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#@£@&=:«,¨ For Storing Music On. Also Data But ¨,«:=&@£@#
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#@£@&=:«,¨ Really Important I Think. ¨,«:=&@£@#
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@&&&&=:«,¨ :::::::: Types Of Tape :::::::: ¨,«:=&&&&@
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£&===«¨¨¨¨ Class I - "Bad" Iron ¨¨¨¨«===&£
#@£@&=:«,¨ Class Ii - Good Chromium ¨,«:=&@£@#
£@@@&=:«,¨ Class Iii - Bad Iron Part Two ¨,«:=&@@@£
@&:,,¨¨¨¨¨ Class Iv - Dangerous Metals ¨¨¨¨¨,,:&@
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#@£@&=:«,¨ Rumors Exist About A Secret Class V Tape ¨,«:=&@£@#
#@£@&=:«,¨ That Is Actually Useful. ¨,«:=&@£@#
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£££@&=:«,¨ Class I Uses One Hundred And Twenty ¨,«:=&@£££
£@@@&=:«,¨ Micro-Something While The Others All ¨,«:=&@@@£
@@=:,¨¨¨¨¨ Use Seventy Of The Same Unit. ¨¨¨¨¨,:=@@
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#@£@&=:«,¨ ========= Aha And ========= ¨,«:=&@£@#
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@@£@&=:«,¨ Class Iv Is Apparently Too Strong To ¨,«:=&@£@@
@&&::::«,¨ Be Used On Class I Players. It Will ¨,«::::&&@
#@£@&=:«,¨ Sound Too Lound And It Cannot Be ¨,«:=&@£@#
##@@&=:«,¨ Completely Erased. This Is Very Well. ¨,«:=&@@##
#@£@&=:«,¨ Maybe Some Wonderful Blending Effects ¨,«:=&@£@#
@@£@&=:«,¨ Could Be Achieved? ¨,«:=&@£@@
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##@£&=:«,¨ They Also Gnaw At The Tape Heads A Bit ¨,«:=&£@##
@@&=::«,¨¨ Better Than Earlier Tape Types. ¨¨,«::=&@@
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@@£@&=:«,¨ :::::::: Artifacts :::::::: ¨,«:=&@£@@
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££&=«¨¨¨¨¨ Good Tapes Are Decent And Have A Good ¨¨¨¨¨«=&££
#@£@&=:«,¨ High Frequency Presence, Bad Tapes Are ¨,«:=&@£@#
#@£@&=:«,¨ Lofi If Not Outright Bad. Idk, I Kinda ¨,«:=&@£@#
#@£@&=:«,¨ Like It. ¨,«:=&@£@#
#@£@&=:«,¨ ¨,«:=&@£@#
£££@&=:«,¨ Bias Loss: If You Forget The Bias Who ¨,«:=&@£££
@@@=«¨¨¨¨¨ Knows Whats Even On There Anymore ¨¨¨¨¨«=@@@
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@£@&&=:«,¨ Flutter: Kinda Quick Pitch Variations. ¨,«:=&&@£@
£££@&=:«,¨ Beautiful, Wonderful, Extraordinary. ¨,«:=&@£££
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@&::«,¨¨¨¨ Wow: A Slower Flutter, Usually Several ¨¨¨¨,«::&@
@@£@&=:«,¨ Seconds Long. What Up. Both Of These ¨,«:=&@£@@
##@£@&=«,¨ Increase When Tape Speed Decreases. ¨,«=&@£@##
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##@£@&:«,¨ Print through: Tapes Rub Sound On Each ¨,«:&@£@##
##@£&=:«,¨ Other If Theyre Alone For Too Long ¨,«:=&£@##
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