@$:~.¨¨¨¨¨ ¨¨¨¨¨.~:$@
@@$:~.¨¨¨¨ ¨¨¨¨.~:$@@
#@@$:~.¨¨¨ ¨¨¨.~:$@@#
##@@$:~.¨¨ ¨¨.~:$@@##
###@@$:~.¨ ¨.~:$@@###
##@@$:~.¨¨ # ¨¨.~:$@@##
#@@$:~.¨¨¨ ¨LIZARDRY ¨¨¨.~:$@@#
@@$:~.¨¨¨¨ ~ @ #@ ### ################## ¨¨¨¨.~:$@@
@$:~.¨¨¨¨¨ ## THE ART OF C.NNECTING ¨¨¨¨¨.~:$@
$:~.¨¨¨¨¨¨ ¨ WITH THE OLD MIND ¨¨¨¨¨¨.~:$
@$:~.¨¨¨¨¨ ¨¨¨¨¨.~:$@
@@$:~.¨¨¨¨ MY MIND IS BEING SKEWED. MI ¨¨¨¨.~:$@@
#@@$:~.¨¨¨ SKELETON IS STRINGY AND OLD AND ALIEN ¨¨¨.~:$@@#
##@@$:~.¨¨ THE SITUATION IS LITERALLY ¨¨.~:$@@##
###@@$:~.¨ PRESSED OUT THROUGH MY EYES, IT'S ¨.~:$@@###
##@@$:~.¨¨ ECHOING LIKE ¨¨.~:$@@##
#@@$:~.¨¨¨ THE SUNSET OF THE ETERNAL ¨¨¨.~:$@@#
@@$:~.¨¨¨¨ OCEAN ¨¨¨¨.~:$@@
@$:~.¨¨¨¨¨ PERSISTENTLY AGAINST MY EMULSION ¨¨¨¨¨.~:$@
$:~.¨¨¨¨¨¨ ¨¨¨¨¨¨.~:$
@$:~.¨¨¨¨¨ IT'S UNGRASPABLE TO ME, WHAT OTHER ¨¨¨¨¨.~:$@
@@$:~.¨¨¨¨ HUMANS ARE DOING AND ABSTRACTING, ¨¨¨¨.~:$@@
#@@$:~.¨¨¨ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¨¨¨.~:$@@#
##@@$:~.¨¨ HOW LONG A TIME HAS PASSED, FOR THEM? ¨¨.~:$@@##
###@@$:~.¨ ¨ ¨.~:$@@###
##@@$:~.¨¨ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ @@@@@@@ ¨¨.~:$@@##
#@@$:~.¨¨¨ CONTINUOUSLY I'M CROWDING THROUGH ¨¨¨.~:$@@#
@@$:~.¨¨¨¨ ¨ THE FOURTH WALL .OUTWARDS IS WHAT ¨ ¨¨¨¨.~:$@@
@$:~.¨¨¨¨¨ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ¨¨¨¨¨.~:$@
$:~.¨¨¨¨¨¨ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ¨¨¨¨¨¨.~:$
@$:~.¨¨¨¨¨ . . AWARE OF THE PREVIOUS ONE, DEEPER ¨ ¨¨¨¨¨.~:$@
@@$:~.¨¨¨¨ . . DOWN IN THE DRAGONS THROAT. ¨¨¨¨.~:$@@
#@@$:~.¨¨¨ . ¨¨¨.~:$@@#
##@@$:~.¨¨ . ¨¨.~:$@@##
###@@$:~.¨ ¨.~:$@@###
##@@$:~.¨¨ ¨¨.~:$@@##
#@@$:~.¨¨¨ ¨¨¨.~:$@@#
@@$:~.¨¨¨¨ ¨¨¨¨.~:$@@
@$:~.¨¨¨¨¨ ¨¨¨¨¨.~:$@
$:~.¨¨¨¨¨¨ ¨¨¨¨¨¨.~:$