..£.£££.£. ..££.££...
.££..££.£. .£.£..£...
£.£.£.£.£. .£.£.££...
£.£.£.£.£. .£.£..£..£
£.£.£.£.£. .£.£.££.£.
£.£.£.£.£. ††††††††† .£.£..£.£.
£.£.£.£.£. †† †† .£.£.££.£.
£.£.£.£.£. †† PLUS †† .£.£..£.£.
£.£.£.£.£. † MINUS † .£.£.££.£.
£.£.£.£.£. † ZERO † .£.£..£.£.
£.£.£.£.£. . . .£.£.££.£.
£.£.£.£.£. .. MIRROR NOTE .. .£.£..£.£.
£.£.£.£.£. ............. .£.£.££.£.
£.£.£.£.£. .£.£..£.£.
£.£.£.£.£. AT AN OPPORTUNITY, A MOMENT SUCH AS THIS .£.£.££.£.
£.£.£.£.£. UNDERAPPRECIATED, UNDERESTIMATED, UNDER .£.£..£.£.
£.£.£.£.£. THERE IS SIMPLY NO TIME TO CHOOSE WHAT .£.£.££.£.
£.£.£.£.£. .£.£..£.£.
£.£.£.£.£. EVERYTHING IS IN THROUGH THE LEFT HALF .£.£.££.£.
£.£.£.£.£. OF MY FACE, AND OUT EXACTLY OPPOSITE .£.£..£.£.
£.£.£.£.£. ^^^THROUGH THE RIGHT HALF^^^ OF THE .£.£.££.£.
£.£.£.£.£. FACE .£.£..£.£.
£.£.£.£.£. PLUS MINUS ZERO BUT POLAR OPPOSITES! .£.£.££.£.
£.£.£.£.£. .£.£..£.£.
£.£.£.£.£. #..# #.# # .£.£.££.£.
£.£.£.£.£. AND .£.£..£.£.
£.£.£.£.£. THE ECHO IS TRAVELLING WITH EVERY .£.£.££.£.
£.£.£.£.£. BEAT, MAYBE ONE HUNDRED AND THIRTY .£.£..£.£.
£.£.£.£.£. MILLISECONDS, TO TWO HUNDRED AND .£.£.££.£.
£.£.£.£.£. #.# EIGHTY MILLISECONDS, AND DOWN, .£.£..£.£.
£.£.£.£.£. ALONG MY DREADS, MAYBE LIKE .£.£.££.£.
£.£.£.£.£. A CAP TO THE LEFT AND UP FOUR HUNDRED .£.£..£.£.
£.£.£.£.£. TO THE RIGHT .£.£.££.£.
£.£.£.£.£. .£.£..£.£.
£.£.£.£.£. ABOUT ~MAGNETISM~ OR ~WHAT~ ~ELSE~ .£.£.££.£.
£.£.£.£.£. .£.£..£.£.
£.£.£.£.£. DISTORTION AND HEAVY GLASS AND PALM .£.£.££.£.
£.£.£.£.£. TREES .£.£..£.£.
£.£.£.£.£. .£.£.££.£.
£.£.£.£.£. .£.£..£.£.
£.£.£.£.£. .£.£.££.£.
£.£.£.£.£. MY .£.£..£.£.
£.£.£.£.£. I HAVE MUSIC THAT LIVES INTO WEIRDER .£.£.££.£.
£.£.£.£.£. CORRIDORS, MY FLESH IS PUSHING .£.£..£.£.
£.£.£.£.£. MY .£.£.££.£.
£.£.£.£.£. BODY FURTHER INSIDE .£.£..£.£.
£.£.£.£.£. .£.£.££.£.
£.£.£.£.£. .£.£..£.£.
£.£.£.£.£. .£.£.££.£.
£.£.£.£.£. .£.£..£.£.
£.£.£.£.£. THERE IS TOO MUCH MOVING INSIDE .£.£.££.£.
£.£.£.£.£. .£.£..£.£.
£.£.£.£.£. .£.£.££.£.
£.£.£.£.£. WEIRD REVOLVINGS, HOW MUCH MADNESS, .£.£..£.£.
£.£.£.£.£. WEIRD ABOUT HOW MUCH MADNESS THAT'S .£.£.££.£.
£.£.£.£.£. IA . ¶REVOLVED ABOUT TO BE REVOLVE .£.£..£.£.
£.£.£.£.£. .£.£.££.£.
£.£.£.£.£. .£.£..£.£.
£.£.£.£.£. .£.£.££.£.
£.£.£.£.£. .£.£..£.£.
£.£.£.£.£. AND I, THE SURGEON, CHOOSE THE .£.£.££.£.
£.£.£.£.£. FRYING PAN .£.£..£.£.
£.£.£.£.£. WHATEVER DOG I WANT ................. .£.£.££.£.
£.£.£.£.£. AND MY SPEED IS EVERYTHING. THE LAST .£.£..£.£.
£.£.£.£.£. .£.£.££.£.
£.£.£.£.£. RADAR STATION... FOR A WHILE... .£.£..£.£.
£.£.£.£.£. .£.£.££.£.
£.£.£.£.£. .£.£..£.£.
£.£.£.£.£. .£.£.££.£.
£.£.£.£.£. .£.£..£.£.
£.£.£.£.£. .£.£.££.£.
£.£.£.£.£. .£.£..£.£.