..,»:%£@## ##@£%:»,..
.,»:%£@### ###@£%:»,.
..,»:%£@## ##@£%:»,..
...,»:%£@# #@£%:»,...
..,»:%£@## ##@£%:»,..
.,»:%£@### #### ##### ###@£%:»,.
..,»:%£@## TAPE DREAM ##@£%:»,..
...,»:%£@# #### ##### #@£%:»,...
..,»:%£@## ##@£%:»,..
.,»:%£@### FOR STORING MUSIC ON. ALSO DATA BUT ###@£%:»,.
..,»:%£@## AT THIS POINT IN TIME THAT'S NOT ##@£%:»,..
...,»:%£@# REALLY IMPORTANT I THINK. #@£%:»,...
..,»:%£@## ##@£%:»,..
.,»:%£@### ###@£%:»,.
..,»:%£@## :::::::: TYPES OF TAPE :::::::: ##@£%:»,..
...,»:%£@# #@£%:»,...
..,»:%£@## CLASS I - "BAD" IRON ##@£%:»,..
.,»:%£@### CLASS II - GOOD CHROMIUM ###@£%:»,.
..,»:%£@## CLASS III - BAD IRON PART TWO ##@£%:»,..
...,»:%£@# CLASS IV - DANGEROUS METALS #@£%:»,...
..,»:%£@## ##@£%:»,..
.,»:%£@### RUMORS EXIST ABOUT A SECRET CLASS V TAPE ###@£%:»,.
..,»:%£@## THAT IS ACTUALLY USEFUL. ##@£%:»,..
...,»:%£@# #@£%:»,...
..,»:%£@## :: BIAS :: ##@£%:»,..
.,»:%£@### ###@£%:»,.
..,»:%£@## CLASS I USES ONE HUNDRED AND TWENTY ##@£%:»,..
...,»:%£@# MICRO-SOMETHING WHILE THE OTHERS ALL #@£%:»,...
..,»:%£@## USE SEVENTY OF THE SAME UNIT. ##@£%:»,..
.,»:%£@### ###@£%:»,.
..,»:%£@## ##@£%:»,..
...,»:%£@# %%%%%%%%% AHA AND %%%%%%%%% #@£%:»,...
..,»:%£@## ##@£%:»,..
.,»:%£@### CLASS IV IS APPARENTLY TOO STRONG TO ###@£%:»,.
..,»:%£@## BE USED ON CLASS I PLAYERS. IT WILL ##@£%:»,..
...,»:%£@# SOUND TOO LOUND AND IT CANNOT BE #@£%:»,...
..,»:%£@## COMPLETELY ERASED. THIS IS VERY WELL. ##@£%:»,..
.,»:%£@### MAYBE SOME WONDERFUL BLENDING EFFECTS ###@£%:»,.
..,»:%£@## COULD BE ACHIEVED? ##@£%:»,..
...,»:%£@# #@£%:»,...
..,»:%£@## THEY ALSO GNAW AT THE TAPE HEADS A BIT ##@£%:»,..
.,»:%£@### BETTER THAN EARLIER TAPE TYPES. ###@£%:»,.
..,»:%£@## ##@£%:»,..
...,»:%£@# #@£%:»,...
..,»:%£@## :::::::: ARTIFACTS :::::::: ##@£%:»,..
.,»:%£@### ###@£%:»,.
..,»:%£@## GOOD TAPES ARE DECENT AND HAVE A GOOD ##@£%:»,..
...,»:%£@# HIGH FREQUENCY PRESENCE, BAD TAPES ARE #@£%:»,...
..,»:%£@## LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ##@£%:»,..
.,»:%£@### LIKE IT. ###@£%:»,.
..,»:%£@## ##@£%:»,..
...,»:%£@# BIAS LOSS: IF YOU FORGET THE BIAS WHO #@£%:»,...
..,»:%£@## KNOWS WHATS EVEN ON THERE ANYMORE ##@£%:»,..
.,»:%£@### ###@£%:»,.
..,»:%£@## FLUTTER: KINDA QUICK PITCH VARIATIONS. ##@£%:»,..
...,»:%£@# BEAUTIFUL, WONDERFUL, EXTRAORDINARY. #@£%:»,...
..,»:%£@## ##@£%:»,..
.,»:%£@### WOW: A SLOWER FLUTTER, USUALLY SEVERAL ###@£%:»,.
..,»:%£@## SECONDS LONG. WHAT UP. BOTH OF THESE ##@£%:»,..
...,»:%£@# INCREASE WHEN TAPE SPEED DECREASES. #@£%:»,...
..,»:%£@## ##@£%:»,..
.,»:%£@### PRINT THROUGH: TAPES RUB SOUND ON EACH ###@£%:»,.
..,»:%£@## OTHER IF THEYRE ALONE FOR TOO LONG ##@£%:»,..
...,»:%£@# #@£%:»,...
..,»:%£@## ##@£%:»,..
.,»:%£@### ###@£%:»,.
..,»:%£@## ##@£%:»,..
...,»:%£@# #@£%:»,...
..,»:%£@## ##@£%:»,..