.,~†^£#@@# #@@#£^†~,.
¨.,-»;$%@§ §@%$;»-,.¨
.^=^%£@### ###@£%^=^.
,,»†§£#@ @#£#&§†»,,
¨¨,,¨,«:%£ £%:«,¨,,¨¨
,--;%$$#£# statuette #£#$$%;--,
¨¨,,¨~**¤£ £¤**~¨,,¨¨
.-~**§§¶## %§£%@&%&£$@*@&%@--~«=»«-%@¤*£¤£*$%@£¤££% ##¶§§**~-.
.~~~/*$@#@ *%$&@*%&% @#@$*/~~~.
¨.~/*%£#@# #@#£%*/~.¨
¨....::¤£# forests around my childhood home. thick #£¤::....¨
¨:-:$££¶## pine arcades that were planted and ##¶££$:-:¨
.,~†%££¶¶# forgotten. wild boars roaming #¶¶££%†~,.
.~«\*&£& underneath, sniffing at the ground. it &£#&&*\«~.
,-~†*£@£## is dark and moist, the canopy having ##£@£*†~-,
..~=~»*%@@ already soaked up all the sun. @@%*»~=~..
.,¨-.~=*#¤ ¤#*=~.-¨,.
,.,¨-†£§£@ there's a river passing by, from east @£§£†-¨,.,
.~»†$%#¤¶@ to west, getting broader and deeper and @¶¤#%$†»~.
¨-=:%%#### slower as it goes. equisetum grow just ####%%:=-¨
.¨..:~*¤£& where the pine hands start to let &£¤*~:..¨.
,.»\%*&@## through light, horsemint on the rocky ##@&*%\».,
,^-\=¤§@## river bed. ##@§¤=\-^,
¨,~:$@#@## ##@#@$:~,¨
.,¨.~^%£¤& = &¤£%^~.¨,.
¨~»†*£#@## ##@#£*†»~¨
.~*†$##### the riverbanks reek of magic. tonight #####$†*~.
..,¨¨.,~=§ they had been a swampworld with sylvan §=~,.¨¨,..
¨.»:%$£@## water, stone rings and floating moss. ##@£$%:».¨
.-~^†%§££¶ you could've found me wallowing around ¶££§%†^~-.
.,¨.~^%@¤¶ on the southern shores until i got ¶¤@%^~.¨,.
¨:-\%@§#@# bitten. #@#§@%\-:¨
¨¨,^~§£@## ##@£§~^,¨¨
,¨.,,^:=£@ but now i'm further back, on solid @£=:^,,.¨,
~~;$*#£### ground, in shoulder-high grass, with an ###£#*$;~~
¨¨~=;†$£@¶ orange tin radio and a translucent ¶@£$†;=~¨¨
,..,=†*@§@ umbrella which i'm sitting on. @§@*†=,..,
..,.,=-«†¤ ¤†«-=,.,..
.,.¨.==*## : ##*==.¨.,.
¨¨¨~,\\*$¶ ¶$*\\,~¨¨¨
,,=;%@&@## somethings moving in the grass. it's ##@&@%;=,,
¨,=/*$§@## invisible to my eyes but i can feel ##@§$*/=,¨
.~~:$&@@## through the ground just how large it is. ##@@&$:~~.
,,~=*=%£§& &§£%=*=~,,
¨~=\*£#@## the soil is muddy. i slip when trying ##@#£*\=~¨
,^~-==†§¶# to get up, still looking at the #¶§†==-~^,
,:»=$$&@## direction of sound rather than at my ##@&$$=»:,
.,.¨--§^#£ hands, who are busy putting things in £#^§--¨.,.
¨^~/$§@@## my pockets. ##@@§$/~^¨
,.~\=%£@## ##@£%=\~.,
.,»=%@@# then i run east toward my home. #@@#&%=»,.
.~-*§@§£@# #@£§@§*-~.
¨¨,.\%%£#@ / @#£%%\.,¨¨
,,=*=%§### ###§%=*=,,
,~~\†$¤#@# i am not followed, and slow down in the #@#¤$†\~~,
.~«*%¤§@## clearing where you at first can spot ##@§¤%*«~.
..^,~/†££@ the house, not yet really in the @££†/~,^..
¨.¨,,¨«†§@ backyard. from my pockets i retrieve my @§†«¨,,¨.¨
¨,¨,¨,/;*¤ radio (now dented) but also a small ¤*;/,¨,¨,¨
,:»;%¤¤#@# clay figure i've never seen before. it #@#¤¤%;»:,
,^~*£§¶### must have been laying in the wet dirt, ###¶§£*~^,
¨^~^%§@### and i must've picked it up with my ###@§%^~^¨
,:-/**&@@# other belongings. #@@&**/-:,
,¨,¨¨¨~*%@ @%*~¨¨¨,¨,
.~~=%%$£#@ it's a statuette of a girl laying naked @#£$%%=~~.
,~~«»*%&@@ on her stomach, feet in the air, @@&%*»«~~,
¨,,..^=†*@ roughly seven centimeters long. it's @*†=^..,,¨
..~^*£#### freshly made, not yet completely dried. ####£*^~..
.^«†*£@£## ##£@£*†«^.
¨,,»«%§$£# my mom is here now. i ask her for some #£$§%«»,,¨
.:»**£&@## particle board for it to dry on, but ##@&£**»:.
,:«^*%@@@# she is worried and wants me to #@@@%*^«:,
.,~;§%£### throw it away. ###£%§;~,.
¨,^~,,;^%¤ ¤%^;,,~^,¨
¨^==§$§¶@# #@¶§$§==^¨
,,--;/*££# #££*/;--,,
¨:-†$%§$## ##$§%$†-:¨
.,,,~\†& &†\~,,,.
¨^~:*@@### ###@@*:~^¨