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,~-;^§@£@#              ,LIZARDRY                   #@£@§^;-~,
,~-;^§@££@ -           £ @£ @@@  @@@@@@@@@@@@@@@@@@ @££@§^;-~,
,~-;^§@£@# @@      THE ART OF C~NNECTING            #@£@§^;-~,
,~-;^§@@£@        ,    WITH THE OLD MIND            @£@@§^;-~,
,~-;^§@£@#                                          #@£@§^;-~,
,~-;^§@@##             MY MIND IS BEING SKEWED. MI  ##@@§^;-~,
,~-;^§@£@#  SKELETON IS STRINGY AND OLD AND ALIEN   #@£@§^;-~,
,,,,,,,-^@             THE SITUATION IS LITERALLY   @^-,,,,,,,
,,,~~~;§§@ PRESSED OUT THROUGH MY EYES, IT'S        @§§;~~~,,,
,~-;^§@£@# ECHOING LIKE                             #@£@§^;-~,
,~-;^§@@##             THE SUNSET OF THE ETERNAL    ##@@§^;-~,
,~-;^§@£££ OCEAN                                    £££@§^;-~,
,,,~;;§@@£         PERSISTENTLY AGAINST MY EMULSION £@@§;;~,,,
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,,,-;;;§§@    IT'S UNGRASPABLE TO ME, WHAT OTHER    @§§;;;-,,,
,~-;^§@£££   HUMANS ARE DOING AND ABSTRACTING,      £££@§^;-~,
,,,,~-;§@£  AND ABOVE ALL ELSE, WHAT TIME THEY USE? £@§;-~,,,,
,~-;^§@@## HOW LONG A TIME HAS PASSED, FOR THEM?    ##@@§^;-~,
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,,,--;§§@£  , ,,, ,  ,,,,,,,,,,,,,,,,   £££££££     £@§§;--,,,
,,,,,~;^§£   CONTINUOUSLY I'M CROWDING THROUGH      £§^;~,,,,,
,,,,,-^§§£ , THE FOURTH WALL  ~OUTWARDS IS WHAT   , £§§^-,,,,,
,~-;^§@£@@ ,, I'M THINKING BUT IT'S WRONG.. A NEW   @@£@§^;-~,
,,,,-;§@£@ , , NARRATOR IS INTRODUCED, OCCASIONALLY @£@§;-,,,,
,~-;^§@£@@ ~  ~ AWARE OF THE PREVIOUS ONE, DEEPER , @@£@§^;-~,
,~-;^§@£@# ~   ~ DOWN IN THE DRAGONS THROAT.        #@£@§^;-~,
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