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#.##.#####                 $$$$$$$$$                #.#..#####
.##.##.... $$                                    $$ .###.#....
.#.##.#... $$              PLUS                  $$ ##..###...
.###.###.. $                       MINUS          $ #.#.#..#..
.#..##..#. $     ZERO                             $ .#####.##.
.##.#.#.## .                                      . ##....##.#
##.######.            .. MIRROR NOTE ..             ..#...#.##
..##.....#              .............               ..##..###.
..#.#....#                                          ..#.#.#..#
#.####...# AT AN OPPORTUNITY, A MOMENT SUCH AS THIS ..######.#
.##...#..# UNDERAPPRECIATED, UNDERESTIMATED, UNDER  #.#.....##
##.#..##.# THERE IS SIMPLY NO TIME TO CHOOSE WHAT   .###....#.
#.###.#.##                                          ##..#...##
.##..####. EVERYTHING IS IN THROUGH THE LEFT HALF   #.#.##..#.
.#.#.#...#     OF MY FACE, AND OUT EXACTLY OPPOSITE #####.#.##
#######..#     ...THROUGH THE RIGHT HALF... OF THE  #....####.
#......#.#                                    FACE  ##...#...#
.#.....###     PLUS MINUS ZERO BUT POLAR OPPOSITES! ..#..##..#
###....#..                                          ..##.#.#.#
...#...##.  #..# #.# #                              #.#.######
#..##..#.#  AND                                     .####.....
##.#.#.###     THE ECHO IS TRAVELLING WITH EVERY    .#...#....
#.######..     BEAT, MAYBE ONE HUNDRED AND THIRTY   ###..##...
###.....#.     MILLISECONDS, TO TWO HUNDRED AND     #..#.#.#..
#..#....## #.# EIGHTY MILLISECONDS, AND DOWN,       ##.######.
##.##...#.     ALONG MY DREADS, MAYBE LIKE          ..##.....#
..##.#..##   A CAP TO THE LEFT AND UP FOUR HUNDRED  #.#.#....#
#.#.###.#. TO THE RIGHT                             ######...#
.####..###                                          ......#..#
##...#.#..    ABOUT =MAGNETISM= OR =WHAT= =ELSE=    #.....##.#
..#..####.                                          ##....#.##
#.##.#...#   DISTORTION AND HEAVY GLASS AND PALM    ..#...###.
###.###..#                                 TREES    ..##..#..#
...##..#.#                                          #.#.#.##.#
#..#.#.###                                          #######.##
.#.#####..                                          .......##.
.###....#.   MY                                     #......#.#
##..#...##   I HAVE MUSIC THAT LIVES INTO WEIRDER   .#.....###
..#.##..#.    CORRIDORS, MY FLESH IS PUSHING        .##....#..
..###.#.##    MY                                    .#.#...##.
..#..####.    BODY FURTHER INSIDE                   #####..#.#
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.###.#.###                                          #.##.##.##
##..####..   THERE        IS TOO MUCH MOVING INSIDE .##.##.##.
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.#####..##                                          ..##.##.##
##....#.#. WEIRD REVOLVINGS, HOW MUCH MADNESS,      ..#.##.##.
#.#...#### WEIRD ABOUT HOW MUCH MADNESS THAT'S      ..###.##.#
.###..#...       IA . @REVOLVED ABOUT TO BE REVOLVE #.#..##.##
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#.#.###.#.                                          .#..####.#
.####..###                                          .##.#...##
##...#.#..                                          .#.###..#.
#.#..####.     AND I, THE SURGEON, CHOOSE THE       ####..#.##
.###.#...#    FRYING PAN                            #...#.###.
.#..###..#   WHATEVER DOG I WANT .................  .#..###..#
###.#..#.#  AND MY SPEED IS EVERYTHING. THE LAST    ###.#..#.#
...###.###                                          #..###.###
#..#..##..      RADAR STATION... FOR A WHILE...     ##.#..##..
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