,~»†*%&@@# #@@&%*†»~,
,~~»»†%&@# #@&%†»»~~,
,,,~»†*%&@ @&%*†»~,,,
,,,~»»††%& &%††»»~,,,
,,,~»†**&& &&**†»~,,,
,,,~»†***& THE SKYSCRAPER THAT MOVES &***†»~,,,
,~»†*%&@## ##@&%*†»~,
,~»†*%&@## TAINARON IS A BUILDING OWNED AND ##@&%*†»~,
,,,,~~»**& OPERATED BY AMATA TEXNOLOGIYASI PLACED &**»~~,,,,
,~»†*%&@## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##@&%*†»~,
,~»†*%&@@# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #@@&%*†»~,
,~»†*%&@## UNKNOWN), DARK BLUE AND COMPLETELY ##@&%*†»~,
,~»†*%&@## RECTANGULAR. IT FEATURES NO SIGNS, ##@&%*†»~,
,,,,,»†%@@ LIGHTS, OR ORNAMENTS, APART FROM A @@%†»,,,,,
,,,,,»*%&& HELIPAD ON TOP. MOST FLOORS HAVE &&%*»,,,,,
,~»†*%&@## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##@&%*†»~,
,~»†*%## ###&%*†»~,
,~»†****&& IN LATE EVENINGS, SHROUDED BY MALMö'S &&****†»~,
,~»†*%&@@# SIGNATURE FOG ROLLING IN FROM THE SEA, #@@&%*†»~,
,~»†*%&@## THE BUILDING COMES TO LIFE: IT MOVES ON ##@&%*†»~,
,~»†*%&@## A THOUSAND ROBOTIC LEGS TO ANOTHER ##@&%*†»~,
,~»†*%&@## (SECRET) PART OF TOWN, OR PERHAPS OUT ##@&%*†»~,
,~»†**%&@@ TO SEA. THIS SIGNALS A NEW AND MORE @@&%**†»~,
,~»†*%&@## VISCIOUS PHASE OF THE TAINARON ##@&%*†»~,
,,,,,»†%@# ECOSYSTEM. #@%†»,,,,,
,~»†*%## ###&%*†»~,
,,,,~†***& THE GUESTS ARRIVING DURING THE EARLY &***†~,,,,
,~»†*%&@## EVENING ARE TREATED TO FOOD AND DRINK, ##@&%*†»~,
,,,,,~†%@@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @@%†~,,,,,
,~»†*%&@## COMFORTABLE BUT MAZE-LIKE INTERIOR ##@&%*†»~,
,~»†*%&@## STRUCTURE (THE BUILDING FEATURES A ##@&%*†»~,
,~»†*%&@## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##@&%*†»~,
,~»†*%@### PLACED SEEMINGLY AT RANDOM, NONE GOING ###@%*†»~,
,~»††††*%& FURTHER THAN A FEW FLOORS). &%*††††»~,
,,,,,»*&&@ @&&*»,,,,,
,,,,,,~†*& AS TIME GOES ON, THE LIGHTS SLOWLY DIM, &*†~,,,,,,
,,,~»†%%@@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @@%%†»~,,,
,~»†*%&@## SAME QUALITY AS THE SURROUNDING MIST: ##@&%*†»~,
,~»†*%&@## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##@&%*†»~,
,,~»»†**%@ DOT'S BY DOOR LOCKS AND CONTROL PANELS. @%**†»»~,,
,~»†*%&@## IF YOU WOULD LOOK THROUGH THE WINDOWS ##@&%*†»~,
,~»†*%&&&@ YOU WOULD SEE THE MIST ROLLING BY, AND @&&&%*†»~,
,,,,,~†%&& PERHAPS THE OUTLINE OF SOME OTHER &&%†~,,,,,
,~~~†*%%@# BUILDING, FAR BELOW. #@%%*†~~~,
,~»†*%&@## ##@&%*†»~,
,,,,~»†*&@ DURING THE NIGHT, AFTER TAINARON HAS @&*†»~,,,,
,,,,,,~†%& STARTED MOVING, THE LOWER FLOORS ARE &%†~,,,,,,
,,,,,~~†%@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @%†~~,,,,,
,~»†*%&@## THE GUESTS. FOOD IS NO LONGER SERVED, ##@&%*†»~,
,~»†*%&@## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##@&%*†»~,
,~»†*%&@## IT'S AT THIS POINT THAT THE SECOND SET ##@&%*†»~,
,,,,,~†% OF GUEST ARRIVES, VIA HELICOPTER - #&%†~,,,,,
,~»†*%%% AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #&%%%*†»~,
,,,,,»†*&& &&*†»,,,,,
,~~~~†%&@# »»»»» #@&%†~~~~,
,,,~»††*%@ @%*††»~,,,
,~»†*%&@## IN MY DREAM I AM INVITED AS A FRIEND OF ##@&%*†»~,
,,,,»****& ONE OF THE SERVERS, AND THUS SAFE. WE &****»,,,,
,~»†*%&@## SIT IN ONE OF THE LARGE WINDOWS, ##@&%*†»~,
,,~~~»**&& LOOKING THROUGH THE MIST FOR ANY &&**»~~~,,
,,,,,»*&@# LANDMARKS TO PIERCE THROUGH THE MIST. #@&*»,,,,,
,»†*%&@### SHE TELLS ME THAT APART FROM COMING AND ###@&%*†»,
,~»†*%&@## GOING FROM WORK, SHE'S NEVER SEEN THE ##@&%*†»~,
,~»††††%%@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @%%††††»~,
,~»†***%&& &&%***†»~,
,~»†*%&@## THE NEXT DAY I AM INVITED TO THE PUBLIC ##@&%*†»~,
,~»†*%&@## DEMONSTRATION OF THE EXOBUBBLE. ##@&%*†»~,
,~»†*%&&@@ @@&&%*†»~,
,~»†*%&@## ##@&%*†»~,
,~»†*%## ###&%*†»~,
,~»†*%&@## ##@&%*†»~,
,,,,»†††%@ @%†††»,,,,