##@&¤%;-:, ,:-;%¤&@##
@@@&¤%;-:, ,:-;%¤&@@@
##@&¤%;-:, ,:-;%¤&@##
##@&¤%;-:, ,:-;%¤&@##
###@&¤;-:, ,:-;¤&@###
&¤¤;;-,,,, #### ##### ,,,,-;;¤¤&
#@@&¤%;-:, Tape Dream ,:-;%¤&@@#
##@&¤%;-:, #### ##### ,:-;%¤&@##
###@¤%;-:, ,:-;%¤@###
@@¤%-,,,,, For Storing Music On. Also Data But ,,,,,-%¤@@
##@&¤%;-:, At This Point In Time That'S Not ,:-;%¤&@##
#@¤;:,,,,, Really Important I Think. ,,,,,:;¤@#
##@&¤%;-:, ,:-;%¤&@##
@@¤¤;-:::, ,:::-;¤¤@@
##@&¤%;-:, ;;;;;;;; Types Of Tape ;;;;;;;; ,:-;%¤&@##
&&&&¤%;-:, ,:-;%¤&&&&
@¤%%;;-:,, Class I - "Bad" Iron ,,:-;;%%¤@
&¤%;--,,,, Class Ii - Good Chromium ,,,,--;%¤&
@&¤¤;;:::, Class Iii - Bad Iron Part Two ,:::;;¤¤&@
###&¤%;-:, Class Iv - Dangerous Metals ,:-;%¤##
##@&¤%;-:, ,:-;%¤&@##
###@¤%;-:, Rumors Exist About A Secret Class V Tape ,:-;%¤@###
##@&¤%;-:, That Is Actually Useful. ,:-;%¤&@##
@&&¤;;--:, ,:--;;¤&&@
&¤¤%;;-,,, ;; Bias ;; ,,,-;;%¤¤&
@¤%;;;--:, ,:--;;;%¤@
##@&¤%;-:, Class I Uses One Hundred And Twenty ,:-;%¤&@##
&%%-::::,, Micro-Something While The Others All ,,::::-%%&
@&%%-::,,, Use Seventy Of The Same Unit. ,,,::-%%&@
@¤¤%---::, ,::---%¤¤@
@@¤%;---:, ,:---;%¤@@
@@@&¤%;-:, %%%%%%%%% Aha And %%%%%%%%% ,:-;%¤&@@@
###&¤%;-:, ,:-;%¤##
@@@&¤%;-:, Class Iv Is Apparently Too Strong To ,:-;%¤&@@@
###@¤%;-:, Be Used On Class I Players. It Will ,:-;%¤@###
@¤¤¤%%;-:, Sound Too Lound And It Cannot Be ,:-;%%¤¤¤@
@@¤¤;:,,,, Completely Erased. This Is Very Well. ,,,,:;¤¤@@
@@¤;-,,,,, Maybe Some Wonderful Blending Effects ,,,,,-;¤@@
&¤;;----:, Could Be Achieved? ,:----;;¤&
##@&¤%;-:, ,:-;%¤&@##
##@&¤%;-:, They Also Gnaw At The Tape Heads A Bit ,:-;%¤&@##
#@@&¤%;-:, Better Than Earlier Tape Types. ,:-;%¤&@@#
@&&&¤%;-:, ,:-;%¤&&&@
##@&¤%;-:, ,:-;%¤&@##
##@&¤%;-:, ;;;;;;;; Artifacts ;;;;;;;; ,:-;%¤&@##
&&&¤%%;-:, ,:-;%%¤&&&
@&¤¤;;:,,, Good Tapes Are Decent And Have A Good ,,,:;;¤¤&@
###@&%;-:, High Frequency Presence, Bad Tapes Are ,:-;%&@###
@¤¤;;-,,,, Lofi If Not Outright Bad. Idk, I Kinda ,,,,-;;¤¤@
##@&¤%;-:, Like It. ,:-;%¤&@##
&%--,,,,,, ,,,,,,--%&
##@&¤%;-:, Bias Loss: If You Forget The Bias Who ,:-;%¤&@##
##@&¤%;-:, Knows Whats Even On There Anymore ,:-;%¤&@##
##@&¤%;-:, ,:-;%¤&@##
@¤¤¤%-,,,, Flutter: Kinda Quick Pitch Variations. ,,,,-%¤¤¤@
@&%%;;::,, Beautiful, Wonderful, Extraordinary. ,,::;;%%&@
@@&&¤%;-:, ,:-;%¤&&@@
##@&¤%;-:, Wow: A Slower Flutter, Usually Several ,:-;%¤&@##
@¤¤;::::,, Seconds Long. What Up. Both Of These ,,::::;¤¤@
##@&¤%;-:, Increase When Tape Speed Decreases. ,:-;%¤&@##
@&¤%---,,, ,,,---%¤&@
&¤¤%-:,,,, Print through: Tapes Rub Sound On Each ,,,,:-%¤¤&
##@&¤%;-:, Other If Theyre Alone For Too Long ,:-;%¤&@##
###@¤%;-:, ,:-;%¤@###
@¤¤;---,,, ,,,---;¤¤@
##@&¤%;-:, ,:-;%¤&@##
@&¤%;;;-:, ,:-;;;%¤&@
&¤;;;---:, ,:---;;;¤&
##@&¤%;-:, ,:-;%¤&@##