,~~†$£@### ###@£$†~~,
,~~†$£@### ###@£$†~~,
,,,~~~†£## ##£†~~~,,,
,,~~~$$@## ##@$$~~~,,
,,,~~††$@@ @@$††~~,,,
,,,,~~†£@@ the last song on side b (and to some @@£†~~,,,,
,~~†$£@### extent the first song on side a) talks ###@£$†~~,
,,,,,~$$$@ for the whole album, not just their @$$$~,,,,,
,~~†$££@@# side. the last song on side b is #@@££$†~~,
,~~†$£@### probably the most important ###@£$†~~,
,,,,,,,~$@ opportunity, the most charged slot. @$~,,,,,,,
,~~†$£@@@# #@@@£$†~~,
,~~†$£@### ,###, ###@£$†~~,
,,,,~~†££# #££†~~,,,,
,,,~~~$££@ the album is a singularity, an anomaly @££$~~~,,,
,~~†$£@### in spacetime, a creature that knows ###@£$†~~,
,~~†$£#### exactly how beautiful it is. ####£$†~~,
,~~†$£@### , ###@£$†~~,
,~~†$£@### and the thing is: it sees itself in ###@£$†~~,
,~~†$£@### three d. it knows that it's dying. ###@£$†~~,
,,,,~†$££@ @££$†~,,,,
,~~†$£@### $$££$$££$$££$$££$$£@@£$$££$$££$$££$$££$$ ###@£$†~~,
,,,~~$$@@# #@@$$~~,,,
,,,~~†£@## ~ dolphins and cats ~ ##@£†~~,,,
,~~†††$@@# bring us #@@$†††~~,
,~~†$£@@@@ , flowers and honey , @@@@£$†~~,
,~~†$£@@## ##@@£$†~~,
,~~†$£@### ~ dolphins and cats ~ ###@£$†~~,
,,,,,~†$£@ bring us @£$†~,,,,,
,~~†$£@### , fairies and bees , ###@£$†~~,
,,,,~~~$@# #@$~~~,,,,
,~~†$£@### our boat is afloat ###@£$†~~,
,,,,,~$$@@ on a surface of lilies @@$$~,,,,,
,~~†$£@### ~ dolphins and cats ~ ###@£$†~~,
,~~†$£@### drag us down ###@£$†~~,
,~~†$£@### ,~$ underneath $~, ###@£$†~~,
,~~†$£@### ###@£$†~~,
,,,~~~†$£# $$££$$££$$££$$££$$£@@£$$££$$££$$££$$££$$ #£$†~~~,,,
,,,,,~~~$@ @$~~~,,,,,
,~~†$£@### side a is foresty, and side b might ###@£$†~~,
,~~†$£@### be lizardy. but the last song is full ###@£$†~~,
,~~†$£@### of space. ###@£$†~~,
,~~†$£@### ###@£$†~~,
,~~†$£@@## ##@@£$†~~,
,~~†$£@### ###@£$†~~,
,,,,,~†£@@ @@£†~,,,,,
,~~†$£@### ###@£$†~~,