.:~\=@¤¶## ##¶¤@=\~:.
,--:*&@@## ##@@&*:--,
..¨.,\%**£ £**%\,.¨..
¨,»:*%¤#@# #@#¤%*:»,¨
..»:†$@#@# #@#@$†:»..
,,,,,,=^&@ statuette @&^=,,,,,,
¨--\†@¤§@¤ ¤@§¤@†\--¨
.,~†*%¤### ¤%$@@¤**%%§%§@&@»~---~==$%%££%§%%$£%%&¤$ ###¤%*†~,.
.:~\$£@¤#@ $@§£%§%&& @#¤@£$\~:.
¨¨¨¨^~~*£¶ ¶£*~~^¨¨¨¨
¨~»=**£### forests around my childhood home. thick ###£**=»~¨
,.~:†&£@## pine arcades that were planted and ##@£&†:~.,
..»††*£@## forgotten. wild boars roaming ##@£*††»..
,¨,~†^$¤@# underneath, sniffing at the ground. it #@¤$^†~,¨,
¨,-^$%§¶## is dark and moist, the canopy having ##¶§%$^-,¨
,~~=*%£@## already soaked up all the sun. ##@£%*=~~,
,~=^*£## ###&£*^=~,
¨^-††%£¶## there's a river passing by, from east ##¶£%††-^¨
¨~-;\;%¤§# to west, getting broader and deeper and #§¤%;\;-~¨
,^«\^%*¤¶# slower as it goes. equisetum grow just #¶¤*%^\«^,
,¨.~:*%%£# where the pine hands start to let #£%%*:~.¨,
,-~^$$%£§£ through light, horsemint on the rocky £§£%$$^~-,
.^~~~=§**£ river bed. £**§=~~~^.
¨-«;%&¤#@# #@#¤&%;«-¨
.~~;§§£#@# \ #@#£§§;~~.
,¨¨.¨.»=@# #@=».¨.¨¨,
.^~%$§#@## the riverbanks reek of magic. tonight ##@#§$%~^.
¨,,,«~-;†# they had been a swampworld with sylvan #†;-~«,,,¨
¨¨.¨~-=%£& water, stone rings and floating moss. &£%=-~¨.¨¨
.:~^^$££## you could've found me wallowing around ##££$^^~:.
¨...»;/*#& on the southern shores until i got */;»...¨
¨^»/:§†*#@ bitten. @#*†§:/»^¨
,.,«==%§@@ @@§%==«,.,
¨:-:«%†§## but now i'm further back, on solid ##§†%«:-:¨
,,~;§£¤¶@# ground, in shoulder-high grass, with an #@¶¤£§;~,,
¨,~\^££@@# orange tin radio and a translucent #@@££^\~,¨
,:«†=@&£## umbrella which i'm sitting on. ##£&@=†«:,
¨~=†=$&£## ##£&$=†=~¨
¨,~:^£§@@# : #@@§£^:~,¨
...,~~\£¤# #¤£\~~,...
¨-»:^%§£@# somethings moving in the grass. it's #@£§%^:»-¨
.:~*%¤¤@@# invisible to my eyes but i can feel #@@¤¤%*~:.
.,.,¨.=†%# through the ground just how large it is. #%†=.¨,.,.
.¨-,:-*%¶# #¶%*-:,-¨.
¨^=^=%&¶## the soil is muddy. i slip when trying ##¶&%=^=^¨
¨-»/$&§@#¤ to get up, still looking at the ¤#@§&$/»-¨
,.~*§%¤£## direction of sound rather than at my ##£¤%§*~.,
,,^:;*%£@# hands, who are busy putting things in #@£%*;:^,,
¨,..»=£$¤@ my pockets. @¤$£=»..,¨
..»;§*%#¶# #¶#%*§;»..
¨,,^~=^&@# then i run east toward my home. #@&^=~^,,¨
,...--»\*£ £*\»--...,
.,¨,-*$@## * ##@$*-,¨,.
,^»;*¤£@¤£ £¤@£¤*;»^,
..;†£§£### i am not followed, and slow down in the ###£§£†;..
.:»;%@£¶## clearing where you at first can spot ##¶£@%;»:.
.~=††¤$¤@# the house, not yet really in the #@¤$¤††=~.
¨¨,¨,-*¤#& backyard. from my pockets i retrieve my ¤*-,¨,¨¨
..,¨.¨,-^& radio (now dented) but also a small &^-,¨.¨,..
¨,¨¨,,.»†¤ clay figure i've never seen before. it ¤†».,,¨¨,¨
,:~~^-$%§# must have been laying in the wet dirt, #§%$-^~~:,
..,-*^:%$¤ and i must've picked it up with my ¤$%:^*-,..
,.,,¨.^~*# other belongings. #*~^.¨,,.,
,.,¨,¨:†$£ £$†:¨,¨,.,
,..,~%£# it's a statuette of a girl laying naked ##&£%~,..,
,.»/=%&@@# on her stomach, feet in the air, #@@&%=/».,
¨.¨¨,.,*£# roughly seven centimeters long. it's #£*,.,¨¨.¨
¨.~:*£##@# freshly made, not yet completely dried. #@##£*:~.¨
,¨.-*/%¤¤£ £¤¤%/*-.¨,
,^~*§¤§@## my mom is here now. i ask her for some ##@§¤§*~^,
¨~»==*@¶£# particle board for it to dry on, but #£¶@*==»~¨
.^~%£@£### she is worried and wants me to ###£@£%~^.
¨-~:=%##@# throw it away. #@##%=:~-¨
,,~:*§&@¶# #¶@&§*:~,,
.-«;%@@@## ##@@@%;«-.
¨:-/%£#@## ##@#£%/-:¨
..=^†*£### ###£*†^=..
¨,-==£&@## ##@&£==-,¨
,.¨.:,-%$¤ ¤$%-,:.¨.,