@@@@**\=,, ,,=\**@@@@
@@*\,,,,,, ,,,,,,\*@@
@@*=,,,,,, ,,,,,,=*@@
@@@@**\=,, ,,=\**@@@@
@@@@**\=,, ,,=\**@@@@
@@@*=,,,,, @ ,,,,,=*@@@
@@@*\==,,, ,LIZARDRY ,,,==\*@@@
#@@@**\=,, = @ @@ @@@ @@@@@@@@@@@@@@@@@@ ,,=\**@@@#
#@@@**\=,, @@ THE ART OF C,NNECTING ,,=\**@@@#
#@@@**\=,, , WITH THE OLD MIND ,,=\**@@@#
#@@@**\=,, ,,=\**@@@#
##@@**\=,, MY MIND IS BEING SKEWED. MI ,,=\**@@##
#@@@**\=,, SKELETON IS STRINGY AND OLD AND ALIEN ,,=\**@@@#
@**\==,,,, THE SITUATION IS LITERALLY ,,,,==\**@
@*\=,,,,,, PRESSED OUT THROUGH MY EYES, IT'S ,,,,,,=\*@
@*===,,,,, ECHOING LIKE ,,,,,===*@
@@@@**\=,, THE SUNSET OF THE ETERNAL ,,=\**@@@@
##@@**\=,, OCEAN ,,=\**@@##
@@****\=,, PERSISTENTLY AGAINST MY EMULSION ,,=\****@@
#@@@**\=,, ,,=\**@@@#
@@**==,,,, IT'S UNGRASPABLE TO ME, WHAT OTHER ,,,,==**@@
#@@@**\=,, HUMANS ARE DOING AND ABSTRACTING, ,,=\**@@@#
@@@@**\=,, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,=\**@@@@
#@@@**\=,, HOW LONG A TIME HAS PASSED, FOR THEM? ,,=\**@@@#
#@@@**\=,, , ,,=\**@@@#
@@@@**\=,, , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ,,=\**@@@@
##@@**\=,, CONTINUOUSLY I'M CROWDING THROUGH ,,=\**@@##
@**==,,,,, , THE FOURTH WALL ,OUTWARDS IS WHAT , ,,,,,==**@
@@*=,,,,,, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,,,,,,=*@@
@@@@**\=,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,=\**@@@@
@*=,,,,,,, , , AWARE OF THE PREVIOUS ONE, DEEPER , ,,,,,,,=*@
@@*\,,,,,, , , DOWN IN THE DRAGONS THROAT. ,,,,,,\*@@
#@@@**\=,, , ,,=\**@@@#
@@@@**\=,, , ,,=\**@@@@
@@@@**\=,, ,,=\**@@@@
@@@***\=,, ,,=\***@@@
##@@**\=,, ,,=\**@@##
@*\\\=,,,, ,,,,=\\\*@
@@***===,, ,,===***@@
#@@@**\=,, ,,=\**@@@#