,,~~/=%£@# #@£%=/~~,,
,,,~~/=%£@ @£%=/~~,,,
,,~~/=%£@# #@£%=/~~,,
,~~/=%£@## ##@£%=/~~,
,,~~/=%£@# #@£%=/~~,,
,,,~~/=%£@ # @£%=/~~,,,
,,~~/=%£@# ,LIZARDRY #@£%=/~~,,
,~~/=%£@## ~ @ #@ ### ################## ##@£%=/~~,
,,~~/=%£@# ## THE ART OF C~NNECTING #@£%=/~~,,
,,,~~/=%£@ , WITH THE OLD MIND @£%=/~~,,,
,,~~/=%£@# #@£%=/~~,,
,~~/=%£@## MY MIND IS BEING SKEWED. MI ##@£%=/~~,
,,~~/=%£@# SKELETON IS STRINGY AND OLD AND ALIEN #@£%=/~~,,
,,,~~/=%£@ THE SITUATION IS LITERALLY @£%=/~~,,,
,,~~/=%£@# PRESSED OUT THROUGH MY EYES, IT'S #@£%=/~~,,
,~~/=%£@## ECHOING LIKE ##@£%=/~~,
,,~~/=%£@# THE SUNSET OF THE ETERNAL #@£%=/~~,,
,,,~~/=%£@ OCEAN @£%=/~~,,,
,,~~/=%£@# PERSISTENTLY AGAINST MY EMULSION #@£%=/~~,,
,~~/=%£@## ##@£%=/~~,
,,~~/=%£@# IT'S UNGRASPABLE TO ME, WHAT OTHER #@£%=/~~,,
,,,~~/=%£@ HUMANS ARE DOING AND ABSTRACTING, @£%=/~~,,,
,,~~/=%£@# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #@£%=/~~,,
,~~/=%£@## HOW LONG A TIME HAS PASSED, FOR THEM? ##@£%=/~~,
,,~~/=%£@# , #@£%=/~~,,
,,,~~/=%£@ , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ @£%=/~~,,,
,,~~/=%£@# CONTINUOUSLY I'M CROWDING THROUGH #@£%=/~~,,
,~~/=%£@## , THE FOURTH WALL ~OUTWARDS IS WHAT , ##@£%=/~~,
,,~~/=%£@# ,, I'M THINKING BUT IT'S WRONG.. A NEW #@£%=/~~,,
,,,~~/=%£@ , , NARRATOR IS INTRODUCED, OCCASIONALLY @£%=/~~,,,
,,~~/=%£@# ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER , #@£%=/~~,,
,~~/=%£@## ~ ~ DOWN IN THE DRAGONS THROAT. ##@£%=/~~,
,,~~/=%£@# ~ #@£%=/~~,,
,,,~~/=%£@ ~ @£%=/~~,,,
,,~~/=%£@# #@£%=/~~,,
,~~/=%£@## ##@£%=/~~,
,,~~/=%£@# #@£%=/~~,,
,,,~~/=%£@ @£%=/~~,,,
,,~~/=%£@# #@£%=/~~,,
,~~/=%£@## ##@£%=/~~,