¨:»††¤£@## ##@£¤††»:¨
,¨,=^%%£@@ @@£%%^=,¨,
.~-/%§@### ###@§%/-~.
,¨^=†^£#£# #£#£^†=^¨,
.,»†§@## ##@#&§†»,.
.¨~~/%$@@# statuette #@@$%/~~¨.
¨,~\*£§¶## ##¶§£*\~,¨
.,,«=†$¤@# ££$£¤$£*£§%&$&&¤»=-=~~~~*§§£%**%§@@§%**¤ #@¤$†=«,,.
,,===%@¶## %£%$$%%§¤ ##¶@%===,,
¨¨^«*^%#¶@ @¶#%^*«^¨¨
,~~^†£¤¶@# forests around my childhood home. thick #@¶¤£†^~~,
,.:«*$$¤## pine arcades that were planted and ##¤$$*«:.,
,.~:$§£¶@# forgotten. wild boars roaming #@¶£§$:~.,
¨,:=:$$§£# underneath, sniffing at the ground. it #£§$$:=:,¨
..~†=&§@## is dark and moist, the canopy having ##@§&=†~..
¨,-~/§%§#@ already soaked up all the sun. @#§%§/~-,¨
.--;§¤@@## ##@@¤§;--.
¨.^«;*%@## there's a river passing by, from east ##@%*;«^.¨
..«\^£## to west, getting broader and deeper and ###&£^\«..
.,,»*§*§@@ slower as it goes. equisetum grow just @@§*§*»,,.
¨-«;$*#£## where the pine hands start to let ##£#*$;«-¨
...«††£##@ through light, horsemint on the rocky @##£††«...
,,=;%$@@## river bed. ##@@$%;=,,
¨,,~^^§#¶@ @¶#§^^~,,¨
¨--**%§@## * ##@§%**--¨
,¨-=:^¤#£@ @£#¤^:=-¨,
,.«/%%§@@# the riverbanks reek of magic. tonight #@@§%%/«.,
,,,~;=¤£@# they had been a swampworld with sylvan #@£¤=;~,,,
.:~:%*§### water, stone rings and floating moss. ###§*%:~:.
,.,~^=¤&¶# you could've found me wallowing around #¶&¤=^~,.,
.^»^†@@@## on the southern shores until i got ##@@@†^»^.
.,:=*†$¤¶# bitten. #¶¤$†*=:,.
¨,-/^%@@## ##@@%^/-,¨
,.,~†=%£## but now i'm further back, on solid ##£%=†~,.,
,.=††$§### ground, in shoulder-high grass, with an ###§$††=.,
..,-††¤§@# orange tin radio and a translucent #@§¤††-,..
.:=:$%£### umbrella which i'm sitting on. ###£%$:=:.
¨,:-*†££¶@ @¶££†*-:,¨
¨^=^=¤&¶@# = #@¶&¤=^=^¨
,,-==%£#¶# #¶#£%==-,,
,,==†§@¶## somethings moving in the grass. it's ##¶@§†==,,
,,~=:^£#@# invisible to my eyes but i can feel #@#£^:=~,,
¨.»=§@@# through the ground just how large it is. #@#&@§=».¨
¨,^»\=&££# #££&=\»^,¨
¨-==†§&¶@# the soil is muddy. i slip when trying #@¶&§†==-¨
..-~*=%¤## to get up, still looking at the ##¤%=*~-..
.,~†*@&£@# direction of sound rather than at my #@£&@*†~,.
,,-==†£¤¶# hands, who are busy putting things in #¶¤£†==-,,
¨~«/^$£### my pockets. ###£$^/«~¨
,¨^~††%&@# #@&%††~^¨,
¨,«†$¤#### then i run east toward my home. ####¤$†«,¨
¨,,-=§%§£@ @£§%§=-,,¨
,.«/=%#£@# = #@£#%=/«.,
,.-«;%&£#@ @#£&%;«-.,
,.«^%$£¶@# i am not followed, and slow down in the #@¶£$%^«.,
.¨:»/%@#¶# clearing where you at first can spot #¶#@%/»:¨.
¨:=^$§§£## the house, not yet really in the ##£§§$^=:¨
.,.-\§£@@@ backyard. from my pockets i retrieve my @@@£§\-.,.
¨^~/%%## radio (now dented) but also a small ###&%%/~^¨
,.~»=^£@## clay figure i've never seen before. it ##@£^=»~.,
,~~;%%¤@@# must have been laying in the wet dirt, #@@¤%%;~~,
..-~=%@@¶# and i must've picked it up with my #¶@@%=~-..
¨:=/%$##@# other belongings. #@##$%/=:¨
¨¨^~\*@#£# #£#@*\~^¨¨
.~=†§$## it's a statuette of a girl laying naked ###&$§†=~.
.,.=\$¤¤£# on her stomach, feet in the air, #£¤¤$\=.,.
.~~;$&§£@# roughly seven centimeters long. it's #@£§&$;~~.
..,-;%££## freshly made, not yet completely dried. ##££%;-,..
..«;*¤¤### ###¤¤*;«..
.¨.-;§*£#@ my mom is here now. i ask her for some @#£*§;-.¨.
,~~:†£@### particle board for it to dry on, but ###@£†:~~,
¨¨~=/*¤§@# she is worried and wants me to #@§¤*/=~¨¨
¨~»=%£@£## throw it away. ##£@£%=»~¨
¨¨,-†=%¤@# #@¤%=†-,¨¨
¨~-=%$#¶## ##¶#$%=-~¨
,¨.~^$%# ##&%$^~.¨,
.-»^†*&¶@# #@¶&*†^»-.
¨.-«;%%### ###%%;«-.¨
,~=†%£@¶## ##¶@£%†=~,