##@§&%==,, ,,==%&§@##
#@§&%==,,, ,,,==%&§@#
##@§&%==,, ,,==%&§@##
###@§&%==, ,==%&§@###
##@§&%==,, ,,==%&§@##
#@§&%==,,, #### ##### ,,,==%&§@#
##@§&%==,, tape dream ,,==%&§@##
###@§&%==, #### ##### ,==%&§@###
##@§&%==,, ,,==%&§@##
#@§&%==,,, for storing music on. also data but ,,,==%&§@#
##@§&%==,, at this point in time that's not ,,==%&§@##
###@§&%==, really important i think. ,==%&§@###
##@§&%==,, ,,==%&§@##
#@§&%==,,, ,,,==%&§@#
##@§&%==,, ======== types of tape ======== ,,==%&§@##
###@§&%==, ,==%&§@###
##@§&%==,, class i - "bad" iron ,,==%&§@##
#@§&%==,,, class ii - good chromium ,,,==%&§@#
##@§&%==,, class iii - bad iron part two ,,==%&§@##
###@§&%==, class iv - dangerous metals ,==%&§@###
##@§&%==,, ,,==%&§@##
#@§&%==,,, rumors exist about a secret class v tape ,,,==%&§@#
##@§&%==,, that is actually useful. ,,==%&§@##
###@§&%==, ,==%&§@###
##@§&%==,, == bias == ,,==%&§@##
#@§&%==,,, ,,,==%&§@#
##@§&%==,, class i uses one hundred and twenty ,,==%&§@##
###@§&%==, micro-something while the others all ,==%&§@###
##@§&%==,, use seventy of the same unit. ,,==%&§@##
#@§&%==,,, ,,,==%&§@#
##@§&%==,, ,,==%&§@##
###@§&%==, %%%%%%%%% aha and %%%%%%%%% ,==%&§@###
##@§&%==,, ,,==%&§@##
#@§&%==,,, class iv is apparently too strong to ,,,==%&§@#
##@§&%==,, be used on class i players. it will ,,==%&§@##
###@§&%==, sound too lound and it cannot be ,==%&§@###
##@§&%==,, completely erased. this is very well. ,,==%&§@##
#@§&%==,,, maybe some wonderful blending effects ,,,==%&§@#
##@§&%==,, could be achieved? ,,==%&§@##
###@§&%==, ,==%&§@###
##@§&%==,, they also gnaw at the tape heads a bit ,,==%&§@##
#@§&%==,,, better than earlier tape types. ,,,==%&§@#
##@§&%==,, ,,==%&§@##
###@§&%==, ,==%&§@###
##@§&%==,, ======== artifacts ======== ,,==%&§@##
#@§&%==,,, ,,,==%&§@#
##@§&%==,, good tapes are decent and have a good ,,==%&§@##
###@§&%==, high frequency presence, bad tapes are ,==%&§@###
##@§&%==,, lofi if not outright bad. idk, i kinda ,,==%&§@##
#@§&%==,,, like it. ,,,==%&§@#
##@§&%==,, ,,==%&§@##
###@§&%==, bias loss: if you forget the bias who ,==%&§@###
##@§&%==,, knows whats even on there anymore ,,==%&§@##
#@§&%==,,, ,,,==%&§@#
##@§&%==,, flutter: kinda quick pitch variations. ,,==%&§@##
###@§&%==, beautiful, wonderful, extraordinary. ,==%&§@###
##@§&%==,, ,,==%&§@##
#@§&%==,,, wow: a slower flutter, usually several ,,,==%&§@#
##@§&%==,, seconds long. what up. both of these ,,==%&§@##
###@§&%==, increase when tape speed decreases. ,==%&§@###
##@§&%==,, ,,==%&§@##
#@§&%==,,, print through: tapes rub sound on each ,,,==%&§@#
##@§&%==,, other if theyre alone for too long ,,==%&§@##
###@§&%==, ,==%&§@###
##@§&%==,, ,,==%&§@##
#@§&%==,,, ,,,==%&§@#
##@§&%==,, ,,==%&§@##
###@§&%==, ,==%&§@###
##@§&%==,, ,,==%&§@##