....,~/%%£ £%%/~,....
...,~/%%£@ @£%%/~,...
..,~/%%£@# #@£%%/~,..
.,~/%%£@## ##@£%%/~,.
..,~/%%£@# #@£%%/~,..
...,~/%%£@ #### ##### @£%%/~,...
....,~/%%£ TAPE DREAM £%%/~,....
.....,~/%% #### ##### %%/~,.....
......,~/% %/~,......
.....,~/%% FOR STORING MUSIC ON. ALSO DATA BUT %%/~,.....
....,~/%%£ AT THIS POINT IN TIME THAT'S NOT £%%/~,....
...,~/%%£@ REALLY IMPORTANT I THINK. @£%%/~,...
..,~/%%£@# #@£%%/~,..
.,~/%%£@## ##@£%%/~,.
..,~/%%£@# //////// TYPES OF TAPE //////// #@£%%/~,..
...,~/%%£@ @£%%/~,...
....,~/%%£ CLASS I - "BAD" IRON £%%/~,....
.....,~/%% CLASS II - GOOD CHROMIUM %%/~,.....
......,~/% CLASS III - BAD IRON PART TWO %/~,......
.....,~/%% CLASS IV - DANGEROUS METALS %%/~,.....
....,~/%%£ £%%/~,....
...,~/%%£@ RUMORS EXIST ABOUT A SECRET CLASS V TAPE @£%%/~,...
..,~/%%£@# THAT IS ACTUALLY USEFUL. #@£%%/~,..
.,~/%%£@## ##@£%%/~,.
..,~/%%£@# // BIAS // #@£%%/~,..
...,~/%%£@ @£%%/~,...
....,~/%%£ CLASS I USES ONE HUNDRED AND TWENTY £%%/~,....
.....,~/%% MICRO-SOMETHING WHILE THE OTHERS ALL %%/~,.....
......,~/% USE SEVENTY OF THE SAME UNIT. %/~,......
.....,~/%% %%/~,.....
....,~/%%£ £%%/~,....
...,~/%%£@ %%%%%%%%% AHA AND %%%%%%%%% @£%%/~,...
..,~/%%£@# #@£%%/~,..
.,~/%%£@## CLASS IV IS APPARENTLY TOO STRONG TO ##@£%%/~,.
..,~/%%£@# BE USED ON CLASS I PLAYERS. IT WILL #@£%%/~,..
...,~/%%£@ SOUND TOO LOUND AND IT CANNOT BE @£%%/~,...
....,~/%%£ COMPLETELY ERASED. THIS IS VERY WELL. £%%/~,....
.....,~/%% MAYBE SOME WONDERFUL BLENDING EFFECTS %%/~,.....
......,~/% COULD BE ACHIEVED? %/~,......
.....,~/%% %%/~,.....
....,~/%%£ THEY ALSO GNAW AT THE TAPE HEADS A BIT £%%/~,....
...,~/%%£@ BETTER THAN EARLIER TAPE TYPES. @£%%/~,...
..,~/%%£@# #@£%%/~,..
.,~/%%£@## ##@£%%/~,.
..,~/%%£@# //////// ARTIFACTS //////// #@£%%/~,..
...,~/%%£@ @£%%/~,...
....,~/%%£ GOOD TAPES ARE DECENT AND HAVE A GOOD £%%/~,....
.....,~/%% HIGH FREQUENCY PRESENCE, BAD TAPES ARE %%/~,.....
......,~/% LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA %/~,......
.....,~/%% LIKE IT. %%/~,.....
....,~/%%£ £%%/~,....
...,~/%%£@ BIAS LOSS: IF YOU FORGET THE BIAS WHO @£%%/~,...
..,~/%%£@# KNOWS WHATS EVEN ON THERE ANYMORE #@£%%/~,..
.,~/%%£@## ##@£%%/~,.
..,~/%%£@# FLUTTER: KINDA QUICK PITCH VARIATIONS. #@£%%/~,..
...,~/%%£@ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. @£%%/~,...
....,~/%%£ £%%/~,....
.....,~/%% WOW: A SLOWER FLUTTER, USUALLY SEVERAL %%/~,.....
......,~/% SECONDS LONG. WHAT UP. BOTH OF THESE %/~,......
.....,~/%% INCREASE WHEN TAPE SPEED DECREASES. %%/~,.....
....,~/%%£ £%%/~,....
...,~/%%£@ PRINT THROUGH: TAPES RUB SOUND ON EACH @£%%/~,...
..,~/%%£@# OTHER IF THEYRE ALONE FOR TOO LONG #@£%%/~,..
.,~/%%£@## ##@£%%/~,.
..,~/%%£@# #@£%%/~,..
...,~/%%£@ @£%%/~,...
....,~/%%£ £%%/~,....
.....,~/%% %%/~,.....
......,~/% %/~,......