##%†/~.... ....~/†%##
#%†/~..... .....~/†%#
%†/~...... ......~/†%
†/~....... .......~/†
%†/~...... ......~/†%
#%†/~..... # .....~/†%#
##%†/~.... .LIZARDRY ....~/†%##
###%†/~... ~ @ #@ ### ################## ...~/†%###
####%†/~.. ## THE ART OF C.NNECTING ..~/†%####
###%†/~... . WITH THE OLD MIND ...~/†%###
##%†/~.... ....~/†%##
#%†/~..... MY MIND IS BEING SKEWED. MI .....~/†%#
%†/~...... SKELETON IS STRINGY AND OLD AND ALIEN ......~/†%
†/~....... THE SITUATION IS LITERALLY .......~/†
%†/~...... PRESSED OUT THROUGH MY EYES, IT'S ......~/†%
#%†/~..... ECHOING LIKE .....~/†%#
##%†/~.... THE SUNSET OF THE ETERNAL ....~/†%##
###%†/~... OCEAN ...~/†%###
####%†/~.. PERSISTENTLY AGAINST MY EMULSION ..~/†%####
###%†/~... ...~/†%###
##%†/~.... IT'S UNGRASPABLE TO ME, WHAT OTHER ....~/†%##
#%†/~..... HUMANS ARE DOING AND ABSTRACTING, .....~/†%#
%†/~...... AND ABOVE ALL ELSE, WHAT TIME THEY USE? ......~/†%
†/~....... HOW LONG A TIME HAS PASSED, FOR THEM? .......~/†
%†/~...... . ......~/†%
#%†/~..... . ... . ................ @@@@@@@ .....~/†%#
##%†/~.... CONTINUOUSLY I'M CROWDING THROUGH ....~/†%##
###%†/~... . THE FOURTH WALL .OUTWARDS IS WHAT . ...~/†%###
####%†/~.. .. I'M THINKING BUT IT'S WRONG.. A NEW ..~/†%####
###%†/~... . . NARRATOR IS INTRODUCED, OCCASIONALLY ...~/†%###
##%†/~.... . . AWARE OF THE PREVIOUS ONE, DEEPER . ....~/†%##
#%†/~..... . . DOWN IN THE DRAGONS THROAT. .....~/†%#
%†/~...... . ......~/†%
†/~....... . .......~/†
%†/~...... ......~/†%
#%†/~..... .....~/†%#
##%†/~.... ....~/†%##
###%†/~... ...~/†%###
####%†/~.. ..~/†%####
###%†/~... ...~/†%###