.,-:$@§¶##                                          ##¶§@$:-,.
..,-:$@§¶#                                          #¶§@$:-,..
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......,-:$                #### #####                $:-,......
.....,-:$@                TAPE DREAM                @$:-,.....
....,-:$@§                #### #####                §@$:-,....
...,-:$@§¶                                          ¶§@$:-,...
..,-:$@§¶# FOR STORING  MUSIC  ON.  ALSO  DATA  BUT #¶§@$:-,..
.,-:$@§¶## AT   THIS   POINT  IN  TIME  THAT'S  NOT ##¶§@$:-,.
..,-:$@§¶#         REALLY IMPORTANT I THINK.        #¶§@$:-,..
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....,-:$@§                                          §@$:-,....
.....,-:$@     :::::::: TYPES OF TAPE ::::::::      @$:-,.....
......,-:$                                          $:-,......
.....,-:$@           CLASS I - "BAD" IRON           @$:-,.....
....,-:$@§         CLASS II - GOOD CHROMIUM         §@$:-,....
...,-:$@§¶       CLASS III - BAD IRON PART TWO      ¶§@$:-,...
..,-:$@§¶#        CLASS IV - DANGEROUS METALS       #¶§@$:-,..
.,-:$@§¶##                                          ##¶§@$:-,.
..,-:$@§¶# RUMORS EXIST ABOUT A SECRET CLASS V TAPE #¶§@$:-,..
...,-:$@§¶         THAT IS ACTUALLY USEFUL.         ¶§@$:-,...
....,-:$@§                                          §@$:-,....
.....,-:$@                :: BIAS ::                @$:-,.....
......,-:$                                          $:-,......
.....,-:$@ CLASS  I  USES ONE  HUNDRED  AND  TWENTY @$:-,.....
....,-:$@§   MICRO-SOMETHING WHILE THE OTHERS ALL   §@$:-,....
...,-:$@§¶ USE   SEVENTY   OF    THE   SAME   UNIT. ¶§@$:-,...
..,-:$@§¶#                                          #¶§@$:-,..
.,-:$@§¶##                                          ##¶§@$:-,.
..,-:$@§¶#        $$$$$$$$$ AHA AND $$$$$$$$$       #¶§@$:-,..
...,-:$@§¶                                          ¶§@$:-,...
....,-:$@§ CLASS  IV  IS  APPARENTLY  TOO STRONG TO §@$:-,....
.....,-:$@ BE  USED ON  CLASS I  PLAYERS.  IT  WILL @$:-,.....
......,-:$ SOUND  TOO  LOUND   AND  IT  CANNOT   BE $:-,......
.....,-:$@ COMPLETELY  ERASED.  THIS IS VERY  WELL. @$:-,.....
....,-:$@§   MAYBE SOME WONDERFUL BLENDING EFFECTS  §@$:-,....
...,-:$@§¶            COULD BE ACHIEVED?            ¶§@$:-,...
..,-:$@§¶#                                          #¶§@$:-,..
.,-:$@§¶## THEY ALSO GNAW AT THE TAPE  HEADS A  BIT ##¶§@$:-,.
..,-:$@§¶#      BETTER THAN EARLIER TAPE TYPES.     #¶§@$:-,..
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....,-:$@§                                          §@$:-,....
.....,-:$@       :::::::: ARTIFACTS ::::::::        @$:-,.....
......,-:$                                          $:-,......
.....,-:$@ GOOD  TAPES  ARE DECENT AND  HAVE A GOOD @$:-,.....
....,-:$@§ HIGH  FREQUENCY PRESENCE, BAD TAPES  ARE §@$:-,....
...,-:$@§¶ LOFI IF  NOT OUTRIGHT BAD. IDK,  I KINDA ¶§@$:-,...
..,-:$@§¶#                 LIKE IT.                 #¶§@$:-,..
.,-:$@§¶##                                          ##¶§@$:-,.
..,-:$@§¶# BIAS LOSS: IF  YOU  FORGET THE  BIAS WHO #¶§@$:-,..
...,-:$@§¶ KNOWS  WHATS  EVEN   ON  THERE   ANYMORE ¶§@$:-,...
....,-:$@§                                          §@$:-,....
.....,-:$@  FLUTTER: KINDA QUICK PITCH VARIATIONS.  @$:-,.....
......,-:$   BEAUTIFUL, WONDERFUL, EXTRAORDINARY.   $:-,......
.....,-:$@                                          @$:-,.....
....,-:$@§ WOW: A  SLOWER FLUTTER,  USUALLY SEVERAL §@$:-,....
...,-:$@§¶ SECONDS  LONG.  WHAT  UP.  BOTH OF THESE ¶§@$:-,...
..,-:$@§¶#    INCREASE WHEN TAPE SPEED DECREASES.   #¶§@$:-,..
.,-:$@§¶##                                          ##¶§@$:-,.
..,-:$@§¶# PRINT THROUGH: TAPES  RUB SOUND ON  EACH #¶§@$:-,..
...,-:$@§¶ OTHER  IF  THEYRE  ALONE  FOR  TOO  LONG ¶§@$:-,...
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