†*~.¨¨¨¨¨¨                                          ¨¨¨¨¨¨.~*†
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#@£$†*~.¨¨ ††                                    †† ¨¨.~*†$£@#
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£$†*~.¨¨¨¨ †                       MINUS          † ¨¨¨¨.~*†$£
$†*~.¨¨¨¨¨ †     ZERO                             † ¨¨¨¨¨.~*†$
†*~.¨¨¨¨¨¨ ¨                                      ¨ ¨¨¨¨¨¨.~*†
*~.¨¨¨¨¨¨¨            ¨¨ MIRROR NOTE ¨¨             ¨¨¨¨¨¨¨.~*
~.¨¨¨¨¨¨¨¨              ¨¨¨¨¨¨¨¨¨¨¨¨¨               ¨¨¨¨¨¨¨¨.~
.¨¨¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨¨¨.
¨¨¨¨¨¨¨¨¨¨ AT AN OPPORTUNITY, A MOMENT SUCH AS THIS ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ UNDERAPPRECIATED, UNDERESTIMATED, UNDER  ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ THERE IS SIMPLY NO TIME TO CHOOSE WHAT   ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ EVERYTHING IS IN THROUGH THE LEFT HALF   ¨¨¨¨¨¨¨¨¨¨
.¨¨¨¨¨¨¨¨¨     OF MY FACE, AND OUT EXACTLY OPPOSITE ¨¨¨¨¨¨¨¨¨.
~.¨¨¨¨¨¨¨¨     ...THROUGH THE RIGHT HALF... OF THE  ¨¨¨¨¨¨¨¨.~
*~.¨¨¨¨¨¨¨                                    FACE  ¨¨¨¨¨¨¨.~*
†*~.¨¨¨¨¨¨     PLUS MINUS ZERO BUT POLAR OPPOSITES! ¨¨¨¨¨¨.~*†
$†*~.¨¨¨¨¨                                          ¨¨¨¨¨.~*†$
£$†*~.¨¨¨¨  #¨¨# #¨# #                              ¨¨¨¨.~*†$£
@£$†*~.¨¨¨  AND                                     ¨¨¨.~*†$£@
#@£$†*~.¨¨     THE ECHO IS TRAVELLING WITH EVERY    ¨¨.~*†$£@#
##@£$†*~.¨     BEAT, MAYBE ONE HUNDRED AND THIRTY   ¨.~*†$£@##
#@£$†*~.¨¨     MILLISECONDS, TO TWO HUNDRED AND     ¨¨.~*†$£@#
@£$†*~.¨¨¨ #¨# EIGHTY MILLISECONDS, AND DOWN,       ¨¨¨.~*†$£@
£$†*~.¨¨¨¨     ALONG MY DREADS, MAYBE LIKE          ¨¨¨¨.~*†$£
$†*~.¨¨¨¨¨   A CAP TO THE LEFT AND UP FOUR HUNDRED  ¨¨¨¨¨.~*†$
†*~.¨¨¨¨¨¨ TO THE RIGHT                             ¨¨¨¨¨¨.~*†
*~.¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨.~*
~.¨¨¨¨¨¨¨¨    ABOUT ~MAGNETISM~ OR ~WHAT~ ~ELSE~    ¨¨¨¨¨¨¨¨.~
.¨¨¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨¨¨.
¨¨¨¨¨¨¨¨¨¨   DISTORTION AND HEAVY GLASS AND PALM    ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨                                 TREES    ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨¨¨¨
.¨¨¨¨¨¨¨¨¨   MY                                     ¨¨¨¨¨¨¨¨¨.
~.¨¨¨¨¨¨¨¨   I HAVE MUSIC THAT LIVES INTO WEIRDER   ¨¨¨¨¨¨¨¨.~
*~.¨¨¨¨¨¨¨    CORRIDORS, MY FLESH IS PUSHING        ¨¨¨¨¨¨¨.~*
†*~.¨¨¨¨¨¨    MY                                    ¨¨¨¨¨¨.~*†
$†*~.¨¨¨¨¨    BODY FURTHER INSIDE                   ¨¨¨¨¨.~*†$
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@£$†*~.¨¨¨                                          ¨¨¨.~*†$£@
#@£$†*~.¨¨                                          ¨¨.~*†$£@#
##@£$†*~.¨                                          ¨.~*†$£@##
#@£$†*~.¨¨   THERE        IS TOO MUCH MOVING INSIDE ¨¨.~*†$£@#
@£$†*~.¨¨¨                                          ¨¨¨.~*†$£@
£$†*~.¨¨¨¨                                          ¨¨¨¨.~*†$£
$†*~.¨¨¨¨¨ WEIRD REVOLVINGS, HOW MUCH MADNESS,      ¨¨¨¨¨.~*†$
†*~.¨¨¨¨¨¨ WEIRD ABOUT HOW MUCH MADNESS THAT'S      ¨¨¨¨¨¨.~*†
*~.¨¨¨¨¨¨¨       IA ¨ @REVOLVED ABOUT TO BE REVOLVE ¨¨¨¨¨¨¨.~*
~.¨¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨¨.~
.¨¨¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨¨¨.
¨¨¨¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨     AND I, THE SURGEON, CHOOSE THE       ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨    FRYING PAN                            ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨   WHATEVER DOG I WANT ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨  ¨¨¨¨¨¨¨¨¨¨
.¨¨¨¨¨¨¨¨¨  AND MY SPEED IS EVERYTHING. THE LAST    ¨¨¨¨¨¨¨¨¨.
~.¨¨¨¨¨¨¨¨                                          ¨¨¨¨¨¨¨¨.~
*~.¨¨¨¨¨¨¨      RADAR STATION... FOR A WHILE...     ¨¨¨¨¨¨¨.~*
†*~.¨¨¨¨¨¨                                          ¨¨¨¨¨¨.~*†
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