@@@&&*=-^, ,^-=*&&@@@
##@&&*=-^, ,^-=*&&@##
##@&&*=-^, ,^-=*&&@##
&*=^,,,,,, ,,,,,,^=*&
##@&&*=-^, ,^-=*&&@##
###@&&*=-, #### ##### ,-=*&&@###
###&&*=-^, Tape Dream ,^-=*&&###
@@&&*=^^^, #### ##### ,^^^=*&&@@
&&*----^^, ,^^----*&&
@&=^^,,,,, For Storing Music On. Also Data But ,,,,,^^=&@
@@@&&*=-^, At This Point In Time That'S Not ,^-=*&&@@@
##@&&*=-^, Really Important I Think. ,^-=*&&@##
###@&&*=-^ ^-=*&&@###
##@&&*=-^, ,^-=*&&@##
###@&*=-^, ======== Types Of Tape ======== ,^-=*&@###
@@&&&*=-^, ,^-=*&&&@@
&&*-^,,,,, Class I - "Bad" Iron ,,,,,^-*&&
##@&&*=-^, Class Ii - Good Chromium ,^-=*&&@##
##@&&*=-^, Class Iii - Bad Iron Part Two ,^-=*&&@##
#@@&&*=-^, Class Iv - Dangerous Metals ,^-=*&&@@#
##@&&*=-^, ,^-=*&&@##
&*=^,,,,,, Rumors Exist About A Secret Class V Tape ,,,,,,^=*&
##@&&*=-^, That Is Actually Useful. ,^-=*&&@##
##@&&*=-^, ,^-=*&&@##
#&*-^,,,,, == Bias == ,,,,,^-*&#
##@&&*=-^, ,^-=*&&@##
@&&***=-^, Class I Uses One Hundred And Twenty ,^-=***&&@
@&*-----^, Micro-Something While The Others All ,^-----*&@
##@&&*=-^, Use Seventy Of The Same Unit. ,^-=*&&@##
###@&*=-^, ,^-=*&@###
#&*-^,,,,, ,,,,,^-*&#
@&*=^^,,,, ********* Aha And ********* ,,,,^^=*&@
##@&&*=-^, ,^-=*&&@##
##@&&*=-^, Class Iv Is Apparently Too Strong To ,^-=*&&@##
@&*==^,,,, Be Used On Class I Players. It Will ,,,,^==*&@
&*-^,,,,,, Sound Too Lound And It Cannot Be ,,,,,,^-*&
#&&=--^,,, Completely Erased. This Is Very Well. ,,,^--=&&#
##@&&*=-^, Maybe Some Wonderful Blending Effects ,^-=*&&@##
&*=-^^,,,, Could Be Achieved? ,,,,^^-=*&
&***-^^^,, ,,^^^-***&
##@&&*=-^, They Also Gnaw At The Tape Heads A Bit ,^-=*&&@##
##@&&*=-^, Better Than Earlier Tape Types. ,^-=*&&@##
##@&&*=-^, ,^-=*&&@##
&&&====-^, ,^-====&&&
##@&&*=-^, ======== Artifacts ======== ,^-=*&&@##
&&&&=-,,,, ,,,,-=&&&&
##@&&*=-^, Good Tapes Are Decent And Have A Good ,^-=*&&@##
&&=^,,,,,, High Frequency Presence, Bad Tapes Are ,,,,,,^=&&
&**====-^, Lofi If Not Outright Bad. Idk, I Kinda ,^-====**&
&&&*-^,,,, Like It. ,,,,^-*&&&
###&&*=-^, ,^-=*&&###
##@&&*=-^, Bias Loss: If You Forget The Bias Who ,^-=*&&@##
@@&**==-^, Knows Whats Even On There Anymore ,^-==**&@@
@&&&=^,,,, ,,,,^=&&&@
##@&&*=-^, Flutter: Kinda Quick Pitch Variations. ,^-=*&&@##
###@&*=-^, Beautiful, Wonderful, Extraordinary. ,^-=*&@###
###&&*=-^, ,^-=*&&###
##@&&*=-^, Wow: A Slower Flutter, Usually Several ,^-=*&&@##
##@&&*=-^, Seconds Long. What Up. Both Of These ,^-=*&&@##
@@@&&*=-^, Increase When Tape Speed Decreases. ,^-=*&&@@@
#@@&&*=-^, ,^-=*&&@@#
&&*---^,,, Print through: Tapes Rub Sound On Each ,,,^---*&&
##@&&*=-^, Other If Theyre Alone For Too Long ,^-=*&&@##
##@&&*=-^, ,^-=*&&@##
##@&&*=-^, ,^-=*&&@##
##@&&*=-^, ,^-=*&&@##
&&=^^,,,,, ,,,,,^^=&&
&&*===^^^, ,^^^===*&&
##@&&*=-^, ,^-=*&&@##