,,@@,,@@,,                                          @,@,@@,@,@
,@,@,@,@,@                                          @,@,,@,@,@
,@,@,@,@,@                                          @,@,@@,@,@
,@,@,@,@,@                                          @,@,,@,@,@
,@,@,@,@,@                                          @,@,@@,@,@
,@,@,@,@,@  slightly distorted sine, maybe a little @,@,,@,@,@
,@,@,@,@,@ tri/sq-ish,,...   no tips. bind velocity @,@,@@,@,@
,@,@,@,@,@ to semitone, to fine tune ############## @,@,,@,@,@
,@,@,@,@,@                     ##### one fifty bpm  @,@,@@,@,@
,@,@,@,@,@                #####      dark drone   , @,@,,@,@,@
,@,@,@,@,@           #####           more and more  @,@,@@,@,@
,@,@,@,@,@      #####                chaos and a    @,@,,@,@,@
,@,@,@,@,@ #####                     little bit too @,@,@@,@,@
,@,@,@,@,@                       much               @,@,,@,@,@
,@,@,@,@,@ a woman an octave abov                   @,@,@@,@,@
,@,@,@,@,@ e, a crudely looped aaah as a lead instr @,@,,@,@,@
,@,@,@,@,@ ument, and drums from the microphone (?) @,@,@@,@,@
,@,@,@,@,@                                          @,@,,@,@,@
,@,@,@,@,@                                          @,@,@@,@,@
,@,@,@,@,@                                          @,@,,@,@,@
,@,@,@,@,@                                          @,@,@@,@,@
,@,@,@,@,@                                          @,@,,@,@,@
,@,@,@,@,@                                          @,@,@@,@,@