@##%=..... .....=%##@
##$$%^^^.. ..^^^%$$##
#@##$%^=^. .^=^%$##@#
##$$%^=... ...=^%$$##
#@##$%^=^. .^=^%$##@#
@###$%^=^. @ .^=^%$###@
#$%=^..... .LIZARDRY .....^=%$#
#$$^^..... = # @# @@@ @@@@@@@@@@@@@@@@@@ .....^^$$#
##$%^^^=^. @@ THE ART OF C^NNECTING .^=^^^%$##
##%%=..... . WITH THE OLD MIND .....=%%##
####$%^=^. .^=^%$####
#$$%%=.... MY MIND IS BEING SKEWED. MI ....=%%$$#
#@##$%^=^. SKELETON IS STRINGY AND OLD AND ALIEN .^=^%$##@#
##@##%^=^. THE SITUATION IS LITERALLY .^=^%##@##
@#$%%=.... PRESSED OUT THROUGH MY EYES, IT'S ....=%%$#@
#@##$%^=^. ECHOING LIKE .^=^%$##@#
#%=....... THE SUNSET OF THE ETERNAL .......=%#
#$%^^..... OCEAN .....^^%$#
##@#$%^=^. PERSISTENTLY AGAINST MY EMULSION .^=^%$#@##
@##%%^^=^. .^=^^%%##@
@#%%^^^=^. IT'S UNGRASPABLE TO ME, WHAT OTHER .^=^^^%%#@
##@##$%=^. HUMANS ARE DOING AND ABSTRACTING, .^=%$##@##
##@#$%^=^. AND ABOVE ALL ELSE, WHAT TIME THEY USE? .^=^%$#@##
#@##$%^=^. HOW LONG A TIME HAS PASSED, FOR THEM? .^=^%$##@#
##%%==^... . ...^==%%##
#%=^^..... . ... . ................ ####### .....^^=%#
#@##$%^=^. CONTINUOUSLY I'M CROWDING THROUGH .^=^%$##@#
@@##$%^=^. . THE FOURTH WALL ^OUTWARDS IS WHAT . .^=^%$##@@
##@##$^=^. .. I'M THINKING BUT IT'S WRONG.. A NEW .^=^$##@##
@###$%^=^. . . NARRATOR IS INTRODUCED, OCCASIONALLY .^=^%$###@
#@##$%^=^. ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . .^=^%$##@#
@###$%^=^. ^ ^ DOWN IN THE DRAGONS THROAT. .^=^%$###@
@@##$%^=^. ^ .^=^%$##@@
@###$%^=^. ^ .^=^%$###@
#@##$%^=^. .^=^%$##@#
####$%^=^. .^=^%$####
#$$$%^^=^. .^=^^%$$$#
##@#$%^=^. .^=^%$#@##
##%%====^. .^====%%##
#@##$%^=^. .^=^%$##@#