..«*†$$¤££ ££¤$$†*«..
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..«*†$¤£## ##£¤$†*«..
..«*$¤£### ###£¤$*«..
..«*†$¤£## ##£¤$†*«..
..«*†$¤£## THE SKYSCRAPER THAT MOVES ##£¤$†*«..
....«*††¤£ £¤††*«....
..«*†$¤£## TAINARON IS A BUILDING OWNED AND ##£¤$†*«..
.......*†¤ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¤†*.......
...«**$$££ CLOSED TO THE HARBOR IN MALMÖ. IT'S ££$$**«...
..«*†$¤£## ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ##£¤$†*«..
.......*†¤ UNKNOWN), DARK BLUE AND COMPLETELY ¤†*.......
..«*†$¤£## RECTANGULAR. IT FEATURES NO SIGNS, ##£¤$†*«..
..«*†$¤£## LIGHTS, OR ORNAMENTS, APART FROM A ##£¤$†*«..
...«**†$¤£ HELIPAD ON TOP. MOST FLOORS HAVE £¤$†**«...
...«*††¤££ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ££¤††*«...
..«*†$¤£## ##£¤$†*«..
..«*†$¤£## IN LATE EVENINGS, SHROUDED BY MALMö'S ##£¤$†*«..
......«†¤# SIGNATURE FOG ROLLING IN FROM THE SEA, #¤†«......
..«*†$$$$£ THE BUILDING COMES TO LIFE: IT MOVES ON £$$$$†*«..
......«*†¤ A THOUSAND ROBOTIC LEGS TO ANOTHER ¤†*«......
.......*$£ (SECRET) PART OF TOWN, OR PERHAPS OUT £$*.......
..«*†$£### TO SEA. THIS SIGNALS A NEW AND MORE ###£$†*«..
...««†††$¤ VISCIOUS PHASE OF THE TAINARON ¤$†††««...
.....«†$¤# ECOSYSTEM. #¤$†«.....
...««†$$¤# #¤$$†««...
..«*†$¤£## THE GUESTS ARRIVING DURING THE EARLY ##£¤$†*«..
..«*†$¤£## EVENING ARE TREATED TO FOOD AND DRINK, ##£¤$†*«..
..«*†$¤£## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##£¤$†*«..
......«†¤£ COMFORTABLE BUT MAZE-LIKE INTERIOR £¤†«......
..«*†$¤£## STRUCTURE (THE BUILDING FEATURES A ##£¤$†*«..
....««†$¤# MULTITUDE OF STAIRWELLS AND ELEVATORS, #¤$†««....
.....«†$££ PLACED SEEMINGLY AT RANDOM, NONE GOING ££$†«.....
.....«†$£# FURTHER THAN A FEW FLOORS). #£$†«.....
..«*†$¤£## ##£¤$†*«..
.......*†¤ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¤†*.......
..«*†$¤£## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##£¤$†*«..
..«*†$¤£## SAME QUALITY AS THE SURROUNDING MIST: ##£¤$†*«..
..«*†$¤£## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##£¤$†*«..
..«*†$¤£## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##£¤$†*«..
..«*††$¤¤¤ IF YOU WOULD LOOK THROUGH THE WINDOWS ¤¤¤$††*«..
..«*†$¤£## YOU WOULD SEE THE MIST ROLLING BY, AND ##£¤$†*«..
....«†††$£ PERHAPS THE OUTLINE OF SOME OTHER £$†††«....
..«*†$$¤££ BUILDING, FAR BELOW. ££¤$$†*«..
..«*†$¤£## ##£¤$†*«..
.......«†¤ DURING THE NIGHT, AFTER TAINARON HAS ¤†«.......
..«*†$¤£## STARTED MOVING, THE LOWER FLOORS ARE ##£¤$†*«..
..«*†$¤£## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##£¤$†*«..
..«*†$¤£## THE GUESTS. FOOD IS NO LONGER SERVED, ##£¤$†*«..
..«*†$¤£## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##£¤$†*«..
......**$£ IT'S AT THIS POINT THAT THE SECOND SET £$**......
..«*$¤£### OF GUEST ARRIVES, VIA HELICOPTER - ###£¤$*«..
..«*†$¤£## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##£¤$†*«..
..«««†††$£ £$†††«««..
..«*†$¤£## ««««« ##£¤$†*«..
..«*†$¤£## ##£¤$†*«..
..«*†$¤£££ IN MY DREAM I AM INVITED AS A FRIEND OF £££¤$†*«..
..«*†$¤£## ONE OF THE SERVERS, AND THUS SAFE. WE ##£¤$†*«..
..«*†$$$£# SIT IN ONE OF THE LARGE WINDOWS, #£$$$†*«..
..«*†$¤££# LOOKING THROUGH THE MIST FOR ANY #££¤$†*«..
....««††¤# LANDMARKS TO PIERCE THROUGH THE MIST. #¤††««....
..«*†$¤£## SHE TELLS ME THAT APART FROM COMING AND ##£¤$†*«..
.......*$¤ GOING FROM WORK, SHE'S NEVER SEEN THE ¤$*.......
......*$££ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ££$*......
..«*†$¤£## ##£¤$†*«..
.....««*$¤ THE NEXT DAY I AM INVITED TO THE PUBLIC ¤$*««.....
......*†¤¤ DEMONSTRATION OF THE EXOBUBBLE. ¤¤†*......
......*$¤¤ ¤¤$*......
..«*†$$¤£# #£¤$$†*«..
.......«†¤ ¤†«.......
......«†¤¤ ¤¤†«......
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