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.¤.¤¤¤¤.¤. @ .¤.¤..¤.¤.
.¤¤¤...¤¤¤ .LIZARDRY .¤¤¤¤.¤¤¤¤
¤¤..¤..¤.. - @ @@ @@@ @@@@@@@@@@@@@@@@@@ .¤...¤¤...
¤.¤.¤¤.¤¤. @@ THE ART OF C.NNECTING .¤¤..¤.¤..
¤¤¤¤¤.¤¤.¤ . WITH THE OLD MIND .¤.¤.¤¤¤¤.
¤....¤¤.¤¤ ¤¤¤¤¤¤...¤
.¤...¤.¤¤. MY MIND IS BEING SKEWED. MI ......¤..¤
¤¤¤..¤¤¤.¤ SKELETON IS STRINGY AND OLD AND ALIEN ¤.....¤¤.¤
...¤.¤..¤¤ THE SITUATION IS LITERALLY ¤¤....¤.¤¤
¤..¤¤¤¤.¤. PRESSED OUT THROUGH MY EYES, IT'S ¤.¤...¤¤¤.
¤¤.¤...¤¤¤ ECHOING LIKE .¤¤¤..¤..¤
..¤¤¤..¤.. THE SUNSET OF THE ETERNAL ¤¤..¤.¤¤.¤
¤.¤..¤.¤¤. OCEAN ¤.¤.¤¤¤.¤¤
.¤¤¤.¤¤¤.¤ PERSISTENTLY AGAINST MY EMULSION .¤¤¤¤..¤¤.
.¤..¤¤..¤¤ ¤¤...¤.¤.¤
¤¤¤.¤.¤.¤. IT'S UNGRASPABLE TO ME, WHAT OTHER ..¤..¤¤¤¤¤
...¤¤¤¤¤¤¤ HUMANS ARE DOING AND ABSTRACTING, ¤.¤¤.¤....
...¤...... AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¤¤¤.¤¤¤...
...¤¤..... HOW LONG A TIME HAS PASSED, FOR THEM? ¤..¤¤..¤..
...¤.¤.... . ¤¤.¤.¤.¤¤.
...¤¤¤¤... . ... . ................ @@@@@@@ ..¤¤¤¤¤¤.¤
¤..¤...¤.. CONTINUOUSLY I'M CROWDING THROUGH ..¤.....¤¤
.¤.¤¤..¤¤. . THE FOURTH WALL .OUTWARDS IS WHAT . ¤.¤¤....¤.
.¤¤¤.¤.¤.¤ .. I'M THINKING BUT IT'S WRONG.. A NEW ¤¤¤.¤...¤¤
¤¤..¤¤¤¤¤¤ . . NARRATOR IS INTRODUCED, OCCASIONALLY ...¤¤¤..¤.
¤.¤.¤..... . . AWARE OF THE PREVIOUS ONE, DEEPER . ¤..¤..¤.¤¤
.¤¤¤¤¤.... . . DOWN IN THE DRAGONS THROAT. .¤.¤¤.¤¤¤.
.¤....¤... . .¤¤¤.¤¤..¤
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