.....-=$¤£ £¤$=-.....
......-*$¤ ¤$*-......
.-=*$¤¤¤¤@ @¤¤¤¤$*=-.
.-=*$¤¤£@# #@£¤¤$*=-.
.......=$¤ ¤$=.......
.-=*$¤¤£@# TRAIN DREAM #@£¤¤$*=-.
.-=*$¤£@## ######....-=--..##################### ##@£¤$*=-.
.-=*$¤¤£@# *** #@£¤¤$*=-.
.-=*$¤¤£## = ##£¤¤$*=-.
.-=*$¤¤£@# = #@£¤¤$*=-.
.-=*$¤¤£@# #@£¤¤$*=-.
......-*$¤ (SITUATION) ¤$*-......
...-=$$¤¤¤ ¤¤¤$$=-...
.-=*$¤¤£@# YOU FIND YOURSELF IN A RIFT - A #@£¤¤$*=-.
.....-*$¤¤ CLEARING, NARROW BUT IMMEASURABLY LONG. ¤¤$*-.....
.-=*$¤¤@## TO YOUR SIDES ARE WALLS MADE OF TREES, ##@¤¤$*=-.
.-=*$¤¤£@@ THICK AND READY TO SWALLOW YOU. THE SUN @@£¤¤$*=-.
......=$¤£ IS NOWHERE TO BE SEEN, BUT NONTHELESS £¤$=......
.-=*$¤¤£@# IT IS VERY BRIGHT - THE AIR FEELS LIGHT #@£¤¤$*=-.
.-=*$¤¤@## BLUE, ALMOST WHITE. ##@¤¤$*=-.
.-=*$¤¤£@# #@£¤¤$*=-.
....-==$¤£ ALONG THE SPAN OF THE CLEARING LAY TWO £¤$==-....
.-=*$¤¤£@# PARALLEL SILVERY LINES, DARK HARD #@£¤¤$*=-.
.-=*$¤¤£@@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY @@£¤¤$*=-.
....=***¤£ THEY ARE. £¤***=....
.-=*$¤¤£@# #@£¤¤$*=-.
....--*¤¤¤ THEY EMIT A HIGH PITCHED WHINE... ¤¤¤*--....
...-**$¤£@ @£¤$**-...
.....==$$¤ = ¤$$==.....
.--==**¤¤¤ ..$.. ¤¤¤**==--.
.-=*$¤¤£@# = #@£¤¤$*=-.
....-=*$¤£ £¤$*=-....
..--=$¤¤££ (SITUATION) ££¤¤$=--..
.....===$¤ ¤$===.....
.-=*$¤¤£@# YOURE AT THE TRAIN STATION, ON A #@£¤¤$*=-.
.-==*$¤¤¤¤ CATWALK ABOVE THE RAILS. YOUR TRAIN IS ¤¤¤¤$*==-.
...---*¤£@ LATE, OR YOU ARE LATE TO THE TRAIN. @£¤*---...
..-=*$$¤¤£ IT'S A SUMMER AFTERNOON AND THE STATION £¤¤$$*=-..
.-=***$¤£@ IS BUSY, FULL OF RELAXED CONFIDENCE. @£¤$***=-.
.-=*$¤¤@## ##@¤¤$*=-.
.-=*$¤¤@## YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ##@¤¤$*=-.
.-=*$¤¤£@# STRESSED ABOUT THE TIME, WHILE MOVING #@£¤¤$*=-.
...-*$$¤¤@ UP THE STAIRS TO YOUR PLATFORM. THE @¤¤$$*-...
....=*$$¤¤ STATION IS IN SEVERAL LEVELS, ALL ¤¤$$*=....
.-=*$¤¤£@# PLACED WITHIN EACHOTHER BY SOME #@£¤¤$*=-.
.-=*$¤£@## INTELLIGENT DESIGNER, AND FULL OF ##@£¤$*=-.
.-=*$¤¤£@# STAIRS, ELEVATORS, SHORTCUTS, #@£¤¤$*=-.
.-=*$¤¤£@# BAZAARS... YOU SIGHT YOUR TRAIN THROUGH #@£¤¤$*=-.
...--=*¤¤£ SOME GLASS WINDOWS. IT'S... NOT WHERE £¤¤*=--...
.-=*$¤¤¤¤¤ IT'S SUPPOSED TO BE? ¤¤¤¤¤$*=-.
.-=*$¤¤@## ##@¤¤$*=-.
.-=*$¤¤£@# = #@£¤¤$*=-.
.-=*$¤¤£@# --¤-- #@£¤¤$*=-.
.-*$¤¤£@## = ##@£¤¤$*-.
.-=*$¤¤£@# #@£¤¤$*=-.
...-=**$¤@ (SITUATION) @¤$**=-...
.-=*****¤£ £¤*****=-.
.-=*$¤¤£## YOU'RE FINALLY ENTERING THE CITY. WHILE ##£¤¤$*=-.
.-=*$¤¤¤££ IT IS INDEED A VERY HIGH SPEED TRAIN ££¤¤¤$*=-.
.-=*$¤¤£@@ YOU'RE TRAVELING IN, THE JOURNEY HAS @@£¤¤$*=-.
.-=*$$$¤££ BEEN LONG. BUT IT'S ABOUT TO END! ££¤$$$*=-.
..-===*¤¤¤ ¤¤¤*===-..
.....--*$¤ SOCIETY IS GROWING DENSER AROUND YOU, ¤$*--.....
.-=*$¤¤£@# THROUGH THE WINDOWS YOU SEE FIRST SMALL #@£¤¤$*=-.
....-*$¤¤¤ SHACKS, BUILT OF METAL AND STONE, THEN ¤¤¤$*-....
....-=$$¤¤ PROPER HOUSES WITH MORTAR TO KEEP THEM ¤¤$$=-....
.-=**$¤¤££ TOGETHER... WHO IN TURN MAKE WAY FOR ££¤¤$**=-.
.....=*¤¤¤ THE INDUSTRIAL BUILDINGS, THE URBAN ¤¤¤*=.....
.-==**$¤££ MAZE, PROTECTIVE WALLS, JUNGLE ££¤$**==-.
.-=*$¤£@## NETWORK... ##@£¤$*=-.
..--==*$$¤ ¤$$*==--..
.=*$¤¤£@## THE TRACKS LEAVE THE GROUND, WHICH IS ##@£¤¤$*=.
.-=*$¤¤£@# NEEDED FOR OTHER PURPOSES. YOU ARE #@£¤¤$*=-.
.....==$¤¤ CARRIED GENTLY, CURVING UPWARDS UNTIL ¤¤$==.....
..---***$¤ YOU'RE MOVING UPWARD ALONG THE WALL OF ¤$***---..
.-=*$¤¤£@# A BUILDING. IT'S MADE OF SLABBY STONE, #@£¤¤$*=-.
.....=*$¤¤ WITH GREAT GLASSLESS WINDOW HOLES ¤¤$*=.....
.-=*$¤£@## LOOKING OUT THE WAY YOU CAME. IT IS ##@£¤$*=-.
.....--*¤¤ PITCH BLACK INSIDE. ¤¤*--.....
.-=*$¤¤£@@ @@£¤¤$*=-.
.-=*$¤¤£@# #@£¤¤$*=-.
.-=*$¤£@## ##@£¤$*=-.
.-=*$¤¤£@@ @@£¤¤$*=-.
...=**$$¤@ @¤$$**=...