.&.&..&.&& .&&..&..&.
&&.&.&&..& &.&.&&.&&.
.&.&..&.&& &.&..&..&.
&&.&.&&..& &.&.&&.&&.
.&.&..&.&& &.&..&..&.
&&.&.&&..& @@@@ ##### &.&.&&.&&.
.&.&..&.&& TAPE DREAM &.&..&..&.
&&.&.&&..& #### @@@@@ &.&.&&.&&.
.&.&..&.&& &.&..&..&.
&&.&.&&..& FOR STORING MUSIC ON. ALSO DATA BUT &.&.&&.&&.
.&.&..&.&& AT THIS POINT IN TIME THAT'S NOT &.&..&..&.
&&.&.&&..& REALLY IMPORTANT I THINK. &.&.&&.&&.
.&.&..&.&& &.&..&..&.
&&.&.&&..& &.&.&&.&&.
.&.&..&.&& †††††††† TYPES OF TAPE †††††††† &.&..&..&.
&&.&.&&..& &.&.&&.&&.
.&.&..&.&& CLASS I - "BAD" IRON &.&..&..&.
&&.&.&&..& CLASS II - GOOD CHROMIUM &.&.&&.&&.
.&.&..&.&& CLASS III - BAD IRON PART TWO &.&..&..&.
&&.&.&&..& CLASS IV - DANGEROUS METALS &.&.&&.&&.
.&.&..&.&& &.&..&..&.
&&.&.&&..& RUMORS EXIST ABOUT A SECRET CLASS V TAPE &.&.&&.&&.
.&.&..&.&& THAT IS ACTUALLY USEFUL. &.&..&..&.
&&.&.&&..& &.&.&&.&&.
.&.&..&.&& †† BIAS †† &.&..&..&.
&&.&.&&..& &.&.&&.&&.
.&.&..&.&& CLASS I USES ONE HUNDRED AND TWENTY &.&..&..&.
&&.&.&&..& MICRO-SOMETHING WHILE THE OTHERS ALL &.&.&&.&&.
.&.&..&.&& USE SEVENTY OF THE SAME UNIT. &.&..&..&.
&&.&.&&..& &.&.&&.&&.
.&.&..&.&& &.&..&..&.
&&.&.&&..& ††††††††† AHA AND ††††††††† &.&.&&.&&.
.&.&..&.&& &.&..&..&.
&&.&.&&..& CLASS IV IS APPARENTLY TOO STRONG TO &.&.&&.&&.
.&.&..&.&& BE USED ON CLASS I PLAYERS. IT WILL &.&..&..&.
&&.&.&&..& SOUND TOO LOUND AND IT CANNOT BE &.&.&&.&&.
.&.&..&.&& COMPLETELY ERASED. THIS IS VERY WELL. &.&..&..&.
&&.&.&&..& MAYBE SOME WONDERFUL BLENDING EFFECTS &.&.&&.&&.
.&.&..&.&& COULD BE ACHIEVED? &.&..&..&.
&&.&.&&..& &.&.&&.&&.
.&.&..&.&& THEY ALSO GNAW AT THE TAPE HEADS A BIT &.&..&..&.
&&.&.&&..& BETTER THAN EARLIER TAPE TYPES. &.&.&&.&&.
.&.&..&.&& &.&..&..&.
&&.&.&&..& &.&.&&.&&.
.&.&..&.&& †††††††† ARTIFACTS †††††††† &.&..&..&.
&&.&.&&..& &.&.&&.&&.
.&.&..&.&& GOOD TAPES ARE DECENT AND HAVE A GOOD &.&..&..&.
&&.&.&&..& HIGH FREQUENCY PRESENCE, BAD TAPES ARE &.&.&&.&&.
.&.&..&.&& LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA &.&..&..&.
&&.&.&&..& LIKE IT. &.&.&&.&&.
.&.&..&.&& &.&..&..&.
&&.&.&&..& BIAS LOSS: IF YOU FORGET THE BIAS WHO &.&.&&.&&.
.&.&..&.&& KNOWS WHATS EVEN ON THERE ANYMORE &.&..&..&.
&&.&.&&..& &.&.&&.&&.
.&.&..&.&& FLUTTER: KINDA QUICK PITCH VARIATIONS. &.&..&..&.
&&.&.&&..& BEAUTIFUL, WONDERFUL, EXTRAORDINARY. &.&.&&.&&.
.&.&..&.&& &.&..&..&.
&&.&.&&..& WOW: A SLOWER FLUTTER, USUALLY SEVERAL &.&.&&.&&.
.&.&..&.&& SECONDS LONG. WHAT UP. BOTH OF THESE &.&..&..&.
&&.&.&&..& INCREASE WHEN TAPE SPEED DECREASES. &.&.&&.&&.
.&.&..&.&& &.&..&..&.
&&.&.&&..& PRINT THROUGH: TAPES RUB SOUND ON EACH &.&.&&.&&.
.&.&..&.&& OTHER IF THEYRE ALONE FOR TOO LONG &.&..&..&.
&&.&.&&..& &.&.&&.&&.
.&.&..&.&& &.&..&..&.
&&.&.&&..& &.&.&&.&&.
.&.&..&.&& &.&..&..&.
&&.&.&&..& &.&.&&.&&.
.&.&..&.&& &.&..&..&.