..,=*^^^¤¤ ¤¤^^^*=,..
.,=*^£¤### ###¤£^*=,.
.,=*^£¤@@@ @@@¤£^*=,.
....=***^¤ ¤^***=....
.......=^¤ ¤^=.......
.,=*^£¤@## the skyscraper that moves ##@¤£^*=,.
.,=*^£££¤¤ ¤¤£££^*=,.
.,=*^££££¤ tainaron is a building owned and ¤££££^*=,.
.,=*^£¤¤@# operated by amata texnologiyasi placed #@¤¤£^*=,.
....=^££@@ closed to the harbor in malmÖ. it's @@££^=....
...,**^££¤ roughly sixty floors high (real number ¤££^**,...
.,=*^£¤@## unknown), dark blue and completely ##@¤£^*=,.
.,=*^£¤@## rectangular. it features no signs, ##@¤£^*=,.
.,=*^£¤@## lights, or ornaments, apart from a ##@¤£^*=,.
....=*£¤@# helipad on top. most floors have #@¤£*=....
.,=*^£¤@## exterior walls completely made of glass. ##@¤£^*=,.
.....,=^¤¤ ¤¤^=,.....
.,=***££@@ in late evenings, shrouded by malmö's @@££***=,.
.,=**^^¤¤# signature fog rolling in from the sea, #¤¤^^**=,.
...,*^^¤@@ the building comes to life: it moves on @@¤^^*,...
....,*££¤¤ a thousand robotic legs to another ¤¤££*,....
.,=*^£¤@## (secret) part of town, or perhaps out ##@¤£^*=,.
.....=^^¤# to sea. this signals a new and more #¤^^=.....
.,=*^£¤@## viscious phase of the tainaron ##@¤£^*=,.
.,=*^£¤@## ecosystem. ##@¤£^*=,.
......,*^¤ ¤^*,......
...,**^¤¤¤ the guests arriving during the early ¤¤¤^**,...
.,,,**^£¤¤ evening are treated to food and drink, ¤¤£^**,,,.
.,=*^£¤@## live music, beatutiful views, and a ##@¤£^*=,.
....,=*^£¤ comfortable but maze-like interior ¤£^*=,....
.,=*^¤@### structure (the building features a ###@¤^*=,.
.,=*^£¤@@@ multitude of stairwells and elevators, @@@¤£^*=,.
.,=*^£¤@## placed seemingly at random, none going ##@¤£^*=,.
......=*£¤ further than a few floors). ¤£*=......
.,=*^£@### ###@£^*=,.
...,,=*££@ as time goes on, the lights slowly dim, @££*=,,...
..,,=^^¤¤@ until the air inside has taken on the @¤¤^^=,,..
.,,==^£¤@# same quality as the surrounding mist: #@¤£^==,,.
.,=*^£¤@## blue-gray, sprinkled with the small red ##@¤£^*=,.
.,=*^£¤@## dot's by door locks and control panels. ##@¤£^*=,.
.,=*^£¤@## if you would look through the windows ##@¤£^*=,.
...,**^£¤# you would see the mist rolling by, and #¤£^**,...
......=^£@ perhaps the outline of some other @£^=......
.,=*^£¤@## building, far below. ##@¤£^*=,.
.,=*^£¤@## ##@¤£^*=,.
.,=*^£¤@## during the night, after tainaron has ##@¤£^*=,.
.,=*^¤@### started moving, the lower floors are ###@¤^*=,.
....,=*£¤¤ shut off, preventing entry or exit for ¤¤£*=,....
.......=^¤ the guests. food is no longer served, ¤^=.......
.,=*^^^¤¤¤ but the drinks become more extravagant. ¤¤¤^^^*=,.
.,=*^£¤@@@ it's at this point that the second set @@@¤£^*=,.
.,=*^£¤@## of guest arrives, via helicopter - ##@¤£^*=,.
.,=*^£¤¤@# amata texnologiyasi and their friends. #@¤¤£^*=,.
.,=*^^^¤¤¤ ¤¤¤^^^*=,.
..,,**^¤@# ===== #@¤^**,,..
.,=*^£¤### ###¤£^*=,.
....,=^^¤¤ in my dream i am invited as a friend of ¤¤^^=,....
....=*£££@ one of the servers, and thus safe. we @£££*=....
.,=*^£¤@## sit in one of the large windows, ##@¤£^*=,.
.,=*^£¤@## looking through the mist for any ##@¤£^*=,.
.,=***^££¤ landmarks to pierce through the mist. ¤££^***=,.
.,=*^£¤@## she tells me that apart from coming and ##@¤£^*=,.
.,=*^£¤@## going from work, she's never seen the ##@¤£^*=,.
.,=*^£¤@@# building from the outside. we both sigh. #@@¤£^*=,.
.,=*^£¤@## ##@¤£^*=,.
.,=*^£¤¤¤# the next day i am invited to the public #¤¤¤£^*=,.
...==^£¤¤# demonstration of the exobubble. #¤¤£^==...
.,=*^£¤@## ##@¤£^*=,.
.,=*^£¤@## ##@¤£^*=,.
.,=*^£¤@## ##@¤£^*=,.
.,=*^^^££@ @££^^^*=,.
.,=*^£¤@## ##@¤£^*=,.