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¨.=*%%%%@# = @ #@ ### ################## #@%%%%*=.¨
¨.=*%%¤### ## THE ART OF C.NNECTING ###¤%%*=.¨
¨¨¨¨¨¨.*%¤ ¨ WITH THE OLD MIND ¤%*.¨¨¨¨¨¨
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¨.=*%%¤@## MY MIND IS BEING SKEWED. MI ##@¤%%*=.¨
¨.=*%%¤@## SKELETON IS STRINGY AND OLD AND ALIEN ##@¤%%*=.¨
¨¨¨¨¨¨=*%¤ THE SITUATION IS LITERALLY ¤%*=¨¨¨¨¨¨
¨¨¨==%%%¤¤ PRESSED OUT THROUGH MY EYES, IT'S ¤¤%%%==¨¨¨
¨¨...=%%%¤ ECHOING LIKE ¤%%%=...¨¨
¨¨¨..=*%%@ THE SUNSET OF THE ETERNAL @%%*=..¨¨¨
¨.=*%%¤@## OCEAN ##@¤%%*=.¨
¨¨¨¨¨.=*%¤ PERSISTENTLY AGAINST MY EMULSION ¤%*=.¨¨¨¨¨
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¨.=*%%%%¤¤ IT'S UNGRASPABLE TO ME, WHAT OTHER ¤¤%%%%*=.¨
¨.=*%%¤@## HUMANS ARE DOING AND ABSTRACTING, ##@¤%%*=.¨
¨¨¨¨¨¨.=%¤ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¤%=.¨¨¨¨¨¨
¨¨¨¨.=%%%¤ HOW LONG A TIME HAS PASSED, FOR THEM? ¤%%%=.¨¨¨¨
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¨.=*%%¤@## CONTINUOUSLY I'M CROWDING THROUGH ##@¤%%*=.¨
¨.=*%%¤### ¨ THE FOURTH WALL .OUTWARDS IS WHAT ¨ ###¤%%*=.¨
¨.=*%%¤@## ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ##@¤%%*=.¨
¨...*%%%¤¤ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ¤¤%%%*...¨
¨.=*%%¤@## . . AWARE OF THE PREVIOUS ONE, DEEPER ¨ ##@¤%%*=.¨
¨.=*%%¤@## . . DOWN IN THE DRAGONS THROAT. ##@¤%%*=.¨
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