,.~~~~~%@@ @@%~~~~~.,
,,,,,,.~%@ @%~.,,,,,,
,....~~%@@ @@%~~....,
,,,,,../%@ @%/..,,,,,
,,,,../@@@ @@@/..,,,,
,.~/%@@@@¶ delay delay d,la@ @ %a, . ,¶ ~ . ¶@@@@%/~.,
,.~/%@@@@@ @@@@@%/~.,
,.~/%@@¶@# #@¶@@%/~.,
,.~/%@@¶@@ @@¶@@%/~.,
,,,,,./@@@ @@@/.,,,,,
,.~%@@¶@## "delay" means repetiton or likewise, ##@¶@@%~.,
,.~/%@@¶@# but it's mainly useless without #@¶@@%/~.,
,.~/%@@¶¶@ feedback, @¶¶@@%/~.,
,,...~~/%@ to allow the delay to eat of it's own @%/~~...,,
,..~~%%%%@ tail, like one of those eaty serpents. @%%%%~~..,
,.~/%%%@@@ thus: it's the serpent effect! @@@%%%/~.,
,.~/%@@¶## ##¶@@%/~.,
,.~/%@@¶@# it's to be revered as a creator of #@¶@@%/~.,
,.~/%@@@¶@ ambience and of space, if you treat it @¶@@@%/~.,
,.~%@@¶@## right. a somewhat more solid and ##@¶@@%~.,
,,,,~%@@¶¶ slippery sibling of reverb. ¶¶@@%~,,,,
,.~/%@@¶@# #@¶@@%/~.,
,.~/%@@¶@# #@¶@@%/~.,
,.~/%@@¶@# #@¶@@%/~.,
,.~/%@@¶@# #@¶@@%/~.,
,,,.~~~%@¶ ¶@%~~~.,,,