##.#..#.#. .#..#.#.#.
.#.#.##.#. .#.##.#.#.
##.#..#.#. .#..#.#.#.
.#.#.##.#. .#.##.#.#.
##.#..#.#. .#..#.#.#.
.#.#.##.#. #### ##### .#.##.#.#.
##.#..#.#. tape dream .#..#.#.#.
.#.#.##.#. #### ##### .#.##.#.#.
##.#..#.#. .#..#.#.#.
.#.#.##.#. for storing music on. also data but .#.##.#.#.
##.#..#.#. at this point in time that's not .#..#.#.#.
.#.#.##.#. really important i think. .#.##.#.#.
##.#..#.#. .#..#.#.#.
.#.#.##.#. .#.##.#.#.
##.#..#.#. ;;;;;;;; types of tape ;;;;;;;; .#..#.#.#.
.#.#.##.#. .#.##.#.#.
##.#..#.#. class i - "bad" iron .#..#.#.#.
.#.#.##.#. class ii - good chromium .#.##.#.#.
##.#..#.#. class iii - bad iron part two .#..#.#.#.
.#.#.##.#. class iv - dangerous metals .#.##.#.#.
##.#..#.#. .#..#.#.#.
.#.#.##.#. rumors exist about a secret class v tape .#.##.#.#.
##.#..#.#. that is actually useful. .#..#.#.#.
.#.#.##.#. .#.##.#.#.
##.#..#.#. ;; bias ;; .#..#.#.#.
.#.#.##.#. .#.##.#.#.
##.#..#.#. class i uses one hundred and twenty .#..#.#.#.
.#.#.##.#. micro-something while the others all .#.##.#.#.
##.#..#.#. use seventy of the same unit. .#..#.#.#.
.#.#.##.#. .#.##.#.#.
##.#..#.#. .#..#.#.#.
.#.#.##.#. §§§§§§§§§ aha and §§§§§§§§§ .#.##.#.#.
##.#..#.#. .#..#.#.#.
.#.#.##.#. class iv is apparently too strong to .#.##.#.#.
##.#..#.#. be used on class i players. it will .#..#.#.#.
.#.#.##.#. sound too lound and it cannot be .#.##.#.#.
##.#..#.#. completely erased. this is very well. .#..#.#.#.
.#.#.##.#. maybe some wonderful blending effects .#.##.#.#.
##.#..#.#. could be achieved? .#..#.#.#.
.#.#.##.#. .#.##.#.#.
##.#..#.#. they also gnaw at the tape heads a bit .#..#.#.#.
.#.#.##.#. better than earlier tape types. .#.##.#.#.
##.#..#.#. .#..#.#.#.
.#.#.##.#. .#.##.#.#.
##.#..#.#. ;;;;;;;; artifacts ;;;;;;;; .#..#.#.#.
.#.#.##.#. .#.##.#.#.
##.#..#.#. good tapes are decent and have a good .#..#.#.#.
.#.#.##.#. high frequency presence, bad tapes are .#.##.#.#.
##.#..#.#. lofi if not outright bad. idk, i kinda .#..#.#.#.
.#.#.##.#. like it. .#.##.#.#.
##.#..#.#. .#..#.#.#.
.#.#.##.#. bias loss: if you forget the bias who .#.##.#.#.
##.#..#.#. knows whats even on there anymore .#..#.#.#.
.#.#.##.#. .#.##.#.#.
##.#..#.#. flutter: kinda quick pitch variations. .#..#.#.#.
.#.#.##.#. beautiful, wonderful, extraordinary. .#.##.#.#.
##.#..#.#. .#..#.#.#.
.#.#.##.#. wow: a slower flutter, usually several .#.##.#.#.
##.#..#.#. seconds long. what up. both of these .#..#.#.#.
.#.#.##.#. increase when tape speed decreases. .#.##.#.#.
##.#..#.#. .#..#.#.#.
.#.#.##.#. print through: tapes rub sound on each .#.##.#.#.
##.#..#.#. other if theyre alone for too long .#..#.#.#.
.#.#.##.#. .#.##.#.#.
##.#..#.#. .#..#.#.#.
.#.#.##.#. .#.##.#.#.
##.#..#.#. .#..#.#.#.
.#.#.##.#. .#.##.#.#.
##.#..#.#. .#..#.#.#.