,,«/^$§@## ##@§$^/«,,
,,«/^$§@## ##@§$^/«,,
,,,,,,«^§@ @§^«,,,,,,
,,«/^$§@## ##@§$^/«,,
,,,,«/^§§@ @§§^/«,,,,
,,«/^$§@## #### ##### ##@§$^/«,,
,,«/^$§@## TAPE DREAM ##@§$^/«,,
,,«/^$$$$@ #### ##### @$$$$^/«,,
,,,,/^^$§§ §§$^^/,,,,
,,,,/^^^§§ FOR STORING MUSIC ON. ALSO DATA BUT §§^^^/,,,,
,,,,//^§§@ AT THIS POINT IN TIME THAT'S NOT @§§^//,,,,
,,«/^$§### REALLY IMPORTANT I THINK. ###§$^/«,,
,,,,,«^^§@ @§^^«,,,,,
,,«/^$§@## ##@§$^/«,,
,,«/^$§@## //////// TYPES OF TAPE //////// ##@§$^/«,,
,,«/^$§@## ##@§$^/«,,
,,,,,,//$@ CLASS I - "BAD" IRON @$//,,,,,,
,,«/^$§@## CLASS II - GOOD CHROMIUM ##@§$^/«,,
,,«^$§@### CLASS III - BAD IRON PART TWO ###@§$^«,,
,,,,,,/$$§ CLASS IV - DANGEROUS METALS §$$/,,,,,,
,,«/^$§### ###§$^/«,,
,,«/^$§@## RUMORS EXIST ABOUT A SECRET CLASS V TAPE ##@§$^/«,,
,,,««/^^^§ THAT IS ACTUALLY USEFUL. §^^^/««,,,
,,,,,,,/^§ §^/,,,,,,,
,,,,,,«^§# // BIAS // #§^«,,,,,,
,,«/^$§@## ##@§$^/«,,
,,,,«^^§§§ CLASS I USES ONE HUNDRED AND TWENTY §§§^^«,,,,
,,,,,,/$§# MICRO-SOMETHING WHILE THE OTHERS ALL #§$/,,,,,,
,,«/^^^$$@ USE SEVENTY OF THE SAME UNIT. @$$^^^/«,,
,,«/^$§@## ##@§$^/«,,
,,,,///$§§ §§$///,,,,
,,,,,,,«^§ ^^^^^^^^^ AHA AND ^^^^^^^^^ §^«,,,,,,,
,,«««/^^^§ §^^^/«««,,
,,,,,«««^§ CLASS IV IS APPARENTLY TOO STRONG TO §^«««,,,,,
,,«/^$§@## BE USED ON CLASS I PLAYERS. IT WILL ##@§$^/«,,
,,,,,«/$§§ SOUND TOO LOUND AND IT CANNOT BE §§$/«,,,,,
,,«/^$§§@# COMPLETELY ERASED. THIS IS VERY WELL. #@§§$^/«,,
,,«/^$§@## MAYBE SOME WONDERFUL BLENDING EFFECTS ##@§$^/«,,
,,,,,«^§@@ COULD BE ACHIEVED? @@§^«,,,,,
,,«/^$$§@# #@§$$^/«,,
,,«/^$§@## THEY ALSO GNAW AT THE TAPE HEADS A BIT ##@§$^/«,,
,,«/^$§@## BETTER THAN EARLIER TAPE TYPES. ##@§$^/«,,
,,«/^$§@## ##@§$^/«,,
,,,,,/$$@# #@$$/,,,,,
,,,,,,/^§§ //////// ARTIFACTS //////// §§^/,,,,,,
,,,,,«^$§@ @§$^«,,,,,
,,,,««^§@@ GOOD TAPES ARE DECENT AND HAVE A GOOD @@§^««,,,,
,,,««^^^§§ HIGH FREQUENCY PRESENCE, BAD TAPES ARE §§^^^««,,,
,,«/^$§§§§ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA §§§§$^/«,,
,,,,,«^^$@ LIKE IT. @$^^«,,,,,
,,«/^$§@## ##@§$^/«,,
,,,,,//$§@ BIAS LOSS: IF YOU FORGET THE BIAS WHO @§$//,,,,,
,,«/^$§@## KNOWS WHATS EVEN ON THERE ANYMORE ##@§$^/«,,
,,,,,««/^§ §^/««,,,,,
,,,,/^$$§# FLUTTER: KINDA QUICK PITCH VARIATIONS. #§$$^/,,,,
,,«/^$§@## BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ##@§$^/«,,
,,«/^$§@## ##@§$^/«,,
,,«/^$§@## WOW: A SLOWER FLUTTER, USUALLY SEVERAL ##@§$^/«,,
,,«/^$§§§§ SECONDS LONG. WHAT UP. BOTH OF THESE §§§§$^/«,,
,,«/^$§@## INCREASE WHEN TAPE SPEED DECREASES. ##@§$^/«,,
,,«/^$§@## ##@§$^/«,,
,,«/^$§@## PRINT THROUGH: TAPES RUB SOUND ON EACH ##@§$^/«,,
,,«/^$§@## OTHER IF THEYRE ALONE FOR TOO LONG ##@§$^/«,,
,,,,,,/$$@ @$$/,,,,,,
,,«/^$§@## ##@§$^/«,,
,,«/^$§@@# #@@§$^/«,,
,,,,,,/$§# #§$/,,,,,,
,,«/^$§@## ##@§$^/«,,
,,«/^$§### ###§$^/«,,