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##@%*;«^.. ..^«;*%@##
###@%*;«^. .^«;*%@###
##@%*;«^.. # ..^«;*%@##
#@%*;«^... .LIZARDRY ...^«;*%@#
@%*;«^.... « @ #@ ### ################## ....^«;*%@
#@%*;«^... ## THE ART OF C^NNECTING ...^«;*%@#
##@%*;«^.. . WITH THE OLD MIND ..^«;*%@##
###@%*;«^. .^«;*%@###
##@%*;«^.. MY MIND IS BEING SKEWED. MI ..^«;*%@##
#@%*;«^... SKELETON IS STRINGY AND OLD AND ALIEN ...^«;*%@#
@%*;«^.... THE SITUATION IS LITERALLY ....^«;*%@
#@%*;«^... PRESSED OUT THROUGH MY EYES, IT'S ...^«;*%@#
##@%*;«^.. ECHOING LIKE ..^«;*%@##
###@%*;«^. THE SUNSET OF THE ETERNAL .^«;*%@###
##@%*;«^.. OCEAN ..^«;*%@##
#@%*;«^... PERSISTENTLY AGAINST MY EMULSION ...^«;*%@#
@%*;«^.... ....^«;*%@
#@%*;«^... IT'S UNGRASPABLE TO ME, WHAT OTHER ...^«;*%@#
##@%*;«^.. HUMANS ARE DOING AND ABSTRACTING, ..^«;*%@##
###@%*;«^. AND ABOVE ALL ELSE, WHAT TIME THEY USE? .^«;*%@###
##@%*;«^.. HOW LONG A TIME HAS PASSED, FOR THEM? ..^«;*%@##
#@%*;«^... . ...^«;*%@#
@%*;«^.... . ... . ................ @@@@@@@ ....^«;*%@
#@%*;«^... CONTINUOUSLY I'M CROWDING THROUGH ...^«;*%@#
##@%*;«^.. . THE FOURTH WALL ^OUTWARDS IS WHAT . ..^«;*%@##
###@%*;«^. .. I'M THINKING BUT IT'S WRONG.. A NEW .^«;*%@###
##@%*;«^.. . . NARRATOR IS INTRODUCED, OCCASIONALLY ..^«;*%@##
#@%*;«^... ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . ...^«;*%@#
@%*;«^.... ^ ^ DOWN IN THE DRAGONS THROAT. ....^«;*%@
#@%*;«^... ^ ...^«;*%@#
##@%*;«^.. ^ ..^«;*%@##
###@%*;«^. .^«;*%@###
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