,~»^*%%%@@ @@%%%*^»~,
,~»^*%@#@@ @@#@%*^»~,
,~»^*%@@@@ @@@@%*^»~,
,,,~~»*%#@ @#%*»~~,,,
,~»^*%@#@# #@#@%*^»~,
,,,,,»^%#@ @@@@ ##### @#%^»,,,,,
,~»^*%@#@# TAPE DREAM #@#@%*^»~,
,~»^*%@### #### @@@@@ ###@%*^»~,
,~»^**%@@@ @@@%**^»~,
,~»^*%%@@@ FOR STORING MUSIC ON. ALSO DATA BUT @@@%%*^»~,
,~»^*%@#@# AT THIS POINT IN TIME THAT'S NOT #@#@%*^»~,
,,,,,~^*@@ REALLY IMPORTANT I THINK. @@*^~,,,,,
,~»^*%@#@# #@#@%*^»~,
,,,,~^^^%# #%^^^~,,,,
,~»^*%%%@@ ^^^^^^^^ TYPES OF TAPE ^^^^^^^^ @@%%%*^»~,
,,,,,~~^%@ @%^~~,,,,,
,~»^*%@#@# CLASS I - "BAD" IRON #@#@%*^»~,
,~»^*%@#@@ CLASS II - GOOD CHROMIUM @@#@%*^»~,
,,,,,,~^%@ CLASS III - BAD IRON PART TWO @%^~,,,,,,
,~»^*%@### CLASS IV - DANGEROUS METALS ###@%*^»~,
,~»^*%@#@# #@#@%*^»~,
,~»^*%@#@# RUMORS EXIST ABOUT A SECRET CLASS V TAPE #@#@%*^»~,
,~»^*%@#@# THAT IS ACTUALLY USEFUL. #@#@%*^»~,
,~»^*%@#@@ @@#@%*^»~,
,,,~»^^*@@ ^^ BIAS ^^ @@*^^»~,,,
,~»^*%@##@ @##@%*^»~,
,~»^*%@#@# CLASS I USES ONE HUNDRED AND TWENTY #@#@%*^»~,
,~»^*%@#@# MICRO-SOMETHING WHILE THE OTHERS ALL #@#@%*^»~,
,~»^*%@#@# USE SEVENTY OF THE SAME UNIT. #@#@%*^»~,
,,,~^^%@@@ @@@%^^~,,,
,~»^*%@#@# #@#@%*^»~,
,~»^*%@#@# ********* AHA AND ********* #@#@%*^»~,
,~»^*%@#@# #@#@%*^»~,
,,,,~^^%#@ CLASS IV IS APPARENTLY TOO STRONG TO @#%^^~,,,,
,,,~~»*%%# BE USED ON CLASS I PLAYERS. IT WILL #%%*»~~,,,
,,,,,,»*%# SOUND TOO LOUND AND IT CANNOT BE #%*»,,,,,,
,,,,,,,»*@ COMPLETELY ERASED. THIS IS VERY WELL. @*»,,,,,,,
,,,~~~^^*@ MAYBE SOME WONDERFUL BLENDING EFFECTS @*^^~~~,,,
,,,,~»»*%# COULD BE ACHIEVED? #%*»»~,,,,
,,,,,~»^*@ @*^»~,,,,,
,~»^*%@#@# THEY ALSO GNAW AT THE TAPE HEADS A BIT #@#@%*^»~,
,~»^*%@#@# BETTER THAN EARLIER TAPE TYPES. #@#@%*^»~,
,~»^*%@#@# #@#@%*^»~,
,,,,,~^%@@ @@%^~,,,,,
,,,~~~^^%@ ^^^^^^^^ ARTIFACTS ^^^^^^^^ @%^^~~~,,,
,~»*%@#@## ##@#@%*»~,
,~»^*%@#@@ GOOD TAPES ARE DECENT AND HAVE A GOOD @@#@%*^»~,
,~»^*%@#@# HIGH FREQUENCY PRESENCE, BAD TAPES ARE #@#@%*^»~,
,~»^*%@### LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ###@%*^»~,
,~»^*%@@@# LIKE IT. #@@@%*^»~,
,~~~»^**@# #@**^»~~~,
,~»^*%@#@# BIAS LOSS: IF YOU FORGET THE BIAS WHO #@#@%*^»~,
,,,,,~^%@@ KNOWS WHATS EVEN ON THERE ANYMORE @@%^~,,,,,
,,,»^*%@@@ @@@%*^»,,,
,~»^*%@#@# FLUTTER: KINDA QUICK PITCH VARIATIONS. #@#@%*^»~,
,~»^*@#@## BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ##@#@*^»~,
,,,~^*%@#@ @#@%*^~,,,
,~»^*%@#@# WOW: A SLOWER FLUTTER, USUALLY SEVERAL #@#@%*^»~,
,~»^*%%%@@ SECONDS LONG. WHAT UP. BOTH OF THESE @@%%%*^»~,
,~»^*%@#@# INCREASE WHEN TAPE SPEED DECREASES. #@#@%*^»~,
,,,,~~^^*@ @*^^~~,,,,
,,,~»»*@@# PRINT THROUGH: TAPES RUB SOUND ON EACH #@@*»»~,,,
,~»^*%@#@@ OTHER IF THEYRE ALONE FOR TOO LONG @@#@%*^»~,
,,,,,~^%@# #@%^~,,,,,
,,,,~^%%## ##%%^~,,,,
,~»^*%@### ###@%*^»~,
,~»^*%@#@# #@#@%*^»~,
,~»^*%@#@# #@#@%*^»~,
,~»^*%@@## ##@@%*^»~,