,,,,@,@@@@ @@@@,@,@,@
@,,,@@@,,, ,,,,@@@@@@
,@,,@,,@,, ,,,,@,,,,,
,@@,@@,@@, @,,,@@,,,,
,@,@@,@@,@ @@,,@,@,,,
,@@@,@@,@@ THE SKYSCRAPER THAT MOVES ,,@,@@@@,,
,@,,@@,@@, @,@@@,,,@,
,@@,@,@@,@ TAINARON IS A BUILDING OWNED AND ,@@,,@,,@@
@@,@@@@,@@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @@,@,@@,@,
@,@@,,,@@, CLOSED TO THE HARBOR IN MALMÖ. IT'S @,@@@@,@@@
,@@,@,,@,@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER @@@,,,@@,,
,@,@@@,@@@ UNKNOWN), DARK BLUE AND COMPLETELY @,,@,,@,@,
,@@@,,@@,, RECTANGULAR. IT FEATURES NO SIGNS, @@,@@,@@@@
@@,,@,@,@, LIGHTS, OR ORNAMENTS, APART FROM A @,@@,@@,,,
@,@,@@@@@@ HELIPAD ON TOP. MOST FLOORS HAVE ,@@,@@,@,,
@@@@@,,,,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. @@,@@,@@@,
@,,,,@,,,, @,@@,@@,,@
,@,,,@@,,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,@@,@@,@,@
@@@,,@,@,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,@,@@,@@@@
,,,@,@@@@, THE BUILDING COMES TO LIFE: IT MOVES ON @@@@,@@,,,
,,,@@@,,,@ A THOUSAND ROBOTIC LEGS TO ANOTHER ,,,,@@,@,,
,,,@,,@,,@ (SECRET) PART OF TOWN, OR PERHAPS OUT ,,,,@,@@@,
,,,@@,@@,@ TO SEA. THIS SIGNALS A NEW AND MORE ,,,,@@@,,@
@,,@,@@,@@ VISCIOUS PHASE OF THE TAINARON ,,,,@,,@,@
,@,@@@,@@, ECOSYSTEM. ,,,,@@,@@@
@@@@,,@@,@ ,,,,@,@@,,
@,,,@,@,@@ THE GUESTS ARRIVING DURING THE EARLY @,,,@@@,@,
@@,,@@@@@, EVENING ARE TREATED TO FOOD AND DRINK, @@,,@,,@@@
,,@,@,,,,@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,@,@@,@,,
,,@@@@,,,@ COMFORTABLE BUT MAZE-LIKE INTERIOR ,,@@@,@@@,
,,@,,,@,,@ STRUCTURE (THE BUILDING FEATURES A @,@,,@@,,@
@,@@,,@@,@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @@@@,@,@,@
,@@,@,@,@@ PLACED SEEMINGLY AT RANDOM, NONE GOING ,,,,@@@@@@
@@,@@@@@@, FURTHER THAN A FEW FLOORS). ,,,,@,,,,,
@,@@,,,,,@ ,,,,@@,,,,
@@@,@,,,,@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,,,@,@,,,
@,,@@@,,,@ UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,,,@@@@,,
@@,@,,@,,@ SAME QUALITY AS THE SURROUNDING MIST: ,,,,@,,,@,
@,@@@,@@,@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @,,,@@,,@@
,@@,,@@,@@ DOT'S BY DOOR LOCKS AND CONTROL PANELS. @@,,@,@,@,
,@,@,@,@@, IF YOU WOULD LOOK THROUGH THE WINDOWS ,,@,@@@@@@
@@@@@@@@,@ YOU WOULD SEE THE MIST ROLLING BY, AND @,@@@,,,,,
@,,,,,,,@@ PERHAPS THE OUTLINE OF SOME OTHER ,@@,,@,,,,
@@,,,,,,@, BUILDING, FAR BELOW. ,@,@,@@,,,
@,@,,,,,@@ @@@@@@,@,,
@@@@,,,,@, DURING THE NIGHT, AFTER TAINARON HAS @,,,,,@@@,
@,,,@,,,@@ STARTED MOVING, THE LOWER FLOORS ARE @@,,,,@,,@
,@,,@@,,@, SHUT OFF, PREVENTING ENTRY OR EXIT FOR @,@,,,@@,@
@@@,@,@,@@ THE GUESTS. FOOD IS NO LONGER SERVED, @@@@,,@,@@
,,,@@@@@@, BUT THE DRINKS BECOME MORE EXTRAVAGANT. @,,,@,@@@,
,,,@,,,,,@ IT'S AT THIS POINT THAT THE SECOND SET @@,,@@@,,@
@,,@@,,,,@ OF GUEST ARRIVES, VIA HELICOPTER - @,@,@,,@,@
,@,@,@,,,@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,@@@@@,@@@
@@@@@@@,,@ ,@,,,,@@,,
@,,,,,,@,@ ~~~~~ @@@,,,@,@,
@@,,,,,@@@ ,,,@,,@@@@
,,@,,,,@,, IN MY DREAM I AM INVITED AS A FRIEND OF ,,,@@,@,,,
,,@@,,,@@, ONE OF THE SERVERS, AND THUS SAFE. WE ,,,@,@@@,,
,,@,@,,@,@ SIT IN ONE OF THE LARGE WINDOWS, @,,@@@,,@,
,,@@@@,@@@ LOOKING THROUGH THE MIST FOR ANY @@,@,,@,@@
@,@,,,@@,, LANDMARKS TO PIERCE THROUGH THE MIST. ,,@@@,@@@,
@@@@,,@,@, SHE TELLS ME THAT APART FROM COMING AND @,@,,@@,,@
,,,,@,@@@@ GOING FROM WORK, SHE'S NEVER SEEN THE @@@@,@,@,@
@,,,@@@,,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,,,@@@@@@
,@,,@,,@,, ,,,,@,,,,,
,@@,@@,@@, THE NEXT DAY I AM INVITED TO THE PUBLIC @,,,@@,,,,
,@,@@,@@,@ DEMONSTRATION OF THE EXOBUBBLE. @@,,@,@,,,
,@@@,@@,@@ ,,@,@@@@,,
,@,,@@,@@, @,@@@,,,@,
,@@,@,@@,@ ,@@,,@,,@@
@@,@@@@,@@ @@,@,@@,@,
@,@@,,,@@, @,@@@@,@@@