.......... ...¤¤...¤.
¤¤¤¤¤¤¤¤¤¤ ¤¤....¤...
.¤¤¤¤¤¤¤¤¤ ¤..¤¤...¤.
..¤¤¤¤¤¤¤. ......¤...
¤..¤¤¤¤¤.. ¤¤¤¤¤...¤¤
....¤¤¤... # .¤¤¤..¤..¤
.¤¤..¤..¤¤ .LIZARDRY ..¤.......
.......... ~ @ #@ ### ################## ....¤¤¤¤¤¤
.¤¤¤¤¤¤¤¤¤ ## THE ART OF C.NNECTING ¤¤¤..¤¤¤¤.
..¤¤¤¤¤¤¤¤ . WITH THE OLD MIND ¤¤....¤¤..
¤..¤¤¤¤¤¤¤ ¤..¤¤....¤
....¤¤¤¤¤. MY MIND IS BEING SKEWED. MI ......¤¤..
¤¤¤..¤¤¤.. SKELETON IS STRINGY AND OLD AND ALIEN .¤¤¤¤....¤
¤¤....¤..¤ THE SITUATION IS LITERALLY ..¤¤..¤¤..
...¤¤..... PRESSED OUT THROUGH MY EYES, IT'S ¤.........
¤¤....¤¤¤¤ ECHOING LIKE ..¤¤¤¤¤¤¤¤
¤..¤¤..¤¤¤ THE SUNSET OF THE ETERNAL ¤..¤¤¤¤¤¤¤
........¤¤ OCEAN ....¤¤¤¤¤¤
.¤¤¤¤¤¤..¤ PERSISTENTLY AGAINST MY EMULSION .¤¤..¤¤¤¤.
..¤¤¤¤.... ......¤¤..
¤..¤¤..¤¤¤ IT'S UNGRASPABLE TO ME, WHAT OTHER ¤¤¤¤¤....¤
........¤. HUMANS ARE DOING AND ABSTRACTING, ¤¤¤¤..¤¤..
¤¤¤¤¤¤¤... AND ABOVE ALL ELSE, WHAT TIME THEY USE? .¤¤......¤
¤¤¤¤¤¤..¤. HOW LONG A TIME HAS PASSED, FOR THEM? ....¤¤¤¤..
.¤¤¤¤..... . ¤¤¤..¤¤...
..¤¤..¤¤¤. . ... . ................ @@@@@@@ ¤¤......¤¤
.......¤.. CONTINUOUSLY I'M CROWDING THROUGH ¤..¤¤¤¤...
¤¤¤¤¤¤.... . THE FOURTH WALL .OUTWARDS IS WHAT . ....¤¤..¤¤
¤¤¤¤¤..¤¤¤ .. I'M THINKING BUT IT'S WRONG.. A NEW .¤¤......¤
¤¤¤¤....¤¤ . . NARRATOR IS INTRODUCED, OCCASIONALLY ....¤¤¤¤..
.¤¤..¤¤..¤ . . AWARE OF THE PREVIOUS ONE, DEEPER . .¤¤..¤¤...
.......... . . DOWN IN THE DRAGONS THROAT. ........¤¤
.¤¤¤¤¤¤¤¤¤ . ¤¤¤¤¤¤¤...
..¤¤¤¤¤¤¤¤ . ¤¤¤¤¤¤..¤¤
...¤¤¤¤¤¤¤ ¤¤¤¤¤.....
¤¤..¤¤¤¤¤. ¤¤¤¤..¤¤¤¤
¤....¤¤¤.. ¤¤¤....¤¤¤
..¤¤..¤..¤ ¤¤..¤¤..¤¤
.......... ..........
¤¤¤¤¤¤¤¤¤¤ ¤¤¤¤¤¤¤¤¤¤