,~-\=%&@@# #@@&%=\-~,
¨,-~\*$££# #££$*\~-,¨
,~«/=$@### ###@$=/«~,
.~-\*£&£## ##£&£*\-~.
¨^-=*£££@# #@£££*=-^¨
¨.¨,.»~%¤@ statuette @¤%~».,¨.¨
,~-:†@¤§#@ @#§¤@†:-~,
¨.~\%$#@## $$%&§££*%££$$$$$~~~=~-~~§&%*$£$%&§§%*$%£ ##@#$%\~.¨
.^-\§@£##@ $@%*§£*&% @##£@§\-^.
,.¨,,:;%¶£ £¶%;:,,¨.,
,-=/$§@### forests around my childhood home. thick ###@§$/=-,
.,~:*/$$@£ pine arcades that were planted and £@$$/*:~,.
¨,,~-=:&&& forgotten. wild boars roaming &&&:=-~,,¨
¨:~»~^%£#& underneath, sniffing at the ground. it £%^~»~:¨
,^»;§&£¤@# is dark and moist, the canopy having #@¤£&§;»^,
.¨,.¨.^†§# already soaked up all the sun. #§†^.¨.,¨.
,¨¨.«*%£&£ £&£%*«.¨¨,
,..~,»//%£ there's a river passing by, from east £%//»,~..,
¨:~†=^^£§# to west, getting broader and deeper and #§£^^=†~:¨
¨^«=«/*@## slower as it goes. equisetum grow just ##@*/«=«^¨
.,~†*$@# where the pine hands start to let #@#&$*†~,.
¨.~/§%§### through light, horsemint on the rocky ###§%§/~.¨
¨¨,,-†%$§# river bed. #§$%†-,,¨¨
.,-;$§$¤¤# #¤¤$§$;-,.
¨,,,:*$†£@ : @£†$*:,,,¨
,.,¨.,^:§§ §§:^,.¨,.,
,~=\=£¶### the riverbanks reek of magic. tonight ###¶£=\=~,
¨¨,,,=;@#£ they had been a swampworld with sylvan £#@;=,,,¨¨
,,~*%%¤#@# water, stone rings and floating moss. #@#¤%%*~,,
,¨,.,~:*¤@ you could've found me wallowing around @¤*:~,.,¨,
¨..¨-~%¤@# on the southern shores until i got #@¤%~-¨..¨
¨,..,~^^@@ bitten. @@^^~,..,¨
,..¨.,:\$£ £$\:,.¨..,
,,,.~\%&§£ but now i'm further back, on solid £§&%\~.,,,
¨¨,,,»~*£@ ground, in shoulder-high grass, with an @£*~»,,,¨¨
¨~-/*§#@## orange tin radio and a translucent ##@#§*/-~¨
,,¨^»»*%@@ umbrella which i'm sitting on. @@%*»»^¨,,
¨.,¨.^†¤££ ££¤†^.¨,.¨
¨-«\§§&¶@# * #@¶&§§\«-¨
.,~=%$@£## ##£@$%=~,.
.,=*%£&¶## somethings moving in the grass. it's ##¶&£%*=,.
.,:-,/^%§# invisible to my eyes but i can feel #§%^/,-:,.
¨..¨=†§$¤# through the ground just how large it is. #¤$§†=¨..¨
¨.=\*@#### ####@*\=.¨
¨.-;$%¤¶## the soil is muddy. i slip when trying ##¶¤%$;-.¨
¨.,.¨,~~%# to get up, still looking at the #%~~,¨.,.¨
.¨,~.-%% direction of sound rather than at my #&%%-.~,¨.
.,,¨.¨,~$¤ hands, who are busy putting things in ¤$~,¨.¨,,.
.,.,,»^%#§ my pockets. §#%^»,,.,.
¨,~;*### ####&*;~,¨
.,=†^$#@@# then i run east toward my home. #@@#$^†=,.
¨~-\$%&&£# #£&&%$\-~¨
.:»†%%@¶## / ##¶@%%†»:.
,.«/$%@¶## ##¶@%$/«.,
¨,-;%@¤#@# i am not followed, and slow down in the #@#¤@%;-,¨
,,»^%$£@#@ clearing where you at first can spot @#@£$%^»,,
¨.-~^^^$%# the house, not yet really in the #%$^^^~-.¨
,~~/†@#@## backyard. from my pockets i retrieve my ##@#@†/~~,
.,¨-=%%&£@ radio (now dented) but also a small @£&%%=-¨,.
.-~/%£#¶## clay figure i've never seen before. it ##¶#£%/~-.
..-\*¤#¶## must have been laying in the wet dirt, ##¶#¤*\-..
.,::~=*##£ and i must've picked it up with my £##*=~::,.
¨,«=*$#@ other belongings. @##&$*=«,¨
¨,«=^%¤### ###¤%^=«,¨
¨.-^§$## it's a statuette of a girl laying naked ###&$§^-.¨
¨.,:/§%¤¶@ on her stomach, feet in the air, @¶¤%§/:,.¨
,~«\%$¶### roughly seven centimeters long. it's ###¶$%\«~,
¨-~=\;*£%@ freshly made, not yet completely dried. @%£*;\=~-¨
,:~=$%†### ###†%$=~:,
...¨:-=*## my mom is here now. i ask her for some ##*=-:¨...
¨^«=$£§¶## particle board for it to dry on, but ##¶§£$=«^¨
¨,~/*%££## she is worried and wants me to ##££%*/~,¨
¨¨,¨.-^%¤¤ throw it away. ¤¤%^-.¨,¨¨
..=\^*@### ###@*^\=..
¨-,.^:=^@& &@^=:^.,-¨
¨..,«^%%§£ £§%%^«,..¨
,~:$¤¤#@## ##@#¤¤$:~,
,,¨.,;\/§§ §§/\;,.¨,,
,.¨¨=-:*§@ @§*:-=¨¨.,