BY MALMö'S ##††††^...
.^«††$#@@# SIGNATURE FOG ROLLING IN FROM THE SEA, #@@#$††«^.
^«††$#@@## THE BUILDING COMES TO LIFE: IT MOVES ON ##@@#$††«^
.^«††$#@@@ A THOUSAND ROBOTIC LEGS TO ANOTHER @@@#$††«^.
.^«††$#@@@ (SECRET) PART OF TOWN, OR PERHAPS OUT @@@#$††«^.
.^«††††#@@ TO SEA. THIS SIGNALS A NEW AND MORE @@#††††«^.
.^«††$#@@# VISCIOUS PHASE OF THE TAINARON #@@#$††«^.
.^«††$#@@# ECOSYSTEM. #@@#$††«^.
.^«††$###@ @###$††«^.
....^††††# THE GUESTS ARRIVING DURING THE EARLY #††††^....
.^«††$#@@# EVENING ARE TREATED TO FOOD AND DRINK, #@@#$††«^.
.^«††$#@## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##@#$††«^.
....^^«†$@ COMFORTABLE BUT MAZE-LIKE INTERIOR @$†«^^....
.^«††$#@## STRUCTURE (THE BUILDING FEATURES A ##@#$††«^.
.^«††$#@@# MULTITUDE OF STAIRWELLS AND ELEVATORS, #@@#$††«^.
.^«††$#@@# PLACED SEEMINGLY AT RANDOM, NONE GOING #@@#$††«^.
.^«««††#@@ FURTHER THAN A FEW FLOORS). @@#††«««^.
.^«††$##@@ @@##$††«^.
.....^^††# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, #††^^.....
.^«††$#@@# UNTIL THE AIR INSIDE HAS TAKEN ON THE #@@#$††«^.
.^«††$#@@# SAME QUALITY AS THE SURROUNDING MIST: #@@#$††«^.
.....«†††# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #†††«.....
.^«††$#@@# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #@@#$††«^.
.^«††$@@## IF YOU WOULD LOOK THROUGH THE WINDOWS ##@@$††«^.
.^«††$#@@# YOU WOULD SEE THE MIST ROLLING BY, AND #@@#$††«^.
.^«†$#@@## PERHAPS THE OUTLINE OF SOME OTHER ##@@#$†«^.
.^«††$#@@# BUILDING, FAR BELOW. #@@#$††«^.
...«††††#@ @#††††«...
..^«††$$## DURING THE NIGHT, AFTER TAINARON HAS ##$$††«^..
.^«††$$#@@ STARTED MOVING, THE LOWER FLOORS ARE @@#$$††«^.
.^«††$#@@@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @@@#$††«^.
.^«††$#@## THE GUESTS. FOOD IS NO LONGER SERVED, ##@#$††«^.
.....«††$# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #$††«.....
.^«††$#@@@ IT'S AT THIS POINT THAT THE SECOND SET @@@#$††«^.
.^«††$##@@ OF GUEST ARRIVES, VIA HELICOPTER - @@##$††«^.
....«««†#@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @#†«««....
.^«††$#@@# #@@#$††«^.
.^«††$#@@# ««««« #@@#$††«^.
.^«††$#@@# #@@#$††«^.
.^«†††$$@@ IN MY DREAM I AM INVITED AS A FRIEND OF @@$$†††«^.
.^«†$#@@## ONE OF THE SERVERS, AND THUS SAFE. WE ##@@#$†«^.
....^†$### SIT IN ONE OF THE LARGE WINDOWS, ###$†^....
.^«††††$@@ LOOKING THROUGH THE MIST FOR ANY @@$††††«^.
....^†††$@ LANDMARKS TO PIERCE THROUGH THE MIST. @$†††^....
.^«††$#@@# SHE TELLS ME THAT APART FROM COMING AND #@@#$††«^.
....^«†$@@ GOING FROM WORK, SHE'S NEVER SEEN THE @@$†«^....
.^«††$#@@@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @@@#$††«^.
.^«††$#@@@ @@@#$††«^.
.^«††$#@@@ THE NEXT DAY I AM INVITED TO THE PUBLIC @@@#$††«^.
.^«††$$$#@ DEMONSTRATION OF THE EXOBUBBLE. @#$$$††«^.
....^««††# #††««^....
....^††$#@ @#$††^....
.^«††$#@@@ @@@#$††«^.
..^««†$#@@ @@#$†««^..
.^«††$#@@@ @@@#$††«^.