##,#####,# ,###,###,,
,##,,,,### #,,##,,#,#
#,#,,,#,,, #,#,#,####
###,,##,,# ######,,,,
,,#,#,#,#, ,,,,,#,,,#
,######### THE SKYSCRAPER THAT MOVES ,,,,##,,##
#,,,,,,,,, ,,,#,#,#,#
#,,,,,,,,, TAINARON IS A BUILDING OWNED AND ,,#######,
#,,,,,,,,# OPERATED BY AMATA TEXNOLOGIYASI PLACED ,#,,,,,,##
#,,,,,,,#, CLOSED TO THE HARBOR IN MALMÖ. IT'S ##,,,,,#,,
#,,,,,,##, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,#,,,,##,#
#,,,,,#,## UNKNOWN), DARK BLUE AND COMPLETELY ##,,,#,##,
#,,,,###,, RECTANGULAR. IT FEATURES NO SIGNS, ,#,,###,##
#,,,#,,#,# LIGHTS, OR ORNAMENTS, APART FROM A ##,#,,##,,
#,,##,###, HELIPAD ON TOP. MOST FLOORS HAVE ,###,#,#,#
#,#,##,,## EXTERIOR WALLS COMPLETELY MADE OF GLASS. #,,######,
####,#,#,, #,#,,,,,##
,,,#####,# IN LATE EVENINGS, SHROUDED BY MALMö'S ###,,,,#,,
,,#,,,,### SIGNATURE FOG ROLLING IN FROM THE SEA, ,,#,,,##,,
,##,,,#,,, THE BUILDING COMES TO LIFE: IT MOVES ON ,##,,#,#,,
#,#,,##,,# A THOUSAND ROBOTIC LEGS TO ANOTHER #,#,####,,
###,#,#,## (SECRET) PART OF TOWN, OR PERHAPS OUT ####,,,#,#
,,######,# TO SEA. THIS SIGNALS A NEW AND MORE ,,,#,,###,
,#,,,,,### VISCIOUS PHASE OF THE TAINARON ,,##,#,,#,
##,,,,#,,# ECOSYSTEM. ,#,###,##,
,#,,,##,## ###,,##,##
##,,#,##,# THE GUESTS ARRIVING DURING THE EARLY ,,#,#,##,#
,#,###,##, EVENING ARE TREATED TO FOOD AND DRINK, ,#####,##,
###,,##,#, LIVE MUSIC, BEATUTIFUL VIEWS, AND A #,,,,##,#,
,,#,#,###, COMFORTABLE BUT MAZE-LIKE INTERIOR #,,,#,####
,#####,,## STRUCTURE (THE BUILDING FEATURES A #,,###,,,#
#,,,,#,#,# MULTITUDE OF STAIRWELLS AND ELEVATORS, #,#,,#,,##
#,,,###### PLACED SEEMINGLY AT RANDOM, NONE GOING ###,##,#,,
#,,#,,,,,# FURTHER THAN A FEW FLOORS). ,,##,###,#
#,##,,,,## ,#,##,,##,
##,#,,,#,# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ###,#,#,##
,###,,###, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,######,,
#,,#,#,,## SAME QUALITY AS THE SURROUNDING MIST: ,#,,,,,#,,
#,####,#,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##,,,,##,#
##,,,###,, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,#,,,#,##,
,#,,#,,#,# IF YOU WOULD LOOK THROUGH THE WINDOWS ##,,###,##
##,##,#### YOU WOULD SEE THE MIST ROLLING BY, AND ,#,#,,##,#
,##,##,,,, PERHAPS THE OUTLINE OF SOME OTHER ####,#,##,
#,##,#,,,# BUILDING, FAR BELOW. ,,,####,#,
##,###,,## ,,#,,,####
,##,,#,#,, DURING THE NIGHT, AFTER TAINARON HAS ,##,,#,,,,
#,#,####,# STARTED MOVING, THE LOWER FLOORS ARE #,#,##,,,,
####,,,##, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ####,#,,,#
,,,#,,#,## THE GUESTS. FOOD IS NO LONGER SERVED, ,,,###,,#,
,,##,###,# BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,#,,#,##,
,#,##,,##, IT'S AT THIS POINT THAT THE SECOND SET ,##,###,#,
###,#,#,## OF GUEST ARRIVES, VIA HELICOPTER - #,##,,###,
,,######,, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##,#,#,,##
,#,,,,,#,, ,#####,#,#
##,,,,##,, ----- #,,,,#####
,#,,,#,#,, #,,,#,,,,,
##,,####,# IN MY DREAM I AM INVITED AS A FRIEND OF #,,##,,,,,
,#,#,,,##, ONE OF THE SERVERS, AND THUS SAFE. WE #,#,#,,,,#
####,,#,## SIT IN ONE OF THE LARGE WINDOWS, #####,,,##
,,,#,###,# LOOKING THROUGH THE MIST FOR ANY ,,,,#,,#,,
,,###,,##, LANDMARKS TO PIERCE THROUGH THE MIST. ,,,##,##,,
,#,,#,#,## SHE TELLS ME THAT APART FROM COMING AND ,,#,##,#,,
##,#####,# GOING FROM WORK, SHE'S NEVER SEEN THE ,###,###,,
,##,,,,### BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #,,##,,#,#
#,#,,,#,,, #,#,#,####
###,,##,,# THE NEXT DAY I AM INVITED TO THE PUBLIC ######,,,,
,,#,#,#,#, DEMONSTRATION OF THE EXOBUBBLE. ,,,,,#,,,#
,######### ,,,,##,,##
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