,,,,,,,,,= =,,,,,,,,,
,,,,,,,,== ==,,,,,,,,
,,,,,,,==* *==,,,,,,,
,,,,,,==** **==,,,,,,
,,,,,==**@ @**==,,,,,
,,,,==**@@ @ @@**==,,,,
,,,==**@@# ,LIZARDRY #@@**==,,,
,,==**@@## = # @# @@@ @@@@@@@@@@@@@@@@@@ ##@@**==,,
,,,==**@@# @@ THE ART OF C,NNECTING #@@**==,,,
,,,,==**@@ , WITH THE OLD MIND @@**==,,,,
,,,,,==**@ @**==,,,,,
,,,,,,==** MY MIND IS BEING SKEWED. MI **==,,,,,,
,,,,,,,==* SKELETON IS STRINGY AND OLD AND ALIEN *==,,,,,,,
,,,,,,,,== THE SITUATION IS LITERALLY ==,,,,,,,,
,,,,,,,,,= PRESSED OUT THROUGH MY EYES, IT'S =,,,,,,,,,
,,,,,,,,,, ECHOING LIKE ,,,,,,,,,,
,,,,,,,,,, THE SUNSET OF THE ETERNAL ,,,,,,,,,,
,,,,,,,,,, OCEAN ,,,,,,,,,,
,,,,,,,,,= PERSISTENTLY AGAINST MY EMULSION =,,,,,,,,,
,,,,,,,,== ==,,,,,,,,
,,,,,,,==* IT'S UNGRASPABLE TO ME, WHAT OTHER *==,,,,,,,
,,,,,,==** HUMANS ARE DOING AND ABSTRACTING, **==,,,,,,
,,,,,==**@ AND ABOVE ALL ELSE, WHAT TIME THEY USE? @**==,,,,,
,,,,==**@@ HOW LONG A TIME HAS PASSED, FOR THEM? @@**==,,,,
,,,==**@@# , #@@**==,,,
,,==**@@## , ,,, , ,,,,,,,,,,,,,,,, ####### ##@@**==,,
,,,==**@@# CONTINUOUSLY I'M CROWDING THROUGH #@@**==,,,
,,,,==**@@ , THE FOURTH WALL ,OUTWARDS IS WHAT , @@**==,,,,
,,,,,==**@ ,, I'M THINKING BUT IT'S WRONG.. A NEW @**==,,,,,
,,,,,,==** , , NARRATOR IS INTRODUCED, OCCASIONALLY **==,,,,,,
,,,,,,,==* , , AWARE OF THE PREVIOUS ONE, DEEPER , *==,,,,,,,
,,,,,,,,== , , DOWN IN THE DRAGONS THROAT. ==,,,,,,,,
,,,,,,,,,= , =,,,,,,,,,
,,,,,,,,,, , ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,= =,,,,,,,,,
,,,,,,,,== ==,,,,,,,,
,,,,,,,==* *==,,,,,,,
,,,,,,==** **==,,,,,,