.,«*^@@¶@# #@¶@@^*«,.
..,«*^@@¶@ @¶@@^*«,..
.,«*^@@¶@# #@¶@@^*«,.
..,«*^@@¶@ @¶@@^*«,..
.,«*^@@¶@# #@¶@@^*«,.
..,«*^@@¶@ @@@@ ##### @¶@@^*«,..
.,«*^@@¶@# TAPE DREAM #@¶@@^*«,.
..,«*^@@¶@ #### @@@@@ @¶@@^*«,..
.,«*^@@¶@# #@¶@@^*«,.
..,«*^@@¶@ FOR STORING MUSIC ON. ALSO DATA BUT @¶@@^*«,..
.,«*^@@¶@# AT THIS POINT IN TIME THAT'S NOT #@¶@@^*«,.
..,«*^@@¶@ REALLY IMPORTANT I THINK. @¶@@^*«,..
.,«*^@@¶@# #@¶@@^*«,.
..,«*^@@¶@ @¶@@^*«,..
.,«*^@@¶@# ******** TYPES OF TAPE ******** #@¶@@^*«,.
..,«*^@@¶@ @¶@@^*«,..
.,«*^@@¶@# CLASS I - "BAD" IRON #@¶@@^*«,.
..,«*^@@¶@ CLASS II - GOOD CHROMIUM @¶@@^*«,..
.,«*^@@¶@# CLASS III - BAD IRON PART TWO #@¶@@^*«,.
..,«*^@@¶@ CLASS IV - DANGEROUS METALS @¶@@^*«,..
.,«*^@@¶@# #@¶@@^*«,.
..,«*^@@¶@ RUMORS EXIST ABOUT A SECRET CLASS V TAPE @¶@@^*«,..
.,«*^@@¶@# THAT IS ACTUALLY USEFUL. #@¶@@^*«,.
..,«*^@@¶@ @¶@@^*«,..
.,«*^@@¶@# ** BIAS ** #@¶@@^*«,.
..,«*^@@¶@ @¶@@^*«,..
.,«*^@@¶@# CLASS I USES ONE HUNDRED AND TWENTY #@¶@@^*«,.
..,«*^@@¶@ MICRO-SOMETHING WHILE THE OTHERS ALL @¶@@^*«,..
.,«*^@@¶@# USE SEVENTY OF THE SAME UNIT. #@¶@@^*«,.
..,«*^@@¶@ @¶@@^*«,..
.,«*^@@¶@# #@¶@@^*«,.
..,«*^@@¶@ ^^^^^^^^^ AHA AND ^^^^^^^^^ @¶@@^*«,..
.,«*^@@¶@# #@¶@@^*«,.
..,«*^@@¶@ CLASS IV IS APPARENTLY TOO STRONG TO @¶@@^*«,..
.,«*^@@¶@# BE USED ON CLASS I PLAYERS. IT WILL #@¶@@^*«,.
..,«*^@@¶@ SOUND TOO LOUND AND IT CANNOT BE @¶@@^*«,..
.,«*^@@¶@# COMPLETELY ERASED. THIS IS VERY WELL. #@¶@@^*«,.
..,«*^@@¶@ MAYBE SOME WONDERFUL BLENDING EFFECTS @¶@@^*«,..
.,«*^@@¶@# COULD BE ACHIEVED? #@¶@@^*«,.
..,«*^@@¶@ @¶@@^*«,..
.,«*^@@¶@# THEY ALSO GNAW AT THE TAPE HEADS A BIT #@¶@@^*«,.
..,«*^@@¶@ BETTER THAN EARLIER TAPE TYPES. @¶@@^*«,..
.,«*^@@¶@# #@¶@@^*«,.
..,«*^@@¶@ @¶@@^*«,..
.,«*^@@¶@# ******** ARTIFACTS ******** #@¶@@^*«,.
..,«*^@@¶@ @¶@@^*«,..
.,«*^@@¶@# GOOD TAPES ARE DECENT AND HAVE A GOOD #@¶@@^*«,.
..,«*^@@¶@ HIGH FREQUENCY PRESENCE, BAD TAPES ARE @¶@@^*«,..
.,«*^@@¶@# LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA #@¶@@^*«,.
..,«*^@@¶@ LIKE IT. @¶@@^*«,..
.,«*^@@¶@# #@¶@@^*«,.
..,«*^@@¶@ BIAS LOSS: IF YOU FORGET THE BIAS WHO @¶@@^*«,..
.,«*^@@¶@# KNOWS WHATS EVEN ON THERE ANYMORE #@¶@@^*«,.
..,«*^@@¶@ @¶@@^*«,..
.,«*^@@¶@# FLUTTER: KINDA QUICK PITCH VARIATIONS. #@¶@@^*«,.
..,«*^@@¶@ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. @¶@@^*«,..
.,«*^@@¶@# #@¶@@^*«,.
..,«*^@@¶@ WOW: A SLOWER FLUTTER, USUALLY SEVERAL @¶@@^*«,..
.,«*^@@¶@# SECONDS LONG. WHAT UP. BOTH OF THESE #@¶@@^*«,.
..,«*^@@¶@ INCREASE WHEN TAPE SPEED DECREASES. @¶@@^*«,..
.,«*^@@¶@# #@¶@@^*«,.
..,«*^@@¶@ PRINT THROUGH: TAPES RUB SOUND ON EACH @¶@@^*«,..
.,«*^@@¶@# OTHER IF THEYRE ALONE FOR TOO LONG #@¶@@^*«,.
..,«*^@@¶@ @¶@@^*«,..
.,«*^@@¶@# #@¶@@^*«,.
..,«*^@@¶@ @¶@@^*«,..
.,«*^@@¶@# #@¶@@^*«,.
..,«*^@@¶@ @¶@@^*«,..
.,«*^@@¶@# #@¶@@^*«,.