#@@@¤$*~^. .^~*$¤@@@#
@$***^^... ...^^***$@
@¤$*~..... .....~*$¤@
#@@@¤$*~^. .^~*$¤@@@#
##@@@$*~^. .^~*$@@@##
@¤¤$*~~^.. @@@@ ##### ..^~~*$¤¤@
@¤¤*~~.... TAPE DREAM ....~~*¤¤@
##@@¤$*~^. #### @@@@@ .^~*$¤@@##
##@@¤$*~^. .^~*$¤@@##
@@¤$*~^... FOR STORING MUSIC ON. ALSO DATA BUT ...^~*$¤@@
#@@@¤$*~^. AT THIS POINT IN TIME THAT'S NOT .^~*$¤@@@#
@@@@¤$*~^. REALLY IMPORTANT I THINK. .^~*$¤@@@@
#@@@¤$*~^. .^~*$¤@@@#
##@@¤$*~^. .^~*$¤@@##
#@@@¤$*~^. ******** TYPES OF TAPE ******** .^~*$¤@@@#
@¤*~^^.... ....^^~*¤@
@@@@¤$*~^. CLASS I - "BAD" IRON .^~*$¤@@@@
@¤*^...... CLASS II - GOOD CHROMIUM ......^*¤@
@@@@¤$*~^. CLASS III - BAD IRON PART TWO .^~*$¤@@@@
@@@@¤$*~^. CLASS IV - DANGEROUS METALS .^~*$¤@@@@
@@@¤¤$*~^. .^~*$¤¤@@@
@@@@¤$*~^. RUMORS EXIST ABOUT A SECRET CLASS V TAPE .^~*$¤@@@@
##@@@$*~^. THAT IS ACTUALLY USEFUL. .^~*$@@@##
##@@¤$*~^. .^~*$¤@@##
@¤*^...... ** BIAS ** ......^*¤@
#@@@¤$*~^. .^~*$¤@@@#
@¤$$$**~^. CLASS I USES ONE HUNDRED AND TWENTY .^~**$$$¤@
#@@@¤$*~^. MICRO-SOMETHING WHILE THE OTHERS ALL .^~*$¤@@@#
##@@¤$*~^. USE SEVENTY OF THE SAME UNIT. .^~*$¤@@##
##@@¤$*~^. .^~*$¤@@##
#@@@¤$*~^. .^~*$¤@@@#
##@@¤$*~^. $$$$$$$$$ AHA AND $$$$$$$$$ .^~*$¤@@##
#@@@¤$*~^. .^~*$¤@@@#
@¤$$$~^^^. CLASS IV IS APPARENTLY TOO STRONG TO .^^^~$$$¤@
##@@¤$*~^. BE USED ON CLASS I PLAYERS. IT WILL .^~*$¤@@##
@@@¤¤$*~^. SOUND TOO LOUND AND IT CANNOT BE .^~*$¤¤@@@
#@@@¤$*~^. COMPLETELY ERASED. THIS IS VERY WELL. .^~*$¤@@@#
#@@@¤$*~^. MAYBE SOME WONDERFUL BLENDING EFFECTS .^~*$¤@@@#
@¤*~~~^... COULD BE ACHIEVED? ...^~~~*¤@
@@¤*~^.... ....^~*¤@@
@¤*^...... THEY ALSO GNAW AT THE TAPE HEADS A BIT ......^*¤@
#@@@¤$*~^. BETTER THAN EARLIER TAPE TYPES. .^~*$¤@@@#
@@@@¤$*~^. .^~*$¤@@@@
##@@@¤*~^. .^~*¤@@@##
@¤$*^..... ******** ARTIFACTS ******** .....^*$¤@
##@@¤$*~^. .^~*$¤@@##
#@@@¤$*~^. GOOD TAPES ARE DECENT AND HAVE A GOOD .^~*$¤@@@#
#@@@¤$*~^. HIGH FREQUENCY PRESENCE, BAD TAPES ARE .^~*$¤@@@#
@@@@¤$*~^. LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA .^~*$¤@@@@
#@@@¤$*~^. LIKE IT. .^~*$¤@@@#
#@@@¤$*~^. .^~*$¤@@@#
@@$~~~~~^. BIAS LOSS: IF YOU FORGET THE BIAS WHO .^~~~~~$@@
@¤$~~~.... KNOWS WHATS EVEN ON THERE ANYMORE ....~~~$¤@
@@¤$~^.... ....^~$¤@@
@@¤*^..... FLUTTER: KINDA QUICK PITCH VARIATIONS. .....^*¤@@
@¤¤$*^.... BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ....^*$¤¤@
@@@¤$**~^. .^~**$¤@@@
@@@@¤$*~^. WOW: A SLOWER FLUTTER, USUALLY SEVERAL .^~*$¤@@@@
@@$****~^. SECONDS LONG. WHAT UP. BOTH OF THESE .^~****$@@
#@@@¤$*~^. INCREASE WHEN TAPE SPEED DECREASES. .^~*$¤@@@#
#@@@¤$*~^. .^~*$¤@@@#
@@¤¤¤$*~^. PRINT THROUGH: TAPES RUB SOUND ON EACH .^~*$¤¤¤@@
@@@$~..... OTHER IF THEYRE ALONE FOR TOO LONG .....~$@@@
@@@@¤$*~^. .^~*$¤@@@@
##@@¤$*~^. .^~*$¤@@##
#@@@¤$*~^. .^~*$¤@@@#
@@@@¤$*~^. .^~*$¤@@@@
@¤*^...... ......^*¤@
#@@@¤$*~^. .^~*$¤@@@#