.^~:=¤&@## ##@&¤=:~^.
...^~=¤&&& &&&¤=~^...
....^:=&@@ @@&=:^....
.....~==&@ @&==~.....
......~~=& &=~~......
....^::=&& #### ##### &&=::^....
......~:=& TAPE DREAM &=:~......
.^~:=¤&@## #### ##### ##@&¤=:~^.
.^~:=¤&@## ##@&¤=:~^.
.......~=& FOR STORING MUSIC ON. ALSO DATA BUT &=~.......
....^^^~=& AT THIS POINT IN TIME THAT'S NOT &=~^^^....
.^^^~:==¤& REALLY IMPORTANT I THINK. &¤==:~^^^.
.^~:=¤&& #&&&¤=:~^.
.^~:=¤&@## ##@&¤=:~^.
....~=¤¤&& :::::::: TYPES OF TAPE :::::::: &&¤¤=~....
.^~:=¤&@## ##@&¤=:~^.
..^^~:¤¤ CLASS I - "BAD" IRON #&¤¤:~^^..
....~~=¤ CLASS II - GOOD CHROMIUM #&¤=~~....
....^^:¤¤@ CLASS III - BAD IRON PART TWO @¤¤:^^....
.^~:=¤&@@@ CLASS IV - DANGEROUS METALS @@@&¤=:~^.
.....^:¤@@ @@¤:^.....
.^~:=¤&@## RUMORS EXIST ABOUT A SECRET CLASS V TAPE ##@&¤=:~^.
.^~:=¤&@@@ THAT IS ACTUALLY USEFUL. @@@&¤=:~^.
......~=¤& &¤=~......
.^~:=¤&@@# :: BIAS :: #@@&¤=:~^.
....~::¤¤& &¤¤::~....
.^~:=¤&@## CLASS I USES ONE HUNDRED AND TWENTY ##@&¤=:~^.
.^~:=¤## MICRO-SOMETHING WHILE THE OTHERS ALL ###&¤=:~^.
..^^~=¤&@@ USE SEVENTY OF THE SAME UNIT. @@&¤=~^^..
....^~== #&==~^....
.^~:=¤&@## ##@&¤=:~^.
.^~:=¤&@## ========= AHA AND ========= ##@&¤=:~^.
.^~:=¤&@## ##@&¤=:~^.
.^~:=¤&@## CLASS IV IS APPARENTLY TOO STRONG TO ##@&¤=:~^.
...^:===&& BE USED ON CLASS I PLAYERS. IT WILL &&===:^...
.^~:=¤&@## SOUND TOO LOUND AND IT CANNOT BE ##@&¤=:~^.
.^~:=¤&@## COMPLETELY ERASED. THIS IS VERY WELL. ##@&¤=:~^.
.......~=& MAYBE SOME WONDERFUL BLENDING EFFECTS &=~.......
.^~:=¤&@## COULD BE ACHIEVED? ##@&¤=:~^.
.^~:=¤&@## ##@&¤=:~^.
....^^~:¤& THEY ALSO GNAW AT THE TAPE HEADS A BIT &¤:~^^....
.^~:=¤&@## BETTER THAN EARLIER TAPE TYPES. ##@&¤=:~^.
....^::==& &==::^....
.^~:=¤&@## ##@&¤=:~^.
.^~:=¤&@## :::::::: ARTIFACTS :::::::: ##@&¤=:~^.
.....^~=&& &&=~^.....
..^~~~==¤@ GOOD TAPES ARE DECENT AND HAVE A GOOD @¤==~~~^..
.^~:=¤&@## HIGH FREQUENCY PRESENCE, BAD TAPES ARE ##@&¤=:~^.
..^^~=¤& LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA #&&¤=~^^..
...~::=¤@# LIKE IT. #@¤=::~...
.^~:=¤&&&@ @&&&¤=:~^.
.^^^:==&@# BIAS LOSS: IF YOU FORGET THE BIAS WHO #@&==:^^^.
.^~:=¤&&@# KNOWS WHATS EVEN ON THERE ANYMORE #@&&¤=:~^.
.^~:=¤¤¤&@ @&¤¤¤=:~^.
.^~:==¤¤@@ FLUTTER: KINDA QUICK PITCH VARIATIONS. @@¤¤==:~^.
.^~:=¤&@## BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ##@&¤=:~^.
.^~:=¤## ###&¤=:~^.
.^~:=¤&@## WOW: A SLOWER FLUTTER, USUALLY SEVERAL ##@&¤=:~^.
.....~~=¤@ SECONDS LONG. WHAT UP. BOTH OF THESE @¤=~~.....
..^~~===&& INCREASE WHEN TAPE SPEED DECREASES. &&===~~^..
.^~:=¤&@@# #@@&¤=:~^.
.^~:=¤&@## PRINT THROUGH: TAPES RUB SOUND ON EACH ##@&¤=:~^.
.^~:=¤¤¤&@ OTHER IF THEYRE ALONE FOR TOO LONG @&¤¤¤=:~^.
.^~:=¤&@## ##@&¤=:~^.
.^~:=¤@### ###@¤=:~^.
....^~~==& &==~~^....
......~==& &==~......
...^~:::¤& &¤:::~^...
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