.,~:†%§@#@ @#@§%†:~,.
¨-«†*%£@## ##@£%*†«-¨
.¨,,»-^^§# #§^^-»,,¨.
¨,~;:**§@@ @@§**:;~,¨
¨.¨,.,-/%& &%/-,.,¨.¨
.,»*^@## statuette ##@#&^*»,.
¨^»;**##@# #@##**;»^¨
¨¨¨,¨~=^&£ &%@§$¤$¤@%*%&§$*=-«~«=-~%&%¤$¤**$%££&£$¤ £&^=~¨,¨¨¨
,,~~-†=&£@ £*£¤££@@¤ @£&=†-~~,,
¨,~=%§&£@# #@£&§%=~,¨
..=*†**£%# forests around my childhood home. thick #%£**†*=..
.¨.,-~$§¤# pine arcades that were planted and #¤§$~-,.¨.
,:~:§%¤¶## forgotten. wild boars roaming ##¶¤%§:~:,
.¨,»~;*£*# underneath, sniffing at the ground. it #*£*;~»,¨.
¨¨¨,,=*¤¤¶ is dark and moist, the canopy having ¶¤¤*=,,¨¨¨
¨-~††*§@@# already soaked up all the sun. #@@§*††~-¨
.:=\%§¤¶## ##¶¤§%\=:.
¨.^»~*&§@# there's a river passing by, from east #@§&*~»^.¨
,¨,,»$$*¶£ to west, getting broader and deeper and £¶*$$»,,¨,
,:*%£@#### slower as it goes. equisetum grow just ####@£%*:,
¨¨.¨¨.»^§@ where the pine hands start to let @§^».¨¨.¨¨
¨:»/$%§@## through light, horsemint on the rocky ##@§%$/»:¨
.,«;$§§@@# river bed. #@@§§$;«,.
.:«;*%£### ###£%*;«:.
,:=*^$#@## ^ ##@#$^*=:,
.,..~/::†# #†::/~..,.
¨,«=%@#### the riverbanks reek of magic. tonight ####@%=«,¨
¨.=*\†*%§# they had been a swampworld with sylvan #§%*†\*=.¨
¨:~;$*@### water, stone rings and floating moss. ###@*$;~:¨
.,,.,»†%$¶ you could've found me wallowing around ¶$%†»,.,,.
,,,~^;@£#§ on the southern shores until i got §#£@;^~,,,
.,~^%%¤£@# bitten. #@£¤%%^~,.
¨--†§*¤£## ##£¤*§†--¨
,:=\§&§@@# but now i'm further back, on solid #@@§&§\=:,
¨,-:*£@@## ground, in shoulder-high grass, with an ##@@£*:-,¨
,¨.~~*£§## orange tin radio and a translucent ##§£*~~.¨,
.~-†%*%§#£ umbrella which i'm sitting on. £#§%*%†-~.
,,~=†%¤@## ##@¤%†=~,,
,.¨,¨~%%£# † #£%%~¨,¨.,
¨.~=%§%#&£ £%§%=~.¨
¨~=:^¤§#@# somethings moving in the grass. it's #@#§¤^:=~¨
.,-=†%@@#@ invisible to my eyes but i can feel @#@@%†=-,.
¨-=\%§@#@# through the ground just how large it is. #@#@§%\=-¨
,,==$$¤#@# #@#¤$$==,,
,,=\§%## the soil is muddy. i slip when trying ###&%§\=,,
¨^,.:^§@ to get up, still looking at the #&@§^:.,^¨
,-»:^%##¶# direction of sound rather than at my #¶##%^:»-,
,.,.»†*%*& hands, who are busy putting things in &*%*†».,.,
.~^=//=\&¶ my pockets. ¶&\=//=^~.
¨,~†§££### ###££§†~,¨
,,,,:~§@@# then i run east toward my home. #@@§~:,,,,
¨¨¨^/^%§&@ @&§%^/^¨¨¨
.,~†\*=†&& \ &&†=*\†~,.
¨~~†*$£¶## ##¶£$*†~~¨
,^~†*@@@#£ i am not followed, and slow down in the £#@@@*†~^,
.-=/%¤&@## clearing where you at first can spot ##@&¤%/=-.
.^»†^$#### the house, not yet really in the ####$^†»^.
.,«:**£### backyard. from my pockets i retrieve my ###£**:«,.
¨--/$§¤### radio (now dented) but also a small ###¤§$/--¨
,¨¨¨-:/^¤# clay figure i've never seen before. it #¤^/:-¨¨¨,
.,-^¤@@### must have been laying in the wet dirt, ###@@¤^-,.
¨,»;†§¶### and i must've picked it up with my ###¶§†;»,¨
.~-*^£#¶@# other belongings. #@¶#£^*-~.
¨.~^%#£@## ##@£#%^~.¨
,..^=^^==£ it's a statuette of a girl laying naked £==^^=^..,
.--=†&@#@# on her stomach, feet in the air, #@#@&†=--.
.,=†=%#&§@ roughly seven centimeters long. it's @§%=†=,.
.-==*££&£# freshly made, not yet completely dried. #£&££*==-.
,^~:=£@@## ##@@£=:~^,
.,~/%@%§#@ my mom is here now. i ask her for some @#§%@%/~,.
,-~/=§£@## particle board for it to dry on, but ##@£§=/~-,
,.»*%*¤#@# she is worried and wants me to #@#¤*%*».,
,^==*=†£%§ throw it away. §%£†=*==^,
,^»\$%@@@# #@@@%$\»^,
.-»;=@§### ###§@=;»-.
¨,-:^,:$¤@ @¤$:,^:-,¨
.¨,=;†*@§@ @§@*†;=,¨.
.,~/^%££## ##££%^/~,.
,,»^%@## ##@#&%^»,,