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~undefined TWENTY-FOUR/SEVEN? SO CLOSE-MINDED. SO undefined~
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##@£$§†~~. IT'S VERY DARK IN HERE. DARK AND BIG, A .~~†§$£@##
@¶@£¤$:-., FEW COLORED LIGHTS SCATTERED IN AN ,.-:$¤£@¶@
#£@§*†..., ENORMOUS HALL. COINCIDENTALLY, THIS IS ,...†*§@£#
##@£¤$/~^. WHERE I WORK. .^~/$¤£@##
##£#£^:»,. .,»:^£#£##
§@§^/;^.¨. I MUST HAVE EATEN A DRUG, OR MAYBE IT'S .¨.^;/^§@§
&¤£†=.,¨¨. JUST THE NATURE OF THE PLACE, BUT IT .¨¨,.=†£¤&
###@£§==:. FEELS LIKE I HAVE EATEN A DRUG. TOO .:==§£@###
@#¶§%=:=-. CONFIDENT, TOO MALLEABLE. I FEEL GOOD, .-=:=%§¶#@
£@@§;~-.,. TOO GOOD TO BE BORED, WHICH I GUESS IS .,.-~;§@@£
@£$†;^..., THE POINT. ,...^;†$£@
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##@@§^*«^¨ I DOZE OFF, DAYDREAM... OR MAYBE I FALL ¨^«*^§@@##
@£&$*/^=,¨ ASLEEP FOR REAL. I DREAM OF WORK, AND ¨,=^/*$&£@
##%\/-.¨,. WAKE UP AT WORK, SO THE LINE IS BLURRY. .,¨.-/\%##
#£*-.¨,..¨ ¨..,¨.-*£#
###@§†;«^. SOMEONE NEW HAS COME WHEN I WAS OUT. .^«;†§@###
#@¶£$*^»,¨ THEIR BLACK SILLHOUETTE CONTRASTS WITH ¨,»^*$£¶@#
#@@§§*\»,. THE HAZY NEBULOSAS MIRRORED IN THE .,»\*§§@@#
¤§^~=»¨... OBSIDIAN FLOOR. I TAKE THEIR MONEY, ...¨»=~^§¤
##@#£%*»,, WHICH I DON'T UNDERSTAND, BUT THE ,,»*%£#@##
#££¤*†^~~¨ MACHINE ACCEPTS IT. ¨~~^†*¤££#
#@#§%**«^. .^«**%§#@#
¶¶§^\~,.,¨ FROM OUTSIDE THERE'S A BUNCH OF WHINING ¨,.,~\^§¶¶
£@£***-,,¨ TONES, LIKE A CHORD. THE BEVERAGE ¨,,-***£@£
###¶£%*=~. FRIDGE ADDS A SHARP, DARK DRONE. THE .~=*%£¶###
#%*-¨¨¨,.¨ DINING AREA IS VAST AND PEOPLE ARE ¨.,¨¨¨-*%#
#@#£§†*«,. CLUTTERED LIKE CHARCOAL ISLANDS, THEIR .,«*†§£#@#
£¤&@**†~.. VOICES IN ANOTHER LANGUAGE. OR IN ..~†**@&¤£
#¤@@$%^«.¨ ANOTHER MEDIUM, AND I'M ONLY ABLE TO ¨.«^%$@@¤#
##&@%§/«,¨ PERCIEVE THE WAKE OF THEIR WORDS. ¨,«/§%@#
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