&**..,,,,, ,,,,,..**&
#@#&&**=., ,.=**&@#
#&&&&**=., ,.=**&&&
#&&&&**=., ,.=**&&&
###&&**=., ,.=**&##
&&&&***=., @@@@ ##### ,.=***&&&&
##@&&**=., TAPE DREAM ,.=**&&@##
##@#&**=., #### @@@@@ ,.=**@##
&&&&&**=., ,.=**&&&&&
#@#&&**=., FOR STORING MUSIC ON. ALSO DATA BUT ,.=**&@#
#@#&&**=., AT THIS POINT IN TIME THAT'S NOT ,.=**&@#
&&*=..,,,, REALLY IMPORTANT I THINK. ,,,,..=*&&
#@#&&**=., ,.=**&@#
&&&&&**=., ,.=**&&&&&
###&&**=., ******** TYPES OF TAPE ******** ,.=**&##
@&&&**=.., ,..=**&&&@
##@#&**=., CLASS I - "BAD" IRON ,.=**@##
&**=,,,,,, CLASS II - GOOD CHROMIUM ,,,,,,=**&
#&*==.,,,, CLASS III - BAD IRON PART TWO ,,,,.==*
#@#&&**=., CLASS IV - DANGEROUS METALS ,.=**&@#
@##&&**=., ,.=**&#@
#&&**=.,,, RUMORS EXIST ABOUT A SECRET CLASS V TAPE ,,,.=**&
##@&&**=., THAT IS ACTUALLY USEFUL. ,.=**&&@##
#&&&&**=., ,.=**&&&
#@#&&**=., ** BIAS ** ,.=**&@#
@#&***.,,, ,,,.***@
###&&**=., CLASS I USES ONE HUNDRED AND TWENTY ,.=**&##
@##&&**=., MICRO-SOMETHING WHILE THE OTHERS ALL ,.=**&#@
@@#&&**=., USE SEVENTY OF THE SAME UNIT. ,.=**&@@
@@#&&**=., ,.=**&@@
#&*.,,,,,, ,,,,,,.*
@#&&**==., ********* AHA AND ********* ,.==**&@
&&**.,,,,, ,,,,,.**&&
#@#&&**=., CLASS IV IS APPARENTLY TOO STRONG TO ,.=**&@#
###&&**=., BE USED ON CLASS I PLAYERS. IT WILL ,.=**&##
@&**=..,,, SOUND TOO LOUND AND IT CANNOT BE ,,,..=**&@
##&&***=., COMPLETELY ERASED. THIS IS VERY WELL. ,.=***&#
@@#&&**=., MAYBE SOME WONDERFUL BLENDING EFFECTS ,.=**&@@
#&*=,,,,,, COULD BE ACHIEVED? ,,,,,,=*
#&&****=., ,.=****&
#&&&***=., THEY ALSO GNAW AT THE TAPE HEADS A BIT ,.=***&&
##&**=,,,, BETTER THAN EARLIER TAPE TYPES. ,,,,=**#
#&&**.,,,, ,,,,.**&
@##&&**=., ,.=**&#@
##&****=., ******** ARTIFACTS ******** ,.=****#
&****.,,,, ,,,,.****&
##@#&**=., GOOD TAPES ARE DECENT AND HAVE A GOOD ,.=**@##
@&&*=,,,,, HIGH FREQUENCY PRESENCE, BAD TAPES ARE ,,,,,=*&&@
&&***=.,,, LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ,,,.=***&&
&&*==,,,,, LIKE IT. ,,,,,==*&&
@&**=,,,,, ,,,,,=**&@
&*===,,,,, BIAS LOSS: IF YOU FORGET THE BIAS WHO ,,,,,===*&
##@&&**=., KNOWS WHATS EVEN ON THERE ANYMORE ,.=**&&@##
##@#&**=., ,.=**@##
@#&*=,,,,, FLUTTER: KINDA QUICK PITCH VARIATIONS. ,,,,,=*@
#@#&&**=., BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ,.=**&@#
#@#&&**=., ,.=**&@#
#@#&&**=., WOW: A SLOWER FLUTTER, USUALLY SEVERAL ,.=**&@#
##@#&&**., SECONDS LONG. WHAT UP. BOTH OF THESE ,.**&@##
#@#&&**=., INCREASE WHEN TAPE SPEED DECREASES. ,.=**&@#
#@#&&**=., ,.=**&@#
#@#&&**=., PRINT THROUGH: TAPES RUB SOUND ON EACH ,.=**&@#
##&**=,,,, OTHER IF THEYRE ALONE FOR TOO LONG ,,,,=**#
##&*=,,,,, ,,,,,=*#
&&*=.,,,,, ,,,,,.=*&&
##@#&&**=. .=**&@##
&&*==.,,,, ,,,,.==*&&
#@#&&**=., ,.=**&@#
#&&*=,,,,, ,,,,,=*&