.--^^&£¶## ##¶£&^^--.
,~~^%§#### ####§%^~~,
.~==$*£#@# #@#£*$==~.
,.-†%#¶### ###¶#%†-.,
¨-==§£## ###&£§==-¨
.-~*%%¤### statuette ###¤%%*~-.
¨^=^*¤¤@## ##@¤¤*^=^¨
¨¨¨~;$^@#£ §$££*@$@¤&$@$%¤&~«~~«-~«&%*&@£%***@&§@¤@ £#@^$;~¨¨¨
,:=†=&¤### @¤£*¤*£@£ ###¤&=†=:,
¨¨.,«»\=@& &@=\»«,.¨¨
¨~=/*¤§@## forests around my childhood home. thick ##@§¤*/=~¨
.¨¨.¨^**#§ pine arcades that were planted and §#**^¨.¨¨.
,~-=$&£### forgotten. wild boars roaming ###£&$=-~,
,~~/=$§#@# underneath, sniffing at the ground. it #@#§$=/~~,
¨,^~,;^%£# is dark and moist, the canopy having #£%^;,~^,¨
¨,«†%£## already soaked up all the sun. ###&£%†«,¨
.,~;**@# #@#&**;~,.
,^~*$££@## there's a river passing by, from east ##@££$*~^,
¨.~\^%&¤@# to west, getting broader and deeper and #@¤&%^\~.¨
..=†$¤%@¶¶ slower as it goes. equisetum grow just ¶¶@%¤$†=..
.,«/§&@@## where the pine hands start to let ##@@&§/«,.
¨.,.¨..»*§ through light, horsemint on the rocky §*»..¨.,.¨
..,,††^££# river bed. #££^††,,..
¨--*^%£¶## ##¶£%^*--¨
.,¨,~~«^§£ : £§^«~~,¨,.
,.¨.,=«$£# #£$«=,.¨.,
.,-;=$§£@# the riverbanks reek of magic. tonight #@£§$=;-,.
¨.»†%&¤### they had been a swampworld with sylvan ###¤&%†».¨
¨^~^*£@### water, stone rings and floating moss. ###@£*^~^¨
,,=**%#@## you could've found me wallowing around ##@#%**=,,
..~\=%¤£¶£ on the southern shores until i got £¶£¤%=\~..
.,~~†%%%£@ bitten. @£%%%†~~,.
.,=^§¤£@## ##@£¤§^=,.
,.«*%##### but now i'm further back, on solid #####%*«.,
.,~;%##@## ground, in shoulder-high grass, with an ##@##%;~,.
¨.~=%£@@## orange tin radio and a translucent ##@@£%=~.¨
,,,,.¨,*£@ umbrella which i'm sitting on. @£*,¨.,,,,
,,.~-*$£@# #@£$*-~.,,
.,-\§&§### † ###§&§\-,.
¨,:^†$%### ###%$†^:,¨
.,-=%&¤§&¶ somethings moving in the grass. it's ¶&§¤&%=-,.
¨,,,†%§£## invisible to my eyes but i can feel ##£§%†,,,¨
¨¨,.¨.~\§£ through the ground just how large it is. £§\~.¨.,¨¨
.-=\$%@@## ##@@%$\=-.
...,¨~~%&£ the soil is muddy. i slip when trying £&%~~¨,...
¨,-\%&¤@@# to get up, still looking at the #@@¤&%\-,¨
.¨,.¨~§$#@ direction of sound rather than at my @#$§~¨.,¨.
,.~^*%@£## hands, who are busy putting things in ##£@%*^~.,
,¨.~-**¤## my pockets. ##¤**-~.¨,
..,,:-*¤¶@ @¶¤*-:,,..
.,-*$%£&@# then i run east toward my home. #@&£%$*-,.
¨.¨¨=^*†%¤ ¤%†*^=¨¨.¨
,¨¨~,=/:@£ † £@:/=,~¨¨,
,^~\^$@£@# #@£@$^\~^,
.:-;^$&@¤@ i am not followed, and slow down in the @¤@&$^;-:.
,~=*%$#@## clearing where you at first can spot ##@#$%*=~,
,~«;=@§¤£@ the house, not yet really in the @£¤§@=;«~,
,^»*%$£@## backyard. from my pockets i retrieve my ##@£$%*»^,
,.,.¨¨¨«%§ radio (now dented) but also a small §%«¨¨¨.,.,
,¨.,¨.=$$¤ clay figure i've never seen before. it ¤$$=.¨,.¨,
..~==£###@ must have been laying in the wet dirt, @###£==~..
,.:»»-$#¤# and i must've picked it up with my #¤#$-»»:.,
¨.,,¨»-*%@ other belongings. @%*-»¨,,.¨
,^~;^%@### ###@%^;~^,
.,«†^¤@¶@# it's a statuette of a girl laying naked #@¶@¤^†«,.
¨:~*=%¶@## on her stomach, feet in the air, ##@¶%=*~:¨
..«~;*£@@£ roughly seven centimeters long. it's £@@£*;~«..
,~-^^@£### freshly made, not yet completely dried. ###£@^^-~,
,,=:§@§### ###§@§:=,,
¨,~^**&¶@# my mom is here now. i ask her for some #@¶&**^~,¨
,,=†=§@### particle board for it to dry on, but ###@§=†=,,
,-=/$*§£#@ she is worried and wants me to @#£§*$/=-,
¨,,¨,~»$%£ throw it away. £%$»~,¨,,¨
¨:~==:^£@@ @@£^:==~:¨
.:~:==@% #&%@==:~:.
,¨¨.¨,,~§@ @§~,,¨.¨¨,
.,~^§£&¶## ##¶&£§^~,.
.-~\%*¤§£¶ ¶£§¤*%\~-.
¨.,,,-§§§§ §§§§-,,,.¨