¨¨¨¨¨,†%@@ @@%†,¨¨¨¨¨
¨,~††%$$$@ @$$$%††~,¨
¨,~†%$$$$@ @$$$$%†~,¨
¨,~†%$@@@@ @@@@$%†~,¨
¨,~†%$@@## ##@@$%†~,¨
¨,~†%$@@## THE SKYSCRAPER THAT MOVES ##@@$%†~,¨
¨¨,,,††$@# #@$††,,,¨¨
¨,~†%$@@## TAINARON IS A BUILDING OWNED AND ##@@$%†~,¨
¨¨¨,,††%$@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @$%††,,¨¨¨
¨,~†%$@### CLOSED TO THE HARBOR IN MALMÖ. IT'S ###@$%†~,¨
¨,~†%$@### ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ###@$%†~,¨
¨,~†%$@@## UNKNOWN), DARK BLUE AND COMPLETELY ##@@$%†~,¨
¨,~†%$@@## RECTANGULAR. IT FEATURES NO SIGNS, ##@@$%†~,¨
¨,~†%$@@## LIGHTS, OR ORNAMENTS, APART FROM A ##@@$%†~,¨
¨,~†%$@@## HELIPAD ON TOP. MOST FLOORS HAVE ##@@$%†~,¨
¨¨¨¨¨,†$$@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @$$†,¨¨¨¨¨
¨,~†%@@### ###@@%†~,¨
¨¨¨~†%%$@# IN LATE EVENINGS, SHROUDED BY MALMö'S #@$%%†~¨¨¨
¨,~~~†%$@@ SIGNATURE FOG ROLLING IN FROM THE SEA, @@$%†~~~,¨
¨,~†%$@@## THE BUILDING COMES TO LIFE: IT MOVES ON ##@@$%†~,¨
¨¨¨¨¨,†%@@ A THOUSAND ROBOTIC LEGS TO ANOTHER @@%†,¨¨¨¨¨
¨¨¨¨¨¨~†$@ (SECRET) PART OF TOWN, OR PERHAPS OUT @$†~¨¨¨¨¨¨
¨,~†%$@### TO SEA. THIS SIGNALS A NEW AND MORE ###@$%†~,¨
¨¨¨,~†%@@# VISCIOUS PHASE OF THE TAINARON #@@%†~,¨¨¨
¨¨¨~†%$$@# ECOSYSTEM. #@$$%†~¨¨¨
¨,~†%$@@## ##@@$%†~,¨
¨,~†%$@@## THE GUESTS ARRIVING DURING THE EARLY ##@@$%†~,¨
¨,~†%$$$@# EVENING ARE TREATED TO FOOD AND DRINK, #@$$$%†~,¨
¨¨¨¨¨¨,†$@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @$†,¨¨¨¨¨¨
¨,,,,,†$@@ COMFORTABLE BUT MAZE-LIKE INTERIOR @@$†,,,,,¨
¨¨¨¨,,†%@@ STRUCTURE (THE BUILDING FEATURES A @@%†,,¨¨¨¨
¨,~†%$@@@# MULTITUDE OF STAIRWELLS AND ELEVATORS, #@@@$%†~,¨
¨¨¨¨¨~%$@@ PLACED SEEMINGLY AT RANDOM, NONE GOING @@$%~¨¨¨¨¨
¨,~†%$@### FURTHER THAN A FEW FLOORS). ###@$%†~,¨
¨¨¨,~~~%$@ @$%~~~,¨¨¨
¨,~†%$@@## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##@@$%†~,¨
¨,~†%@@### UNTIL THE AIR INSIDE HAS TAKEN ON THE ###@@%†~,¨
¨,~†%$$$@@ SAME QUALITY AS THE SURROUNDING MIST: @@$$$%†~,¨
¨,~†%$@@## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##@@$%†~,¨
¨,~†%$@@## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##@@$%†~,¨
¨¨¨¨¨,†$@@ IF YOU WOULD LOOK THROUGH THE WINDOWS @@$†,¨¨¨¨¨
¨¨¨,,,†%%@ YOU WOULD SEE THE MIST ROLLING BY, AND @%%†,,,¨¨¨
¨,~†%$@@## PERHAPS THE OUTLINE OF SOME OTHER ##@@$%†~,¨
¨,~†††%%%@ BUILDING, FAR BELOW. @%%%†††~,¨
¨,,~~†%$@@ @@$%†~~,,¨
¨,~†%$@@@@ DURING THE NIGHT, AFTER TAINARON HAS @@@@$%†~,¨
¨,~††%%$$@ STARTED MOVING, THE LOWER FLOORS ARE @$$%%††~,¨
¨,~†%$@@## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##@@$%†~,¨
¨¨,~††%@@@ THE GUESTS. FOOD IS NO LONGER SERVED, @@@%††~,¨¨
¨¨¨¨¨¨~†$@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @$†~¨¨¨¨¨¨
¨,,~~†%@@@ IT'S AT THIS POINT THAT THE SECOND SET @@@%†~~,,¨
¨,~†%$@@## OF GUEST ARRIVES, VIA HELICOPTER - ##@@$%†~,¨
¨¨¨¨¨,~%%@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @%%~,¨¨¨¨¨
¨¨¨¨,††$$@ @$$††,¨¨¨¨
¨,~†%$@@## ~~~~~ ##@@$%†~,¨
¨¨¨¨~~†$@@ @@$†~~¨¨¨¨
¨¨¨¨¨~%$$@ IN MY DREAM I AM INVITED AS A FRIEND OF @$$%~¨¨¨¨¨
¨,~†%$@@## ONE OF THE SERVERS, AND THUS SAFE. WE ##@@$%†~,¨
¨¨¨,,†%%$@ SIT IN ONE OF THE LARGE WINDOWS, @$%%†,,¨¨¨
¨¨¨¨,†$$@@ LOOKING THROUGH THE MIST FOR ANY @@$$†,¨¨¨¨
¨¨¨¨,†$@@@ LANDMARKS TO PIERCE THROUGH THE MIST. @@@$†,¨¨¨¨
¨¨¨~~††$@# SHE TELLS ME THAT APART FROM COMING AND #@$††~~¨¨¨
¨,~†%$@@## GOING FROM WORK, SHE'S NEVER SEEN THE ##@@$%†~,¨
¨¨¨¨,††$$@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @$$††,¨¨¨¨
¨,~†%$@@## ##@@$%†~,¨
¨¨,,~††%@@ THE NEXT DAY I AM INVITED TO THE PUBLIC @@%††~,,¨¨
¨,~†%$@@## DEMONSTRATION OF THE EXOBUBBLE. ##@@$%†~,¨
¨,~†%$@@## ##@@$%†~,¨
¨,~†%$@@@# #@@@$%†~,¨
¨,~†%$@@## ##@@$%†~,¨
¨,~†%$@@## ##@@$%†~,¨
¨,~†%$@@## ##@@$%†~,¨