##@£$^/«., ,.«/^$£@##
£$/.,,,,,, ,,,,,,./$£
##@£$^/«., ,.«/^$£@##
##@£$^/«., ,.«/^$£@##
@£^«.,,,,, ,,,,,.«^£@
#££^/«,,,, #### ##### ,,,,«/^££#
#£$$$^/«., tape dream ,.«/^$$$£#
##@£$^/«., #### ##### ,.«/^$£@##
#@@£$^/«., ,.«/^$£@@#
##@£$^/«., for storing music on. also data but ,.«/^$£@##
£££$$^/«., at this point in time that's not ,.«/^$$£££
#£^«,,,,,, really important i think. ,,,,,,«^£#
#@£$$^/«., ,.«/^$$£@#
##@£$^/«., ,.«/^$£@##
££^^^^/«., //////// types of tape //////// ,.«/^^^^££
££$$^^/«., ,.«/^^$$££
@@@£$^/«., class i - "bad" iron ,.«/^$£@@@
###@£$/«., class ii - good chromium ,.«/$£@###
###@£^/«., class iii - bad iron part two ,.«/^£@###
##@£$^/«., class iv - dangerous metals ,.«/^$£@##
##@£$^/«., ,.«/^$£@##
@@$/..,,,, rumors exist about a secret class v tape ,,,,../$@@
£$$/«,,,,, that is actually useful. ,,,,,«/$$£
£^/..,,,,, ,,,,,../^£
@@£$^^/«., // bias // ,.«/^^$£@@
@$$$^^/«., ,.«/^^$$$@
###@£$^/«. class i uses one hundred and twenty .«/^$£@###
£^«««.,,,, micro-something while the others all ,,,,.«««^£
@$////«,,, use seventy of the same unit. ,,,«////$@
££$$/««.,, ,,.««/$$££
##@£$^/«., ,.«/^$£@##
##@£$^/«., ^^^^^^^^^ aha and ^^^^^^^^^ ,.«/^$£@##
@£$/«...., ,....«/$£@
££$$$^/«., class iv is apparently too strong to ,.«/^$$$££
£$$//««.., be used on class i players. it will ,..««//$$£
##@£$^/«., sound too lound and it cannot be ,.«/^$£@##
##@£$^/«., completely erased. this is very well. ,.«/^$£@##
##@£$^/«., maybe some wonderful blending effects ,.«/^$£@##
@@££$^/«., could be achieved? ,.«/^$££@@
##@£$^/«., ,.«/^$£@##
##@£$^/«., they also gnaw at the tape heads a bit ,.«/^$£@##
££^^«,,,,, better than earlier tape types. ,,,,,«^^££
##@£$^/«., ,.«/^$£@##
##@£$^/«., ,.«/^$£@##
#££$$^/«., //////// artifacts //////// ,.«/^$$££#
#@@£$^/«., ,.«/^$£@@#
##@£$^/«., good tapes are decent and have a good ,.«/^$£@##
#££^/«,,,, high frequency presence, bad tapes are ,,,,«/^££#
££$/.,,,,, lofi if not outright bad. idk, i kinda ,,,,,./$££
#£$^^««.,, like it. ,,.««^^$£#
@£^////«., ,.«////^£@
##@£$^/«., bias loss: if you forget the bias who ,.«/^$£@##
#@@£$^/«., knows whats even on there anymore ,.«/^$£@@#
###£$^/«., ,.«/^$£###
#@££$^/«., flutter: kinda quick pitch variations. ,.«/^$££@#
#@@£$^/«., beautiful, wonderful, extraordinary. ,.«/^$£@@#
###@£$/«., ,.«/$£@###
#@$^^«««., wow: a slower flutter, usually several ,.«««^^$@#
£^^/.,,,,, seconds long. what up. both of these ,,,,,./^^£
###@£^/«., increase when tape speed decreases. ,.«/^£@###
@$^/..,,,, ,,,,../^$@
£$$$$^/«., print through: tapes rub sound on each ,.«/^$$$$£
#@@£$^/«., other if theyre alone for too long ,.«/^$£@@#
£$///««,,, ,,,««///$£
£$$/«,,,,, ,,,,,«/$$£
@£££$^/«., ,.«/^$£££@
##@£$^/«., ,.«/^$£@##
###@£$^/«, ,«/^$£@###
#@$/«,,,,, ,,,,,«/$@#