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,,,,,,,,,,    @                                     ,,,,,,,,,,
,,,,,,,,,,              ,LIZARDRY                   ,,,,,,,,,,
,,,,,,,,,, -           @ @@ @@@  @@@@@@@@@@@@@@@@@@ ,,,,,,,,,,
,,,,,,,,,, @@      THE ART OF C^NNECTING            ,,,,,,,,,,
,,,,,,,,,,        ,    WITH THE OLD MIND            ,,,,,,,,,,
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^,,,,,,,,,             MY MIND IS BEING SKEWED. MI  ,,,,,,,,,^
-^,,,,,,,,  SKELETON IS STRINGY AND OLD AND ALIEN   ,,,,,,,,^-
*-^,,,,,,,             THE SITUATION IS LITERALLY   ,,,,,,,^-*
$*-^,,,,,, PRESSED OUT THROUGH MY EYES, IT'S        ,,,,,,^-*$
£$*-^,,,,, ECHOING LIKE                             ,,,,,^-*$£
££$*-^,,,,             THE SUNSET OF THE ETERNAL    ,,,,^-*$££
@££$*-^,,, OCEAN                                    ,,,^-*$££@
#@££$*-^,,         PERSISTENTLY AGAINST MY EMULSION ,,^-*$££@#
##@££$*-^,                                          ,^-*$££@##
#@££$*-^,,    IT'S UNGRASPABLE TO ME, WHAT OTHER    ,,^-*$££@#
@££$*-^,,,   HUMANS ARE DOING AND ABSTRACTING,      ,,,^-*$££@
££$*-^,,,,  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,,,^-*$££
£$*-^,,,,, HOW LONG A TIME HAS PASSED, FOR THEM?    ,,,,,^-*$£
$*-^,,,,,,                                     ,    ,,,,,,^-*$
*-^,,,,,,,  , ,,, ,  ,,,,,,,,,,,,,,,,   @@@@@@@     ,,,,,,,^-*
-^,,,,,,,,   CONTINUOUSLY I'M CROWDING THROUGH      ,,,,,,,,^-
^,,,,,,,,, , THE FOURTH WALL  ^OUTWARDS IS WHAT   , ,,,,,,,,,^
,,,,,,,,,, ,, I'M THINKING BUT IT'S WRONG.. A NEW   ,,,,,,,,,,
,,,,,,,,,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,,,,,,,,,
,,,,,,,,,, ^  ^ AWARE OF THE PREVIOUS ONE, DEEPER , ,,,,,,,,,,
,,,,,,,,,, ^   ^ DOWN IN THE DRAGONS THROAT.        ,,,,,,,,,,
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£$*-^,,,,,                                          ,,,,,^-*$£