.~~;=%££@# #@££%=;~~.
.~~;=%£@## ##@£%=;~~.
.~~;=%££@# #@££%=;~~.
.~~;=%££## ##££%=;~~.
...~~;==%£ £%==;~~...
.~~;=%£@## @@@@ ##### ##@£%=;~~.
.....~;;%£ TAPE DREAM £%;;~.....
...~;==£££ #### @@@@@ £££==;~...
.~~;==%%££ ££%%==;~~.
.~~;=%£££@ FOR STORING MUSIC ON. ALSO DATA BUT @£££%=;~~.
....~==%££ AT THIS POINT IN TIME THAT'S NOT ££%==~....
.~~;=%££@# REALLY IMPORTANT I THINK. #@££%=;~~.
.~~;=%££@# #@££%=;~~.
.~~;=%££@# #@££%=;~~.
.~~;=%££@# ;;;;;;;; TYPES OF TAPE ;;;;;;;; #@££%=;~~.
....~~;;%£ £%;;~~....
.~~;=%%%%£ CLASS I - "BAD" IRON £%%%%=;~~.
.~~;=%££@@ CLASS II - GOOD CHROMIUM @@££%=;~~.
.~~;=%£@## CLASS III - BAD IRON PART TWO ##@£%=;~~.
.~~;=%£@## CLASS IV - DANGEROUS METALS ##@£%=;~~.
...~~;==£@ @£==;~~...
.~~;=%££@# RUMORS EXIST ABOUT A SECRET CLASS V TAPE #@££%=;~~.
.~~;=%££## THAT IS ACTUALLY USEFUL. ##££%=;~~.
.~~;=%££@# #@££%=;~~.
.~~;=%££@# ;; BIAS ;; #@££%=;~~.
.~~;=%££@# #@££%=;~~.
.~~;=%££## CLASS I USES ONE HUNDRED AND TWENTY ##££%=;~~.
.~~;=££@## MICRO-SOMETHING WHILE THE OTHERS ALL ##@££=;~~.
.~~;=%££@# USE SEVENTY OF THE SAME UNIT. #@££%=;~~.
....~~=%%£ £%%=~~....
.~~;=%££@# #@££%=;~~.
.~~;=%£@## ========= AHA AND ========= ##@£%=;~~.
.....~=££@ @££=~.....
.~~;=%££@# CLASS IV IS APPARENTLY TOO STRONG TO #@££%=;~~.
.~~;=%££@@ BE USED ON CLASS I PLAYERS. IT WILL @@££%=;~~.
....~~;%££ SOUND TOO LOUND AND IT CANNOT BE ££%;~~....
.~~;=%££@# COMPLETELY ERASED. THIS IS VERY WELL. #@££%=;~~.
.~~;=%££££ MAYBE SOME WONDERFUL BLENDING EFFECTS ££££%=;~~.
.....~;=££ COULD BE ACHIEVED? ££=;~.....
.~~;=%%%££ ££%%%=;~~.
.~~;=%%%££ THEY ALSO GNAW AT THE TAPE HEADS A BIT ££%%%=;~~.
..~~~;=%£@ BETTER THAN EARLIER TAPE TYPES. @£%=;~~~..
.~~;=%££@# #@££%=;~~.
.~~;=££@## ##@££=;~~.
.~~;=%££@# ;;;;;;;; ARTIFACTS ;;;;;;;; #@££%=;~~.
.~~~;===££ ££===;~~~.
.~~;=%££@# GOOD TAPES ARE DECENT AND HAVE A GOOD #@££%=;~~.
.~~;=%£££@ HIGH FREQUENCY PRESENCE, BAD TAPES ARE @£££%=;~~.
......~~=£ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA £=~~......
.~~;=%£££@ LIKE IT. @£££%=;~~.
.~~;=%££## ##££%=;~~.
.~~;=%££@# BIAS LOSS: IF YOU FORGET THE BIAS WHO #@££%=;~~.
.~~;===££@ KNOWS WHATS EVEN ON THERE ANYMORE @££===;~~.
.~~;=%££@@ @@££%=;~~.
...~~;==££ FLUTTER: KINDA QUICK PITCH VARIATIONS. ££==;~~...
.~~;=%£@## BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ##@£%=;~~.
.~~;=%£@## ##@£%=;~~.
....~==%££ WOW: A SLOWER FLUTTER, USUALLY SEVERAL ££%==~....
....~;;=££ SECONDS LONG. WHAT UP. BOTH OF THESE ££=;;~....
....~=%££@ INCREASE WHEN TAPE SPEED DECREASES. @££%=~....
...~~~;=££ ££=;~~~...
.~~;=%££## PRINT THROUGH: TAPES RUB SOUND ON EACH ##££%=;~~.
.~~;=%££@# OTHER IF THEYRE ALONE FOR TOO LONG #@££%=;~~.
.~~;=%££@# #@££%=;~~.
.~~=%££@## ##@££%=~~.
.~~;=%£££@ @£££%=;~~.
.~~;=%£@## ##@£%=;~~.
...~~~;=%£ £%=;~~~...
.~~;=%££@# #@££%=;~~.