&&*\,,,,,,                                          ,,,,,,\*&&
@@&&$*\«,,                                          ,,«\*$&&@@
@@@&$*\«,,                                          ,,«\*$&@@@
&$\,,,,,,,                                          ,,,,,,,\$&
@$$$**\«,,                                          ,,«\**$$$@
@@&$$*\«,, delay  delay  d,la#  & *a,  , ,@   «   , ,,«\*$$&@@
@&$$\,,,,,                                          ,,,,,\$$&@
&$\«,,,,,,                                          ,,,,,,«\$&
#&&*\\\«,,                                          ,,«\\\*&&#
&&&&$*\«,,                                          ,,«\*$&&&&
@@&&$*\«,, "delay" means repetiton or likewise,     ,,«\*$&&@@
##@&$*\«,, but it's mainly useless without          ,,«\*$&@##
##@&$*\«,, feedback,                                ,,«\*$&@##
#@$$$*\«,, to allow the delay to eat of it's own    ,,«\*$$$@#
##@&$*\«,, tail, like one of those eaty serpents.   ,,«\*$&@##
##@&$*\«,, thus: it's the serpent effect!           ,,«\*$&@##
@$*\,,,,,,                                          ,,,,,,\*$@
###&$*\«,, it's to be revered as a creator of       ,,«\*$&###
##@&$*\«,, ambience and of space, if you treat it   ,,«\*$&@##
&&&***\«,, right. a somewhat more solid and         ,,«\***&&&
###@&*\«,, slippery sibling of reverb.              ,,«\*&@###
@@&*«,,,,,                                          ,,,,,«*&@@
##@&$*\«,,                                          ,,«\*$&@##
##@&$*\«,,                                          ,,«\*$&@##
##@&$*\«,,                                          ,,«\*$&@##
&**«,,,,,,                                          ,,,,,,«**&