@@.@.@...@ @@@@@.@@.@
..@@@@@..@ .....@@.@@
@.@....@.@ .....@.@@.
@@@@...@@@ .....@@@.@
....@..@.. .....@..@@
@...@@.@@. TRAIN DREAM .....@@.@.
@@..@.@@.@ ######....,»,,..##################### .....@.@@@
..@.@@@.@@ === @....@@@..
..@@@..@@. » .@...@..@.
..@..@.@.@ » .@@..@@.@@
@.@@.@@@@@ .@.@.@.@@.
@@@.@@.... (SITUATION) @@@@@@@@.@
...@@.@... @.......@@
@..@.@@@.. YOU FIND YOURSELF IN A RIFT - A .@......@.
@@.@@@..@. CLEARING, NARROW BUT IMMEASURABLY LONG. @@@.....@@
..@@..@.@@ TO YOUR SIDES ARE WALLS MADE OF TREES, @..@....@.
..@.@.@@@. THICK AND READY TO SWALLOW YOU. THE SUN @@.@@...@@
@.@@@@@..@ IS NOWHERE TO BE SEEN, BUT NONTHELESS @.@@.@..@.
@@@....@.@ IT IS VERY BRIGHT - THE AIR FEELS LIGHT @@@.@@@.@@
...@...@@@ BLUE, ALMOST WHITE. @..@@..@@.
...@@..@.. .@.@.@.@.@
@..@.@.@@. ALONG THE SPAN OF THE CLEARING LAY TWO .@@@@@@@@@
.@.@@@@@.@ PARALLEL SILVERY LINES, DARK HARD @@........
.@@@....@@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY ..@.......
.@..@...@. THEY ARE. @.@@......
.@@.@@..@@ .@@.@.....
.@.@@.@.@. THEY EMIT A HIGH PITCHED WHINE... .@.@@@....
.@@@.@@@@@ .@@@..@...
.@..@@.... » .@..@.@@..
.@@.@.@... ..=.. .@@.@@@.@.
.@.@@@@@.. » @@.@@..@@@
@@@@....@. @.@@.@.@..
@...@...@@ (SITUATION) @@@.@@@@@.
@@..@@..@. @..@@....@
..@.@.@.@@ YOURE AT THE TRAIN STATION, ON A @@.@.@...@
@.@@@@@@@. CATWALK ABOVE THE RAILS. YOUR TRAIN IS ..@@@@@..@
.@@......@ LATE, OR YOU ARE LATE TO THE TRAIN. ..@....@.@
@@.@.....@ IT'S A SUMMER AFTERNOON AND THE STATION @.@@...@@@
..@@@....@ IS BUSY, FULL OF RELAXED CONFIDENCE. .@@.@..@..
..@..@...@ .@.@@@.@@.
..@@.@@..@ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT .@@@..@@.@
@.@.@@.@.@ STRESSED ABOUT THE TIME, WHILE MOVING @@..@.@.@@
.@@@@.@@@@ UP THE STAIRS TO YOUR PLATFORM. THE @.@.@@@@@.
.@...@@... STATION IS IN SEVERAL LEVELS, ALL .@@@@....@
@@@..@.@.. PLACED WITHIN EACHOTHER BY SOME @@...@...@
...@.@@@@. INTELLIGENT DESIGNER, AND FULL OF @.@..@@..@
@..@@@...@ STAIRS, ELEVATORS, SHORTCUTS, @@@@.@.@.@
.@.@..@..@ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ....@@@@@@
@@@@@.@@.@ SOME GLASS WINDOWS. IT'S... NOT WHERE @...@.....
@....@@.@@ IT'S SUPPOSED TO BE? @@..@@....
@@...@.@@. ..@.@.@...
@.@..@@@.@ » @.@@@@@@..
@@@@.@..@@ ,,%,, @@@.....@.
@...@@@.@. » ...@....@@
.@..@..@@@ ...@@...@.
.@@.@@.@.. (SITUATION) ...@.@..@@
@@.@@.@@@. ...@@@@.@.
@.@@.@@..@ YOU'RE FINALLY ENTERING THE CITY. WHILE @..@...@@@
.@@.@@.@.@ IT IS INDEED A VERY HIGH SPEED TRAIN @@.@@..@..
.@.@@.@@@@ YOU'RE TRAVELING IN, THE JOURNEY HAS ..@@.@.@@.
.@@@.@@... BEEN LONG. BUT IT'S ABOUT TO END! @.@.@@@@.@
@@..@@.@.. @@@@@...@@
..@.@.@@@. SOCIETY IS GROWING DENSER AROUND YOU, .....@..@.
..@@@@@..@ THROUGH THE WINDOWS YOU SEE FIRST SMALL .....@@.@@
@.@....@.@ SHACKS, BUILT OF METAL AND STONE, THEN .....@.@@.
@@@@...@@@ PROPER HOUSES WITH MORTAR TO KEEP THEM .....@@@.@
....@..@.. TOGETHER... WHO IN TURN MAKE WAY FOR .....@..@@
@...@@.@@. THE INDUSTRIAL BUILDINGS, THE URBAN .....@@.@.
@@..@.@@.@ MAZE, PROTECTIVE WALLS, JUNGLE .....@.@@@
..@.@@@.@@ NETWORK... @....@@@..
..@@@..@@. .@...@..@.
..@..@.@.@ THE TRACKS LEAVE THE GROUND, WHICH IS .@@..@@.@@
@.@@.@@@@@ NEEDED FOR OTHER PURPOSES. YOU ARE .@.@.@.@@.
@@@.@@.... CARRIED GENTLY, CURVING UPWARDS UNTIL @@@@@@@@.@
...@@.@... YOU'RE MOVING UPWARD ALONG THE WALL OF @.......@@
@..@.@@@.. A BUILDING. IT'S MADE OF SLABBY STONE, .@......@.
@@.@@@..@. WITH GREAT GLASSLESS WINDOW HOLES @@@.....@@
..@@..@.@@ LOOKING OUT THE WAY YOU CAME. IT IS @..@....@.
..@.@.@@@. PITCH BLACK INSIDE. @@.@@...@@
@.@@@@@..@ @.@@.@..@.
@@@....@.@ @@@.@@@.@@
...@...@@@ @..@@..@@.
...@@..@.. .@.@.@.@.@
@..@.@.@@. .@@@@@@@@@