,.=\%%@### ###@%%\=.,
,.===\%@@@ @@@%\===.,
,.=\\%%%@# #@%%%\\=.,
,,,.===\%# #%\===.,,,
,.=\%%%%%# #%%%%%\=.,
,.=\%%@#@# @@@@ ##### #@#@%%\=.,
,.=\%@#@## TAPE DREAM ##@#@%\=.,
,,,,.\%%%@ #### @@@@@ @%%%\.,,,,
,.=\%%@#@# #@#@%%\=.,
,.=\%%%%## FOR STORING MUSIC ON. ALSO DATA BUT ##%%%%\=.,
,.=\%%@@@@ AT THIS POINT IN TIME THAT'S NOT @@@@%%\=.,
,.=\%%@#@# REALLY IMPORTANT I THINK. #@#@%%\=.,
,,,,.\\%@# #@%\\.,,,,
,.=\%%@#@# #@#@%%\=.,
,.=\%%@#@# \\\\\\\\ TYPES OF TAPE \\\\\\\\ #@#@%%\=.,
,.=\%%@#@# #@#@%%\=.,
,.=\%%@@## CLASS I - "BAD" IRON ##@@%%\=.,
,.=\\%%%@@ CLASS II - GOOD CHROMIUM @@%%%\\=.,
,.=\%%@@@@ CLASS III - BAD IRON PART TWO @@@@%%\=.,
,,,,,=%%@@ CLASS IV - DANGEROUS METALS @@%%=,,,,,
,.=\%%@#@@ @@#@%%\=.,
,.=\%%@##@ RUMORS EXIST ABOUT A SECRET CLASS V TAPE @##@%%\=.,
,.=\%%@#@@ THAT IS ACTUALLY USEFUL. @@#@%%\=.,
,,,,,=%%## ##%%=,,,,,
,.===\\%@# \\ BIAS \\ #@%\\===.,
,,,,.=%%@@ @@%%=.,,,,
,.=\%%@@## CLASS I USES ONE HUNDRED AND TWENTY ##@@%%\=.,
,.=\%%@#@# MICRO-SOMETHING WHILE THE OTHERS ALL #@#@%%\=.,
,,,.=\\%@# USE SEVENTY OF THE SAME UNIT. #@%\\=.,,,
,.=\%%#@## ##@#%%\=.,
,.=\%%@#@# #@#@%%\=.,
,,,,.\\%@@ %%%%%%%%% AHA AND %%%%%%%%% @@%\\.,,,,
,,.===\\%@ @%\\===.,,
,.=\%%@#@# CLASS IV IS APPARENTLY TOO STRONG TO #@#@%%\=.,
,.=\%%@#@# BE USED ON CLASS I PLAYERS. IT WILL #@#@%%\=.,
,.=\%%#@## SOUND TOO LOUND AND IT CANNOT BE ##@#%%\=.,
,,,,,.\\%# COMPLETELY ERASED. THIS IS VERY WELL. #%\\.,,,,,
,,,...\%@@ MAYBE SOME WONDERFUL BLENDING EFFECTS @@%\...,,,
,.=\%%%%%@ COULD BE ACHIEVED? @%%%%%\=.,
,.=\%@#@## ##@#@%\=.,
,,,,,,.=%@ THEY ALSO GNAW AT THE TAPE HEADS A BIT @%=.,,,,,,
,.=\%%@#@# BETTER THAN EARLIER TAPE TYPES. #@#@%%\=.,
,.=\%%%@## ##@%%%\=.,
,.=\%%@#@# #@#@%%\=.,
,.=\%%@#@# \\\\\\\\ ARTIFACTS \\\\\\\\ #@#@%%\=.,
,.=\%%@#@# #@#@%%\=.,
,.=\%%@#@# GOOD TAPES ARE DECENT AND HAVE A GOOD #@#@%%\=.,
,,..=%%%## HIGH FREQUENCY PRESENCE, BAD TAPES ARE ##%%%=..,,
,.=\%%@#@# LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA #@#@%%\=.,
,.=\%%@#@# LIKE IT. #@#@%%\=.,
,.=\%%@### ###@%%\=.,
,.=\%%@@#@ BIAS LOSS: IF YOU FORGET THE BIAS WHO @#@@%%\=.,
,.=\%%@##@ KNOWS WHATS EVEN ON THERE ANYMORE @##@%%\=.,
,.=\%%@#@# #@#@%%\=.,
,.=\%%@#@# FLUTTER: KINDA QUICK PITCH VARIATIONS. #@#@%%\=.,
,.=\%%@#@# BEAUTIFUL, WONDERFUL, EXTRAORDINARY. #@#@%%\=.,
,.=\%%@### ###@%%\=.,
,.=\%%@#@# WOW: A SLOWER FLUTTER, USUALLY SEVERAL #@#@%%\=.,
,.=\%%%@@# SECONDS LONG. WHAT UP. BOTH OF THESE #@@%%%\=.,
,.=\%%@### INCREASE WHEN TAPE SPEED DECREASES. ###@%%\=.,
,,,,=\%%@# #@%%\=,,,,
,,,.\\%%%# PRINT THROUGH: TAPES RUB SOUND ON EACH #%%%\\.,,,
,...\%%%%# OTHER IF THEYRE ALONE FOR TOO LONG #%%%%\...,
,,.====%@@ @@%====.,,
,.=\%%@#@# #@#@%%\=.,
,.=\%%@### ###@%%\=.,
,.=%%@#@## ##@#@%%=.,
,.=\%%@### ###@%%\=.,
,,,,====%@ @%====,,,,