.&&.&.&..& &&..&.&&..
&.&.&.&.&. &&.&&..&..
&.&.&.&.&. &&..&.&&.&
&.&.&.&.&. &&.&&..&..
&.&.&.&.&. .&..&.&&.&
&.&.&.&.&. @ &&.&&..&..
&.&.&.&.&. .lizardry .&..&.&&.&
&.&.&.&.&. « # @# @@@ @@@@@@@@@@@@@@@@@@ &&.&&..&..
&.&.&.&.&. @@ the art of c~nnecting .&..&.&&.&
&.&.&.&.&. . with the old mind &&.&&..&..
&.&.&.&.&. .&..&.&&.&
&.&.&.&.&. my mind is being skewed. mi &&.&&..&..
&.&.&.&.&. skeleton is stringy and old and alien .&..&.&&.&
&.&.&.&.&. the situation is literally &&.&&..&..
&.&.&.&.&. pressed out through my eyes, it's .&..&.&&.&
&.&.&.&.&. echoing like &&.&&..&..
&.&.&.&.&. the sunset of the eternal .&..&.&&.&
&.&.&.&.&. ocean &&.&&..&..
&.&.&.&.&. persistently against my emulsion .&..&.&&.&
&.&.&.&.&. &&.&&..&..
&.&.&.&.&. it's ungraspable to me, what other .&..&.&&.&
&.&.&.&.&. humans are doing and abstracting, &&.&&..&..
&.&.&.&.&. and above all else, what time they use? .&..&.&&.&
&.&.&.&.&. how long a time has passed, for them? &&.&&..&..
&.&.&.&.&. . .&..&.&&.&
&.&.&.&.&. . ... . ................ ####### &&.&&..&..
&.&.&.&.&. continuously i'm crowding through .&..&.&&.&
&.&.&.&.&. . the fourth wall ~outwards is what . &&.&&..&..
&.&.&.&.&. .. i'm thinking but it's wrong.. a new .&..&.&&.&
&.&.&.&.&. . . narrator is introduced, occasionally &&.&&..&..
&.&.&.&.&. ~ ~ aware of the previous one, deeper . .&..&.&&.&
&.&.&.&.&. ~ ~ down in the dragons throat. &&.&&..&..
&.&.&.&.&. ~ .&..&.&&.&
&.&.&.&.&. ~ &&.&&..&..
&.&.&.&.&. .&..&.&&.&
&.&.&.&.&. &&.&&..&..
&.&.&.&.&. .&..&.&&.&
&.&.&.&.&. &&.&&..&..
&.&.&.&.&. .&..&.&&.&
&.&.&.&.&. &&.&&..&..