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.:=††*§@## .LIZARDRY ##@§*††=:.
.:=††*§@## = @ #@ ### ################## ##@§*††=:.
.....=††§# ## THE ART OF C:NNECTING #§††=.....
.....=†*§@ . WITH THE OLD MIND @§*†=.....
.:=††*§@## ##@§*††=:.
.:=††*§@## MY MIND IS BEING SKEWED. MI ##@§*††=:.
.:=††*§@## SKELETON IS STRINGY AND OLD AND ALIEN ##@§*††=:.
.:=††*§@@# THE SITUATION IS LITERALLY #@@§*††=:.
...:†††§@# PRESSED OUT THROUGH MY EYES, IT'S #@§†††:...
.....=†**§ ECHOING LIKE §**†=.....
.:=††*§@## THE SUNSET OF THE ETERNAL ##@§*††=:.
.:=††*§@## OCEAN ##@§*††=:.
....==†§§# PERSISTENTLY AGAINST MY EMULSION #§§†==....
...::†††§§ §§†††::...
....::††*§ IT'S UNGRASPABLE TO ME, WHAT OTHER §*††::....
.....:=†§§ HUMANS ARE DOING AND ABSTRACTING, §§†=:.....
......:=†§ AND ABOVE ALL ELSE, WHAT TIME THEY USE? §†=:......
.....:=††§ HOW LONG A TIME HAS PASSED, FOR THEM? §††=:.....
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.:=††*§@## . ... . ................ @@@@@@@ ##@§*††=:.
.:=††*§@## CONTINUOUSLY I'M CROWDING THROUGH ##@§*††=:.
.:=††*§@## . THE FOURTH WALL :OUTWARDS IS WHAT . ##@§*††=:.
...:†††§§@ .. I'M THINKING BUT IT'S WRONG.. A NEW @§§†††:...
.:=††*§@## . . NARRATOR IS INTRODUCED, OCCASIONALLY ##@§*††=:.
.:=††*§@## : : AWARE OF THE PREVIOUS ONE, DEEPER . ##@§*††=:.
.:=††§@### : : DOWN IN THE DRAGONS THROAT. ###@§††=:.
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