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§§$††«,,,, # ,,,,«††$§§
§$$$††««,, ,LIZARDRY ,,««††$$$§
##@§$*†«,, « @ #@ ### ################## ,,«†*$§@##
§***«,,,,, ## THE ART OF C,NNECTING ,,,,,«***§
###@$*†«,, , WITH THE OLD MIND ,,«†*$@###
##@§$*†«,, ,,«†*$§@##
##@§$*†«,, MY MIND IS BEING SKEWED. MI ,,«†*$§@##
#@@§$*†«,, SKELETON IS STRINGY AND OLD AND ALIEN ,,«†*$§@@#
@@§*«,,,,, THE SITUATION IS LITERALLY ,,,,,«*§@@
§§*††††«,, PRESSED OUT THROUGH MY EYES, IT'S ,,«††††*§§
§**«,,,,,, ECHOING LIKE ,,,,,,«**§
§§$**†««,, THE SUNSET OF THE ETERNAL ,,««†**$§§
##@§$*†«,, OCEAN ,,«†*$§@##
@§*««,,,,, PERSISTENTLY AGAINST MY EMULSION ,,,,,««*§@
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@$$$*††«,, IT'S UNGRASPABLE TO ME, WHAT OTHER ,,«††*$$$@
§*†«,,,,,, HUMANS ARE DOING AND ABSTRACTING, ,,,,,,«†*§
@@@§$*†«,, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,«†*$§@@@
#@$$*«,,,, HOW LONG A TIME HAS PASSED, FOR THEM? ,,,,«*$$@#
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§*†«,,,,,, CONTINUOUSLY I'M CROWDING THROUGH ,,,,,,«†*§
@§$$$*†«,, , THE FOURTH WALL ,OUTWARDS IS WHAT , ,,«†*$$$§@
@§§*«,,,,, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,,,,,«*§§@
##@§$*†«,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,«†*$§@##
##@§$*†«,, , , AWARE OF THE PREVIOUS ONE, DEEPER , ,,«†*$§@##
##@§$*†«,, , , DOWN IN THE DRAGONS THROAT. ,,«†*$§@##
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