@@@*~,,,,,                                          ,,,,,~*@@@
@*****:~,,                                          ,,~:*****@
##@@**:~,,                                          ,,~:**@@##
@*:~,,,,,,                                          ,,,,,,~:*@
@**::,,,,,                                          ,,,,,::**@
##@@**:~,, delay  delay  d,la#  @ *a,  , ,@   ~   , ,,~:**@@##
##@@**:~,,                                          ,,~:**@@##
##@@**:~,,                                          ,,~:**@@##
@@@@**:~,,                                          ,,~:**@@@@
##@@**:~,,                                          ,,~:**@@##
@@@@**:~,, "delay" means repetiton or likewise,     ,,~:**@@@@
#@@***:~,, but it's mainly useless without          ,,~:***@@#
@@*:~,,,,, feedback,                                ,,,,,~:*@@
##@@**:~,, to allow the delay to eat of it's own    ,,~:**@@##
@***~~,,,, tail, like one of those eaty serpents.   ,,,,~~***@
##@@**:~,, thus: it's the serpent effect!           ,,~:**@@##
##@@**:~,,                                          ,,~:**@@##
@@**~,,,,, it's to be revered as a creator of       ,,,,,~**@@
##@@**:~,, ambience and of space, if you treat it   ,,~:**@@##
##@@**:~,, right. a somewhat more solid and         ,,~:**@@##
#@****:~,, slippery sibling of reverb.              ,,~:****@#
@@*:,,,,,,                                          ,,,,,,:*@@
@@@@**:~,,                                          ,,~:**@@@@
@@****:~,,                                          ,,~:****@@
@***:~,,,,                                          ,,,,~:***@
##@@**:~,,                                          ,,~:**@@##