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###£@^:«^. few colored lights scattered in an .^«:^@£###
##¶£*$/=,, enormous hall. coincidentally, this is ,,=/$*£¶##
#¤@*†\^-:¨ where i work. ¨:-^\†*@¤#
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¶£#@¤=/~,¨ confident, too malleable. i feel good, ¨,~/=¤@#£¶
##@#£=:«.. too good to be bored, which i guess is ..«:=£#@##
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&^==~.¨¨,. i doze off, daydream... or maybe i fall .,¨¨.~==^&
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##£@&§;-^, wake up at work, so the line is blurry. ,^-;§&@£##
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##@&£*\~:¨ their black sillhouette contrasts with ¨:~\*£&@##
#@#&%$†~,¨ the hazy nebulosas mirrored in the ¨,~†$%&#@#
##£§&*/»:¨ obsidian floor. i take their money, ¨:»/*&§£##
¤=-,,,¨.,¨ which i don't understand, but the ¨,.¨,,,-=¤
££¶§£%^--, machine accepts it. ,--^%£§¶££
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#@#£@%^=,¨ tones, like a chord. the beverage ¨,=^%@£#@#
¶#%^%««»-¨ fridge adds a sharp, dark drone. the ¨-»««%^%#¶
@=«»~,¨¨.¨ dining area is vast and people are ¨.¨¨,~»«=@
##£§¤%/=,. cluttered like charcoal islands, their .,=/%¤§£##
£¤*~,,.¨.¨ voices in another language. or in ¨.¨.,,~*¤£
##££$^:=-, another medium, and i'm only able to ,-=:^$££##
##£££=/=.¨ percieve the wake of their words. ¨.=/=£££##
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