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#.....#.##                 $$$$$$$$$                ...##..#..
#....###.. $$                                    $$ ..#.#.##.#
#...#..#.# $$               PLUS                 $$ .#####.##.
#..##.###. $                      MINUS           $ #....##.##
#.#.##..#. $     ZERO                             $ #...#.##..
####.#.##. .                                      . #..###.#.#
...####.#.             .. MIRROR NOTE ..            #.#..####.
..#...###.               .............              ###.#...#.
.##..#..#.                                          ..###..##.
#.#.##.##. AT AN OPPORTUNITY, A MOMENT SUCH AS THIS .#..#.#.#.
####.##.## UNDERAPPRECIATED, UNDERESTIMATED, UNDER  ##.#######
...##.##.# THERE IS SIMPLY NO TIME TO CHOOSE WHAT   .##.......
..#.##.###                                          #.#.......
.###.##... EVERYTHING IS IN THROUGH THE LEFT HALF   ###.......
#..##.#..#     OF MY FACE, AND OUT EXACTLY OPPOSITE ..#.......
#.#.###.#.     ~~~THROUGH THE RIGHT HALF~~~ OF THE  .##......#
####..####                                    FACE  #.#.....#.
...#.#....     PLUS MINUS ZERO BUT POLAR OPPOSITES! ###....###
..####....                                          ..#...#..#
.#...#....  #..# #.# #                              .##..##.##
##..##....  AND                                     #.#.#.##.#
.#.#.#...#     THE ECHO IS TRAVELLING WITH EVERY    ######.##.
######..##     BEAT, MAYBE ONE HUNDRED AND THIRTY   .....##.#.
.....#.#.#     MILLISECONDS, TO TWO HUNDRED AND     ....#.####
....###### #.# EIGHTY MILLISECONDS, AND DOWN,       ...###...#
...#.....#     ALONG MY DREADS, MAYBE LIKE          ..#..#..##
..##....##   A CAP TO THE LEFT AND UP FOUR HUNDRED  .##.##.#.#
.#.#...#.. TO THE RIGHT                             #.##.#####
####..##..                                          ##.##....#
...#.#.#..    ABOUT =MAGNETISM= OR =WHAT= =ELSE=    .##.#...#.
..######.#                                          #.###..##.
.#.....###   DISTORTION AND HEAVY GLASS AND PALM    ##..#.#.#.
##....#...                                 TREES    .#.######.
.#...##...                                          ###.....##
##..#.#...                                          ..#....#.#
.#.####...                                          .##...###.
###...#..#   MY                                     #.#..#..#.
..#..##.##   I HAVE MUSIC THAT LIVES INTO WEIRDER   ###.##.###
.##.#.##..    CORRIDORS, MY FLESH IS PUSHING        ..##.##..#
#.####.#..    MY                                    .#.##.#.##
##...###..    BODY FURTHER INSIDE                   ###.####..
.#..#..#.#                                          ..##...#.#
##.##.####                                          .#.#..####
.##.##....                                          ####.#....
#.##.#...#                                          ...###....
##.###..#.   THERE        IS TOO MUCH MOVING INSIDE ..#..#...#
.##..#.###                                          .##.##..#.
#.#.###..#                                          #.##.#.##.
####..#.#. WEIRD REVOLVINGS, HOW MUCH MADNESS,      ##.####.##
...#.####. WEIRD ABOUT HOW MUCH MADNESS THAT'S      .##...##..
..###...#.       IA . ¶REVOLVED ABOUT TO BE REVOLVE #.#..#.#..
.#..#..###                                          ###.####..
##.##.#..#                                          ..##...#..
.##.###.##                                          .#.#..##.#
#.##..##..                                          ####.#.###
##.#.#.#.#     AND I, THE SURGEON, CHOOSE THE       ...####...
.#########    FRYING PAN                            ..#...#..#
#.........   WHATEVER DOG I WANT .................  .##..##.##
#.........  AND MY SPEED IS EVERYTHING. THE LAST    #.#.#.##..
#........#                                          ######.#.#
#.......#.      RADAR STATION... FOR A WHILE...     .....####.
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