,-=**@¤@@# #@@¤@**=-,
,-=**¤@### ###@¤**=-,
-=**@¤@### ###@¤@**=-
,,,,==**@@ @@**==,,,,
,,,,,-=*@@ @@*=-,,,,,
,-=**@¤@## # ##@¤@**=-,
,-=***@@@# ,LIZARDRY #@@@***=-,
,-=***@¤¤¤ = @ #@ ### ################## ¤¤¤@***=-,
,,,-****¤# ## THE ART OF C-NNECTING #¤****-,,,
,-=**@¤@## , WITH THE OLD MIND ##@¤@**=-,
,-=**@¤@## ##@¤@**=-,
,-=**@¤@## MY MIND IS BEING SKEWED. MI ##@¤@**=-,
,,,,,-**@¤ SKELETON IS STRINGY AND OLD AND ALIEN ¤@**-,,,,,
,-==**@@@@ THE SITUATION IS LITERALLY @@@@**==-,
,-=**@¤@@@ PRESSED OUT THROUGH MY EYES, IT'S @@@¤@**=-,
,-=**@¤@## ECHOING LIKE ##@¤@**=-,
,-=**@¤@## THE SUNSET OF THE ETERNAL ##@¤@**=-,
,-=**@¤@## OCEAN ##@¤@**=-,
,-=**@¤@## PERSISTENTLY AGAINST MY EMULSION ##@¤@**=-,
,-=**@¤@## ##@¤@**=-,
,-=**@¤@## IT'S UNGRASPABLE TO ME, WHAT OTHER ##@¤@**=-,
,-=**@¤@## HUMANS ARE DOING AND ABSTRACTING, ##@¤@**=-,
,-=**@¤@@# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #@@¤@**=-,
,,,,,=**¤# HOW LONG A TIME HAS PASSED, FOR THEM? #¤**=,,,,,
,-=**@¤@## , ##@¤@**=-,
,-=**@¤### , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ###¤@**=-,
,-=**@¤@## CONTINUOUSLY I'M CROWDING THROUGH ##@¤@**=-,
,-=**@¤@@@ , THE FOURTH WALL -OUTWARDS IS WHAT , @@@¤@**=-,
,---****¤# ,, I'M THINKING BUT IT'S WRONG.. A NEW #¤****---,
,,,,,-*@¤¤ , , NARRATOR IS INTRODUCED, OCCASIONALLY ¤¤@*-,,,,,
,-=**@¤@## - - AWARE OF THE PREVIOUS ONE, DEEPER , ##@¤@**=-,
,-=**@¤@@@ - - DOWN IN THE DRAGONS THROAT. @@@¤@**=-,
,-=**@¤@## - ##@¤@**=-,
,-=*@¤@### - ###@¤@*=-,
,-=**@@@@@ @@@@@**=-,
,,,,,==*¤@ @¤*==,,,,,
,,,,,,-=*¤ ¤*=-,,,,,,
,-=**@¤@## ##@¤@**=-,
,-=**@¤@## ##@¤@**=-,
,,,,,--=*¤ ¤*=--,,,,,