###@£%/«:, ,:«/%£@###
##@£%/«:,, ,,:«/%£@##
#@£%/«:,,, ,,,:«/%£@#
##@£%/«:,, ,,:«/%£@##
###@£%/«:, ,:«/%£@###
##@£%/«:,, the last song on side b (and to some ,,:«/%£@##
#@£%/«:,,, extent the first song on side a) talks ,,,:«/%£@#
##@£%/«:,, for the whole album, not just their ,,:«/%£@##
###@£%/«:, side. the last song on side b is ,:«/%£@###
##@£%/«:,, probably the most important ,,:«/%£@##
#@£%/«:,,, opportunity, the most charged slot. ,,,:«/%£@#
##@£%/«:,, ,,:«/%£@##
###@£%/«:, ,###, ,:«/%£@###
##@£%/«:,, ,,:«/%£@##
#@£%/«:,,, the album is a singularity, an anomaly ,,,:«/%£@#
##@£%/«:,, in spacetime, a creature that knows ,,:«/%£@##
###@£%/«:, exactly how beautiful it is. ,:«/%£@###
##@£%/«:,, , ,,:«/%£@##
#@£%/«:,,, and the thing is: it sees itself in ,,,:«/%£@#
##@£%/«:,, three d. it knows that it's dying. ,,:«/%£@##
###@£%/«:, ,:«/%£@###
##@£%/«:,, %%££%%££%%££%%££%%£@@£%%££%%££%%££%%££%% ,,:«/%£@##
#@£%/«:,,, ,,,:«/%£@#
##@£%/«:,, : dolphins and cats : ,,:«/%£@##
###@£%/«:, bring us ,:«/%£@###
##@£%/«:,, , flowers and honey , ,,:«/%£@##
#@£%/«:,,, ,,,:«/%£@#
##@£%/«:,, : dolphins and cats : ,,:«/%£@##
###@£%/«:, bring us ,:«/%£@###
##@£%/«:,, , fairies and bees , ,,:«/%£@##
#@£%/«:,,, ,,,:«/%£@#
##@£%/«:,, our boat is afloat ,,:«/%£@##
###@£%/«:, on a surface of lilies ,:«/%£@###
##@£%/«:,, : dolphins and cats : ,,:«/%£@##
#@£%/«:,,, drag us down ,,,:«/%£@#
##@£%/«:,, ,«% underneath %«, ,,:«/%£@##
###@£%/«:, ,:«/%£@###
##@£%/«:,, %%££%%££%%££%%££%%£@@£%%££%%££%%££%%££%% ,,:«/%£@##
#@£%/«:,,, ,,,:«/%£@#
##@£%/«:,, side a is foresty, and side b might ,,:«/%£@##
###@£%/«:, be lizardy. but the last song is full ,:«/%£@###
##@£%/«:,, of space. ,,:«/%£@##
#@£%/«:,,, ,,,:«/%£@#
##@£%/«:,, ,,:«/%£@##
###@£%/«:, ,:«/%£@###
##@£%/«:,, ,,:«/%£@##
#@£%/«:,,, ,,,:«/%£@#