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#@£¤=;=.¨¨ TRAIN DREAM ¨¨.=;=¤£@#
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;=.¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨.=;
=;=.¨¨¨¨¨¨ YOU FIND YOURSELF IN A RIFT - A ¨¨¨¨¨¨.=;=
¤=;=.¨¨¨¨¨ CLEARING, NARROW BUT IMMEASURABLY LONG. ¨¨¨¨¨.=;=¤
£¤=;=.¨¨¨¨ TO YOUR SIDES ARE WALLS MADE OF TREES, ¨¨¨¨.=;=¤£
@£¤=;=.¨¨¨ THICK AND READY TO SWALLOW YOU. THE SUN ¨¨¨.=;=¤£@
#@£¤=;=.¨¨ IS NOWHERE TO BE SEEN, BUT NONTHELESS ¨¨.=;=¤£@#
##@£¤=;=.¨ IT IS VERY BRIGHT - THE AIR FEELS LIGHT ¨.=;=¤£@##
#@£¤=;=.¨¨ BLUE, ALMOST WHITE. ¨¨.=;=¤£@#
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£¤=;=.¨¨¨¨ ALONG THE SPAN OF THE CLEARING LAY TWO ¨¨¨¨.=;=¤£
¤=;=.¨¨¨¨¨ PARALLEL SILVERY LINES, DARK HARD ¨¨¨¨¨.=;=¤
=;=.¨¨¨¨¨¨ METAL. SOMEHOW YOU CAN SEE HOW HEAVY ¨¨¨¨¨¨.=;=
;=.¨¨¨¨¨¨¨ THEY ARE. ¨¨¨¨¨¨¨.=;
=.¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨.=
;=.¨¨¨¨¨¨¨ THEY EMIT A HIGH PITCHED WHINE... ¨¨¨¨¨¨¨.=;
=;=.¨¨¨¨¨¨ ¨¨¨¨¨¨.=;=
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##@£¤=;=.¨ (SITUATION) ¨.=;=¤£@##
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@£¤=;=.¨¨¨ YOURE AT THE TRAIN STATION, ON A ¨¨¨.=;=¤£@
£¤=;=.¨¨¨¨ CATWALK ABOVE THE RAILS. YOUR TRAIN IS ¨¨¨¨.=;=¤£
¤=;=.¨¨¨¨¨ LATE, OR YOU ARE LATE TO THE TRAIN. ¨¨¨¨¨.=;=¤
=;=.¨¨¨¨¨¨ IT'S A SUMMER AFTERNOON AND THE STATION ¨¨¨¨¨¨.=;=
;=.¨¨¨¨¨¨¨ IS BUSY, FULL OF RELAXED CONFIDENCE. ¨¨¨¨¨¨¨.=;
=.¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨.=
;=.¨¨¨¨¨¨¨ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ¨¨¨¨¨¨¨.=;
=;=.¨¨¨¨¨¨ STRESSED ABOUT THE TIME, WHILE MOVING ¨¨¨¨¨¨.=;=
¤=;=.¨¨¨¨¨ UP THE STAIRS TO YOUR PLATFORM. THE ¨¨¨¨¨.=;=¤
£¤=;=.¨¨¨¨ STATION IS IN SEVERAL LEVELS, ALL ¨¨¨¨.=;=¤£
@£¤=;=.¨¨¨ PLACED WITHIN EACHOTHER BY SOME ¨¨¨.=;=¤£@
#@£¤=;=.¨¨ INTELLIGENT DESIGNER, AND FULL OF ¨¨.=;=¤£@#
##@£¤=;=.¨ STAIRS, ELEVATORS, SHORTCUTS, ¨.=;=¤£@##
#@£¤=;=.¨¨ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ¨¨.=;=¤£@#
@£¤=;=.¨¨¨ SOME GLASS WINDOWS. IT'S... NOT WHERE ¨¨¨.=;=¤£@
£¤=;=.¨¨¨¨ IT'S SUPPOSED TO BE? ¨¨¨¨.=;=¤£
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=;=.¨¨¨¨¨¨ (SITUATION) ¨¨¨¨¨¨.=;=
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£¤=;=.¨¨¨¨ YOU'RE FINALLY ENTERING THE CITY. WHILE ¨¨¨¨.=;=¤£
@£¤=;=.¨¨¨ IT IS INDEED A VERY HIGH SPEED TRAIN ¨¨¨.=;=¤£@
#@£¤=;=.¨¨ YOU'RE TRAVELING IN, THE JOURNEY HAS ¨¨.=;=¤£@#
##@£¤=;=.¨ BEEN LONG. BUT IT'S ABOUT TO END! ¨.=;=¤£@##
#@£¤=;=.¨¨ ¨¨.=;=¤£@#
@£¤=;=.¨¨¨ SOCIETY IS GROWING DENSER AROUND YOU, ¨¨¨.=;=¤£@
£¤=;=.¨¨¨¨ THROUGH THE WINDOWS YOU SEE FIRST SMALL ¨¨¨¨.=;=¤£
¤=;=.¨¨¨¨¨ SHACKS, BUILT OF METAL AND STONE, THEN ¨¨¨¨¨.=;=¤
=;=.¨¨¨¨¨¨ PROPER HOUSES WITH MORTAR TO KEEP THEM ¨¨¨¨¨¨.=;=
;=.¨¨¨¨¨¨¨ TOGETHER... WHO IN TURN MAKE WAY FOR ¨¨¨¨¨¨¨.=;
=.¨¨¨¨¨¨¨¨ THE INDUSTRIAL BUILDINGS, THE URBAN ¨¨¨¨¨¨¨¨.=
;=.¨¨¨¨¨¨¨ MAZE, PROTECTIVE WALLS, JUNGLE ¨¨¨¨¨¨¨.=;
=;=.¨¨¨¨¨¨ NETWORK... ¨¨¨¨¨¨.=;=
¤=;=.¨¨¨¨¨ ¨¨¨¨¨.=;=¤
£¤=;=.¨¨¨¨ THE TRACKS LEAVE THE GROUND, WHICH IS ¨¨¨¨.=;=¤£
@£¤=;=.¨¨¨ NEEDED FOR OTHER PURPOSES. YOU ARE ¨¨¨.=;=¤£@
#@£¤=;=.¨¨ CARRIED GENTLY, CURVING UPWARDS UNTIL ¨¨.=;=¤£@#
##@£¤=;=.¨ YOU'RE MOVING UPWARD ALONG THE WALL OF ¨.=;=¤£@##
#@£¤=;=.¨¨ A BUILDING. IT'S MADE OF SLABBY STONE, ¨¨.=;=¤£@#
@£¤=;=.¨¨¨ WITH GREAT GLASSLESS WINDOW HOLES ¨¨¨.=;=¤£@
£¤=;=.¨¨¨¨ LOOKING OUT THE WAY YOU CAME. IT IS ¨¨¨¨.=;=¤£
¤=;=.¨¨¨¨¨ PITCH BLACK INSIDE. ¨¨¨¨¨.=;=¤
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;=.¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨.=;
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