.-~\%@#@@# #@@#@%\~-.
..-~\%@#@@ @@#@%\~-..
.-~\%@#@@# #@@#@%\~-.
..-~\%@#@@ @@#@%\~-..
.-~\%@#@@# #@@#@%\~-.
..-~\%@#@@ TRAIN DREAM @@#@%\~-..
.-~\%@#@@# ######....-~--..##################### #@@#@%\~-.
..-~\%@#@@ \\\ @@#@%\~-..
.-~\%@#@@# ~ #@@#@%\~-.
..-~\%@#@@ ~ @@#@%\~-..
.-~\%@#@@# #@@#@%\~-.
..-~\%@#@@ (SITUATION) @@#@%\~-..
.-~\%@#@@# #@@#@%\~-.
..-~\%@#@@ YOU FIND YOURSELF IN A RIFT - A @@#@%\~-..
.-~\%@#@@# CLEARING, NARROW BUT IMMEASURABLY LONG. #@@#@%\~-.
..-~\%@#@@ TO YOUR SIDES ARE WALLS MADE OF TREES, @@#@%\~-..
.-~\%@#@@# THICK AND READY TO SWALLOW YOU. THE SUN #@@#@%\~-.
..-~\%@#@@ IS NOWHERE TO BE SEEN, BUT NONTHELESS @@#@%\~-..
.-~\%@#@@# IT IS VERY BRIGHT - THE AIR FEELS LIGHT #@@#@%\~-.
..-~\%@#@@ BLUE, ALMOST WHITE. @@#@%\~-..
.-~\%@#@@# #@@#@%\~-.
..-~\%@#@@ ALONG THE SPAN OF THE CLEARING LAY TWO @@#@%\~-..
.-~\%@#@@# PARALLEL SILVERY LINES, DARK HARD #@@#@%\~-.
..-~\%@#@@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY @@#@%\~-..
.-~\%@#@@# THEY ARE. #@@#@%\~-.
..-~\%@#@@ @@#@%\~-..
.-~\%@#@@# THEY EMIT A HIGH PITCHED WHINE... #@@#@%\~-.
..-~\%@#@@ @@#@%\~-..
.-~\%@#@@# ~ #@@#@%\~-.
..-~\%@#@@ ..%.. @@#@%\~-..
.-~\%@#@@# ~ #@@#@%\~-.
..-~\%@#@@ @@#@%\~-..
.-~\%@#@@# (SITUATION) #@@#@%\~-.
..-~\%@#@@ @@#@%\~-..
.-~\%@#@@# YOURE AT THE TRAIN STATION, ON A #@@#@%\~-.
..-~\%@#@@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS @@#@%\~-..
.-~\%@#@@# LATE, OR YOU ARE LATE TO THE TRAIN. #@@#@%\~-.
..-~\%@#@@ IT'S A SUMMER AFTERNOON AND THE STATION @@#@%\~-..
.-~\%@#@@# IS BUSY, FULL OF RELAXED CONFIDENCE. #@@#@%\~-.
..-~\%@#@@ @@#@%\~-..
.-~\%@#@@# YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT #@@#@%\~-.
..-~\%@#@@ STRESSED ABOUT THE TIME, WHILE MOVING @@#@%\~-..
.-~\%@#@@# UP THE STAIRS TO YOUR PLATFORM. THE #@@#@%\~-.
..-~\%@#@@ STATION IS IN SEVERAL LEVELS, ALL @@#@%\~-..
.-~\%@#@@# PLACED WITHIN EACHOTHER BY SOME #@@#@%\~-.
..-~\%@#@@ INTELLIGENT DESIGNER, AND FULL OF @@#@%\~-..
.-~\%@#@@# STAIRS, ELEVATORS, SHORTCUTS, #@@#@%\~-.
..-~\%@#@@ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH @@#@%\~-..
.-~\%@#@@# SOME GLASS WINDOWS. IT'S... NOT WHERE #@@#@%\~-.
..-~\%@#@@ IT'S SUPPOSED TO BE? @@#@%\~-..
.-~\%@#@@# #@@#@%\~-.
..-~\%@#@@ ~ @@#@%\~-..
.-~\%@#@@# --@-- #@@#@%\~-.
..-~\%@#@@ ~ @@#@%\~-..
.-~\%@#@@# #@@#@%\~-.
..-~\%@#@@ (SITUATION) @@#@%\~-..
.-~\%@#@@# #@@#@%\~-.
..-~\%@#@@ YOU'RE FINALLY ENTERING THE CITY. WHILE @@#@%\~-..
.-~\%@#@@# IT IS INDEED A VERY HIGH SPEED TRAIN #@@#@%\~-.
..-~\%@#@@ YOU'RE TRAVELING IN, THE JOURNEY HAS @@#@%\~-..
.-~\%@#@@# BEEN LONG. BUT IT'S ABOUT TO END! #@@#@%\~-.
..-~\%@#@@ @@#@%\~-..
.-~\%@#@@# SOCIETY IS GROWING DENSER AROUND YOU, #@@#@%\~-.
..-~\%@#@@ THROUGH THE WINDOWS YOU SEE FIRST SMALL @@#@%\~-..
.-~\%@#@@# SHACKS, BUILT OF METAL AND STONE, THEN #@@#@%\~-.
..-~\%@#@@ PROPER HOUSES WITH MORTAR TO KEEP THEM @@#@%\~-..
.-~\%@#@@# TOGETHER... WHO IN TURN MAKE WAY FOR #@@#@%\~-.
..-~\%@#@@ THE INDUSTRIAL BUILDINGS, THE URBAN @@#@%\~-..
.-~\%@#@@# MAZE, PROTECTIVE WALLS, JUNGLE #@@#@%\~-.
..-~\%@#@@ NETWORK... @@#@%\~-..
.-~\%@#@@# #@@#@%\~-.
..-~\%@#@@ THE TRACKS LEAVE THE GROUND, WHICH IS @@#@%\~-..
.-~\%@#@@# NEEDED FOR OTHER PURPOSES. YOU ARE #@@#@%\~-.
..-~\%@#@@ CARRIED GENTLY, CURVING UPWARDS UNTIL @@#@%\~-..
.-~\%@#@@# YOU'RE MOVING UPWARD ALONG THE WALL OF #@@#@%\~-.
..-~\%@#@@ A BUILDING. IT'S MADE OF SLABBY STONE, @@#@%\~-..
.-~\%@#@@# WITH GREAT GLASSLESS WINDOW HOLES #@@#@%\~-.
..-~\%@#@@ LOOKING OUT THE WAY YOU CAME. IT IS @@#@%\~-..
.-~\%@#@@# PITCH BLACK INSIDE. #@@#@%\~-.
..-~\%@#@@ @@#@%\~-..
.-~\%@#@@# #@@#@%\~-.
..-~\%@#@@ @@#@%\~-..
.-~\%@#@@# #@@#@%\~-.
..-~\%@#@@ @@#@%\~-..