,:»\%&¤£## ##£¤&%\»:,
,:»\%&£### ###£&%\»:,
,,,,:»\&&¤ ¤&&\»:,,,,
,:»\%&¤£## ##£¤&%\»:,
,:»\%&¤£## ##£¤&%\»:,
,,,,:»\\&£ THE SKYSCRAPER THAT MOVES £&\\»:,,,,
,,,,,::\%¤ ¤%\::,,,,,
:»\%&¤£### TAINARON IS A BUILDING OWNED AND ###£¤&%\»:
,,,::\%¤£# OPERATED BY AMATA TEXNOLOGIYASI PLACED #£¤%\::,,,
,:»\%&¤£## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##£¤&%\»:,
,,,,:\\%¤# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #¤%\\:,,,,
,,,,,,»%¤£ UNKNOWN), DARK BLUE AND COMPLETELY £¤%»,,,,,,
,:»\%&¤££# RECTANGULAR. IT FEATURES NO SIGNS, #££¤&%\»:,
,:»\%&&¤££ LIGHTS, OR ORNAMENTS, APART FROM A ££¤&&%\»:,
,:»\%&¤### HELIPAD ON TOP. MOST FLOORS HAVE ###¤&%\»:,
,:»\\%&&&£ EXTERIOR WALLS COMPLETELY MADE OF GLASS. £&&&%\\»:,
,,,,:\%%¤¤ ¤¤%%\:,,,,
,:»»»»%¤¤¤ IN LATE EVENINGS, SHROUDED BY MALMö'S ¤¤¤%»»»»:,
,,,»»»%%¤¤ SIGNATURE FOG ROLLING IN FROM THE SEA, ¤¤%%»»»,,,
,,,,,:\&££ THE BUILDING COMES TO LIFE: IT MOVES ON ££&\:,,,,,
,:»\%&&&¤¤ A THOUSAND ROBOTIC LEGS TO ANOTHER ¤¤&&&%\»:,
,:::»»\\&¤ (SECRET) PART OF TOWN, OR PERHAPS OUT ¤&\\»»:::,
,:»\&¤£### TO SEA. THIS SIGNALS A NEW AND MORE ###£¤&\»:,
,,,,:\&&¤¤ VISCIOUS PHASE OF THE TAINARON ¤¤&&\:,,,,
,:»\%&¤££# ECOSYSTEM. #££¤&%\»:,
,:»\%&¤£## ##£¤&%\»:,
,,,,,:»\&£ THE GUESTS ARRIVING DURING THE EARLY £&\»:,,,,,
,:»\%&£### EVENING ARE TREATED TO FOOD AND DRINK, ###£&%\»:,
,,,,,:\\&¤ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¤&\\:,,,,,
,:»\%&¤£## COMFORTABLE BUT MAZE-LIKE INTERIOR ##£¤&%\»:,
,,,,,:\&¤£ STRUCTURE (THE BUILDING FEATURES A £¤&\:,,,,,
,:»\%&¤£## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##£¤&%\»:,
,:»\%&¤£## PLACED SEEMINGLY AT RANDOM, NONE GOING ##£¤&%\»:,
,:»\%&¤£## FURTHER THAN A FEW FLOORS). ##£¤&%\»:,
,:»\%&¤££# #££¤&%\»:,
,:»\%&¤£## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##£¤&%\»:,
,,,,»\\%%¤ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¤%%\\»,,,,
,:»\%&¤£## SAME QUALITY AS THE SURROUNDING MIST: ##£¤&%\»:,
,:»\%&¤£## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##£¤&%\»:,
,:»\%&¤£## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##£¤&%\»:,
,,,»»\&¤¤# IF YOU WOULD LOOK THROUGH THE WINDOWS #¤¤&\»»,,,
,,,,,,:»%¤ YOU WOULD SEE THE MIST ROLLING BY, AND ¤%»:,,,,,,
,,,,,:»\&£ PERHAPS THE OUTLINE OF SOME OTHER £&\»:,,,,,
,:»\%&¤£## BUILDING, FAR BELOW. ##£¤&%\»:,
,:»\%&¤¤¤¤ ¤¤¤¤&%\»:,
,:»\%&£### DURING THE NIGHT, AFTER TAINARON HAS ###£&%\»:,
,,,:»»\&&£ STARTED MOVING, THE LOWER FLOORS ARE £&&\»»:,,,
,:»\%&¤££# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #££¤&%\»:,
,,,,:\%&£# THE GUESTS. FOOD IS NO LONGER SERVED, #£&%\:,,,,
,,,,,:\%¤¤ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¤¤%\:,,,,,
,:»\%&¤£## IT'S AT THIS POINT THAT THE SECOND SET ##£¤&%\»:,
,:»\%&¤£## OF GUEST ARRIVES, VIA HELICOPTER - ##£¤&%\»:,
,:»\%&&&£# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #£&&&%\»:,
,,,:»\%&¤# #¤&%\»:,,,
,,,,»»\\%¤ »»»»» ¤%\\»»,,,,
,,,:»\%&¤# #¤&%\»:,,,
,:»\%&¤£## IN MY DREAM I AM INVITED AS A FRIEND OF ##£¤&%\»:,
,,::»»\&¤# ONE OF THE SERVERS, AND THUS SAFE. WE #¤&\»»::,,
,,,,»%&&¤¤ SIT IN ONE OF THE LARGE WINDOWS, ¤¤&&%»,,,,
,:»\%&¤£## LOOKING THROUGH THE MIST FOR ANY ##£¤&%\»:,
,:»\%&£### LANDMARKS TO PIERCE THROUGH THE MIST. ###£&%\»:,
,,,:»\\\&£ SHE TELLS ME THAT APART FROM COMING AND £&\\\»:,,,
,:»\%&¤£## GOING FROM WORK, SHE'S NEVER SEEN THE ##£¤&%\»:,
:»\%&¤£### BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ###£¤&%\»:
,,,,:\%¤£# #£¤%\:,,,,
,:»\%&¤£## THE NEXT DAY I AM INVITED TO THE PUBLIC ##£¤&%\»:,
,,:»»%%¤££ DEMONSTRATION OF THE EXOBUBBLE. ££¤%%»»:,,
,,,,:\%%¤# #¤%%\:,,,,
,:»\%&¤£## ##£¤&%\»:,
,,,,,:»\&£ £&\»:,,,,,
,:»\%&¤£## ##£¤&%\»:,
,:»\%&¤£## ##£¤&%\»:,