##@@§¤;~,¨ ¨,~;¤§@@##
#@@§¤*;~,¨ ¨,~;*¤§@@#
@§*~,¨¨¨¨¨ ¨¨¨¨¨,~*§@
@@¤¤¤*;~,¨ ¨,~;*¤¤¤@@
#@@§¤*;~,¨ ¨,~;*¤§@@#
§*~¨¨¨¨¨¨¨ THE SKYSCRAPER THAT MOVES ¨¨¨¨¨¨¨~*§
@¤*;~~~,¨¨ ¨¨,~~~;*¤@
#@@§¤*;~,¨ TAINARON IS A BUILDING OWNED AND ¨,~;*¤§@@#
@@@§¤*;~,¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨,~;*¤§@@@
##@@¤*;~,¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨,~;*¤@@##
@@@§¤*;~,¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨,~;*¤§@@@
#@@§¤*;~,¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨,~;*¤§@@#
#@@§¤*;~,¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨,~;*¤§@@#
##@@§*;~,¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨,~;*§@@##
@§¤;~~~~,¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨,~~~~;¤§@
#@@§¤*;~,¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨,~;*¤§@@#
@@¤¤¤*;~,¨ ¨,~;*¤¤¤@@
@@¤¤¤*;~,¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨,~;*¤¤¤@@
##@@§¤*~,¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨,~*¤§@@##
@@§§¤*;~,¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨,~;*¤§§@@
@§§¤¤*;~,¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨,~;*¤¤§§@
#@@§¤*;~,¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨,~;*¤§@@#
@§¤*;,¨¨¨¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨¨¨¨,;*¤§@
@@@§¤*;~,¨ VISCIOUS PHASE OF THE TAINARON ¨,~;*¤§@@@
#@@§¤*;~,¨ ECOSYSTEM. ¨,~;*¤§@@#
@§¤*;~¨¨¨¨ ¨¨¨¨~;*¤§@
@@§¤¤*;~,¨ THE GUESTS ARRIVING DURING THE EARLY ¨,~;*¤¤§@@
@¤¤**~~,,¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨,,~~**¤¤@
#@@§¤*;~,¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨,~;*¤§@@#
#@@§¤*;~,¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨,~;*¤§@@#
§¤*;;;,,¨¨ STRUCTURE (THE BUILDING FEATURES A ¨¨,,;;;*¤§
§¤****;~,¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨,~;****¤§
@§§¤;;,,,¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨,,,;;¤§§@
#@@§¤*;~,¨ FURTHER THAN A FEW FLOORS). ¨,~;*¤§@@#
§¤*;,¨¨¨¨¨ ¨¨¨¨¨,;*¤§
§*;~~~,¨¨¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨¨¨,~~~;*§
##@@¤*;~,¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨,~;*¤@@##
#@@§¤*;~,¨ SAME QUALITY AS THE SURROUNDING MIST: ¨,~;*¤§@@#
@§¤**;,¨¨¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨¨¨,;**¤§@
#@@§¤*;~,¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨,~;*¤§@@#
@@@§¤*;~,¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨,~;*¤§@@@
##@§¤*;~,¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨,~;*¤§@##
@@@§¤*;~,¨ PERHAPS THE OUTLINE OF SOME OTHER ¨,~;*¤§@@@
#@@§¤*;~,¨ BUILDING, FAR BELOW. ¨,~;*¤§@@#
@@@§¤*;~,¨ ¨,~;*¤§@@@
§*;~,,,¨¨¨ DURING THE NIGHT, AFTER TAINARON HAS ¨¨¨,,,~;*§
§§§¤¤*;~,¨ STARTED MOVING, THE LOWER FLOORS ARE ¨,~;*¤¤§§§
#@@§¤*;~,¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨,~;*¤§@@#
§*~~~,¨¨¨¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨¨¨¨,~~~*§
#@@§¤*;~,¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨,~;*¤§@@#
§¤***~~~,¨ IT'S AT THIS POINT THAT THE SECOND SET ¨,~~~***¤§
§*;~,¨¨¨¨¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨¨¨¨¨,~;*§
#@@§¤*;~,¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨,~;*¤§@@#
#@@§¤*;~,¨ ¨,~;*¤§@@#
##@@¤*;~,¨ ~~~~~ ¨,~;*¤@@##
##@@§¤;~,¨ ¨,~;¤§@@##
#@@§¤*;~,¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨,~;*¤§@@#
#@@§¤*;~,¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨,~;*¤§@@#
##@§¤*;~,¨ SIT IN ONE OF THE LARGE WINDOWS, ¨,~;*¤§@##
§*;;~¨¨¨¨¨ LOOKING THROUGH THE MIST FOR ANY ¨¨¨¨¨~;;*§
@¤¤*;,¨¨¨¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨¨¨¨,;*¤¤@
@@@§¤*;~,¨ SHE TELLS ME THAT APART FROM COMING AND ¨,~;*¤§@@@
#@@§¤*;~,¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨,~;*¤§@@#
@@@§¤*;~,¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨,~;*¤§@@@
@§¤¤¤*;~,¨ ¨,~;*¤¤¤§@
@§¤;;;,¨¨¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨¨¨,;;;¤§@
#@@§¤*;~,¨ DEMONSTRATION OF THE EXOBUBBLE. ¨,~;*¤§@@#
#@@§¤*;~,¨ ¨,~;*¤§@@#
@§**~~~¨¨¨ ¨¨¨~~~**§@
#@@§¤*;~,¨ ¨,~;*¤§@@#
#@@§¤*;~,¨ ¨,~;*¤§@@#
@§*~,¨¨¨¨¨ ¨¨¨¨¨,~*§@