.££..£.£.£ £££.....£.
.£££...... £.££.....£
.£.££..... ..£££.....
...£££.... ..£.££....
...£.££... £...£££...
.....£££.. # ££..£.££..
.....£.££. .LIZARDRY .££...£££.
.......£££ ~ @ #@ ### ################## .£££..£.££
£......£.£ ## THE ART OF C^NNECTING .£.££...££
££.......£ . WITH THE OLD MIND ...£££..£.
£££......£ ...£.££...
£.££...... MY MIND IS BEING SKEWED. MI .....£££..
..£££..... SKELETON IS STRINGY AND OLD AND ALIEN .....£.££.
..£.££.... THE SITUATION IS LITERALLY £......£££
£...£££... PRESSED OUT THROUGH MY EYES, IT'S .£.....£.£
££..£.££.. ECHOING LIKE ..£......£
.££...£££. THE SUNSET OF THE ETERNAL £..£.....£
.£££..£.££ OCEAN .£..£.....
.£.££...££ PERSISTENTLY AGAINST MY EMULSION ..£..£....
...£££..£. ...£..£...
...£.££... IT'S UNGRASPABLE TO ME, WHAT OTHER ....£..£..
.....£££.. HUMANS ARE DOING AND ABSTRACTING, £....£..£.
.....£.££. AND ABOVE ALL ELSE, WHAT TIME THEY USE? .£....£..£
£......£££ HOW LONG A TIME HAS PASSED, FOR THEM? ..£....£..
.£.....£.£ . £..£....£.
..£......£ . ... . ................ @@@@@@@ ££..£....£
£..£.....£ CONTINUOUSLY I'M CROWDING THROUGH .££..£....
.£..£..... . THE FOURTH WALL ^OUTWARDS IS WHAT . .£££..£...
..£..£.... .. I'M THINKING BUT IT'S WRONG.. A NEW .£.££..£..
...£..£... . . NARRATOR IS INTRODUCED, OCCASIONALLY ...£££..£.
....£..£.. ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . ...£.££..£
£....£..£. ^ ^ DOWN IN THE DRAGONS THROAT. .....£££..
.£....£..£ ^ £....£.££.
..£....£.. ^ .£.....£££
£..£....£. ..£....£.£
££..£....£ ...£.....£
.££..£.... ....£....£
.£££..£... £....£....
.£.££..£.. .£....£...
...£££..£. ..£....£..