@@.....@.. @@....@...
@@@.....@. @@@....@..
@.@@.....@ @.@@....@.
..@@@..... ..@@@.....
..@.@@.... ..@.@@....
....@@@... TIME TO ..####.##.###.#####..ICK @...@@@...
....@.@@.. ~.... # TIME TO GET QUICK # ....~ @@..@.@@..
......@@@. ..####.##.###.#####.. .@@...@@@.
......@.@@ OK SOMETHING IS GOING .@@@..@.@@
@.......@@ ON- I CAN GET ****************** .@.@@...@@
@@......@. THERE IS NO QUESTION! ...@@@..@.
@@@....... *FULL* PERMISSION IS GIVEN FROM MYSELF @..@.@@...
@.@@...... TO MYSELF, TO CHANGE THIS ONE LATER. @@...@@@..
..@@@..... @@@..@.@@.
..@.@@.... I FEEL LOVE TOWARD MONO-STRETCH ALGORITH @.@@...@@@
@...@@@... MS THAT ARE ALLOWED TO BE SMART :( ..@@@..@.@
@@..@.@@.. ..@.@@...@
.@@...@@@. LEVEL CHECK. THINGS HERE AROUND ME HAVE @...@@@..@
.@@@..@.@@ A WAIY RIME YO HAVTO HNGE I LIBEY @@..@.@@..
.@.@@...@@ TO BE SURE TO AFFORD THE TIME ORTO .@@...@@@.
...@@@..@. BE IN TIME .@@@..@.@@
@..@.@@... .@.@@...@@
@@...@@@.. AND I HAVE BIG THINGS ANYWAY. IT STARTS ...@@@..@.
@@@..@.@@. NOW. RIGHT AND LEFT IN THE LUNG @..@.@@...
@.@@...@@@ ........ ......... @@...@@@..
..@@@..@.@ ........ £££££££££££££££££ @@@..@.@@.
..@.@@...@ ........ @.@@...@@@
@...@@@..@ ........ IT TINGLES ALL OV ..@@@..@.@
@@..@.@@.. £££££££££££££££££££O ER MY BODY, I'M ..@.@@...@
.@@...@@@. OUTSIDE, WALKING CHIRS AND FURTHER AWAY. @...@@@..@
.@@@..@.@@ THIS IS MINE, MY GREAT FOREST. KINDA, @@..@.@@..
.@.@@...@@ I KINDA LOVE IT. ICE KINGDOM, TWELVE .@@...@@@.
...@@@..@. PLAYERS, TWELVE PLAYERS COMBINE. .@@@..@.@@
@..@.@@... I'M STILL HER E AND DOING THIS. AND THIS .@.@@...@@
@@...@@@.. IS, THE CLOUD, THE GENERAL SUPPORT ...@@@..@.
@@@..@.@@. STAKES, THE SQUEEZE IN ARMS AND LEGS; ...@.@@...
@.@@...@@@ AND THE NECK!!! KIND OF! INVERTED @....@@@..
..@@@..@.@ AND ON FIRE. @@...@.@@.
..@.@@...@ @@@....@@@
@...@@@..@ AN ATTEMPT TO SPEAK. WITH SIGNS? @.@@...@.@
@@..@.@@.. FOR THE SAKE OF THE EDGE. NOT AN EDGE ..@@@....@
.@@...@@@. AS IN BEING EDGY, BUT AS AN EDGE, ..@.@@...@
.@@@..@.@@ LIKE THOSE OF LYRAS. @...@@@...
.@.@@...@@ @@..@.@@..
...@@@..@. ABANDON THAT WHICH HAS GONE TOO FAR????? .@@...@@@.
...@.@@... ((! ?~META NEW. I'M BACKFIRING SOMEWHAT. .@@@..@.@@
@....@@@.. FOR TF. SQUARE META, BACKWARDS IN TIME, .@.@@...@@
@@...@.@@. IN THE MEANING TIME, EVERYTH.ING IS £££ ...@@@..@.
@@@....@@@ LEAKING, MY THOUGHTS AND MEANINGS ARE £ ...@.@@...
@.@@...@.@ LEAKING, LEAKING IN TIM E £££££££££££££ .....@@@..
..@@@....@ .....@.@@.
..@.@@...@ @......@@@
@...@@@... @@.....@.@
@@..@.@@.. ###### @@@......@
.@@...@@@. ####THERE WAS A SHADOW OF SOMETHING @.@@.....@
.@@@..@.@@ ENORMOUS ..@@@.....
.@.@@...@@ A FEAR AND A LOOP, IN THE SAME PACKAGE, ..@.@@....
...@@@..@. AND I WAS ALONE WITH THE WORLD ....@@@...
...@.@@... BUT IT WAS FAMILIAR, OR, I AM INSIDE OUT ....@.@@..
.....@@@.. AND USUAL SHAPES ARE HOLOGRAMS NOW, AND ......@@@.
.....@.@@. I FIND MYSELF AS A PATTERN ......@.@@
@......@@@ AND I BECOME MYSELF AGAIN, THROUGH THE @.......@@
@@.....@.@ WATERFALL, @@......@.
@@@......@ IT IS LIKE I AM INSIDE A SWEATER LOOKING @@@.......
@.@@.....@ FOR WHERE TO PUT THE ARMS, LIKE EMERGING @.@@......
..@@@..... FROM UNDER A SHEAT OF ACUTENESS ..@@@.....
..@.@@.... AND THE WORLD IS NO LONGER A ..@.@@....
....@@@... SHAPELESS @...@@@...
....@.@@.. PIECE @@..@.@@..
......@@@. AND SOMEONE HAS TO READ ALL OF THIS .@@...@@@.
......@.@@ .@@@..@.@@
@.......@@ .@.@@...@@
@@......@. ...@@@..@.
@@@....... @..@.@@...
@.@@...... @@...@@@..
..@@@..... @@@..@.@@.