.~»/%&¤@## ##@¤&%/»~.
.~»/%&¤@@@ @@@¤&%/»~.
.~»/%&¤@## ##@¤&%/»~.
.~»/%&¤@## ##@¤&%/»~.
.~»/%&¤@## ##@¤&%/»~.
.~»/%&¤@## Delay Delay D.La# ¤ %A. ~ .@ » ~ ##@¤&%/»~.
.....~»%¤¤ ¤¤%»~.....
...~»»»/&@ @&/»»»~...
......~/&@ @&/~......
.~»/%&¤@## ##@¤&%/»~.
.~»/%&¤@## "Delay" Means Repetiton Or Likewise, ##@¤&%/»~.
.~»/%&¤@@# But It'S Mainly Useless Without #@@¤&%/»~.
......~/%¤ Feedback, ¤%/~......
.....~»»%¤ To Allow The Delay To Eat Of It'S Own ¤%»»~.....
.~»/%&¤@## Tail, Like One Of Those Eaty Serpents. ##@¤&%/»~.
.~»/%&¤@@# Thus: It'S The Serpent Effect! #@@¤&%/»~.
.~»/%&¤### ###¤&%/»~.
.»/%&¤@### It'S To Be Revered As A Creator Of ###@¤&%/».
.~»/%&¤@## Ambience And Of Space, If You Treat It ##@¤&%/»~.
.~»/%&@### Right. A Somewhat More Solid And ###@&%/»~.
.~»/%&¤@## Slippery Sibling Of Reverb. ##@¤&%/»~.
...~~~»%&¤ ¤&%»~~~...
~»/%&¤@### ###@¤&%/»~
.~»/%¤@### ###@¤%/»~.
.~»/%&¤@## ##@¤&%/»~.
.~»/%&¤@## ##@¤&%/»~.