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,.=:::£¤¤¶ ,lizardry ¶¤¤£:::=.,
,.=:*£¤@## = ¶ @¶ @@@ @@@@@@@@@@@@@@@@@@ ##@¤£*:=.,
,,,,,=*££¤ @@ the art of c.nnecting ¤££*=,,,,,
,,,,=:**¤¶ , with the old mind ¶¤**:=,,,,
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,.=:*£££¤¤ my mind is being skewed. mi ¤¤£££*:=.,
,.=:***¤¤@ skeleton is stringy and old and alien @¤¤***:=.,
,.=:*£¤¶@# the situation is literally #@¶¤£*:=.,
,,.....:£¤ pressed out through my eyes, it's ¤£:.....,,
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,.=*£¤¶@## persistently against my emulsion ##@¶¤£*=.,
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,.=:*£¤¶@# it's ungraspable to me, what other #@¶¤£*:=.,
,.=:****¤@ humans are doing and abstracting, @¤****:=.,
,,,=:****¤ and above all else, what time they use? ¤****:=,,,
,,,,,==*¤¶ how long a time has passed, for them? ¶¤*==,,,,,
,.=:*¤¶@## , ##@¶¤*:=.,
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,.=:*£¤¶@# continuously i'm crowding through #@¶¤£*:=.,
,.=:*£¤¶## , the fourth wall .outwards is what , ##¶¤£*:=.,
,.=:****£¶ ,, i'm thinking but it's wrong.. a new ¶£****:=.,
,,,,=*£¤¶@ , , narrator is introduced, occasionally @¶¤£*=,,,,
,,,..=*¤¶¶ . . aware of the previous one, deeper , ¶¶¤*=..,,,
,,,,.::*¤@ . . down in the dragons throat. @¤*::.,,,,
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