.........~                                          ~.........
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.......~«*                                          *«~.......
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....~«*%£#                 %%%%%%%%%                #£%*«~....
...~«*%£#@ %%                                    %% @#£%*«~...
..~«*%£#@# %%               PLUS                 %% #@#£%*«~..
.~«*%£#@## %                        MINUS         % ##@#£%*«~.
..~«*%£#@# %     ZERO                             % #@#£%*«~..
...~«*%£#@ .                                      . @#£%*«~...
....~«*%£#            .. MIRROR NOTE ..             #£%*«~....
.....~«*%£              .............               £%*«~.....
......~«*%                                          %*«~......
.......~«* AT AN OPPORTUNITY, A MOMENT SUCH AS THIS *«~.......
........~« UNDERAPPRECIATED, UNDERESTIMATED, UNDER  «~........
.........~ THERE IS SIMPLY NO TIME TO CHOOSE WHAT   ~.........
..........                                          ..........
.......... EVERYTHING IS IN THROUGH THE LEFT HALF   ..........
..........     OF MY FACE, AND OUT EXACTLY OPPOSITE ..........
..........     ~~~THROUGH THE RIGHT HALF~~~ OF THE  ..........
..........                                    FACE  ..........
.........~     PLUS MINUS ZERO BUT POLAR OPPOSITES! ~.........
........~«                                          «~........
.......~«*  #..# #.# #                              *«~.......
......~«*%  AND                                     %*«~......
.....~«*%£     THE ECHO IS TRAVELLING WITH EVERY    £%*«~.....
....~«*%£#     BEAT, MAYBE ONE HUNDRED AND THIRTY   #£%*«~....
...~«*%£#@     MILLISECONDS, TO TWO HUNDRED AND     @#£%*«~...
..~«*%£#@# #.# EIGHTY MILLISECONDS, AND DOWN,       #@#£%*«~..
.~«*%£#@##     ALONG MY DREADS, MAYBE LIKE          ##@#£%*«~.
..~«*%£#@#   A CAP TO THE LEFT AND UP FOUR HUNDRED  #@#£%*«~..
...~«*%£#@ TO THE RIGHT                             @#£%*«~...
....~«*%£#                                          #£%*«~....
.....~«*%£    ABOUT «MAGNETISM« OR «WHAT« «ELSE«    £%*«~.....
......~«*%                                          %*«~......
.......~«*   DISTORTION AND HEAVY GLASS AND PALM    *«~.......
........~«                                 TREES    «~........
.........~                                          ~.........
..........                                          ..........
..........                                          ..........
..........   MY                                     ..........
..........   I HAVE MUSIC THAT LIVES INTO WEIRDER   ..........
..........    CORRIDORS, MY FLESH IS PUSHING        ..........
.........~    MY                                    ~.........
........~«    BODY FURTHER INSIDE                   «~........
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....~«*%£#                                          #£%*«~....
...~«*%£#@   THERE        IS TOO MUCH MOVING INSIDE @#£%*«~...
..~«*%£#@#                                          #@#£%*«~..
.~«*%£#@##                                          ##@#£%*«~.
..~«*%£#@# WEIRD REVOLVINGS, HOW MUCH MADNESS,      #@#£%*«~..
...~«*%£#@ WEIRD ABOUT HOW MUCH MADNESS THAT'S      @#£%*«~...
....~«*%£#       IA . @REVOLVED ABOUT TO BE REVOLVE #£%*«~....
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.......~«*                                          *«~.......
........~«                                          «~........
.........~     AND I, THE SURGEON, CHOOSE THE       ~.........
..........    FRYING PAN                            ..........
..........   WHATEVER DOG I WANT .................  ..........
..........  AND MY SPEED IS EVERYTHING. THE LAST    ..........
..........                                          ..........
..........      RADAR STATION... FOR A WHILE...     ..........
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