¨,«:*@@£## ##£@@*:«,¨
¨¨,«:*@@£# #£@@*:«,¨¨
¨¨¨,«:*@@£ £@@*:«,¨¨¨
¨¨¨¨,«:*@@ @@*:«,¨¨¨¨
¨¨¨¨¨,«:*@ @*:«,¨¨¨¨¨
¨¨¨¨,«:*@@ the last song on side b (and to some @@*:«,¨¨¨¨
¨¨¨,«:*@@£ extent the first song on side a) talks £@@*:«,¨¨¨
¨¨,«:*@@£# for the whole album, not just their #£@@*:«,¨¨
¨,«:*@@£## side. the last song on side b is ##£@@*:«,¨
¨¨,«:*@@£# probably the most important #£@@*:«,¨¨
¨¨¨,«:*@@£ opportunity, the most charged slot. £@@*:«,¨¨¨
¨¨¨¨,«:*@@ @@*:«,¨¨¨¨
¨¨¨¨¨,«:*@ ¨£#£¨ @*:«,¨¨¨¨¨
¨¨¨¨,«:*@@ @@*:«,¨¨¨¨
¨¨¨,«:*@@£ the album is a singularity, an anomaly £@@*:«,¨¨¨
¨¨,«:*@@£# in spacetime, a creature that knows #£@@*:«,¨¨
¨,«:*@@£## exactly how beautiful it is. ##£@@*:«,¨
¨¨,«:*@@£# ¨ #£@@*:«,¨¨
¨¨¨,«:*@@£ and the thing is: it sees itself in £@@*:«,¨¨¨
¨¨¨¨,«:*@@ three d. it knows that it's dying. @@*:«,¨¨¨¨
¨¨¨¨¨,«:*@ @*:«,¨¨¨¨¨
¨¨¨¨,«:*@@ **@@**@@**@@**@@**@@@@**@@**@@**@@**@@** @@*:«,¨¨¨¨
¨¨¨,«:*@@£ £@@*:«,¨¨¨
¨¨,«:*@@£# , dolphins and cats , #£@@*:«,¨¨
¨,«:*@@£## bring us ##£@@*:«,¨
¨¨,«:*@@£# ¨ flowers and honey ¨ #£@@*:«,¨¨
¨¨¨,«:*@@£ £@@*:«,¨¨¨
¨¨¨¨,«:*@@ , dolphins and cats , @@*:«,¨¨¨¨
¨¨¨¨¨,«:*@ bring us @*:«,¨¨¨¨¨
¨¨¨¨,«:*@@ ¨ fairies and bees ¨ @@*:«,¨¨¨¨
¨¨¨,«:*@@£ £@@*:«,¨¨¨
¨¨,«:*@@£# our boat is afloat #£@@*:«,¨¨
¨,«:*@@£## on a surface of lilies ##£@@*:«,¨
¨¨,«:*@@£# , dolphins and cats , #£@@*:«,¨¨
¨¨¨,«:*@@£ drag us down £@@*:«,¨¨¨
¨¨¨¨,«:*@@ ¨«* underneath *«¨ @@*:«,¨¨¨¨
¨¨¨¨¨,«:*@ @*:«,¨¨¨¨¨
¨¨¨¨,«:*@@ **@@**@@**@@**@@**@@@@**@@**@@**@@**@@** @@*:«,¨¨¨¨
¨¨¨,«:*@@£ £@@*:«,¨¨¨
¨¨,«:*@@£# side a is foresty, and side b might #£@@*:«,¨¨
¨,«:*@@£## be lizardy. but the last song is full ##£@@*:«,¨
¨¨,«:*@@£# of space. #£@@*:«,¨¨
¨¨¨,«:*@@£ £@@*:«,¨¨¨
¨¨¨¨,«:*@@ @@*:«,¨¨¨¨
¨¨¨¨¨,«:*@ @*:«,¨¨¨¨¨
¨¨¨¨,«:*@@ @@*:«,¨¨¨¨
¨¨¨,«:*@@£ £@@*:«,¨¨¨