.~»^%$#### ####$%^»~.
¨,-^%^$#§# #§#$^%^-,¨
¨,-=;†%§£# #£§%†;=-,¨
,:»^*@#¶@# #@¶#@*^»:,
.-»;%*@# #@#&*%;»-.
,.,..,«**# statuette #**«,..,.,
.^=^^*&@#£ £#@&*^^=^.
.-.~»~†%¤@ ¤$§*@£*£££¤$£$%@~-~-~=»«§$*&££$&**£%*¤¤@ @¤%†~»~.-.
¨,,.^†^$&¶ %%$¤¤*§@$ ¶&$^†^.,,¨
.,~*§%@### ###@%§*~,.
.¨.,¨~-=%# forests around my childhood home. thick #%=-~¨,.¨.
.^~:^*@@ pine arcades that were planted and @@#&*^:~^.
,.»:=&&@@# forgotten. wild boars roaming #@@&&=:».,
....¨.-*&§ underneath, sniffing at the ground. it §&*-.¨....
¨~~=%@&£## is dark and moist, the canopy having ##£&@%=~~¨
¨.=*$$&@@# already soaked up all the sun. #@@&$$*=.¨
,,¨¨.^,†=¤ ¤=†,^.¨¨,,
¨^.--^/†¤§ there's a river passing by, from east §¤†/^--.^¨
,~=:=¤#@## to west, getting broader and deeper and ##@#¤=:=~,
.^-=^¤§£## slower as it goes. equisetum grow just ##£§¤^=-^.
¨¨¨,.^†$@# where the pine hands start to let #@$†^.,¨¨¨
¨-«=†§@### through light, horsemint on the rocky ###@§†=«-¨
.,«:=££### river bed. ###££=:«,.
¨..,«~~%¤@ @¤%~~«,..¨
,.-\%$*### : ###*$%\-.,
.^=/%%@### ###@%%/=^.
.,=*†%§@## the riverbanks reek of magic. tonight ##@§%†*=,.
..¨.,^\¤@# they had been a swampworld with sylvan #@¤\^,.¨..
.,-»«~%¤§@ water, stone rings and floating moss. @§¤%~«»-,.
,.¨,~~==££ you could've found me wallowing around ££==~~,¨.,
¨-«=%*¤@## on the southern shores until i got ##@¤*%=«-¨
,^~/%$&@## bitten. ##@&$%/~^,
¨.»\%*¤@## ##@¤*%\».¨
¨-«\†£@@#@ but now i'm further back, on solid @#@@£†\«-¨
,.¨,,¨.~†§ ground, in shoulder-high grass, with an §†~.¨,,¨.,
¨..,=«^=§# orange tin radio and a translucent #§=^«=,..¨
.¨.,~=^%@@ umbrella which i'm sitting on. @@%^=~,.¨.
..:,=††=@¤ ¤@=††=,:..
,,¨...:/^¤ ; ¤^/:...¨,,
.,¨,:,~:*# #*:~,:,¨,.
.,¨-»~;¤ somethings moving in the grass. it's #&¤;~»-¨,.
...,-«*§#¶ invisible to my eyes but i can feel ¶#§*«-,...
¨--*†¤¤##@ through the ground just how large it is. @##¤¤†*--¨
...,^**§¤@ @¤§**^,...
.,~;§££££@ the soil is muddy. i slip when trying @££££§;~,.
.:~^*%$¤&@ to get up, still looking at the @&¤$%*^~:.
,^«=§*§### direction of sound rather than at my ###§*§=«^,
¨,~;*¤@£## hands, who are busy putting things in ##£@¤*;~,¨
,:~==$&¶## my pockets. ##¶&$==~:,
¨¨¨.:*¤££@ @££¤*:.¨¨¨
¨,»/%&§### then i run east toward my home. ###§&%/»,¨
¨,»;=$###@ @###$=;»,¨
,¨~~~»†£@# / #@£†»~~~¨,
.^~**&&@@# #@@&&**~^.
,¨.:~*$*§@ i am not followed, and slow down in the @§*$*~:.¨,
,,=*$$§@@# clearing where you at first can spot #@@§$$*=,,
¨,==^££@## the house, not yet really in the ##@££^==,¨
.,.¨,-†^@# backyard. from my pockets i retrieve my #@^†-,¨.,.
,,=/%£¤@## radio (now dented) but also a small ##@¤£%/=,,
.¨,-»†*%#@ clay figure i've never seen before. it @#%*†»-,¨.
.¨¨¨¨,,~*£ must have been laying in the wet dirt, £*~,,¨¨¨¨.
,,«\$$£##@ and i must've picked it up with my @##£$$\«,,
,.¨¨«\$$@¤ other belongings. ¤@$$\«¨¨.,
¨.,¨:-~%§£ £§%~-:¨,.¨
.~=^†%@### it's a statuette of a girl laying naked ###@%†^=~.
¨-~/$£¤££@ on her stomach, feet in the air, @££¤£$/~-¨
¨:~»-~%%¤@ roughly seven centimeters long. it's @¤%%~-»~:¨
¨^~^%$&@@# freshly made, not yet completely dried. #@@&$%^~^¨
.^~/;†%§¶# #¶§%†;/~^.
,,»^=£##@# my mom is here now. i ask her for some #@##£=^»,,
,.«^%@£### particle board for it to dry on, but ###£@%^«.,
,.~/*%*%@# she is worried and wants me to #@%*%*/~.,
¨~-*=@*@ throw it away. #&@*@=*-~¨
.--:*&@@## ##@@&*:--.
,-==$$&£## ##£&$$==-,
.¨.¨.«=^§¶ ¶§^=«.¨.¨.
..-;$£@£## ##£@£$;-..
¨:»\%£##@# #@##£%\»:¨
¨^»*§@&@@# #@@&@§*»^¨