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,,,^~/*@&£ £&@*/~^,,,
,,,,^~/*@& &@*/~^,,,,
,,,,,^~/*@ # @*/~^,,,,,
,,,,^~/*@& ,LIZARDRY &@*/~^,,,,
,,,^~/*@&£ ~ £ #£ ### ################## £&@*/~^,,,
,,^~/*@&£# ## THE ART OF C^NNECTING #£&@*/~^,,
,^~/*@&£## , WITH THE OLD MIND ##£&@*/~^,
,,^~/*@&£# #£&@*/~^,,
,,,^~/*@&£ MY MIND IS BEING SKEWED. MI £&@*/~^,,,
,,,,^~/*@& SKELETON IS STRINGY AND OLD AND ALIEN &@*/~^,,,,
,,,,,^~/*@ THE SITUATION IS LITERALLY @*/~^,,,,,
,,,,^~/*@& PRESSED OUT THROUGH MY EYES, IT'S &@*/~^,,,,
,,,^~/*@&£ ECHOING LIKE £&@*/~^,,,
,,^~/*@&£# THE SUNSET OF THE ETERNAL #£&@*/~^,,
,^~/*@&£## OCEAN ##£&@*/~^,
,,^~/*@&£# PERSISTENTLY AGAINST MY EMULSION #£&@*/~^,,
,,,^~/*@&£ £&@*/~^,,,
,,,,^~/*@& IT'S UNGRASPABLE TO ME, WHAT OTHER &@*/~^,,,,
,,,,,^~/*@ HUMANS ARE DOING AND ABSTRACTING, @*/~^,,,,,
,,,,^~/*@& AND ABOVE ALL ELSE, WHAT TIME THEY USE? &@*/~^,,,,
,,,^~/*@&£ HOW LONG A TIME HAS PASSED, FOR THEM? £&@*/~^,,,
,,^~/*@&£# , #£&@*/~^,,
,^~/*@&£## , ,,, , ,,,,,,,,,,,,,,,, £££££££ ##£&@*/~^,
,,^~/*@&£# CONTINUOUSLY I'M CROWDING THROUGH #£&@*/~^,,
,,,^~/*@&£ , THE FOURTH WALL ^OUTWARDS IS WHAT , £&@*/~^,,,
,,,,^~/*@& ,, I'M THINKING BUT IT'S WRONG.. A NEW &@*/~^,,,,
,,,,,^~/*@ , , NARRATOR IS INTRODUCED, OCCASIONALLY @*/~^,,,,,
,,,,^~/*@& ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER , &@*/~^,,,,
,,,^~/*@&£ ^ ^ DOWN IN THE DRAGONS THROAT. £&@*/~^,,,
,,^~/*@&£# ^ #£&@*/~^,,
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