.,«†*@@@## ##@@@*†«,.
.,«†*@@@## ##@@@*†«,.
.,«†*@@@## ##@@@*†«,.
.,«†*@@@@# #@@@@*†«,.
.,«†*@@@## ##@@@*†«,.
.,«†*@@@## THE SKYSCRAPER THAT MOVES ##@@@*†«,.
.,«†***@@@ @@@***†«,.
.,«†*@@@## TAINARON IS A BUILDING OWNED AND ##@@@*†«,.
.,«†*@@@@@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @@@@@*†«,.
.,«†*@@@## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##@@@*†«,.
...,,†*@@@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER @@@*†,,...
......,«*@ UNKNOWN), DARK BLUE AND COMPLETELY @*«,......
.,«†*@@@## RECTANGULAR. IT FEATURES NO SIGNS, ##@@@*†«,.
...,«*@@@@ LIGHTS, OR ORNAMENTS, APART FROM A @@@@*«,...
.,«†*@@@## HELIPAD ON TOP. MOST FLOORS HAVE ##@@@*†«,.
....,,«*@@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @@*«,,....
.,«†*@@@## ##@@@*†«,.
.,«†*@@@## IN LATE EVENINGS, SHROUDED BY MALMö'S ##@@@*†«,.
.,«†*@@@## SIGNATURE FOG ROLLING IN FROM THE SEA, ##@@@*†«,.
.,«†*@@@@@ THE BUILDING COMES TO LIFE: IT MOVES ON @@@@@*†«,.
.....«*@@@ A THOUSAND ROBOTIC LEGS TO ANOTHER @@@*«.....
.,«†*@@@## (SECRET) PART OF TOWN, OR PERHAPS OUT ##@@@*†«,.
.,«†*@@@## TO SEA. THIS SIGNALS A NEW AND MORE ##@@@*†«,.
....«†*@@# VISCIOUS PHASE OF THE TAINARON #@@*†«....
.,«†*@@@## ECOSYSTEM. ##@@@*†«,.
...,«†@@@@ @@@@†«,...
.,«†*@@@## THE GUESTS ARRIVING DURING THE EARLY ##@@@*†«,.
.,«†*@@@## EVENING ARE TREATED TO FOOD AND DRINK, ##@@@*†«,.
.,«†*@@@@@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @@@@@*†«,.
.,«†*@@@## COMFORTABLE BUT MAZE-LIKE INTERIOR ##@@@*†«,.
.,«†*@@@## STRUCTURE (THE BUILDING FEATURES A ##@@@*†«,.
.,«†*@@@## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##@@@*†«,.
.,«†*@@@## PLACED SEEMINGLY AT RANDOM, NONE GOING ##@@@*†«,.
.,«†*@@@@@ FURTHER THAN A FEW FLOORS). @@@@@*†«,.
.,«†*@@@## ##@@@*†«,.
...,,††*@@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @@*††,,...
.,,,,†@@@# UNTIL THE AIR INSIDE HAS TAKEN ON THE #@@@†,,,,.
...,«†*@@@ SAME QUALITY AS THE SURROUNDING MIST: @@@*†«,...
...,«††@@@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @@@††«,...
..,,,††*@@ DOT'S BY DOOR LOCKS AND CONTROL PANELS. @@*††,,,..
.,«†*@@@## IF YOU WOULD LOOK THROUGH THE WINDOWS ##@@@*†«,.
.,«†*@@@@# YOU WOULD SEE THE MIST ROLLING BY, AND #@@@@*†«,.
.,«†*@@@@@ PERHAPS THE OUTLINE OF SOME OTHER @@@@@*†«,.
...,†††@@@ BUILDING, FAR BELOW. @@@†††,...
.....,††@@ @@††,.....
.,«†**@@@@ DURING THE NIGHT, AFTER TAINARON HAS @@@@**†«,.
......«*@@ STARTED MOVING, THE LOWER FLOORS ARE @@*«......
.,«†*@@### SHUT OFF, PREVENTING ENTRY OR EXIT FOR ###@@*†«,.
.,«†*@@@## THE GUESTS. FOOD IS NO LONGER SERVED, ##@@@*†«,.
.,«†*@@@## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##@@@*†«,.
.,«†*@@@@@ IT'S AT THIS POINT THAT THE SECOND SET @@@@@*†«,.
....««*@@# OF GUEST ARRIVES, VIA HELICOPTER - #@@*««....
.,«†*@@@@@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @@@@@*†«,.
.....,«†@@ @@†«,.....
.,«†*@@@## ««««« ##@@@*†«,.
.,«†*@@@## ##@@@*†«,.
.,«†*@@### IN MY DREAM I AM INVITED AS A FRIEND OF ###@@*†«,.
.,«†*@@@## ONE OF THE SERVERS, AND THUS SAFE. WE ##@@@*†«,.
.,«*@@@### SIT IN ONE OF THE LARGE WINDOWS, ###@@@*«,.
......«†@@ LOOKING THROUGH THE MIST FOR ANY @@†«......
..,,,«*@@@ LANDMARKS TO PIERCE THROUGH THE MIST. @@@*«,,,..
.,«†*@@@## SHE TELLS ME THAT APART FROM COMING AND ##@@@*†«,.
.,«†*@@@## GOING FROM WORK, SHE'S NEVER SEEN THE ##@@@*†«,.
....,,«†*@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @*†«,,....
.,«†@@@### ###@@@†«,.
.,«†*@@### THE NEXT DAY I AM INVITED TO THE PUBLIC ###@@*†«,.
...,«**@@# DEMONSTRATION OF THE EXOBUBBLE. #@@**«,...
.,«†*@@@## ##@@@*†«,.
.,«†*@@### ###@@*†«,.
.,«*@@@### ###@@@*«,.
.,«†*@@@## ##@@@*†«,.
.,«†*@@@## ##@@@*†«,.