.@...@.@.@ .@.@.@..@.
.@@..@@@@@ .@@@@@@.@@
@@.@.@.... @@.....@@.
@.@@@@@... ..@....@.@
.@@....@.. @.@@...@@@
@@.@...@@. TRAIN DREAM .@@.@..@..
@.@@@..@.@ ######....:~::..##################### @@.@@@.@@.
@@@..@.@@@ ::: @.@@..@@.@
...@.@@@.. ~ .@@.@.@.@@
@..@@@..@. ~ .@.@@@@@@.
@@.@..@.@@ .@@@.....@
..@@@.@@@. (SITUATION) @@..@....@
@.@..@@..@ ..@.@@...@
.@@@.@.@.@ YOU FIND YOURSELF IN A RIFT - A ..@@@.@..@
@@..@@@@@@ CLEARING, NARROW BUT IMMEASURABLY LONG. @.@..@@@.@
..@.@..... TO YOUR SIDES ARE WALLS MADE OF TREES, .@@@.@..@@
@.@@@@.... THICK AND READY TO SWALLOW YOU. THE SUN .@..@@@.@.
@@@...@... IS NOWHERE TO BE SEEN, BUT NONTHELESS .@@.@..@@@
...@..@@.. IT IS VERY BRIGHT - THE AIR FEELS LIGHT @@.@@@.@..
...@@.@.@. BLUE, ALMOST WHITE. ..@@..@@@.
...@.@@@@@ ..@.@.@..@
@..@@@.... ALONG THE SPAN OF THE CLEARING LAY TWO @.@@@@@@.@
.@.@..@... PARALLEL SILVERY LINES, DARK HARD @@@.....@@
@@@@@.@@.. METAL. SOMEHOW YOU CAN SEE HOW HEAVY ...@....@.
@....@@.@. THEY ARE. ...@@...@@
.@...@.@@@ ...@.@..@.
.@@..@@@.. THEY EMIT A HIGH PITCHED WHINE... ...@@@@.@@
@@.@.@..@. ...@...@@.
@.@@@@@.@@ ~ ...@@..@.@
.@@....@@. ..†.. ...@.@.@@@
@@.@...@.@ ~ ...@@@@@..
@.@@@..@@@ @..@....@.
@@@..@.@.. (SITUATION) .@.@@...@@
...@.@@@@. @@@@.@..@.
...@@@...@ YOURE AT THE TRAIN STATION, ON A ....@@@.@@
@..@..@..@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS ....@..@@.
@@.@@.@@.@ LATE, OR YOU ARE LATE TO THE TRAIN. ....@@.@.@
..@@.@@.@@ IT'S A SUMMER AFTERNOON AND THE STATION @...@.@@@@
@.@.@@.@@. IS BUSY, FULL OF RELAXED CONFIDENCE. .@..@@@...
@@@@@.@@.@ .@@.@..@..
@....@@.@@ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT .@.@@@.@@.
@@...@.@@. STRESSED ABOUT THE TIME, WHILE MOVING .@@@..@@.@
..@..@@@.@ UP THE STAIRS TO YOUR PLATFORM. THE .@..@.@.@@
@.@@.@..@@ STATION IS IN SEVERAL LEVELS, ALL .@@.@@@@@.
@@@.@@@.@. PLACED WITHIN EACHOTHER BY SOME @@.@@....@
...@@..@@@ INTELLIGENT DESIGNER, AND FULL OF @.@@.@...@
@..@.@.@.. STAIRS, ELEVATORS, SHORTCUTS, @@@.@@@..@
.@.@@@@@@. BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ...@@..@.@
@@@@.....@ SOME GLASS WINDOWS. IT'S... NOT WHERE ...@.@.@@@
....@....@ IT'S SUPPOSED TO BE? @..@@@@@..
....@@...@ .@.@....@.
....@.@..@ ~ @@@@@...@@
@...@@@@.@ ::$:: @....@..@.
@@..@...@@ ~ .@...@@.@@
..@.@@..@. @@@..@.@@.
..@@@.@.@@ (SITUATION) @..@.@@@.@
@.@..@@@@. .@.@@@..@@
.@@@.@...@ YOU'RE FINALLY ENTERING THE CITY. WHILE @@@@..@.@.
.@..@@@..@ IT IS INDEED A VERY HIGH SPEED TRAIN ....@.@@@@
@@@.@..@.@ YOU'RE TRAVELING IN, THE JOURNEY HAS ....@@@...
@..@@@.@@@ BEEN LONG. BUT IT'S ABOUT TO END! @...@..@..
@@.@..@@.. @@..@@.@@.
@.@@@.@.@. SOCIETY IS GROWING DENSER AROUND YOU, @.@.@.@@.@
.@@..@@@@@ THROUGH THE WINDOWS YOU SEE FIRST SMALL .@@@@@@.@@
@@.@.@.... SHACKS, BUILT OF METAL AND STONE, THEN @@.....@@.
@.@@@@@... PROPER HOUSES WITH MORTAR TO KEEP THEM ..@....@.@
.@@....@.. TOGETHER... WHO IN TURN MAKE WAY FOR @.@@...@@@
@@.@...@@. THE INDUSTRIAL BUILDINGS, THE URBAN .@@.@..@..
@.@@@..@.@ MAZE, PROTECTIVE WALLS, JUNGLE @@.@@@.@@.
@@@..@.@@@ NETWORK... @.@@..@@.@
...@.@@@.. .@@.@.@.@@
@..@@@..@. THE TRACKS LEAVE THE GROUND, WHICH IS .@.@@@@@@.
@@.@..@.@@ NEEDED FOR OTHER PURPOSES. YOU ARE .@@@.....@
..@@@.@@@. CARRIED GENTLY, CURVING UPWARDS UNTIL @@..@....@
@.@..@@..@ YOU'RE MOVING UPWARD ALONG THE WALL OF ..@.@@...@
.@@@.@.@.@ A BUILDING. IT'S MADE OF SLABBY STONE, ..@@@.@..@
@@..@@@@@@ WITH GREAT GLASSLESS WINDOW HOLES @.@..@@@.@
..@.@..... LOOKING OUT THE WAY YOU CAME. IT IS .@@@.@..@@
@.@@@@.... PITCH BLACK INSIDE. .@..@@@.@.
@@@...@... .@@.@..@@@
...@..@@.. @@.@@@.@..
...@@.@.@. ..@@..@@@.
...@.@@@@@ ..@.@.@..@
@..@@@.... @.@@@@@@.@