,^~/%£§@@# #@@§£%/~^,
.~~/*&§### ###§&*/~~.
..,,.^,=§# #§=,^.,,..
.:»=$£#### ####£$=»:.
,,¨,:%=§§# #§§=%:,¨,,
..-\$£#¶@# statuette #@¶#£$\-..
.¨.::~%@§# #§@%~::.¨.
.,~\†$§### %£*££&§£$¤*%§%¤%~»~=~-»~$$$$¤£$§%&££*¤££ ###§$†\~,.
¨^~~:=%# $&&@$&$$% ##&%=:~~^¨
.,=†%*¶@## ##@¶*%†=,.
.,-††$£@## forests around my childhood home. thick ##@£$††-,.
,~«*†*£¶## pine arcades that were planted and ##¶£*†*«~,
.:«;^$¤##@ forgotten. wild boars roaming @##¤$^;«:.
¨^~=%$&@## underneath, sniffing at the ground. it ##@&$%=~^¨
.,^-;*%%@@ is dark and moist, the canopy having @@%%*;-^,.
.-»**£¤@## already soaked up all the sun. ##@¤£**»-.
,,:*£¤@### ###@¤£*:,,
,.,,,,««%§ there's a river passing by, from east §%««,,,,.,
,~~\$@¤### to west, getting broader and deeper and ###¤@$\~~,
.¨,,»**£§@ slower as it goes. equisetum grow just @§£**»,,¨.
¨,~:*§## where the pine hands start to let ###&§*:~,¨
,--=%%@£#@ through light, horsemint on the rocky @#£@%%=--,
,,«*^@@@## river bed. ##@@@^*«,,
...¨.¨¨~%@ @%~¨¨.¨...
..¨.,*§&@# : #@&§*,.¨..
...,,.†^*¤ ¤*^†.,,...
,-~*%§#£ the riverbanks reek of magic. tonight £#§#&%*~-,
,,=**£¤¶## they had been a swampworld with sylvan ##¶¤£**=,,
,-~\%@£¶@# water, stone rings and floating moss. #@¶£@%\~-,
.~«^%§§### you could've found me wallowing around ###§§%^«~.
¨,,.«^†† on the southern shores until i got #&††^«.,,¨
.¨¨,,;%¤@# bitten. #@¤%;,,¨¨.
.¨,»~»»/%¶ ¶%/»»~»,¨.
.,.,¨..†%£ but now i'm further back, on solid £%†..¨,.,.
.,-†%££*%£ ground, in shoulder-high grass, with an £%*££%†-,.
.,,,^~\$@£ orange tin radio and a translucent £@$\~^,,,.
,,,.«:=§£# umbrella which i'm sitting on. #£§=:«.,,,
..~\%@¤¶## ##¶¤@%\~..
.,==*&## ^ ###&&*==,.
¨,,¨~^\=*# #*=\^~¨,,¨
¨¨.¨./:†£# somethings moving in the grass. it's #£†:/.¨.¨¨
,,~:=$&@@# invisible to my eyes but i can feel #@@&$=:~,,
,,~=^££@## through the ground just how large it is. ##@££^=~,,
,¨:,†;=%@£ £@%=;†,:¨,
¨,¨-»=§§@# the soil is muddy. i slip when trying #@§§=»-¨,¨
,,.,.,:@%@ to get up, still looking at the @%@:,.,.,,
.,.¨:«$@¤# direction of sound rather than at my #¤@$«:¨.,.
,.:,\^$@£# hands, who are busy putting things in #£@$^\,:.,
,--=†*§### my pockets. ###§*†=--,
¨~-:§*¤@#@ @#@¤*§:-~¨
..,,.~=&@@ then i run east toward my home. @@&=~.,,..
,¨,¨¨.=†%@ @%†=.¨¨,¨,
.,=;%$¤### * ###¤$%;=,.
..¨~,~~:$& &$:~~,~¨..
,-»;*$@### i am not followed, and slow down in the ###@$*;»-,
,^-/%%#¶@# clearing where you at first can spot #@¶#%%/-^,
¨..,,=;*£¶ the house, not yet really in the ¶£*;=,,..¨
¨.=††$¤¶@# backyard. from my pockets i retrieve my #@¶¤$††=.¨
¨~-=†£¤@## radio (now dented) but also a small ##@¤£†=-~¨
.,,,¨.,==¤ clay figure i've never seen before. it ¤==,.¨,,,.
.,«†=£#@## must have been laying in the wet dirt, ##@#£=†«,.
¨--^*£@### and i must've picked it up with my ###@£*^--¨
¨,--»*†%§¤ other belongings. ¤§%†*»--,¨
¨,»=*&§@@# #@@§&*=»,¨
.^=/=*§### it's a statuette of a girl laying naked ###§*=/=^.
.:^$$@#### on her stomach, feet in the air, ####@$$^:.
.¨.-††%%¤# roughly seven centimeters long. it's #¤%%††-.¨.
.--=†&&@## freshly made, not yet completely dried. ##@&&†=--.
¨~=;^££### ###££^;=~¨
¨:~/%§@%@# my mom is here now. i ask her for some #@%@§%/~:¨
.-»**£@@## particle board for it to dry on, but ##@@£**»-.
¨:~\$%&¤£# she is worried and wants me to #£¤&%$\~:¨
..,.,~\§@@ throw it away. @@§\~,.,..
.-:-*§*%## ##%*§*-:-.
..¨.¨,/%%§ §%%/,¨.¨..
.,«^%$&£@# #@£&$%^«,.
¨,«/§¤%¤£§ §£¤%¤§/«,¨
,,~=§$§@@# #@@§$§=~,,
.¨...,==$& &$==,...¨.