,,.~~~~*@£ £@*~~~~.,,
,.~/*@¤£@# #@£¤@*/~.,
,.~/*@¤£@@ @@£¤@*/~.,
,,,,,,./*¤ ¤*/.,,,,,,
,...//@@£@ @£@@//...,
,.~/*¤£@## the last song on side b (and to some ##@£¤*/~.,
,.~//***¤@ extent the first song on side a) talks @¤***//~.,
,.~/*@¤£@@ for the whole album, not just their @@£¤@*/~.,
,,,..~**¤£ side. the last song on side b is £¤**~..,,,
,.~/*@¤¤¤¤ probably the most important ¤¤¤¤@*/~.,
,.~/*@¤£@# opportunity, the most charged slot. #@£¤@*/~.,
,.~///@¤¤@ @¤¤@///~.,
,.~/*@¤£@# ,£#£, #@£¤@*/~.,
,.~/*@¤£@# #@£¤@*/~.,
,,,,,.//*¤ the album is a singularity, an anomaly ¤*//.,,,,,
,,,,./@@¤¤ in spacetime, a creature that knows ¤¤@@/.,,,,
,,,,./@@££ exactly how beautiful it is. ££@@/.,,,,
,.~/*@¤£@# , #@£¤@*/~.,
,.~/*@¤£@@ and the thing is: it sees itself in @@£¤@*/~.,
,,..../@¤£ three d. it knows that it's dying. £¤@/....,,
,.~/*@¤¤¤@ @¤¤¤@*/~.,
,.~/*@¤£@# **@@**@@**@@**@@**@¤¤@**@@**@@**@@**@@** #@£¤@*/~.,
,.~/*@¤£@# #@£¤@*/~.,
,.~/*@¤£@# . dolphins and cats . #@£¤@*/~.,
,,.../@@¤@ bring us @¤@@/...,,
,,,,.//@@¤ , flowers and honey , ¤@@//.,,,,
,.~/*@¤£@# #@£¤@*/~.,
,.~/*@¤£@# . dolphins and cats . #@£¤@*/~.,
,,,,,,~**¤ bring us ¤**~,,,,,,
,,.~~/*¤£@ , fairies and bees , @£¤*/~~.,,
,,,.~~**@¤ ¤@**~~.,,,
,.~/*@¤£@# our boat is afloat #@£¤@*/~.,
,,,~~~~*@£ on a surface of lilies £@*~~~~,,,
,.~/*¤£@## . dolphins and cats . ##@£¤*/~.,
,,...~*@¤£ drag us down £¤@*~...,,
,.~/*@¤£@@ ,~* underneath *~, @@£¤@*/~.,
,,,,..~**¤ ¤**~..,,,,
,,,,,~/*¤¤ **@@**@@**@@**@@**@¤¤@**@@**@@**@@**@@** ¤¤*/~,,,,,
,,.~/***@¤ ¤@***/~.,,
,.~/*@£@## side a is foresty, and side b might ##@£@*/~.,
,,,.//*@@¤ be lizardy. but the last song is full ¤@@*//.,,,
,.~/*@¤£## of space. ##£¤@*/~.,
,.~/*@¤£@# #@£¤@*/~.,
,,,,,,,~*¤ ¤*~,,,,,,,
,,,,,,~**¤ ¤**~,,,,,,
,.~/*@¤£@@ @@£¤@*/~.,
,,,../*¤££ ££¤*/..,,,