,,,,.\§§§# #§§§\.,,,,
,.-\^§§@## ##@§§^\-.,
,.-\^§§@## ##@§§^\-.,
,.-\^§§@## ##@§§^\-.,
,.-\^§§@## ##@§§^\-.,
,.-\^§§@## TRAIN DREAM ##@§§^\-.,
,,,,---^^§ ######,,,,.-..,,##################### §^^---,,,,
,.-\^§§@## \\\ ##@§§^\-.,
,,.---^§§§ - §§§^---.,,
,,,.\^§§§# - #§§§^\.,,,
,.-\^§§@## ##@§§^\-.,
,,,,,,-^§§ (SITUATION) §§^-,,,,,,
,.-\^§§@## ##@§§^\-.,
,,,,,,.\§§ YOU FIND YOURSELF IN A RIFT - A §§\.,,,,,,
,.-\^§§§§@ CLEARING, NARROW BUT IMMEASURABLY LONG. @§§§§^\-.,
,.-\^§§### TO YOUR SIDES ARE WALLS MADE OF TREES, ###§§^\-.,
,.-\^§§@## THICK AND READY TO SWALLOW YOU. THE SUN ##@§§^\-.,
,.-\^§§@## IS NOWHERE TO BE SEEN, BUT NONTHELESS ##@§§^\-.,
,.-\^§§@## IT IS VERY BRIGHT - THE AIR FEELS LIGHT ##@§§^\-.,
,.-\^§§@@@ BLUE, ALMOST WHITE. @@@§§^\-.,
,.-\\\^^§# #§^^\\\-.,
,...-^^§§# ALONG THE SPAN OF THE CLEARING LAY TWO #§§^^-...,
,.-\^§§@## PARALLEL SILVERY LINES, DARK HARD ##@§§^\-.,
,,,,,,.\^§ METAL. SOMEHOW YOU CAN SEE HOW HEAVY §^\.,,,,,,
,.-\^§§@## THEY ARE. ##@§§^\-.,
,.-\^§§@## ##@§§^\-.,
,.-\^§§§@@ THEY EMIT A HIGH PITCHED WHINE... @@§§§^\-.,
,.-\^§§§@# #@§§§^\-.,
,...\\^^§§ - §§^^\\...,
,.-\^§§@## ,,^,, ##@§§^\-.,
,.-\^§§@## - ##@§§^\-.,
,,..-\\\^§ §^\\\-..,,
,.-\^§§@## (SITUATION) ##@§§^\-.,
,,,,.--\§§ §§\--.,,,,
,.\^§§@### YOURE AT THE TRAIN STATION, ON A ###@§§^\.,
,...\^^^§@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS @§^^^\...,
,.-\^§§§§@ LATE, OR YOU ARE LATE TO THE TRAIN. @§§§§^\-.,
,.-\^§@### IT'S A SUMMER AFTERNOON AND THE STATION ###@§^\-.,
,,,-\\§§§§ IS BUSY, FULL OF RELAXED CONFIDENCE. §§§§\\-,,,
,,,.\\^§@# #@§^\\.,,,
,.-\^^§§§§ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT §§§§^^\-.,
,,,,,,-^§# STRESSED ABOUT THE TIME, WHILE MOVING #§^-,,,,,,
,.-\^§§@## UP THE STAIRS TO YOUR PLATFORM. THE ##@§§^\-.,
,.-\§§@### STATION IS IN SEVERAL LEVELS, ALL ###@§§\-.,
,.-\^§§@## PLACED WITHIN EACHOTHER BY SOME ##@§§^\-.,
,.-\^§§@## INTELLIGENT DESIGNER, AND FULL OF ##@§§^\-.,
,,,.\^^§@@ STAIRS, ELEVATORS, SHORTCUTS, @@§^^\.,,,
,.-\^§§@## BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ##@§§^\-.,
,.-\^§§§§@ SOME GLASS WINDOWS. IT'S... NOT WHERE @§§§§^\-.,
,.-\^§§§§# IT'S SUPPOSED TO BE? #§§§§^\-.,
,.-\§§@### ###@§§\-.,
,.-\^§§@## - ##@§§^\-.,
,,,,.-\^§# ..§.. #§^\-.,,,,
,.-\^§§§§# - #§§§§^\-.,
,.-\^§§@## ##@§§^\-.,
,.-\^§§@@@ (SITUATION) @@@§§^\-.,
,.-\^§§@## ##@§§^\-.,
,.-\^§§@## YOU'RE FINALLY ENTERING THE CITY. WHILE ##@§§^\-.,
,.-\^§@### IT IS INDEED A VERY HIGH SPEED TRAIN ###@§^\-.,
,.-\^§§@## YOU'RE TRAVELING IN, THE JOURNEY HAS ##@§§^\-.,
,,..-\\§§@ BEEN LONG. BUT IT'S ABOUT TO END! @§§\\-..,,
,.-\^§§@@@ @@@§§^\-.,
,,,,.\§§§# SOCIETY IS GROWING DENSER AROUND YOU, #§§§\.,,,,
,,,.--^§§§ THROUGH THE WINDOWS YOU SEE FIRST SMALL §§§^--.,,,
,,,,,.-\§§ SHACKS, BUILT OF METAL AND STONE, THEN §§\-.,,,,,
,.-\^§§@## PROPER HOUSES WITH MORTAR TO KEEP THEM ##@§§^\-.,
,.-\^§§@## TOGETHER... WHO IN TURN MAKE WAY FOR ##@§§^\-.,
,,,--\§§@# THE INDUSTRIAL BUILDINGS, THE URBAN #@§§\--,,,
,,,,..-\^§ MAZE, PROTECTIVE WALLS, JUNGLE §^\-..,,,,
,.-\^§§@@@ NETWORK... @@@§§^\-.,
,.-\^§§§§@ @§§§§^\-.,
,.-\^§§@## THE TRACKS LEAVE THE GROUND, WHICH IS ##@§§^\-.,
,.-\^§§§§@ NEEDED FOR OTHER PURPOSES. YOU ARE @§§§§^\-.,
,.-\^§§@## CARRIED GENTLY, CURVING UPWARDS UNTIL ##@§§^\-.,
,,,,.\^^§@ YOU'RE MOVING UPWARD ALONG THE WALL OF @§^^\.,,,,
,.-\^§§@## A BUILDING. IT'S MADE OF SLABBY STONE, ##@§§^\-.,
,.-\^§§@## WITH GREAT GLASSLESS WINDOW HOLES ##@§§^\-.,
,,,,.\\^§§ LOOKING OUT THE WAY YOU CAME. IT IS §§^\\.,,,,
,.-\^§§@## PITCH BLACK INSIDE. ##@§§^\-.,
,.-\^§§@## ##@§§^\-.,
,,,.-\\^§@ @§^\\-.,,,
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,,,,,.\\§§ §§\\.,,,,,
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