##@£%**~.¨ ¨.~**%£@##
#@£%**~.¨¨ ¨¨.~**%£@#
@£%**~.¨¨¨ ¨¨¨.~**%£@
#@£%**~.¨¨ ¨¨.~**%£@#
##@£%**~.¨ ¨.~**%£@##
#@£%**~.¨¨ ********* ¨¨.~**%£@#
@£%**~.¨¨¨ ** ** ¨¨¨.~**%£@
#@£%**~.¨¨ ** PLUS ** ¨¨.~**%£@#
##@£%**~.¨ * MINUS * ¨.~**%£@##
#@£%**~.¨¨ * ZERO * ¨¨.~**%£@#
@£%**~.¨¨¨ ¨ ¨ ¨¨¨.~**%£@
#@£%**~.¨¨ ¨¨ MIRROR NOTE ¨¨ ¨¨.~**%£@#
##@£%**~.¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨ ¨.~**%£@##
#@£%**~.¨¨ ¨¨.~**%£@#
@£%**~.¨¨¨ AT AN OPPORTUNITY, A MOMENT SUCH AS THIS ¨¨¨.~**%£@
#@£%**~.¨¨ UNDERAPPRECIATED, UNDERESTIMATED, UNDER ¨¨.~**%£@#
##@£%**~.¨ THERE IS SIMPLY NO TIME TO CHOOSE WHAT ¨.~**%£@##
#@£%**~.¨¨ ¨¨.~**%£@#
@£%**~.¨¨¨ EVERYTHING IS IN THROUGH THE LEFT HALF ¨¨¨.~**%£@
#@£%**~.¨¨ OF MY FACE, AND OUT EXACTLY OPPOSITE ¨¨.~**%£@#
##@£%**~.¨ ...THROUGH THE RIGHT HALF... OF THE ¨.~**%£@##
#@£%**~.¨¨ FACE ¨¨.~**%£@#
@£%**~.¨¨¨ PLUS MINUS ZERO BUT POLAR OPPOSITES! ¨¨¨.~**%£@
#@£%**~.¨¨ ¨¨.~**%£@#
##@£%**~.¨ #¨¨# #¨# # ¨.~**%£@##
#@£%**~.¨¨ AND ¨¨.~**%£@#
@£%**~.¨¨¨ THE ECHO IS TRAVELLING WITH EVERY ¨¨¨.~**%£@
#@£%**~.¨¨ BEAT, MAYBE ONE HUNDRED AND THIRTY ¨¨.~**%£@#
##@£%**~.¨ MILLISECONDS, TO TWO HUNDRED AND ¨.~**%£@##
#@£%**~.¨¨ #¨# EIGHTY MILLISECONDS, AND DOWN, ¨¨.~**%£@#
@£%**~.¨¨¨ ALONG MY DREADS, MAYBE LIKE ¨¨¨.~**%£@
#@£%**~.¨¨ A CAP TO THE LEFT AND UP FOUR HUNDRED ¨¨.~**%£@#
##@£%**~.¨ TO THE RIGHT ¨.~**%£@##
#@£%**~.¨¨ ¨¨.~**%£@#
@£%**~.¨¨¨ ABOUT ~MAGNETISM~ OR ~WHAT~ ~ELSE~ ¨¨¨.~**%£@
#@£%**~.¨¨ ¨¨.~**%£@#
##@£%**~.¨ DISTORTION AND HEAVY GLASS AND PALM ¨.~**%£@##
#@£%**~.¨¨ TREES ¨¨.~**%£@#
@£%**~.¨¨¨ ¨¨¨.~**%£@
#@£%**~.¨¨ ¨¨.~**%£@#
##@£%**~.¨ ¨.~**%£@##
#@£%**~.¨¨ MY ¨¨.~**%£@#
@£%**~.¨¨¨ I HAVE MUSIC THAT LIVES INTO WEIRDER ¨¨¨.~**%£@
#@£%**~.¨¨ CORRIDORS, MY FLESH IS PUSHING ¨¨.~**%£@#
##@£%**~.¨ MY ¨.~**%£@##
#@£%**~.¨¨ BODY FURTHER INSIDE ¨¨.~**%£@#
@£%**~.¨¨¨ ¨¨¨.~**%£@
#@£%**~.¨¨ ¨¨.~**%£@#
##@£%**~.¨ ¨.~**%£@##
#@£%**~.¨¨ ¨¨.~**%£@#
@£%**~.¨¨¨ THERE IS TOO MUCH MOVING INSIDE ¨¨¨.~**%£@
#@£%**~.¨¨ ¨¨.~**%£@#
##@£%**~.¨ ¨.~**%£@##
#@£%**~.¨¨ WEIRD REVOLVINGS, HOW MUCH MADNESS, ¨¨.~**%£@#
@£%**~.¨¨¨ WEIRD ABOUT HOW MUCH MADNESS THAT'S ¨¨¨.~**%£@
#@£%**~.¨¨ IA ¨ @REVOLVED ABOUT TO BE REVOLVE ¨¨.~**%£@#
##@£%**~.¨ ¨.~**%£@##
#@£%**~.¨¨ ¨¨.~**%£@#
@£%**~.¨¨¨ ¨¨¨.~**%£@
#@£%**~.¨¨ ¨¨.~**%£@#
##@£%**~.¨ AND I, THE SURGEON, CHOOSE THE ¨.~**%£@##
#@£%**~.¨¨ FRYING PAN ¨¨.~**%£@#
@£%**~.¨¨¨ WHATEVER DOG I WANT ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ¨¨¨.~**%£@
#@£%**~.¨¨ AND MY SPEED IS EVERYTHING. THE LAST ¨¨.~**%£@#
##@£%**~.¨ ¨.~**%£@##
#@£%**~.¨¨ RADAR STATION... FOR A WHILE... ¨¨.~**%£@#
@£%**~.¨¨¨ ¨¨¨.~**%£@
#@£%**~.¨¨ ¨¨.~**%£@#
##@£%**~.¨ ¨.~**%£@##
#@£%**~.¨¨ ¨¨.~**%£@#
@£%**~.¨¨¨ ¨¨¨.~**%£@
#@£%**~.¨¨ ¨¨.~**%£@#