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#.#.##.##. ^^^^^^^^^ #.#.#.##..
#.#..#..#. ^^ ^^ #.#.#..#.#
#.#.##.##. ^^ plus ^^ #.#.#.##..
#.#..#..#. ^ minus ^ #.#.#..#.#
#.#.##.##. ^ zero ^ #.#.#.##..
#.#..#..#. . . #.#.#..#.#
#.#.##.##. .. mirror note .. #.#.#.##..
#.#..#..#. ............. #.#.#..#.#
#.#.##.##. #.#.#.##..
#.#..#..#. at an opportunity, a moment such as this #.#.#..#.#
#.#.##.##. underappreciated, underestimated, under #.#.#.##..
#.#..#..#. there is simply no time to choose what #.#.#..#.#
#.#.##.##. #.#.#.##..
#.#..#..#. everything is in through the left half #.#.#..#.#
#.#.##.##. of my face, and out exactly opposite #.#.#.##..
#.#..#..#. ...through the right half... of the #.#.#..#.#
#.#.##.##. face #.#.#.##..
#.#..#..#. plus minus zero but polar opposites! #.#.#..#.#
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#.#..#..#. #..# #.# # #.#.#..#.#
#.#.##.##. and #.#.#.##..
#.#..#..#. the echo is travelling with every #.#.#..#.#
#.#.##.##. beat, maybe one hundred and thirty #.#.#.##..
#.#..#..#. milliseconds, to two hundred and #.#.#..#.#
#.#.##.##. #.# eighty milliseconds, and down, #.#.#.##..
#.#..#..#. along my dreads, maybe like #.#.#..#.#
#.#.##.##. a cap to the left and up four hundred #.#.#.##..
#.#..#..#. to the right #.#.#..#.#
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#.#..#..#. about «magnetism« or «what« «else« #.#.#..#.#
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#.#..#..#. distortion and heavy glass and palm #.#.#..#.#
#.#.##.##. trees #.#.#.##..
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#.#.##.##. my #.#.#.##..
#.#..#..#. i have music that lives into weirder #.#.#..#.#
#.#.##.##. corridors, my flesh is pushing #.#.#.##..
#.#..#..#. my #.#.#..#.#
#.#.##.##. body further inside #.#.#.##..
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#.#..#..#. there is too much moving inside #.#.#..#.#
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#.#.##.##. weird revolvings, how much madness, #.#.#.##..
#.#..#..#. weird about how much madness that's #.#.#..#.#
#.#.##.##. ia . ¶revolved about to be revolve #.#.#.##..
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#.#..#..#. and i, the surgeon, choose the #.#.#..#.#
#.#.##.##. frying pan #.#.#.##..
#.#..#..#. whatever dog i want ................. #.#.#..#.#
#.#.##.##. and my speed is everything. the last #.#.#.##..
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#.#.##.##. radar station... for a while... #.#.#.##..
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