§.§§..§.§§                                          .§..§§§.§.
§..§.§§..§                                          .§.§.§§.§.
§.§§..§.§§                                          .§.§..§.§.
§..§.§§..§                                          .§.§.§§.§.
§.§§..§.§§                                          .§.§..§.§.
§..§.§§..§  slightly distorted sine, maybe a little .§.§.§§.§.
§.§§..§.§§ tri/sq-ish,,...   no tips. bind velocity .§.§..§.§.
§..§.§§..§ to semitone, to fine tune ############## .§.§.§§.§.
§.§§..§.§§                     ##### one fifty bpm  .§.§..§.§.
§..§.§§..§                #####      dark drone   . .§.§.§§.§.
§.§§..§.§§           #####           more and more  .§.§..§.§.
§..§.§§..§      #####                chaos and a    .§.§.§§.§.
§.§§..§.§§ #####                     little bit too .§.§..§.§.
§..§.§§..§                       much               .§.§.§§.§.
§.§§..§.§§ a woman an octave abov                   .§.§..§.§.
§..§.§§..§ e, a crudely looped aaah as a lead instr .§.§.§§.§.
§.§§..§.§§ ument, and drums from the microphone (?) .§.§..§.§.
§..§.§§..§                                          .§.§.§§.§.
§.§§..§.§§                                          .§.§..§.§.
§..§.§§..§                                          .§.§.§§.§.
§.§§..§.§§                                          .§.§..§.§.
§..§.§§..§                                          .§.§.§§.§.
§.§§..§.§§                                          .§.§..§.§.