,@,@@@@@@, @,,@@,,@@,
@@,,@@@@@, @,@,@,@,@,
,@,@,@@@@, @,@,@,@,@,
@@,@,,@@@, @,@,@,@,@,
,@,@,@,@@, @,@,@,@,@,
@@,@,@,,@, & dream palace & @,@,@,@,@,
,@,@,@,@@, . ----- ------ . @,@,@,@,@,
@@,@,@,,@, & ..... ...... & @,@,@,@,@,
,@,@,@,@@, ; ..... ...... ; @,@,@,@,@,
@@,@,@,,@, . ..... ...... . @,@,@,@,@,
,@,@,@,@@, . ..... ...... . @,@,@,@,@,
@@,@,@,,@, , ..... ...... , @,@,@,@,@,
,@,@,@,@@, @,@,@,@,@,
@@,@,@,,@, @,@,@,@,@,
,@,@,@,@@, not actually a palace. a cottage in the @,@,@,@,@,
@@,@,@,,@, woods (temperate climate, rains every @,@,@,@,@,
,@,@,@,@@, other day, springs and streams and @,@,@,@,@,
@@,@,@,,@, mysterious iron and stone artifacts, @,@,@,@,@,
,@,@,@,@@, birdland-ish eternal spring (late @,@,@,@,@,
@@,@,@,,@, spring)) @,@,@,@,@,
,@,@,@,@@, @,@,@,@,@,
@@,@,@,,@, « @,@,@,@,@,
,@,@,@,@@, @,@,@,@,@,
@@,@,@,,@, i wake up every morning at six am. it's @,@,@,@,@,
,@,@,@,@@, dark, and the stars are out, but the @,@,@,@,@,
@@,@,@,,@, sun is about to rise. its a long day, @,@,@,@,@,
,@,@,@,@@, before it fades to night again, and @,@,@,@,@,
@@,@,@,,@, then it stays so until i fall asleep. @,@,@,@,@,
,@,@,@,@@, it doesn't rise unless i've had my @,@,@,@,@,
@@,@,@,,@, dreams. @,@,@,@,@,
,@,@,@,@@, @,@,@,@,@,
@@,@,@,,@, $ @,@,@,@,@,
,@,@,@,@@, @,@,@,@,@,
@@,@,@,,@, in this cottage there's a lot of radio @,@,@,@,@,
,@,@,@,@@, equipment, sound stuff, synths, tape @,@,@,@,@,
@@,@,@,,@, players. pen and paper, books, cameras, @,@,@,@,@,
,@,@,@,@@, mirrors, prisms, and various things to @,@,@,@,@,
@@,@,@,,@, do art with. the fridge is filled with @,@,@,@,@,
,@,@,@,@@, differet foods, all of them intriguing, @,@,@,@,@,
@@,@,@,,@, slightly weird. @,@,@,@,@,
,@,@,@,@@, @,@,@,@,@,
@@,@,@,,@, @ @,@,@,@,@,
,@,@,@,@@, @,@,@,@,@,
@@,@,@,,@, i have friends - there's a cat, and a @,@,@,@,@,
,@,@,@,@@, dog (who is ridicolously large and @,@,@,@,@,
@@,@,@,,@, wants to be the big spoon). i listen to @,@,@,@,@,
,@,@,@,@@, the shortwave radio, and transmit a bit @,@,@,@,@,
@@,@,@,,@, myself, songs and poetry, and found @,@,@,@,@,
,@,@,@,@@, sounds from the forest. the others tell @,@,@,@,@,
@@,@,@,,@, of their lives, play the guitar for me, @,@,@,@,@,
,@,@,@,@@, and tell tales of the old world. i @,@,@,@,@,
@@,@,@,,@, consider them friends as well. @,@,@,@,@,
,@,@,@,@@, @,@,@,@,@,
@@,@,@,,@, # @,@,@,@,@,
,@,@,@,@@, @,@,@,@,@,
@@,@,@,,@, most importantly, there's a two square @,@,@,@,@,
,@,@,@,@@, meter area on the floor where i can @,@,@,@,@,
@@,@,@,,@, "save" things. whatever i put in here @,@,@,@,@,
,@,@,@,@@, will not be affected by the nightly @,@,@,@,@,
@@,@,@,,@, reset. everything else, however, is @,@,@,@,@,
,@,@,@,@@, completely reset overnight: synth @,@,@,@,@,
@@,@,@,,@, patches removed, food uneaten, wounds @,@,@,@,@,
,@,@,@,@@, healed, and wherever and whenever i'd @,@,@,@,@,
@@,@,@,,@, fall asleep i'd always wake up fully @,@,@,@,@,
,@,@,@,@@, rested in my bed. sometimes there's @,@,@,@,@,
@@,@,@,,@, accidents where i lose stuff by @,@,@,@,@,
,@,@,@,@@, forgetting to put them in the square. @,@,@,@,@,
@@,@,@,,@, @,@,@,@,@,
,@,@,@,@@, , @,@,@,@,@,
@@,@,@,,@, @,@,@,@,@,
,@,@,@,@@, at night, i have demi-lucid dreams @,@,@,@,@,
@@,@,@,,@, where the spirits of the forest around @,@,@,@,@,
,@,@,@,@@, the cottage tries to communicate. here, @,@,@,@,@,
@@,@,@,,@, it's not endless but connected to a @,@,@,@,@,
,@,@,@,@@, large sprawling city, where my radio @,@,@,@,@,
@@,@,@,,@, friends live. we go exploring together @,@,@,@,@,
,@,@,@,@@, - things are deep and dark - but unlike @,@,@,@,@,
@@,@,@,,@, me, they never remember during the day. @,@,@,@,@,
,@,@,@,@@, this is a mystery we often discuss. @,@,@,@,@,
@@,@,@,,@, @,@,@,@,@,
,@,@,@,@@, @,@,@,@,@,
@@,@,@,,@, @,@,@,@,@,
,@,@,@,@@, @,@,@,@,@,
@@,@,@,,@, @,@,@,@,@,
,@,@,@,@@, @,@,@,@,@,