,,~;†§¤@## ##@¤§†;~,,
,,,~;†§¤@# #@¤§†;~,,,
,,,,~;†§¤@ @¤§†;~,,,,
,,,,,~;†§¤ ¤§†;~,,,,,
,,,,,,~;†§ §†;~,,,,,,
,,,,,,,~;† delay delay d,la# ¤ †a, , ,@ ~ , †;~,,,,,,,
,,,,,,,,~; ;~,,,,,,,,
,,,,,,,,,~ ~,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,~ ~,,,,,,,,,
,,,,,,,,~; "delay" means repetiton or likewise, ;~,,,,,,,,
,,,,,,,~;† but it's mainly useless without †;~,,,,,,,
,,,,,,~;†§ feedback, §†;~,,,,,,
,,,,,~;†§¤ to allow the delay to eat of it's own ¤§†;~,,,,,
,,,,~;†§¤@ tail, like one of those eaty serpents. @¤§†;~,,,,
,,,~;†§¤@# thus: it's the serpent effect! #@¤§†;~,,,
,,~;†§¤@## ##@¤§†;~,,
,,,~;†§¤@# it's to be revered as a creator of #@¤§†;~,,,
,,,,~;†§¤@ ambience and of space, if you treat it @¤§†;~,,,,
,,,,,~;†§¤ right. a somewhat more solid and ¤§†;~,,,,,
,,,,,,~;†§ slippery sibling of reverb. §†;~,,,,,,
,,,,,,,~;† †;~,,,,,,,
,,,,,,,,~; ;~,,,,,,,,
,,,,,,,,,~ ~,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,~ ~,,,,,,,,,