.~«:%@££## ##££@%:«~.
..~«:%@££# #££@%:«~..
...~«:%@££ ££@%:«~...
....~«:%@£ £@%:«~....
...~«:%@££ ££@%:«~...
..~«:%@££# #### ##### #££@%:«~..
.~«:%@££## tape dream ##££@%:«~.
..~«:%@££# #### ##### #££@%:«~..
...~«:%@££ ££@%:«~...
....~«:%@£ for storing music on. also data but £@%:«~....
...~«:%@££ at this point in time that's not ££@%:«~...
..~«:%@££# really important i think. #££@%:«~..
.~«:%@££## ##££@%:«~.
..~«:%@££# #££@%:«~..
...~«:%@££ :::::::: types of tape :::::::: ££@%:«~...
....~«:%@£ £@%:«~....
...~«:%@££ class i - "bad" iron ££@%:«~...
..~«:%@££# class ii - good chromium #££@%:«~..
.~«:%@££## class iii - bad iron part two ##££@%:«~.
..~«:%@££# class iv - dangerous metals #££@%:«~..
...~«:%@££ ££@%:«~...
....~«:%@£ rumors exist about a secret class v tape £@%:«~....
...~«:%@££ that is actually useful. ££@%:«~...
..~«:%@££# #££@%:«~..
.~«:%@££## :: bias :: ##££@%:«~.
..~«:%@££# #££@%:«~..
...~«:%@££ class i uses one hundred and twenty ££@%:«~...
....~«:%@£ micro-something while the others all £@%:«~....
...~«:%@££ use seventy of the same unit. ££@%:«~...
..~«:%@££# #££@%:«~..
.~«:%@££## ##££@%:«~.
..~«:%@££# %%%%%%%%% aha and %%%%%%%%% #££@%:«~..
...~«:%@££ ££@%:«~...
....~«:%@£ class iv is apparently too strong to £@%:«~....
...~«:%@££ be used on class i players. it will ££@%:«~...
..~«:%@££# sound too lound and it cannot be #££@%:«~..
.~«:%@££## completely erased. this is very well. ##££@%:«~.
..~«:%@££# maybe some wonderful blending effects #££@%:«~..
...~«:%@££ could be achieved? ££@%:«~...
....~«:%@£ £@%:«~....
...~«:%@££ they also gnaw at the tape heads a bit ££@%:«~...
..~«:%@££# better than earlier tape types. #££@%:«~..
.~«:%@££## ##££@%:«~.
..~«:%@££# #££@%:«~..
...~«:%@££ :::::::: artifacts :::::::: ££@%:«~...
....~«:%@£ £@%:«~....
...~«:%@££ good tapes are decent and have a good ££@%:«~...
..~«:%@££# high frequency presence, bad tapes are #££@%:«~..
.~«:%@££## lofi if not outright bad. idk, i kinda ##££@%:«~.
..~«:%@££# like it. #££@%:«~..
...~«:%@££ ££@%:«~...
....~«:%@£ bias loss: if you forget the bias who £@%:«~....
...~«:%@££ knows whats even on there anymore ££@%:«~...
..~«:%@££# #££@%:«~..
.~«:%@££## flutter: kinda quick pitch variations. ##££@%:«~.
..~«:%@££# beautiful, wonderful, extraordinary. #££@%:«~..
...~«:%@££ ££@%:«~...
....~«:%@£ wow: a slower flutter, usually several £@%:«~....
...~«:%@££ seconds long. what up. both of these ££@%:«~...
..~«:%@££# increase when tape speed decreases. #££@%:«~..
.~«:%@££## ##££@%:«~.
..~«:%@££# print through: tapes rub sound on each #££@%:«~..
...~«:%@££ other if theyre alone for too long ££@%:«~...
....~«:%@£ £@%:«~....
...~«:%@££ ££@%:«~...
..~«:%@££# #££@%:«~..
.~«:%@££## ##££@%:«~.
..~«:%@££# #££@%:«~..
...~«:%@££ ££@%:«~...