,.,.,~«* #&*«~,.,.,
.,»\^£¤@§£ £§@¤£^\»,.
¨^-=%£¤¶@# #@¶¤£%=-^¨
¨.==*%@£## ##£@%*==.¨
..~\†&&@## ##@&&†\~..
¨.~\%¤&@## statuette ##@&¤%\~.¨
¨,,..,~/*& &*/~,..,,¨
.,~†=#£@## £%£§%&*%&£&%£££&===~~=~«&¤%%&£§@£%¤££££& ##@£#=†~,.
¨^-~*=&§¶# ¤*$@¤@@%£ #¶§&=*~-^¨
,~:^:†/%$@ @$%/†:^:~,
.~~^*§@@#¶ forests around my childhood home. thick ¶#@@§*^~~.
,,.¨¨^~*&¶ pine arcades that were planted and ¶&*~^¨¨.,,
,.¨.¨,:=$£ forgotten. wild boars roaming £$=:,¨.¨.,
¨,.«:§£%§# underneath, sniffing at the ground. it #§%£§:«.,¨
¨-«†%£¶@## is dark and moist, the canopy having ##@¶£%†«-¨
¨~»†*### already soaked up all the sun. ####&*†»~¨
,-~/*§=*§¶ ¶§*=§*/~-,
...,¨.-;%@ there's a river passing by, from east @%;-.¨,...
¨,=†%&££@# to west, getting broader and deeper and #@££&%†=,¨
¨--†%*@### slower as it goes. equisetum grow just ###@*%†--¨
.,,.¨¨~$§& where the pine hands start to let &§$~¨¨.,,.
¨^»/=*@@## through light, horsemint on the rocky ##@@*=/»^¨
,,»\=&¶# river bed. #¶#&&=\»,,
.,~;^@@@## ##@@@^;~,.
.:-:%$¤¶## ; ##¶¤$%:-:.
.-~/%£§### ###§£%/~-.
¨¨...^\%&¤ the riverbanks reek of magic. tonight ¤&%\^...¨¨
,~-;=&£@## they had been a swampworld with sylvan ##@£&=;-~,
.,-:%§#¶## water, stone rings and floating moss. ##¶#§%:-,.
¨.~\$*§### you could've found me wallowing around ###§*$\~.¨
,.-*^%#@@# on the southern shores until i got #@@#%^*-.,
.,,.«/=%^& bitten. &^%=/«.,,.
¨,»*§£## ###&£§*»,¨
,,-/^*§@£@ but now i'm further back, on solid @£@§*^/-,,
,¨.,,~*$## ground, in shoulder-high grass, with an ##$*~,,.¨,
,,,,\*^%## orange tin radio and a translucent ##%^*\,,,,
,-~;%$$££§ umbrella which i'm sitting on. §££$$%;~-,
,:-^§$&@## ##@&$§^-:,
.,¨..~/§§# \ #§§/~..¨,.
,..¨--=¤§¶ ¶§¤=--¨..,
.¨..»»§$§@ somethings moving in the grass. it's @§$§»»..¨.
,..,-~-^¤§ invisible to my eyes but i can feel §¤^-~-,..,
¨^»/%§£### through the ground just how large it is. ###£§%/»^¨
¨^~^$¤§#@# #@#§¤$^~^¨
.¨,,.,:=^¤ the soil is muddy. i slip when trying ¤^=:,.,,¨.
..,,.:=$£# to get up, still looking at the #£$=:.,,..
.¨,.,¨-%*¤ direction of sound rather than at my ¤*%-¨,.,¨.
¨^«/*£#@## hands, who are busy putting things in ##@#£*/«^¨
,~~;*%#£@# my pockets. #@£#%*;~~,
,^«*^%§£## ##£§%^*«^,
.~»:%&£¶## then i run east toward my home. ##¶£&%:»~.
,,,¨¨-=%@¶ ¶@%=-¨¨,,,
,~~*%%@##@ \ @##@%%*~~,
,:~^%$§@## ##@§$%^~:,
¨,«†*¤¤### i am not followed, and slow down in the ###¤¤*†«,¨
¨,~/*$£¶## clearing where you at first can spot ##¶£$*/~,¨
¨:=/=£§¤¤# the house, not yet really in the #¤¤§£=/=:¨
¨:«:§¤££## backyard. from my pockets i retrieve my ##££¤§:«:¨
~~†*$§£### radio (now dented) but also a small ###£§$*†~~
,~=/%&@### clay figure i've never seen before. it ###@&%/=~,
,,,^=:%&@¤ must have been laying in the wet dirt, ¤@&%:=^,,,
.~~\*@#### and i must've picked it up with my ####@*\~~.
¨.,..::$¤# other belongings. #¤$::..,.¨
.,-†$@*&£@ @£&*@$†-,.
...¨..^/*& it's a statuette of a girl laying naked &*/^..¨...
¨,¨.¨«/$#& on her stomach, feet in the air, $/«¨.¨,¨
..-;$&¤£@# roughly seven centimeters long. it's #@£¤&$;-..
¨:~*$$&§¤@ freshly made, not yet completely dried. @¤§&$$*~:¨
¨,«\§%&@## ##@&%§\«,¨
¨¨¨.-«$*¤& my mom is here now. i ask her for some &¤*$«-.¨¨¨
¨,~.:†@§¶@ particle board for it to dry on, but @¶§@†:.~,¨
¨^-†§££@## she is worried and wants me to ##@££§†-^¨
¨,~^*£§¶## throw it away. ##¶§£*^~,¨
,.~;^§¤¤&¶ ¶&¤¤§^;~.,
.,«†$§¤### ###¤§$†«,.
,,»††&£#@# #@#£&††»,,
.-~:=¤£¶#¶ ¶#¶£¤=:~-.
.,~†$&&@@# #@@&&$†~,.
¨-~*$£§@## ##@§£$*~-¨