@@@@@,,@@, ,,@,@@@@,,
,,,,@,@,@, ,@@@,,,@,@
,,,@@@@@@, @,,@,,@@@@
,,@,,,,,@, @,@@,@,,,@
,@@,,,,@@@ @@,@@@,,@@
@,@,,,@,,, # ,@@,,@,@,@
@@@,,@@,,@ ,LIZARDRY @,@,@@@@@,
,,@,@,@,@@ = @ #@ ### ################## @@@@,,,,@@
,@@@@@@@,, ## THE ART OF C,NNECTING ,,,@,,,@,@
@,,,,,,@,@ , WITH THE OLD MIND ,,@@,,@@@@
@,,,,,@@@, ,@,@,@,,,,
@,,,,@,,@, MY MIND IS BEING SKEWED. MI @@@@@@,,,@
@,,,@@,@@, SKELETON IS STRINGY AND OLD AND ALIEN ,,,,,@,,@,
@,,@,@@,@, THE SITUATION IS LITERALLY ,,,,@@,@@@
@,@@@,@@@@ PRESSED OUT THROUGH MY EYES, IT'S ,,,@,@@,,,
@@,,@@,,,@ ECHOING LIKE ,,@@@,@,,@
,@,@,@,,@@ THE SUNSET OF THE ETERNAL ,@,,@@@,@,
@@@@@@,@,@ OCEAN @@,@,,@@@,
,,,,,@@@@@ PERSISTENTLY AGAINST MY EMULSION ,@@@,@,,@@
,,,,@,,,,@ @,,@@@,@,@
,,,@@,,,@@ IT'S UNGRASPABLE TO ME, WHAT OTHER @,@,,@@@@@
,,@,@,,@,@ HUMANS ARE DOING AND ABSTRACTING, @@@,@,,,,@
,@@@@,@@@, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,@@@,,,@@
@,,,@@,,@@ HOW LONG A TIME HAS PASSED, FOR THEM? ,@,,@,,@,@
@,,@,@,@,@ , @@,@@,@@@,
@,@@@@@@@@ , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ,@@,@@,,@@
@@,,,,,,,@ CONTINUOUSLY I'M CROWDING THROUGH @,@@,@,@,,
,@,,,,,,@, , THE FOURTH WALL ,OUTWARDS IS WHAT , @@,@@@@@,@
@@,,,,,@@, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,@@,,,,@@@
,@,,,,@,@@ , , NARRATOR IS INTRODUCED, OCCASIONALLY @,@,,,@,,,
@@,,,@@@,, , , AWARE OF THE PREVIOUS ONE, DEEPER , @@@,,@@,,,
,@,,@,,@,, , , DOWN IN THE DRAGONS THROAT. ,,@,@,@,,@
@@,@@,@@,, , ,@@@@@@,@@
,@@,@@,@,@ , @,,,,,@@,,
@,@@,@@@@@ @,,,,@,@,,
@@,@@,,,,, @,,,@@@@,@
,@@,@,,,,@ @,,@,,,@@,
@,@@@,,,@@ @,@@,,@,@,
@@,,@,,@,, @@,@,@@@@@
,@,@@,@@,@ ,@@@@,,,,,