.^~=\*†=££ ££=†*\=~^.
¨,.,~~†%§# #§%†~~,.,¨
,¨¨..^=:%£ £%:=^..¨¨,
.~-*§§#### ####§§*-~.
,.-/$£#@## ##@#£$/-.,
,,«**¤@### statuette ###@¤**«,,
.^»=*£§### ###§£*=»^.
.:-:%$&¶## $@££$¤$@&@%&£§¤@~«-=«-~~@%§§@£*£%§&¤££$& ##¶&$%:-:.
.:«:§*#£## £%§@££$¤¤ ##£#*§:«:.
,¨,,^«$§^# #^§$«^,,¨,
,.»*$£§¶## forests around my childhood home. thick ##¶§£$*».,
,.=\^§¤#@# pine arcades that were planted and #@#¤§^\=.,
¨,^~/*==§@ forgotten. wild boars roaming @§==*/~^,¨
.~~=%££¶@# underneath, sniffing at the ground. it #@¶££%=~~.
..¨.,†^£#¶ is dark and moist, the canopy having ¶#£^†,.¨..
¨.~~^**@%£ already soaked up all the sun. £%@**^~~.¨
,:~=%¤§@## ##@§¤%=~:,
.,«/=$@@## there's a river passing by, from east ##@@$=/«,.
¨.,..,=**¤ to west, getting broader and deeper and ¤**=,..,.¨
.-~\*%@@## slower as it goes. equisetum grow just ##@@%*\~-.
.¨¨¨,--§^§ where the pine hands start to let §^§--,¨¨¨.
.:~†%#¶@## through light, horsemint on the rocky ##@¶#%†~:.
,,-\%$@£## river bed. ##£@$%\-,,
.~=;†%§¶## ##¶§%†;=~.
.^-==$£@## : ##@£$==-^.
,,¨^**§%¤¶ ¶¤%§**^¨,,
,~=:*$$¤¤& the riverbanks reek of magic. tonight &¤¤$$*:=~,
.,¨~-=^$¶# they had been a swampworld with sylvan #¶$^=-~¨,.
¨,.¨../*§@ water, stone rings and floating moss. @§*/..¨.,¨
¨^=†§§¤&¤@ you could've found me wallowing around @¤&¤§§†=^¨
¨,¨..«%%$@ on the southern shores until i got @$%%«..¨,¨
..-;^&¤@## bitten. ##@¤&^;-..
,.~\^*£### ###£*^\~.,
.¨..,-»*@@ but now i'm further back, on solid @@*»-,..¨.
.-«\%§#£¶@ ground, in shoulder-high grass, with an @¶£#§%\«-.
.:»:=£@@¶# orange tin radio and a translucent #¶@@£=:»:.
,^~;§%§¶## umbrella which i'm sitting on. ##¶§%§;~^,
.¨.¨¨,/&@# #@&/,¨¨.¨.
.,»;=¤¤£## \ ##£¤¤=;»,.
,.«;*$¤@@# #@@¤$*;«.,
.,«^$$#¶@# somethings moving in the grass. it's #@¶#$$^«,.
,,»=%$£#@# invisible to my eyes but i can feel #@#£$%=»,,
.,»\§@§@@# through the ground just how large it is. #@@§@§\»,.
¨-~:=§&¶## ##¶&§=:~-¨
¨.«=*@£@## the soil is muddy. i slip when trying ##@£@*=«.¨
,,=*%§¤#@# to get up, still looking at the #@#¤§%*=,,
,-~:^%&*## direction of sound rather than at my ##*&%^:~-,
¨¨.,:=;*¤# hands, who are busy putting things in #¤*;=:,.¨¨
¨.¨¨-;*$¤& my pockets. &¤$*;-¨¨.¨
¨,«;**#### ####**;«,¨
.:»:*%¤@@# then i run east toward my home. #@@¤%*:»:.
¨.,,¨-†%¤# #¤%†-¨,,.¨
¨,«=^$@£## : ##£@$^=«,¨
.^=†^$%¤¶@ @¶¤%$^†=^.
.¨¨.~~/†*# i am not followed, and slow down in the #*†/~~.¨¨.
,¨¨,,***$@ clearing where you at first can spot @$***,,¨¨,
,,~:§$¤### the house, not yet really in the ###¤$§:~,,
¨-~**@## backyard. from my pockets i retrieve my ##@#&**~-¨
,..:^~^¤@& radio (now dented) but also a small &@¤^~^:..,
,.,,..,=$§ clay figure i've never seen before. it §$=,..,,.,
,^~/$@£@## must have been laying in the wet dirt, ##@£@$/~^,
¨:=:†*=^$£ and i must've picked it up with my £$^=*†:=:¨
¨¨.,..¨~*£ other belongings. £*~¨..,.¨¨
,-=*%¤&@@# #@@&¤%*=-,
..¨=^†*$#@ it's a statuette of a girl laying naked @#$*†^=¨..
,:~=†$¤£@# on her stomach, feet in the air, #@£¤$†=~:,
¨,..,==*=§ roughly seven centimeters long. it's §=*==,..,¨
..:~-^=%%£ freshly made, not yet completely dried. £%%=^-~:..
,,«=$§£@## ##@£§$=«,,
.....:\%*£ my mom is here now. i ask her for some £*%\:.....
.,~^*¤#@## particle board for it to dry on, but ##@#¤*^~,.
,,»:=£§¶@# she is worried and wants me to #@¶§£=:»,,
,~~:%£§### throw it away. ###§£%:~~,
.,~:**£@## ##@£**:~,.
¨...-=$¤@@ @@¤$=-...¨
¨.»\§%§@@# #@@§%§\».¨
,~-=$*§@## ##@§*$=-~,
,..«^/^%@@ @@%^/^«..,
..¨..:%$@# #@$%:..¨..