,^~:$$$££# #££$$$:~^,
,,,^~$$$$@ @$$$$~^,,,
,^~:$£@#@# #@#@£$:~^,
,^~:$£@### ###@£$:~^,
,,,^~~:$@@ @@$:~~^,,,
,,,,^~$@@# @@@@ ##### #@@$~^,,,,
,^~:$£@### TAPE DREAM ###@£$:~^,
,^~:$£@#@# #### @@@@@ #@#@£$:~^,
,,,,^^:£@@ @@£:^^,,,,
,,,^::££@# FOR STORING MUSIC ON. ALSO DATA BUT #@££::^,,,
,^~:$£@##@ AT THIS POINT IN TIME THAT'S NOT @##@£$:~^,
,,,,^^~$$@ REALLY IMPORTANT I THINK. @$$~^^,,,,
,^~:$£#@## ##@#£$:~^,
,,,,,^^:$@ @$:^^,,,,,
,,,,~:$$£@ :::::::: TYPES OF TAPE :::::::: @£$$:~,,,,
,^~:$£@@#@ @#@@£$:~^,
,,^^^^:£## CLASS I - "BAD" IRON ##£:^^^^,,
,^~:$£@#@# CLASS II - GOOD CHROMIUM #@#@£$:~^,
,^~:$£@#@# CLASS III - BAD IRON PART TWO #@#@£$:~^,
,^~$£@#@## CLASS IV - DANGEROUS METALS ##@#@£$~^,
,,,~:$$@#@ @#@$$:~,,,
,^~:$@#@## RUMORS EXIST ABOUT A SECRET CLASS V TAPE ##@#@$:~^,
,,,,~~$$£@ THAT IS ACTUALLY USEFUL. @£$$~~,,,,
,^~:$£@##@ @##@£$:~^,
,^~:$£@#@# :: BIAS :: #@#@£$:~^,
,^~:$£@#@# #@#@£$:~^,
,,,,~~$£@@ CLASS I USES ONE HUNDRED AND TWENTY @@£$~~,,,,
,^~:$£@#@# MICRO-SOMETHING WHILE THE OTHERS ALL #@#@£$:~^,
,,,,~$££#@ USE SEVENTY OF THE SAME UNIT. @#££$~,,,,
,,,,^^:$@@ @@$:^^,,,,
,^~:$$$$£# #£$$$$:~^,
,,,~:::£@# $$$$$$$$$ AHA AND $$$$$$$$$ #@£:::~,,,
,^~:$£@#@@ @@#@£$:~^,
,^~:$£@#@# CLASS IV IS APPARENTLY TOO STRONG TO #@#@£$:~^,
,,,,,^~:$@ BE USED ON CLASS I PLAYERS. IT WILL @$:~^,,,,,
,^~:$££@@@ SOUND TOO LOUND AND IT CANNOT BE @@@££$:~^,
,^~:$£@@#@ COMPLETELY ERASED. THIS IS VERY WELL. @#@@£$:~^,
,^:$£@#@## MAYBE SOME WONDERFUL BLENDING EFFECTS ##@#@£$:^,
,^~:$£@#@# COULD BE ACHIEVED? #@#@£$:~^,
,,,,,~$@## ##@$~,,,,,
,,,~~~$£@@ THEY ALSO GNAW AT THE TAPE HEADS A BIT @@£$~~~,,,
,^~:$£@#@@ BETTER THAN EARLIER TAPE TYPES. @@#@£$:~^,
,^~:$£@#@# #@#@£$:~^,
,,,,,,^:£# #£:^,,,,,,
,,,,~~$@## :::::::: ARTIFACTS :::::::: ##@$~~,,,,
,^~:$£@@## ##@@£$:~^,
,,,,,,,~$@ GOOD TAPES ARE DECENT AND HAVE A GOOD @$~,,,,,,,
,^~:$£@#@# HIGH FREQUENCY PRESENCE, BAD TAPES ARE #@#@£$:~^,
,^~:$£@@## LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ##@@£$:~^,
,^~:$£@#@# LIKE IT. #@#@£$:~^,
,^~:$£@#@# #@#@£$:~^,
,^~:$£@#@# BIAS LOSS: IF YOU FORGET THE BIAS WHO #@#@£$:~^,
,^~:$£#@## KNOWS WHATS EVEN ON THERE ANYMORE ##@#£$:~^,
,,,,~~:££# #££:~~,,,,
,^~:$£@@## FLUTTER: KINDA QUICK PITCH VARIATIONS. ##@@£$:~^,
,^~:$£@#@# BEAUTIFUL, WONDERFUL, EXTRAORDINARY. #@#@£$:~^,
,^~:$£@#@@ @@#@£$:~^,
,^~:$£@#@# WOW: A SLOWER FLUTTER, USUALLY SEVERAL #@#@£$:~^,
,,,^:$£@@@ SECONDS LONG. WHAT UP. BOTH OF THESE @@@£$:^,,,
,^~:$£@#@# INCREASE WHEN TAPE SPEED DECREASES. #@#@£$:~^,
,,^~~:$££# #££$:~~^,,
,,,~~~:£@# PRINT THROUGH: TAPES RUB SOUND ON EACH #@£:~~~,,,
,^~::$£@#@ OTHER IF THEYRE ALONE FOR TOO LONG @#@£$::~^,
,,,,^^~$@@ @@$~^^,,,,
,^~:$£@#@# #@#@£$:~^,
,^~$£@#@## ##@#@£$~^,
,^~:::££#@ @#££:::~^,
,,,,,~:$£# #£$:~,,,,,
,^~:$£@#@# #@#@£$:~^,