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....&&.... .LIZARDRY .&.&...&&&
...&.&.... = # ## ### ################## &&&&..&..&
..&&&&...& ## THE ART OF C.NNECTING ...&.&&.&&
.&...&..&& . WITH THE OLD MIND ..&&&.&&.&
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.&.&.&&&.. MY MIND IS BEING SKEWED. MI &&.&.&&...
&&&&&..&.. SKELETON IS STRINGY AND OLD AND ALIEN .&&&&.&...
....&.&&.& THE SITUATION IS LITERALLY &...&&&..&
...&&&.&&& PRESSED OUT THROUGH MY EYES, IT'S &..&..&.&&
..&..&&... ECHOING LIKE &.&&.&&&.&
.&&.&.&..& THE SUNSET OF THE ETERNAL &&.&&..&&&
&.&&&&&.&& OCEAN .&&.&.&..&
&&....&&.. PERSISTENTLY AGAINST MY EMULSION &.&&&&&.&.
.&...&.&.& &&....&&&&
&&..&&&&&. IT'S UNGRASPABLE TO ME, WHAT OTHER .&...&...&
.&.&....&& HUMANS ARE DOING AND ABSTRACTING, &&..&&..&.
&&&&...&.. AND ABOVE ALL ELSE, WHAT TIME THEY USE? .&.&.&.&&.
...&..&&.. HOW LONG A TIME HAS PASSED, FOR THEM? &&&&&&&.&&
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.&.&&&&&&& . ... . ................ ####### .....&.&&&
&&&....... CONTINUOUSLY I'M CROWDING THROUGH ....&&&..&
..&....... . THE FOURTH WALL .OUTWARDS IS WHAT . ...&..&.&.
.&&......& .. I'M THINKING BUT IT'S WRONG.. A NEW ..&&.&&&&.
&.&.....&& . . NARRATOR IS INTRODUCED, OCCASIONALLY .&.&&...&.
&&&....&.. . . AWARE OF THE PREVIOUS ONE, DEEPER . &&&.&..&&&
..&...&&.& . . DOWN IN THE DRAGONS THROAT. ..&&&.&...
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