##¤@*/~,.. ..,~/*@¤##
#¤@*/~,... ...,~/*@¤#
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#¤@*/~,... # ...,~/*@¤#
##¤@*/~,.. .LIZARDRY ..,~/*@¤##
###¤@*/~,. ~ # ## ### ################## .,~/*@¤###
##¤@*/~,.. ## THE ART OF C,NNECTING ..,~/*@¤##
#¤@*/~,... . WITH THE OLD MIND ...,~/*@¤#
¤@*/~,.... ....,~/*@¤
@*/~,..... MY MIND IS BEING SKEWED. MI .....,~/*@
¤@*/~,.... SKELETON IS STRINGY AND OLD AND ALIEN ....,~/*@¤
#¤@*/~,... THE SITUATION IS LITERALLY ...,~/*@¤#
##¤@*/~,.. PRESSED OUT THROUGH MY EYES, IT'S ..,~/*@¤##
###¤@*/~,. ECHOING LIKE .,~/*@¤###
##¤@*/~,.. THE SUNSET OF THE ETERNAL ..,~/*@¤##
#¤@*/~,... OCEAN ...,~/*@¤#
¤@*/~,.... PERSISTENTLY AGAINST MY EMULSION ....,~/*@¤
@*/~,..... .....,~/*@
¤@*/~,.... IT'S UNGRASPABLE TO ME, WHAT OTHER ....,~/*@¤
#¤@*/~,... HUMANS ARE DOING AND ABSTRACTING, ...,~/*@¤#
##¤@*/~,.. AND ABOVE ALL ELSE, WHAT TIME THEY USE? ..,~/*@¤##
###¤@*/~,. HOW LONG A TIME HAS PASSED, FOR THEM? .,~/*@¤###
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#¤@*/~,... . ... . ................ ####### ...,~/*@¤#
¤@*/~,.... CONTINUOUSLY I'M CROWDING THROUGH ....,~/*@¤
@*/~,..... . THE FOURTH WALL ,OUTWARDS IS WHAT . .....,~/*@
¤@*/~,.... .. I'M THINKING BUT IT'S WRONG.. A NEW ....,~/*@¤
#¤@*/~,... . . NARRATOR IS INTRODUCED, OCCASIONALLY ...,~/*@¤#
##¤@*/~,.. , , AWARE OF THE PREVIOUS ONE, DEEPER . ..,~/*@¤##
###¤@*/~,. , , DOWN IN THE DRAGONS THROAT. .,~/*@¤###
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@*/~,..... .....,~/*@
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##¤@*/~,.. ..,~/*@¤##
###¤@*/~,. .,~/*@¤###