,,,-†^&@@# #@@&^†-,,,
,,,,-†^&@@ @@&^†-,,,,
,,,-†^&@@# #@@&^†-,,,
,,-†^&@@## ##@@&^†-,,
,,,-†^&@@# #@@&^†-,,,
,,,,-†^&@@ Delay Delay D,La# @ ^A, , ,@ - , @@&^†-,,,,
,,,-†^&@@# #@@&^†-,,,
,,-†^&@@## ##@@&^†-,,
,,,-†^&@@# #@@&^†-,,,
,,,,-†^&@@ @@&^†-,,,,
,,,-†^&@@# "Delay" Means Repetiton Or Likewise, #@@&^†-,,,
,,-†^&@@## But It'S Mainly Useless Without ##@@&^†-,,
,,,-†^&@@# Feedback, #@@&^†-,,,
,,,,-†^&@@ To Allow The Delay To Eat Of It'S Own @@&^†-,,,,
,,,-†^&@@# Tail, Like One Of Those Eaty Serpents. #@@&^†-,,,
,,-†^&@@## Thus: It'S The Serpent Effect! ##@@&^†-,,
,,,-†^&@@# #@@&^†-,,,
,,,,-†^&@@ It'S To Be Revered As A Creator Of @@&^†-,,,,
,,,-†^&@@# Ambience And Of Space, If You Treat It #@@&^†-,,,
,,-†^&@@## Right. A Somewhat More Solid And ##@@&^†-,,
,,,-†^&@@# Slippery Sibling Of Reverb. #@@&^†-,,,
,,,,-†^&@@ @@&^†-,,,,
,,,-†^&@@# #@@&^†-,,,
,,-†^&@@## ##@@&^†-,,
,,,-†^&@@# #@@&^†-,,,
,,,,-†^&@@ @@&^†-,,,,