#@#%$\~^,, ,,^~\$%#@#
##@#%$\~^, ,^~\$%#@##
#@#%$\~^,, ,,^~\$%#@#
@#%$\~^,,, ,,,^~\$%#@
#%$\~^,,,, ,,,,^~\$%#
@#%$\~^,,, delay delay d,la@ # $a, ^ ,ΒΆ ~ ^ ,,,^~\$%#@
#@#%$\~^,, ,,^~\$%#@#
##@#%$\~^, ,^~\$%#@##
#@#%$\~^,, ,,^~\$%#@#
@#%$\~^,,, ,,,^~\$%#@
#%$\~^,,,, "delay" means repetiton or likewise, ,,,,^~\$%#
@#%$\~^,,, but it's mainly useless without ,,,^~\$%#@
#@#%$\~^,, feedback, ,,^~\$%#@#
##@#%$\~^, to allow the delay to eat of it's own ,^~\$%#@##
#@#%$\~^,, tail, like one of those eaty serpents. ,,^~\$%#@#
@#%$\~^,,, thus: it's the serpent effect! ,,,^~\$%#@
#%$\~^,,,, ,,,,^~\$%#
@#%$\~^,,, it's to be revered as a creator of ,,,^~\$%#@
#@#%$\~^,, ambience and of space, if you treat it ,,^~\$%#@#
##@#%$\~^, right. a somewhat more solid and ,^~\$%#@##
#@#%$\~^,, slippery sibling of reverb. ,,^~\$%#@#
@#%$\~^,,, ,,,^~\$%#@
#%$\~^,,,, ,,,,^~\$%#
@#%$\~^,,, ,,,^~\$%#@
#@#%$\~^,, ,,^~\$%#@#
##@#%$\~^, ,^~\$%#@##