¨¨¨¨¨¨.~†=                                          =†~.¨¨¨¨¨¨
¨¨¨¨¨.~†=*                                          *=†~.¨¨¨¨¨
¨¨¨¨.~†=*&                                          &*=†~.¨¨¨¨
¨¨¨.~†=*&@                                          @&*=†~.¨¨¨
¨¨.~†=*&@#                                          #@&*=†~.¨¨
¨.~†=*&@##  SLIGHTLY DISTORTED SINE, MAYBE A LITTLE ##@&*=†~.¨
¨¨.~†=*&@# TRI/SQ-ISH,,...   NO TIPS. BIND VELOCITY #@&*=†~.¨¨
¨¨¨.~†=*&@ TO SEMITONE, TO FINE TUNE ############## @&*=†~.¨¨¨
¨¨¨¨.~†=*&                     ##### ONE FIFTY BPM  &*=†~.¨¨¨¨
¨¨¨¨¨.~†=*                #####      DARK DRONE   ¨ *=†~.¨¨¨¨¨
¨¨¨¨¨¨.~†=           #####           MORE AND MORE  =†~.¨¨¨¨¨¨
¨¨¨¨¨¨¨.~†      #####                CHAOS AND A    †~.¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨.~ #####                     LITTLE BIT TOO ~.¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨.~†                       MUCH               †~.¨¨¨¨¨¨¨
¨¨¨¨¨¨.~†= A WOMAN AN OCTAVE ABOV                   =†~.¨¨¨¨¨¨
¨¨¨¨¨.~†=* E, A CRUDELY LOOPED AAAH AS A LEAD INSTR *=†~.¨¨¨¨¨
¨¨¨¨.~†=*& UMENT, AND DRUMS FROM THE MICROPHONE (?) &*=†~.¨¨¨¨
¨¨¨.~†=*&@                                          @&*=†~.¨¨¨
¨¨.~†=*&@#                                          #@&*=†~.¨¨
¨.~†=*&@##                                          ##@&*=†~.¨
¨¨.~†=*&@#                                          #@&*=†~.¨¨
¨¨¨.~†=*&@                                          @&*=†~.¨¨¨
¨¨¨¨.~†=*&                                          &*=†~.¨¨¨¨